https://www.anno.renovatum.ee/ee/renovatum-anno-2015 daily 0.75 2024-12-12 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/paberi-valmistamine-mirow-lossi-tapeetide-rekonstruktsiooniks-ja-pilk-ptipaberi-traditsioonile monthly 0.5 2024-12-10 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502026108-03BK2N353845Z2EUVC5L/1.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 1 Ammutusvorm punutud messingvõrgu ja sellele kaanena asetatava, poogna formaati tagava raamiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502039277-LXE1R2JRZ7BY17O6BEW2/2.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 2 Pabermass on vormi abil pütist ammutatud ja nõrgub raamiga piiratud võrgul. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502050816-PHV0XV6H6ZJW9N2TATGA/3.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 3 Massist moodustub poogen niipea, kui vesi läbi võrgu välja valgub, misjärel saab raami võrgult maha tõsta. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502061718-JTVZRV4ECMJ2I6K2ZCL6/4.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 4 Kui läbi võrgu enam vett ei tilgu, kummutatakse poogen vildile. Pildil on vasakul näha pressi ees seisev kuhi, mille moodustavad vaheldumisi laotud vilditükid ja värsked poognad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502084171-X23PINHGC65FVQ299MBF/5.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 5 Võrgult vildile kummutatud poogen. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502098000-RIQU9ILK9I866P5OMFGY/6.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 6 Värskelt ammutatud ja vildile kummutatud märjas poognas on hästi näha võrgujälg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502108867-OS4NF2U81ARIKDPY3LPY/7ok.jpg Renovatum Anno 2015 - PABERI VALMISTAMINE MIROW’ LOSSI TAPEETIDE REKONSTRUKTSIOONIKS JA PILK PÜTIPABERI TRADITSIOONILE - ill 7 Hüdrauliline press ja viimase poogna kummutamine, näha on ammutusvõrgu alusraam puitribidega. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/aken-fotograafia-algusaega-eesti-dagerrotpide-kaardistamine monthly 0.5 2024-12-10 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257558148-ETXQDM2EKP76YTS76HVP/Ill-01-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 1 Tuvastamata naine lapsega, u 1850. aastad. Tuvastamata fotograaf, Euroopa-stiilis paberraamistuses dagerrotüüp (170 × 135 × 7 mm). Tartu Linnamuuseum, TM F 479. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257585939-0ES4NYTMJM93Q8WYIAJE/Ill-02-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 2 Dagerrotüübi vormistuse tagakülg. Tartu Linnamuuseum, TM F 479. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257604255-4L3IXCJR58U2AJF9NSPV/Ill-03-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 3 Tuvastamata neiu portree. Tuvastamata fotograaf, angloameerika-stiilis ilukarbis dagerrotüüp (95 × 80 × 10 mm) (Kurmo Konsa erakogu). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257620195-M1ONW0F6ZZJBRUSYD7KH/Ill-04-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 4 Dagerrotüübi vormistuse tagakülg. (Kurmo Konsa erakogu). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257829552-HO0LROSVIPY1JCM42R9U/ill_05ok.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 5 Tallinna kaupmees J. Martinseni dagerrotüüpia-aparaadi müügikuulutus, Revalsche wöchentliche Nachrichten, nr 32, 05.08.1840, lk 876. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257642976-8LCANVHK7ZFDRD2KCZAV/tegin+v%C3%A4iksemaks+Ill-06-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 6 Dagerrotüpist Carl Neuperti valmistatud ilukarbis ja tumerohelisest sametist raamistuses dagerrotüüp. Rahvusarhiiv, EAA f 1862, n 2, s 472, f 3.Foto: Benno Aavasalu). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257974988-IQ62JWNMCMG07XZRIJ1S/Ill-07-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 7 Carl Johann von Seidlitzi lapsed, vasakult: Marie, Georg Karl Maria ja Karl Johann Maria, u 1844. Tuvastamata fotograaf, Peterburi, paberraamistuses dagerrotüüp (133 × 110 mm). Kirjandusmuuseum, EKLA A-37:1254. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654257992952-OKUCY2C0C7KBF9HGA7IW/Ill-08-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 8 Vanim Eestis valmistatud dagerrotüüp. Alexander Hoeppner, u 1850, Tallinn. C. Borchardt (?), detail paberraamistuses dagerrotüübist (185 × 154 mm). Järvamaa Muuseum, PM F 22. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258015775-6CNXAORH439BJOKYXKPF/Ill-09-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 9 Fr. R. Kreutzwaldi abikaasa Marie, tütar Adelheid ja poeg Aleksis, u 1853. Robert Borchardt, paberraamistuses dagerrotüüp (111 × 95 × 6 mm). Kirjandusmuuseum, EKLA A-12:2. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258047764-17Z2URMZF42RYMSEGZ1C/Ill-10-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 10 Lavastatud joomingustseen, u 1840.–1850. aastad. Tuvastamata fotograaf, paberraamistuses stereodagerrotüüp (83 × 170 × 5 mm). TÜ raamatukogu fotokogu, F 169, S 5. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258418636-DW1P9B3EHD7YI7S8MX4Y/Ill-11-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 11 Tuvastamata naise portree, u 1850. aastad. Tuvastamata fotograaf, dagerrotüübi vasakus ülanurgas on eristatav sissevajutustempel plaadi tootjamärgise ja hõbeda sisaldusega ning sõrmustel on näha kuldne retušš. Järvamaa Muuseum, PM F 23. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258446090-90YLT2F1QA2M0KX3GNMN/Ill-12-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 12 Originaalvormistuseta, oksüdeerunud, määrdunud ja sõrmejälgedega kaetud dagerrotüüp (107 × 81 mm). Tallinna Linnamuuseumi Fotomuuseum, TLM F 9701. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258485549-ECQP1H6T53G9Y9PSYP6T/Ill-13-.JPG Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 13 Kujutis näib teatud nurga alt vaadeldes negatiivina. Detail koloreeritud dagerrotüübist (Igor Kontsovi erakogu). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258507092-PZHKV94I1S7CXB1QVMH1/Ill-14-.JPG Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 14 Hembo Pagi (Archaeovision OÜ) digiteerib Eesti Ajaloomuuseumi dagerrotüüpi RTI-meetodil. Foto: Kadi Sikka, 01.06.2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654258528962-B5C5L0PW51ENV57JS27G/Ill-15-.jpg Renovatum Anno 2015 - AKEN FOTOGRAAFIA ALGUSAEGA. EESTI DAGERROTÜÜPIDE KAARDISTAMINE - ill 15 RTI-fotograafia võimaldab külgvalguses ja erinevaid filtreid lisades esile tuua dagerrotüübi tootmise, viimistluse ja seisukorraga seonduva info, sh horisontaalselt hõbedakihil kulgevad poleerimisjooned, kriimustused jms. Erinevalt tavalisest fotost (üleval) on need RTI-fotol (all) selgesti eristatavad. Tulemuste paremaks visualiseerimiseks on kasutatud spetsiaalset tarkvara filtrit, ingl k specular enhancement. Järvamaa Muuseum, PM F 22. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/mahulise-ltskite-tehnika-braille-kirjas-evangeeliumi-konserveerimisel monthly 0.5 2024-12-10 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496667711-7WB072VB8O6921SXP1DI/ill_1.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 1 Köide enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496684368-624LCCO94D3SNNYZE4I4/ill_2.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 2 Köiteplokk oli klammerdatud kolmele paelale, selg oli õhukesest roosast paberist, kaanteks kartong. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496701748-IQYRWS4S1I32L0K7FHA5/ill_3.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 3 Lõõtsa voltimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496722828-P7PR8CIJHB2REM9TP75Y/ill_4.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 4 Iga poogen õmmeldi eraldi lõõtsavoldi külge. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496856850-1IQP49EDAP121B25TF4R/ill_5.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 5 Kettpistes kokkuõmmeldud plokk. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496871965-UTOGQGFPKGLWY54MQ3HS/ill_6.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 6 Paindlik selg lubab köitel täielikult pingevabalt avaneda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496912944-LO1I0H9S8EPV2L3WXQKP/ill_7.JPG Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 7 Lõõtsa käänis ja kalingurist seljaosa õmblus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496928153-PFV6W47UZRJU1YCZWWIP/ill_8.JPG Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 8 Kartongist väliskaas vertikaalse käänisega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496944379-5N265Y3Z45HCO04CG1SV/ill_9.JPG Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 9 Sisemine kartongist kaas, mille ülemine ja alumine käänis on pööratud kaane sisse; see tagab välis- ja sisekaane seotuse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496961236-2NYAKF6YDD32F73ZAO0Z/ill_10.jpg Renovatum Anno 2015 - MAHULISE LÕÕTSKÖITE TEHNIKA BRAILLE KIRJAS EVANGEELIUMI KONSERVEERIMISEL - ill 10 Köide pärast konserveerimist. