Martin Sermat 5/27/22 Martin Sermat 5/27/22 CLIENT: MUSEUM VERSUS PRIVATE CONTRACT Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING ESTONIAN DECLARATION OF INDEPENDENCE IN VILJANDI ON FEBRUARY 24 1918 Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 ADHESIVE BASED SUPPORT AS AN ALTERNATIVE METHOD FOR FRAGILE TEXTILES MEANT TO BE DISPLAYED HANGING Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF TRAVELCHEST Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 POLYCHROME EPITAPH COAT OF ARMS OF THE VON MOHRENSCHILDT FAMILY Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 LAYERS OF HERITAGE ON SHELVES, ALL VISIBLE FOR A VISITOR. CASE STUDY OF ESTONIAN NATIONAL MUSEUM’S FACULTY IN HEIMTALI Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 DIGITISING GLASS NEGATIVES AT THE SA EVM CONSERVATION AND DIGITISATION CENTRE KANUT IN 2005-2016 Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAINTAIN THE TRANSIENT: THE ART OF COLLABORATION AND THE SECRETS OF PHOTOCOPIES Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF A BAROQUE-STYLE CUPBOARD Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAKE THICK LIMP-BINDING COVERS USING TEMPORAL CARDBOARD MOULD: ON EXAMPLE OF 16TH-CENTURY MANUSCRIPT FROM KULLAMAA (WEST ESTONIA) Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING MEETING ON 21.06.1940 (BY A. JEGOROV, 120 X 103 CM) Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF AN EMPIRE-STYLE TABLE Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 ROMAN IRON AGE HOARD FROM VIRUMAA Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 RIGA CASTLE: THE RESTORATION PUZZLE RESOLVED Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF MEDIEVAL ARMOURS FROM CESIS CASTLE Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CROSSES AND WAYSIDE SHRINES IN MUSEUMS. RESEARCH AND RESTORATION Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 SCIENTIFIC RESEARCH AND RESTORATION OF PAINTING "IMMACULATE CONCEPTION OF VIRGIN MARY” Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 IMAT APPLICATION IN ART CONSERVATION Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 LOUIS XVI – STYLE TABLE Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 THE RESTORATION OF THE 19TH CENTURY ANTEPEDIUM Read More Newer Posts Older Posts
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING ESTONIAN DECLARATION OF INDEPENDENCE IN VILJANDI ON FEBRUARY 24 1918 Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 ADHESIVE BASED SUPPORT AS AN ALTERNATIVE METHOD FOR FRAGILE TEXTILES MEANT TO BE DISPLAYED HANGING Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 POLYCHROME EPITAPH COAT OF ARMS OF THE VON MOHRENSCHILDT FAMILY Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 LAYERS OF HERITAGE ON SHELVES, ALL VISIBLE FOR A VISITOR. CASE STUDY OF ESTONIAN NATIONAL MUSEUM’S FACULTY IN HEIMTALI Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 DIGITISING GLASS NEGATIVES AT THE SA EVM CONSERVATION AND DIGITISATION CENTRE KANUT IN 2005-2016 Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAINTAIN THE TRANSIENT: THE ART OF COLLABORATION AND THE SECRETS OF PHOTOCOPIES Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAKE THICK LIMP-BINDING COVERS USING TEMPORAL CARDBOARD MOULD: ON EXAMPLE OF 16TH-CENTURY MANUSCRIPT FROM KULLAMAA (WEST ESTONIA) Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING MEETING ON 21.06.1940 (BY A. JEGOROV, 120 X 103 CM) Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF MEDIEVAL ARMOURS FROM CESIS CASTLE Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CROSSES AND WAYSIDE SHRINES IN MUSEUMS. RESEARCH AND RESTORATION Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 SCIENTIFIC RESEARCH AND RESTORATION OF PAINTING "IMMACULATE CONCEPTION OF VIRGIN MARY” Read More