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/harju-risti-vabadussja-monumendi-juurde-kuuluva-mlestusprja-konserveerimine monthly 0.5 2024-12-10 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260847597-0GI2PZQD88CWCVEULLG7/ill+1.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 1 Risti kiriku pööningult leitud plekist ümbrisvannis oli roostetanud kalmupärg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260862521-E366CGSDKZMJVU5XO3PG/ill+2.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 2 Pärjavõrule oli traadiga kinnitatud lint, millel tekst „RISTI langenud Wabadussõja kangelastele. Sõjaministeerium“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260895321-OBXY49M8CMSUK3DZUF33/ill+3.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 3 Harju-Risti Vabadussõja mälestussammas ja selle kõrval metallist kalmupärg. ERM Fk 2813:56. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260911912-PZWEPLHZ66SWL2DTX0B4/ill+4.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 4 Pärg enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260930087-QE13R2Z0U2L4VT6SLW46/ill+5.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 5 Rooste lehtede tagaküljedel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654261072766-169PD6EQYTFCZGWSTBFG/ill+6.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 6 Rooste lille-detailide kattevärvi all. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654261090986-34SLR3A2IW2BFIKN0HSL/ill+7.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 7 Pragunev ja tükkidena eralduv kattevärv. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654261109844-K6FFF4Z8OH4B4WAKPTDR/ill+8.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 8 Lindi puuvillase riide kahjustunud koestruktuur. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654261127478-VKX88FFAF4PQHGC18YB7/ill+9.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 9 Lindi siid oli killunev ja sinine toon säilinud vaid kanga voltides. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495861808-WHR8QT8P05O6SNXCE3FS/ill+10.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 10 Pärja tagakülg. Roostetanud pinnad puhastati mehhaaniliselt minitrelliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495877683-M49NVGKKLZRCWLGVVPT3/ill+11.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 11 Roostest puhastatud pinnad töödeldi atsetooniga ja kaeti kattelakiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495894383-HNR1R29E01E9ITDU1IU9/ill+12.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 12 Lillede lahtine kattevärv eemaldati mehhaaniliselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495918687-OCNVQ65X4NLCMGBA4JP3/ill+13.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 13 Visuaalse terviku saavutamiseks tooniti lilledel olnud värvikaod. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495939210-CY78BQYMQY0F4SWY5QQD/ill+14.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 14 Pärjalindi valge riie, millele oli õmmeldud (sinisest) siidist riba. Kahjustunud tekstiilid. Makrofoto. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495952993-5D4UED14BG5G3EHPHLYM/ill+15.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 15 Pärjalint puhastati staatilise harjaga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495968624-SPW352WVSJBG9ZLASP13/ill+16.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 16 Siidi hapruse tõttu teostati kõik tööetapid tekstipoolega ülal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654495983611-BC6F51EKG4FH7Y18UXO9/ill+17.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 17 Puhastatud ja sirutatud lint asetati vaakumlauale ja liimiti BEVA kile abil Hollytex kangale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496000537-VMHH4BSA41SKMRZFWPOO/ill+18.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 18 Termiline töötlus tehti vaakumlaua soojendusplaadil. Lint jäeti plaadile kergesse pressi u 3 tunniks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496016712-ET7IAO9S298IHN0N4X4P/ill+19.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 19 Valge riide toestamisega taastati lindi tervik. Siidiosa konserveerimine vajas täiendavat töötlust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496033178-TK2CCJV2XIQ3AZ8R6OJC/ill+20.JPG Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 20 Siidi katmiseks kasutatav võrkriie liimistati teflonkangal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496050955-9B58CS545VKIPB0OTURG/ill+21.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 21 Liim ei tohi täita võrgusilmi ega katta toestusmaterjali ebaühtlase kilena. Makrofoto. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496072089-M5IDWPTTG7ODKOQ9QZW2/ill+22.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 22 Liimistatud võrk. Liim katab ainult võrguniite. Makrofoto. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496089438-2OP3BFG47U4XEKUQTTZ3/ill+23.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 23 Liimistatud võrk pärjalindil. Makrofoto. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496106021-63JRF7QYMWDIJEI440HX/ill+24.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 24 Termiline töötlus kuumaspaatliga. Võrguga kaeti kogu lindi pind, mis tagas selle edasise eksponeerimise pärjal rippuvana. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663850026527-7LISTITZ1OSHS580PGV0/25.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 25 Konserveeritud pärjalint kinnitati korrastatud pärjale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496139959-4RTEKOCJT54BC2M0DJ8M/ill+25.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 26 Konserveeritud pärg viidi Risti kirikusse 2014. aasta juunis, mil möödus 90 aastat Vabadussõja mälestussamba avamisest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496156813-JOAI9D7CZXAFOIKU1R0K/ill+26.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 27 Pärja paigaldamine Risti kiriku eeskoja seinale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496208878-L303OQLKDMA5PP58E2HL/ill+27.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 28 Ümbrisvannis pärg kinnitati seinale koos puidust originaalristiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496223733-2XG04BFCHOEL9I2HIVKP/ill+28.jpg Renovatum Anno 2015 - HARJU-RISTI VABADUSSÕJA MONUMENDI JUURDE KUULUVA MÄLESTUSPÄRJA KONSERVEERIMINE - ill 29 Vann kaeti kattega. Pärga näevad kõik kirikusse sisenejad. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/uue-suislepa-misa-lugu-ja-mlestused-akvarellides monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986098570-RB8UIWCXIBY7P5SV8U4Z/Illustr1-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 1 Anna von Krüdeneri akvarell Uue-Suislepa mõisa Rohelisest salongist. 1887. Viljandi Muuseum 9893:1 Konserveeritud 2015. Tea Šumanov (Kanut). Foto: Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986106073-TGP2EEDBXE8QUR7NB3C4/Illustr2.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 2 Uue-Suislepa mõisa Rohelist salongi kaunistasid maalid „Tüdruk kukega“ ja „Poiss hanega“. Autor: Jacob Cerritsz Cuyp (1594–1652). U 1650. Tüdruk kukega- EKM VM 108 (EKM M 438); Poss hanega-EKM VM 109 (EKM M 439). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986116433-DHYFJX12HQCMANX4H9UJ/Illustr3-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 3 1940. aastal soetas Eesti Kunstimuuseum maalid Tartu antikvaarilt Gustav Kangrolt, kes oli need ostnud 1936. või 1937. Aastal. 1999. aastal konserveeris mõlemad maalid H. Vernomasing (EKM). Foto V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663231667033-3F4Y9VJM3HSSC04STN7Q/Illustr4-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 4 Anna von Krüdeneri akvarellil on Rohelise salongi seinal näha maal „Õhtusöök Emmauses“. Lambert Jacobszi ateljee (?), u 1630. – EKM Mi 179. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986157831-7A2NKS0RYUZ7MJ3GZ7CR/Illustr5-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 5 Mikkeli muuseumis eksponeeritud „Õhtusöök Emmauses“. EKM Mi 179 Legend: 1997 Johannes Mikkeli kingitus, pärit Uue- Suislepa mõisast. Konserveerimine: 2007 –2010. Maris Klaas (EKM). Foto V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986167157-ZWJBUALXX1HGULZ9MGTL/Illustr6-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 6 Anna von Krüdeneri akvarell Uue-Suislepa mõisa söögitoast. Viljandi Muuseum VM 9893:2 Konserveeritud 2015. Tea Šumanov (Kanut). Foto: Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986192456-3I80O840KKU1B4UV7744/Illustr7-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 7 Anna von Krüdeneri söögituba kujutaval akvarellil oleva maali ja Sagadi mõisas asuva riikliku kunstimälestise võrdlus. (J. Fr. Seupeli „Faasanid“) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986228194-K0A7U46V6PBBFYNP2SD5/Illustr8-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 8 Õlimaal „Faasanid“, Reg nr 2571 Maalil on kujutatud eksootilisi linde barokse allee taustal. Säilinud on ka maali originaalraam. Autor ja valmistamise koht: Johann Friedrich Seupel, Peterburi. Dateering: 1785. Mõõtmed: 112 × 142 cm. Signatuur: Seupel pinx. Kunstiteos on ostetud 1980. aastatel Tallinna Linnamuuseumi kunstikogu hoidja Linda Alekõrre käest Rägavere mõisa sisustamiseks. Foto: Muinsuskaitseamet. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986241778-S2HI1HTWJR589UF06POV/Illustr9-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 9 Anna von Krüdeneri söögituba kujutaval akvarellil oleva maali ja Sagadi mõisas asuva riikliku kunstimälestise võrdlus (J. Fr. Seupeli õlimaal „Võitlus“). Foto: Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986270633-CFGG2DTOOGSMJWLL21IS/Illustr10-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 10 Õlimaal „Võitlus“, Reg nr 2570 Maalil on kujutatud koera ja kassi, viimane kaitseb püütud lindu kui oma saaki. Maalil on säilinud originaalraam. Autor ja valmistamise koht: Johann Friedrich Seupel, Peterburi. Dateering: 1786. Mõõtmed: 112 × 142 cm. Signatuur all vasakus nurgas: F.Seupel pinx 1786. Kunstiteos on ostetud 1980. aastatel Tallinna Linnamuuseumi kunstikogu hoidja Linda Alekõrre käest Rägavere mõisa sisustamiseks. Maal konserveeriti 2004. a. Malle-Reet Heidelberg (FIE). Foto: Muinsuskaitseamet. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986281709-46R1KBHOTRLMJ2J7LKAY/Illustr11.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 11 Perekond von Krüdeneri päevaraamatu juures olnud mõisa plaan ja ruumide kirjeldus. Plaani on mälu järgi joonistanud Verena von Krüdener (Lüers) 1984. aastal. Foto erakogust. Uue-Suislepa mõisa inventariseerimise plaan 14. detsember 1983. ERA.T-76.1.15586 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986294215-SJNU5KS1C4AHNC6GNJZG/Illustr12-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 12 Moritz von Krüdener kirjutustoas. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986306597-MSYU9G9V6E29LHL7LUEM/Illustr13-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 13 Sinine salong, seinal maal „Poiss kanaga“ ja Etienne Maurice Falconet skulptuur „Istuv Amor“. Maalid ja skulptuur asusid varem teisel pool saali olevas Rohelises salongis. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986317600-1WTP30WCSN5J7620BC0N/Illustr14-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 14 Vaade Sinisest salongist saali (muusikatoa seintel keiserlikud portreed). Konsoollauad ja peeglid asusid varem söögisaalis. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986325711-NRDPOCBM8808L2ZU6HER/Illustr15-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 15 Barbara von Krüdener (s 1898 – 1916 Moskva) saalis musitseerimas. U 1910. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986344683-C6N5ZIXM34GJC60SHNBF/Illustr16-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 16 Constance von Krüdener saalis, taamal Giambologna skulptuur “Sabiinitaride röövimine“. Ukseavast paistab maal „Õhtusöök Emmauses“. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986353719-BNBB61UTGN7RZ23EW39X/Illustr17-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 17 Saal vaatega Sinise salongi suunas. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986362501-5T7VH8O69K8ROK3B9HZF/Illustr18-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 18 Söögisaali maalid on eksponeeritud samuti nagu on kujutatud Anna von Krüdeneri akvarellil. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986370546-XH7Z38AN51SBRKQSY50I/Illustr19-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 19 Söögisaal u 1910. Ukse kohal on näha fragment akvarellilt tuttavast maalist, samuti kappkell ja puhvet koos ratsafiguuridega. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987721442-XOZC1L1K56E572IJUZSP/Illustr20-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 20 Laste mängutuba u 1910. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987751367-2ICIHGN23NLI13NMV1VQ/Illustr21.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 21 Ida von Krüdener teisel korrusel vanaema toas. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987759231-0ZBQFIEJO2HEPJEEHITW/Illustr22.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 22 Saal, jõulud 1915. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987763968-8NSW96J4UI3OE81BDONX/Illustr23.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 23 Lihavõttepühad ja munade veeretamine, arvatavasti 1916. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987770604-6CORSIWQ445VZ4AE5QUQ/Illustr24.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 24 Teisel korrusel vanaema toas – Elisabeth, Anna ja Elli von Krüdener. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987785820-5YHF1JANAKVZ5YYR2AT6/Illustr25-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 25 Anna von Krüdener pargis teed serveerimas. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663231914480-3IXT189MQWJ3EAO6LBJE/Illustr26.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 26 Suislepa mõisa saali mööbel 1930. aastatel. Maalid, istemööbel ja lühter koos küünlajalgadega kannavad uues asukohas mälestust Uue-Suislepa mõisast. Foto erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987825446-1EVL53U8HIMRYX43IBN7/Illustr27-tn.JPG Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 27 Sagadi mõisa saal 2013. aastal toimunud Muinsuskaitseameti interjööripäeva eel. Foto V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987842616-7EKWZ0PH23MIXDMPP5TB/Illustr28-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 28 Uue-Suislepa mõis. Koloreeritud postkaart autori erakogust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987857292-V56M6PIDA2Z1D9PYXZOF/Illustr29.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 29 Ülal akvarell enne konserveerimist, all pärast konserveerimist. Paremal akvarelli tagumisel küljel olev visand Medusa peast. Foto: Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987869325-ORLP0JCK14TW9WSIEDCI/Illustr30.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 30 Ülal keskel akvarell enne konserveerimist ja all pärast konserveerimist. Augud paberis (ülal vasakul ja paremal) toestati tagaküljelt paranduspaberiga ja täideti pinnalt liimaine ja tselluloosipurust massiga ning toneeriti akvarellidega (all paremal). Foto: Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987873604-JBDW9O76204QP4Q3ROU8/Illustr31-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 31 Konservaator Tea Šumanov akvarellikadusid retušeerimas. Foto V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987880825-7S9L7EBPJY575MWDUGNB/Illustr32.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 32 Söögisaalis eksponeeritud kunst ja sisustuselemendid on seisnud pikka aega oma algsel asukohal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987892413-VWC5IIG6QCLIIB5K9FYE/Illustr33-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 33 Akvarellil nähaolevatest maalidest ja skulptuuridest on mõned vahetanud aja jooksul salongides asukohti. Paremal asuv Giambologna skulptuur „Sabiinitaride röövimine“ viidi saali ja vasakul asuv Etienne Maurice Falconet skulptuur „Istuv Amor“ viidi sinisesse salongi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987900449-JU1TX5JJYCX0GF2MJW0G/Illustr34-tn.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 34 Saalis olevad portreed on maalitud hinnatud meistrite maalide eeskujul. Katariina II portree on maalitud F. Rokotovi järgi, Keiser Paul I ja keisrinna Maria Fjodorovna portreed A. Roslini jägi ning Aleksander Pavlovitsh lapsena ja ilmselt ka Konstantin Pavlovitsh lapsena D. Levitski maali järgi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663231935174-SYBAMG6L2CO2KWZOMLHA/Illustr35.jpg Renovatum Anno 2015 - UUE-SUISLEPA MÕISA LUGU JA MÄLESTUSED AKVARELLIDES - ill 35 Keiser Paul I ja keisrinna Maria Fjodorovna portreed on maalitud A. Roslini maalide järgi. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/kogemusi-meretagustelt-mblikultuuri-alleedelt-1 monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643277036-P6LDMD2QN9O2S2FOKZ9Q/ill_1.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 1 Skokloster ühel 2013. aasta jaanuarihommikul. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643287309-O7AB6E2SNY9TC98FZ31O/ill_2.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 2 Carl Malmsteni tool “Stadhus stol” (1916). Peentisleri poolt 2012. aastal mööblikoolis CMFS valmistatud koopia. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643293326-94DU5DNM1R5EPQQND394/ill_3.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 3 Lilleõie motiivi lõikamine 1780. aastal leiutatud hobust meenutaval intarsiaraamil nimetusega marquetry donkey (intarsia eesel, prantsuse hobune), mis võimaldab korraga välja lõigata mitu identset tükki. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643313545-YNG037YTJX2KJ6VCO2YY/4.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 4 Allalastava klapiga sekretärkapp secrétaire à abattant. Oletatavalt Stockholmi meistrite töö, u 1840. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643326456-9I4AJMB65C5YH27A1DCY/5.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 5 Vaade rokokoo stiilis koopiakummuti nurgale. Originaali autor aastatel 1744–1779 Stockholmis tegutsenud meister Christian Linning. Mänd, roosipuu, amarant, jakaranda (Jacaranda mimosifolia). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643344283-2QYUDB0JONT8PQGWSYCS/6.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 6 Panusemeistri ja tsiseleerija töö kõrgest tasemest annavad tunnistust rikkalikud detailid nagu lehtedel olevad soonekesed ja vormide viimistletus. Foto: The Wallace Collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643356060-SBC67UUCFOK70OINXBO1/7.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 7 Paremal: premiére partie intarsia irduvate detailide fikseerimine. Foto: The Wallace Collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643366835-0YR6V3QE2FDSFR9WM336/ill_8.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 8 Rooste eemaldamine kelaatühendi EDTA vesilahusega immutatud paberkompressiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643373996-IX6FPCS7S2KTG9FNL9KI/ill_9.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 9 Seene Chlorociboria aeruginascens toimel värvunud puit. Foto: Prof Hans Michaelsen (Potsdami Ülikool). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662643382124-OVLLWTH7Q260CS43MCW5/ill_10.jpg Renovatum Anno 2015 - KOGEMUSI MERETAGUSTELT MÖÖBLIKULTUURI ALLEEDELT - ill 10 “Infinity Stool”, visand (L. Vaher 2012). https://www.anno.renovatum.ee/ee/renovatum-anno-2015/sissejuhatus-digiteerimise-phimistete-juurde monthly 0.5 2024-11-28 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503852001-BYWOLOXK9PQPDQ4SGTCX/Illustratsioon_01.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 1 Raster- ja vektorkujutis. 15 × suurendatud ringi servad on sakilised, vektor säilitab alati ideaalse ringi kuju. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503868889-PPIBKSFB7WMXF822W6WH/Illustratsioon_02m.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 2 Foto ekraanist. Suurendamisel on näha ekraanipikslid ja sakiliste servadega tekst. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503879715-W80XPUKV94H823XG6YAE/Illustratsioon_03m.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 3 Resolutsioon. Kõrge resolutsiooniga skaneerides tulevad esile väiksed detailid. Originaali suurus 25 × 31 cm, sisse skaneeritud 800 dpi (9400 × 7615 px). Hõbeželatiinemulsioon-klaasnegatiiv, Kukulinna mõisa saal, 1910. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503892698-HANDSS59YT5H4OR992P6/Illustratsioon_04m.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 4 Resolutsioon. 1-tollisel lõigul on 72 pikslit ehk pildi resolutsioon on 72 dpi (dot per inch - punkti tolli kohta). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503920638-AW64L9H84TXN1IUYA9LM/Illustratsioon_05m.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 5 Resolutsioon. 1-tollisel lõigul on 36 joont (36 lpi), all on sellele vastavalt 72 punkti (72 dpi). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503935569-AP0RQMZ5OO8IZYR487GL/Illustratsioon_06m.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 6 Resolutsioonide võrdlus. Kanutis paika pandud negatiivide (hallid) ja fotode (valged) skaneerimise resolutsioonid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654504001252-RCCDQF7R1MPOHCYBRHMY/Illustratsioon_07+%282%29.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 7 Resolutsioonide võrdlus. Keskel on näha erineva resolutsiooniga skaneeritud pildidetailid, mis on tarkvara abil tehtud sama suureks, kui kõige suurem fragment (ülemine 1200 dpi); paremal on nende tegelikud suurused. Graafikul on näha, kuidas kasvab 16-bitise TIFF faili andmemaht sõltuvalt resolutsioonist. Paberalusel toneeritud hõbeželatiinfoto. August Rebane abikaasa ja ämmaga (?). Foto: August Rebane, ca 1923, erakogu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503950112-XMEJHOUGQ8J5M6JRO6F2/Illustratsioon_07m.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 8 Värvisügavus. Vasakpoolne pilt on esitatud kahe värviga: must ja valge, keskmine 8-bitisel hallskaalal, värviline kolme 8-bitise värvikanaliga ehk 24-bitiselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654504032060-VB6YKCMJFYG1R7H3GCGE/Illustratsioon_09.jpg Renovatum Anno 2015 - SISSEJUHATUS DIGITEERIMISE PÕHIMÕISTETE JUURDE - ill 9 RGB värvimudel. Kolmest põhivärvist –punasest, rohelisest ja sinisest – segatakse kokku ülejäänud toonid, kõigi kolme värvi liitmisel saadakse valge. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/museaalide-digiteerimine-1 monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503268392-5KDVEMYBRB70HOF7LOA4/Ill_2_.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE - ill 1 Museaalide digiteerimise töövoog https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503315145-8OBHEQ1VUKIKAXM168GL/ill_3.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE - ill 2 Monitori kalibreerimine ja värvide profileerimine spektrofotomeetriga i1-PRO https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503323614-Z9PZ2WN6FOV1TJ23ZVGT/ill_4_.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE - ill 3 Spektroradiomeeter CL-500A https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503333238-K16C2TN0AWENVW83BUPU/ill_5_.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE - ill 4 Reprodutseerimise kvaliteet sõltuvalt töökeskkonnast https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503345371-VZV72QWNECCOV9BNRAZJ/Ill_6_.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE - ill 5 Näide spektroradiomeetriga mõõdetud erinevate valgusallikate energia spektraalsest jaotusest. D50 on standardites ISO 3664:2009 ja ISO 12646:2015 soovitatav ühtlane energia spektraalne jaotus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663847068671-SNW24KG6HWRTQ8VPQQOV/ill_1a.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE - Skeem Museaalide digiteerimise töövoog. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503460440-R7E2PZ42H2NCJ4SDXD1Q/ill_1a.jpg Renovatum Anno 2015 - MUSEAALIDE DIGITEERIMINE https://www.anno.renovatum.ee/ee/renovatum-anno-2015/helilooja-eduard-tubina-mudellennukid monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502181300-DZYB9QRW6IYVTBSW7GPG/ill_1.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 1 Mudellennuk- 1 enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502197436-NWLQ3ZPNHENFD1V62CR7/ill_2.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 2 Mudellennuk -2 enne konserveerimist. Lennuki tiival on silt omaniku nime ja aadressiga: „EINO TUBIN. Ulricehamnsv. 44. Johanneshov. Te. 483733“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502247694-V9TZIFLHWDHBNLSVI0HF/ill_3.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 3 Mudellennuk- 1. Puitkonstruktsiooni kattev siid oli rebenenud ja auklik. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502855348-CA9PD27OUEAFCJV0AD07/ill_4.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 4 Mudellennuk -1. Detail lagunevast kattekangast (impregneeritud siid). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502936814-XWUG4JYFEZOKRO8HOSFC/ill_5.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 5 Mudellennuk- 1. Rebendeid ja auke oli parandatud teibiga ja kilest paikadega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502951435-7501XJEJZKEZS618YN00/ill_6.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 6 Mudellennuk- 2. Tiiva murdunud karkass oli põhjustanud kattesiidi rebenemise. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502968215-KMS13G1GXQOLXEK0JUN2/ill_7.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 7 Mudellennuk -2. Lennuki ninas oli karkassile tõmmatud kattematerjali pinge tõttu suurenev rebend. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502982568-N5NYMA75ZKXD8EBPECH7/ill_8.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 8 Mudellennuk- 1. Rebenenud siidkate eemaldati karkassilt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654502998817-5YTD9QLGVLZCBWFDJNHN/ill_9.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 9 Mudellennuk -1. „Aknakeste“ servad puhastati siidi ja liimi jääkidest, et saaks asendusmaterjali korralikult karkassi puitservadele kinnitada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503015350-4Q3RGKDD7QAVFVX0698J/ill_10.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 10 Mudellennuk -2. Varasem puiduparandus tiiva murdel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503026772-AWU3U2S9T808BCF3G85M/ill_11.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 11 Mudellennuk -2. Murdunud tiib sätiti endisesse asendisse ning toestati puukiiludega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503045981-QZRSFFI3YFEB17X7PZU6/ill_12.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 12 Õhukeste materjalide ühendamine oli täpsust nõudev töö ning parema tulemuse saamiseks taustati siid „neljal käel“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503065463-YHCT7LCHEZ3G4EWYCOWG/ill_13.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 13 Uus kattematerjal lõigati šabloonide järgi vajaliku suurusega tükkideks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503084662-V3OH19QCYUNCRLY1AACY/ill_14.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 14 Sobivad tükid liimiti puitkarkassi külge nisujahukliistriga ja liimiseks tehti nii puitkarkassi kui ka materjali servad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503111617-F54OA8P1AKF9086LKZQ0/ill_15.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 15 Liimitavad pinnad siluti teflonist voltluuga korralikult kinni. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503125766-BQO6L3Z53EAXYED3THRF/ill_16.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 16 Mudellennuk -1 pärast konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654503138467-VZIP5Z8TK8N2KLK61NYV/ill_17.jpg Renovatum Anno 2015 - HELILOOJA EDUARD TUBINA MUDELLENNUKID - ill 17 Mudellennuk -2 pärast konserveerimist https://www.anno.renovatum.ee/ee/renovatum-anno-2015/kahe-ferrotbi-konserveerimine-ja-ettevalmistamine-digiteerimiseks monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501762543-JZ674MZ0BNAZIYNWZC80/Lehtaru+ill.+1.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 1 Ümbrispaberiga kokkukleepunud ferrotüüp eestvaates. EAA 1414-2-243 lk 22 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501775422-6GOCZUDSK5NZ1U23PG8Y/Lehtaru+ill.+2.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 2 Ferrotüüp tagantvaates. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501790087-VAWB6GL2085OQ9L554PJ/Lehtaru+ill.+3.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 3 Ümbrispaberi eemaldamine vatipulga ja destilleeritud veega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501804766-GJ6KFD3VCHD5LZJR30Y5/Lehtaru+ill.+4.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 4 Foto pinnale kleepunud ümbrispaberil nähtavale ilmunud aastaarv 1872. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501818831-W4GK8YX3TU7XBJPBE0CE/Lehtaru+ill.+5.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 5 Ümbrispaberi eemaldamine foto pinnalt. Lähivaates on nähtavad emulsioonikihile jäänud paberikiud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501830206-G7TD3332Z4D6U7DMBXWT/Lehtaru+ill.+6.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 6 Ferrotüüp pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501844591-O6ESLY8JPCKJ84BPXSCE/Lehtaru+ill.+7.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 7 Säilitusümbris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501858459-7EVWGCM9PFKTNKE8RPW4/Lehtaru+ill.+8.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 8 Artur Fahli portree eestvaates enne konserveerimist. EAA 402-2-6004, lk 9. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501869766-U2I9DVB6NWK0LUS7W5BX/Lehtaru+ill.+9.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 9 Korrodeerunud ferrotüüp tagantvaates. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501887223-ZVZZD231SE6ZOCYDGRXV/Lehtaru+ill.+10.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 10 Foto tagaküljelt lahtise rooste eemaldamise töövahendid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501912697-ZGTSBI9IVNOV9LJ60MDU/Lehtaru+ill.+11.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 11 Foto eestvaade pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501935017-9YGOE618LX8MG9IH5125/Lehtaru+ill.+12.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 12 Foto tagantvaade pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654501948107-WJLQQ86KEAW95H7C4MCR/Lehtaru+ill.+13.jpg Renovatum Anno 2015 - KAHE FERROTÜÜBI KONSERVEERIMINE JA ETTEVALMISTAMINE DIGITEERIMISEKS - ill 13 Säilitusümbris. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/huvitav-leid-mahtra-talurahvamuuseumi-riidekirstust monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498943374-PMKTN74VZVUE8FG4FNYJ/ill_1.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 1 Riidekirst enne konserveerimist. Kirstu lukk oli kinni roostetanud ja keegi ei teadnud, mis seal sees on. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498959939-UEFO0MDIVL4O1X0EQ9LW/ill_2.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 2 Enne konserveerimist. Tolmu ja hallituskihi all olid nähtavad tapeedi ja maakaardi fragmendid, 6 väikest joonistust ja 2 trükist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498975713-M8NHTQZAIX1SDWZPXKXT/ill_3.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 3 Enne konserveerimist. Fragment tapeedist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499215027-8I6NPU8IR4LBJKLUZMJU/ill_4.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 4 Enne konserveerimist. Vana-Liivimaa kaart. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499231037-4P36BTC7JR31P58EGV0D/ill_5.JPG Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 5 Pinnad puhastati 70%-lise etanooli lahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499250637-9LUED9VETNO1BZWQDX0V/ill_6.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 6 Tapeedi tagakülg: liimi ja mustuse kogumid, niiskus- ja putukkahjustused, rebendid ja materjali kaod. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499282517-EHDV0GI1HAN5K5K5FYJX/ill_7.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 7 Paberobjektid eemaldati kirstukaanelt puidu ja paberi kontaktpindu etanooliga niisutades. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499293588-AMCG7WLTTLSESOW1LSZC/ill_8.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 8 Kaardi vasakus ülaservas on osa gravüürist puudu, tükid leiti kirstu põhjas olnud hiirepesast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499308278-2KX7SS8UB0PV5FYLBEFG/ill_9.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 9 Hiirepesast välja sorteeritud kaardi- ja tapeeditükid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499327473-QE0IM0R7110DEXZ2ICIN/ill_10.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 10 Enne konserveerimist.Tapeet on valmistatud pütipaberi poognatest (41 × 56 cm) ja trükitud pakutrüki tehnikas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499350758-C711DLK06UPLF39KLVP1/ill_11.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 11 Tapeet võiks sobida biidermeier-interjööri, kuna jäljendab tolleaegset trükitud siidi- või puuvillakangast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499369110-V5EPYXOSER5HAJT4M51F/ill_12.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 12 Esikülg: paber pesti veevannis; eelnevalt kinnitati must veetundlik trükivärv 1%-lise želatiini vesilahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499404900-T5XE8T6128EE071UDNQT/ill_13.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 13 Tagakülg: rebendid parandati jaapani paberiga ja augud täideti paberimassiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654499928735-KF1ZTO6N37IZA2416XHD/ill_14.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 14 Servade kaod täideti toonitud paranduspaberiga. Poognate liitekoht fikseeriti kliistriga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500004979-EWI8P6TPSPT9J0UTW3EO/ill_15.JPG Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 15 Kaardi paber oli rabe ja koltunud, materjalis olid hallitusplekid ja teravad veevoolujooned. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500034183-7I5C5R7SBOMGWUQFRRLV/ill_16.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 16 Kaart kuivpuhastati tahmakäsnaga. Veetundlikud värvid kinnitati 1%-lise želatiini vesilahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500060260-SULO4UH9F0NNSZ6U5QN2/ill_17.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 17 Kaardi tagakülg puhastati hallitusest ja liimijääkidest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500617247-ZTVJTH363AGEVSKM6CDD/ill_18.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 18 Kaart pesti vaakumpesulaual. Pesemine ja eritöötlused teostati mitmel käel, et kiirendada tööprotsesse vältimaks paberi pikaajalist märgumist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500641432-4PNHS58VW13GZNLKW87Z/ill_19.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 19 Lahti ligunenud pindmine mustus eemaldati lokaalselt geelja metüültselluloosi lahusega https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500666976-TD9R7XFNRM6EXZ428UPE/ill_20.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 20 Kaart pärast konserveerimist. Paber tugevdati (liimistati) 0,5%-lise želatiinilahusega ja paberi parandused tehti altvalguslaual. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500725019-85QROYFWUYUCXV2J4ND1/ill_21.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 21 Kaart pärast konserveerimist, tagakülg. Jaapani paberist ribad liimiti eri suundades ja mitmes kihis, et võimalikud temperatuuri ja niiskuse kõikumised ei tekitaks pingeid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500796071-8GCMO3E7C8MCVT1HWQLO/ill_22.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 22 Kirstu tervikmulje säilitamiseks tehti originaalidest trükikoopiad. Originaale hoiustatakse muuseumi fondis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654500828717-WDKWT5BDFJZMQTK4UHOS/ill_23.jpg Renovatum Anno 2015 - HUVITAV LEID MAHTRA TALURAHVAMUUSEUMI RIIDEKIRSTUST - ill 23 Riidekirst pärast konserveerimist. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/mirow-lossi-kahe-tapeedi-rekonstrueerimise-lugu monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498635936-O4IELRAQY5TOQY9LP3JY/Ill_1+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 1 Mirow loss Mecklenburg-Vorpommerni maakonnas Saksamaal. Hoone taga paistab Mirow lossiansambli kavaleridemaja. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498651462-PVZGEHGNDOVF1PUX3O5D/Ill_2+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 2 1996. aasta siseviimistlusuuringute käigus leitud 18. sajandi keskpaigast pärinevad samettapeedi fragmendid. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498669609-NDKOAFSJB15G5RXQDOPH/Ill_3+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 3 Kristiina Ribelus samettapeedi aluspaberit satineerimas. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498691375-INYEA5X6TYXLRUXWTMNF/Ill_4+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 4 Samettapeedi paanid. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498706538-40CF0TZ5G51H8VA00GIL/Ill_5+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 5 Halli tapeediga toa ajalooline vaade Jürgen Brandti raamatust „Alt-Mecklenburgische Schlösser und Herrensitze“ (1925). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498721655-K8OTTVBJ48NMGC5Z6MXD/Ill_6+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 6 Halli tapeedi trükkimiseks ettevalmistatud alus linoleumist mustriribadega. Foto Kadri Toom https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498738790-YKC3PFI9W2O16TIOW3O8/Ill_7+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 7 Kristiina Ribelus ja Kadri Toom tapeeti trükkimas. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498760570-VOEVVRSVPJCXFDGSBQ2Q/Ill_8+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 8 Halli tapeedi rekonstruktsioon ajalooliste fragmentidega. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498778282-EMFCO68LYQPF51JJS8W6/Ill_9+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 9 Mirow lossi esivanemate galerii rekonstrueeritud tapeediga. Foto Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498793375-ZW52XBH4Y36UT2UP7LNX/Ill_10+Mirrow.JPG Renovatum Anno 2015 - MIROW’ LOSSI KAHE TAPEEDI REKONSTRUEERIMISE LUGU - ill 10 Endine hertsoginna Elisabeth Albertine zu Mecklenburg-Sterlitzi magamistuba rekonstrueeritud seinakattega. Foto Kadri Toom https://www.anno.renovatum.ee/ee/renovatum-anno-2015/haljala-pha-mauritiuse-kiriku-kantsli-lugu monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654497543785-VRBZ3PRIDD3K9PJZWWJB/Ill_1.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 1 Eesti Ajaloomuuseumi kogus oleval fotol on näha Haljala kiriku sisevaade enne 1880. aastate ümberkorraldusi siselahenduses. Kantsel on veel oma algsel asukohal. AM 8534 F 5645 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654497956621-Y9EQOOVYAXIX4DOEIPYA/Ill_2_14PCo001_02_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 2 Kantsli praegune asukoht kirikuruumis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654497969989-YD7RS57A3U6Y6VOBONRX/ill_3.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 3 Kantsli viimane värvilahendus on tammepuitu imiteeriv aaderdus, mille tegemise aega kinnitab kõlaräästal olev tekst :„Astal 1888 10 Augustil Malar Juhan Auge on tööl .... (kirikus?)“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654497994084-46X97R9CDN2H70EU3D5C/Ill_4_14PCo001_dt1_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 4 1998. aasta tulekahju tõttu oli kogu kirikuinventar kattunud tiheda tahmakihiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498072417-8IXKZXPBVKI7V3HGS4OF/Ill_5_14PCo001_dt3_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 5 Kantsli põrand ja põrandatala olid pehkinud ning korpuse puitkonstruktsioon vajas korrastamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498085927-06FMPUWMQ2ADD0KRPCPY/Ill_6.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 6 Konservaator Viljar Talimaa kõlaräästal troonivat peainglit eemaldamas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498099004-YO0V281NFJAYBBM1763B/Ill_7.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 7 Kahekõne. „Maale laskunud“ peaingel ja koguduse õpetaja Margit Nirgi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498128436-LSYNCGNCPL8OOTKAPBO7/Ill_8_14PCo001_dt08_av_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 8 Kantsli kõlaräästa detailid enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498144266-PW8842HGN37ER4C8QC7H/Ill_9_14PCo001_dt04_dt_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 9 Irduva aaderduse alt paljandusid varasemad eritoonilised värvikihid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498166639-D26KW66J395L6DC1LZYE/Ill_10.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 10 Kaunistuse detail (merekarp) kõlaräästa tahvlilt. Värvikihid: aaderdus - hall – punane - valge krunt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498181111-W5V9C6CDLZEZ7E4GAIZ1/Ill_11.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 11 Irddetail (osaliselt puhastatud). Värviproov on võetud merekarbi kujutiselt. Värvikihid: aaderdus – hall - punane - valge krunt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498216045-XAFHJHASAVDMD3TVFG4F/Ill_12.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 12 Osaliselt puhastatud detail. Värviproov on võetud puto käe pealt. Värvikihid: pruun aaderdus – hall – roosa - valge krunt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498253487-R5SSI13P11IGJ2FYNQ3Y/Ill_13.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 13 Osaliselt puhastatud vapp.Kantsli kõlaräästal asuv vapp on algselt olnud väga mitmevärviline. Värviproov kiivri ehistiivalt. Värvikihid: aaderdus - hall - viimistluskiht (liim või lakk ? või pinnamustus? )- roosa (punane? )- valge krunt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498285954-GP00MWLQEC7YY1XLUDCL/Ill_14.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 14 Värviproov on võetud kõlaräästa parempoolselt tahult, kirja all paiknevalt mustaks värvitud liistult. Värvikihid: must värv – aaderdus – hall – kullatis - krunt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498310248-1EYCWTGASGDFN08EZVON/Ill_15_14PCo001_dt_cp.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 15 Detailide puhastusproovid. Tahmakihi alt avaneb pruun aaderduskiht. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498329542-DST3OWWX8V50BSBNRKWD/Ill_16_14PCo001_dt01_av_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 16 Peaingel Miikaeli kuju tahmunud pind. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498342663-Q0KMPP67HC5NRBVPIO8U/Ill_17_14PCo001_dt7_av_cp.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 17 Figuuri osaline pinnapuhastus. Tahmakihi alt avaneb aaderdus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498360235-F1OVTNZJ267WVOUBLSMM/Ill_18_14PCo001_dt2_dt02_ac.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 18 Figuur pärast konserveerimist ja kõlaräästale tagasipaigutamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498382712-C5XLQMKFB7ADJD9ZPJ7J/Ill_19_14PCo001_dt2_dt04_cp.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 19 Kõlaräästa detailide tagakülgede puhastamine. Tahmakihi alt avaneb puto roosa ihutoon. Viimane värvilahendus – aaderdus – on teostatud vaid kantsli detailide esikülgedel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498397922-MEXVGQVHHAJ8IKIY37I5/Ill_20_14PCo001_dt2_dt05_cp.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 20 Kõlaräästa vapp-epitaafi pinnad on osaliselt tahmast puhastatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498423697-C6H3UP4ZNW7Z1F8UGGS5/Ill_21_14PCo001_dt2_02_ac.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 21 Kantsli kõlaräästas pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498440735-I83ZPJL5DXU4MSD5RVLX/Ill_22_14PCo001_dt1_dt07_ac.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 22 Kantsli korpuse põrandatala toestati uue sepisnurgaga, mis ankurdati seina. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498468007-E5T7Z17HZYEZ10ZCKATJ/Ill_23_14PCo001_dt2_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 23 Kantsli korpus enne tahmununud pindade puhastamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498484901-3ECI18U58KCM6QFHKIDA/Ill_24_14PCo001_dt1_01_ac.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 24 Kantsli korpus pärast konserveermist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498503343-EBYNRQT5KES9DJHJJ6ON/Ill_25_14PCo001_01_bc.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 25 Haljala kiriku kantsel enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654498518922-AO48ADD68ZAU598TBR5N/Ill_26_14PCo001_01_ac.jpg Renovatum Anno 2015 - HALJALA PÜHA MAURITIUSE KIRIKU KANTSLI LUGU - ill 26 Haljala kiriku kantsel pärast konserveerimistöid 2015. aasta septembris. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/miniatuurid-vike-maal-suur-vljakutse monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496353783-AIH46DL43OEAOP72IMHT/Ill_1.jpg Renovatum Anno 2015 - MINIATUURID – VÄIKE MAAL, SUUR VÄLJAKUTSE - ill 1 Miniatuurportree (6,2 × 5,2 cm) keisrinna Jelizaveta Petrovnast paraadrõivastuses (VM VM 4384 K). Luu, guašš. Vasakul (enne konserveerimist): maali vasemas alumises nurgas oli ulatuslik maalikihi kahjustus; kogu tööl esines väiksemaid värvikadusid. Raam puudus. Paremal (pärast konserveerimist): värvikaod tooniti akvarellidega, lisati ümbrisraam. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496379175-JKBKP75MZST0IVRDKQOG/Ill_2.jpg Renovatum Anno 2015 - MINIATUURID – VÄIKE MAAL, SUUR VÄLJAKUTSE - ill 2 Keisrinna Jelizaveta Petrovnat (1709–1762) paraadrõivastuses kujutav miniatuur pärast konserveerimist (paremal). Töö eeskujuks on Jean Louis Tocqué poolt 1758. aastal maalitud ametlik portree keisrinnast (vasakul). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496437503-7OFX3RV5IZZ3AQOGIBFQ/Ill_3.jpg Renovatum Anno 2015 - MINIATUURID – VÄIKE MAAL, SUUR VÄLJAKUTSE - ill 3 Sara Magdalena Paetzeni portree 5,0 × 4,5 cm (VM VM 4386 K). Luu, guašš. Vasakul (enne konserveerimist): miniatuuri luust plaat oli vasemast servast ca 0,3 cm ulatuses murdunud ja paberiga toestatud. Maali pind oli väga määrdunud ja esines värvikadusid. Paremal: miniatuur pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496455962-O01ELCERMA4MTINRXIP4/Ill_4.jpg Renovatum Anno 2015 - MINIATUURID – VÄIKE MAAL, SUUR VÄLJAKUTSE - ill 4 Sara Magdalena Paetzeni portree originaalraami vorm ja kujundus võeti eeskujuks ka teistele miniatuuridele raamide valmistamisel. Miniatuur enne (vasakul) ja pärast konserveerimist (paremal). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496476091-YYFWTX6BSZZ6FBW08C2N/Ill_5.jpg Renovatum Anno 2015 - MINIATUURID – VÄIKE MAAL, SUUR VÄLJAKUTSE - ill 5 Sophie Paetseni portree enne konserveerimist.Vasakul: luuplaat oli vasakult servast ca 0,5 cm ulatuses murdunud. Paremal: murre oli toestatud paberiga, mida ei eemaldatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654496525769-C6OY9LAZDMQMXB1GU69Y/Ill_6.jpg Renovatum Anno 2015 - MINIATUURID – VÄIKE MAAL, SUUR VÄLJAKUTSE - ill 6 Sophie Paetseni miniatuurmaal (8 × 6 cm) pärast konserveerimist (VM VM 4385 K). Luu, guašš. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/eveline-adelheid-von-maydelli-kriligete-kogu-konserveerimine-ajavahemikus-20132014 monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260288365-12REGD0DHFTEJB4OHNRO/ill+1_ok.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 1 Eveline Adelheid von Maydell, baltisaksa päritolu kunstnik ERA.1298.1.473.10 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260307227-GO35Y3N2QBRCGX2IMHKF/ill+2.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 2 Konservaatori töövahendid. Foto Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260368794-GV4UHKOP41HPTVKVRNX3/ill+3.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 3 Konservaatori töövahendid. Foto Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260378168-NN541QKBRSG8G26SGA0E/ill+4.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 4 Detail käärilõikest. Foto Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260394020-XOSP3Y4A78QK2PDV90HD/ill+5.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 5 Käärilõigete varasem hoiustamine. Foto Einike Leppik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260416523-0CEV60UKN8U3UAZD9XJ5/ill+6.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 6 Konserveeritud käärilõigete uus vormistusviis. Foto Einike Leppik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260437598-5BT6BIQDQKLYFLVR2NM7/ill+7.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 7 Konserveeritud käärilõigete uus vormistusviis. Foto Einike Leppik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260472222-A0WKG6PMTC9IPTFYU6BL/ill+8_m+EISOBI.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 8 Konserveeritud käärilõigete uus vormistusviis. Foto Einike Leppik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260486228-225PWIBEPT6OW6UPNS9T/ill+9.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 9 Käärilõike esikülg. ERA.1298.1.42.6 Foto Maarja Meigas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260513041-GWFEWE1A5DZYM5WA7JVV/ill+10.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 10 Käärilõike tagakülg alusjoonisega. Foto Maarja Meigas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260541881-CJ0H90Z3DHNL54YXJ8GS/ill+11.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 11 Käärilõige enne konserveerimist. ERA.1298.1.25.5 Foto Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260568723-EL61ENVH95M4NNFLCT8B/ill+12.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 12 pärast konserveerimist. Foto Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260587728-OXWSQA24KXHGP1ZEQDX7/ill+13.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 13 Käärilõige. ERA.1298.1.23.33 Foto Maarja Meigas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260604532-NK2M9YTLCAF3FSW91AQK/ill+14.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 14 Vaade Rahvusarhiivi galeriisse. Näituse kujundaja Angelika Schneider. Foto Hedvig Rajari https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654260620771-0LU32U7P4KMR7RDW8NUJ/ill+15.jpg Renovatum Anno 2015 - EVELINE ADELHEID VON MAYDELLI KÄÄRILÕIGETE KOGU KONSERVEERIMINE AJAVAHEMIKUS 2013−2014 - ill 15 Vaade Kadrioru kunstimuuseumi näitusesaali. Näituse kujundaja Angelika Schneider. Foto Aleksandra Murre https://www.anno.renovatum.ee/ee/renovatum-anno-2015/lakkide-analsimine-erinevate-instrumentaalmeetoditega monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259520049-FB76ST0T9EOLM4UTQBQQ/Ill_1_Laki_artikkel.jpg Renovatum Anno 2015 - LAKKIDE ANALÜÜSIMINE ERINEVATE INSTRUMENTAALMEETODITEGA - ill 1 Dammaravaigu olulisemad triterpenoidsed komponendid. (7-10) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259533997-BZOMMS3SVISNK92FK939/Ill_2_Laki_artikkel.jpg Renovatum Anno 2015 - LAKKIDE ANALÜÜSIMINE ERINEVATE INSTRUMENTAALMEETODITEGA - ill 2 Mesilasvaha, linaõli ja dammaravaigu ATR-FT-IR spektrite võrdlus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259549440-52GZ9G9COOIHN35045PI/Ill_3_Laki_artikkel.jpg Renovatum Anno 2015 - LAKKIDE ANALÜÜSIMINE ERINEVATE INSTRUMENTAALMEETODITEGA - ill 3 Dammara- ja mastiksvaigu ATR-FT-IR spektrite võrdlus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259563587-CRZBJ8BU8U2AU68PB4VI/Ill_4_Laki_artikkel.jpg Renovatum Anno 2015 - LAKKIDE ANALÜÜSIMINE ERINEVATE INSTRUMENTAALMEETODITEGA - ill 4 Dammara- ja šellakvaigu MALDI-FT-ICR massispektrite võrdlus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259743465-4K5247M6VEZDPDVUGPQV/lakkide_analuusimine_tabel_1_est.jpg Renovatum Anno 2015 - LAKKIDE ANALÜÜSIMINE ERINEVATE INSTRUMENTAALMEETODITEGA https://www.anno.renovatum.ee/ee/renovatum-anno-2015/infrapunaspektroskoopia-tekstiilikiudude-uurimises monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259092658-FKW29W0RDAAHPGBVI3G3/Ill_1_Tekstiilide_artikkel_ok.jpg Renovatum Anno 2015 - INFRAPUNASPEKTROSKOOPIA TEKSTIILIKIUDUDE UURIMISES - ill 1 Optilise mikroskoobi pilt lina kiust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259114264-CJG8UJQ9UV19064W1ZJ1/Ill_2_Tekstiilide_artikkel.jpg Renovatum Anno 2015 - INFRAPUNASPEKTROSKOOPIA TEKSTIILIKIUDUDE UURIMISES - ill 2 Polüester-puuvill segaproovi kaardistamise tulemus proovi homogeensuse kirjeldamiseks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259134658-2YE7ML68G05PJ179YPKQ/Ill+3.+infrapunaspektroskoopia.jpg Renovatum Anno 2015 - INFRAPUNASPEKTROSKOOPIA TEKSTIILIKIUDUDE UURIMISES - ill 3 ATR-FT-IR spektrid olulisematest kiududest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654259171869-YFOCPP0P0CFORW7CJ1AU/Ill_4_Tekstiilide_artikkel.jpg Renovatum Anno 2015 - INFRAPUNASPEKTROSKOOPIA TEKSTIILIKIUDUDE UURIMISES - ill 4 Kahe peakomponendiga (PC1, PC2) graafik. PE – polüester, AC – atsetaat, LI – lina, CO – puuvill, VI – viskoos, PAC – polüakrüül, LY – lyocell (tenzel), WO – lambavill, SI – siid, PA – polüamiid, EL- elastaan https://www.anno.renovatum.ee/ee/renovatum-anno-2015/prandkultuuri-uurimine-erinevate-tehniliste-meetodite-abil-niguliste-kiriku-peaaltari-nitel monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253334762-SXTN8L3PNZOL64KCUHPG/ill1_rode_lybeck_a_uueni_korras.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 1 Püha Luukase altari pildistamine St. Annen-Museum’is Lübeckis. Foto H. Pagi, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253360610-7M4BV5O04YQO7YQPMFWE/ill2_rode_skannerimine_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 2 Archaeovision R&D meeskond testis Niguliste kiriku peaaltari puitskulptuuri 3D skaneerimist. Foto V. Plink, 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253370742-CGVX3QCOG3MMUYFNNEAV/ill3_rode_spekter_a_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 3 Multispektraalfotograafias kogutakse informatsiooni eeskätt UV-A, nähtava valguse ja lähi-infrapuna lainealades, aga vajadusel ka röntgeni- ja terahertskiirguse sagedusalades. Joon. A. Uueni, 2015 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253384106-JIYE9R5LJ46WNCP6NJZL/ill4_rode_VIS_NIR_a_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 4 Detail Lübeckis asuvalt altarilt: kõrgresolutsiooniga kujutis vasakul, lähi-infrapuna kujutis paremal. Näha on H. Rode töökoja-aegsed alusjoonistused. Püha Luukase altar, St. Annen-Museum, Lübeck, Hermen Rode, 1484 (?). Foto H. Pagi, A. Uueni, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253410059-FUFJVPQ2BY57UQF3TBQA/ill5_rode_uv_a_uueni.JPG Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 5 Detail Tallinnas asuvalt Niguliste kiriku peaaltarilt: UV-A kujutis. Näha on hilisemad parandused. Niguliste Muuseum. Foto H. Pagi, A. Uueni, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253439253-F2631BYERBWU9A68YNT5/ill6_rode_vis_uv_ir_a_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 6 Detail Püha Nikolausest, Niguliste kiriku peaaltar. Foto H. Pagi, A. Uueni, Archaeovision R&D, 2015. Video: https://www.youtube.com/watch?v=OlPMQjhLLOA, V. Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253484147-G0YBIIEFVSWRPAG6EEZI/ill7a_rode_RTI_a_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 7 Valgus põrkub objekti pinnalt tagasi nii, et langevad ja peegelduvad valguskiired (tähistatud kollasega) moodustavad pinnaga risti oleva normaali (tähistatud punasega) suhtes võrdsed nurgad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253496180-N9E87BB1UEADODGAQJV7/ill7b_rode_RTI_a_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 8 Skemaatiline selgitus, kuidas esitatakse peegelduva valguse informatsiooni RTI meetodi abil. Allikas: Cultural Heritage Imaging, http://culturalheritageimaging.org/Technologies/RTI/, 2015 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253509447-NV0QUUQ7HK78N2WZ62SH/ill8_rode_RTI_a_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 9 Detail Püha Gertrudi skulptuurist Tallinna Niguliste kiriku peaaltaril: RTI kujutis on hõlpsasti ka veebis vaadeldav. Näha on pinnapuhastus. Niguliste Muuseum. Foto H. Pagi, A. Uueni, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654253525338-SKV0OVKCNZDU1635C58R/ill9_rode_web_uueni.jpg Renovatum Anno 2015 - PÄRANDKULTUURI UURIMINE ERINEVATE TEHNILISTE MEETODITE ABIL, NIGULISTE KIRIKU PEAALTARI NÄITEL - ill 10 Ekraanivaade teadusuuringuid tutvustavast veebilahendusest. Lahendus on osaks Hansa kunsti, kultuuri ja identiteediga tegeleva rahvusvahelisel näitusel „Lübeck 1500. Metropolis of Art in the Baltic Region“. H. Pagi, A. Uueni, Archaeovision R&D, 2014-15. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/maasi-laeva-kollane-kas-vasa-needus-vi-redoksreaktsioonid monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252755876-XCR678M78LATYP5JW6SK/1.jpg Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 1 Konserveerimishoone ehitamine augustis 1987. foto: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252767359-JA3NHXZ9J6GIDE14S9SZ/2.jpg Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 2 Konserveerimishoone Illiklaiul. foto: Vello Mäss. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252778634-RQJLKNJN4GGOZFRPICER/3.JPG Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 3 Vraki paigaldamine ekspositsioonialusele. Eesti Meremuuseum. Lennusadam 2011. foto: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252791832-I2SW9HLJAEP3VMRK69EH/4.JPG Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 4 Vraki paigaldamine ekspositsioonialusele. Eesti Meremuuseum. Lennusadam 2011. foto: Vello Mäss. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252816659-IC0X1RDDKGZNF6JONMFV/5.jpg Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 5 Maasi laev Lennusadama ekpositsioonis. foto: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252828853-DB3K2D7WAH7ALZALTVLW/6.jpg Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 6 Maasi laev Lennusadama ekpositsioonis. foto: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252839547-C769TKWG1CHYBWUHERWE/7.jpg Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 7 Soolade väljakristalliseerumise ilmingud ja kollasede väävlilaigud laevapuidul roostetanud rauddetailide ümbruses. Detailvõte laeva plangutusest. Näha on oma esialgsed mõõtmed ja kuju säilitanud puunael. Vraki plangutus on endiselt „vettpidav“. foto: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252860703-M7DYZI17VEJBKR4UAWLS/8.jpg Renovatum Anno 2015 - MAASI LAEVA „KOLLANE“ – KAS VASA NEEDUS VÕI REDOKSREAKTSIOONID? - ill 8 Veesõiduki vrakistumine. Erinevates keskkondades ja vrakistumisetappidel toimuvad keemilised ja biokeemilised protsessid. Joon Reet Maldre https://www.anno.renovatum.ee/ee/renovatum-anno-2015/relatiivse-niiskuse-mju-araldite-2020-ja-hxtal-nyl-1-ga-liimitud-klaaside-liimhenduse-tugevusele monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654251777894-ZU1JXUE1BUAHQEAQAA0N/ill+5.+Jelizaveta+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654244108004-F2TXMXJOTX078C4Z4Z0R/tabel+2+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654244159202-K3AEVBB0H319VFXLHV56/tabel+3+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252193152-U7JEBWWHYYQPNDXM1JKZ/Ill+6.+Jelizaveta.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242730294-6QF9IRQUC3IZ6MWUJQJE/Ill+1.+Jelizaveta.png Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654243538592-0QK1JAOCY4S4AZ93PKAR/Ill+2.+Jelizaveta.png Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654251698541-MRIEZDUTD7NWQDZTXXLK/Ill+4.+Jelizaveta+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654243855264-SVO12F1ZSPK2XICVE1YC/ill+3.+Jelizaveta+LIIGA+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252392824-75O91V50ZPRKIF8PYXL1/Tabel+4+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252242034-C1JKNZP8KFLHWWA6WZD4/Ill+7.+Jelezaveta+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654243988551-QSJLAI8UYEPXVYZP2QDF/Tabel+1+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037972682-3WPI9I8TNUYJX26L0VDR/Ill+1.png Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 1 Klaasi välispind koosneb hüdrofiilsetest silanooli (SiOH) ja hüdrofoobsetest siloksaani (Si−O−Si) rühmadest. Õhus on alati teatud hulgal vee molekule, mis kokku puutudes hüdrofiilse klaasipinnaga, moodustavad vesiniksidemeid ja „kleepuvad“ pinnale. Vesiniksidemed on märgistatud noolega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037972618-OWZKL0G502RSEMHXTMK6/Ill+2.png Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 2 Pinna märgumine: hea (vasakul) -halb (paremal). Tugev liimühendus moodustub pinna ja liimi vahele, kui pind on mikroskoopilisel tasandil täielikus kokkupuutes liimiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037973271-KVKH07AG3ANJMW8MC4TE/ill+3.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 3 Eksperimendi kõik protseduurid viidi läbi pleksiklaasist manipulatsioonikambris https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037973363-U62S0J4C8SWJCIFKT5UE/ill+4.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 4 Eksperimendi seitse katseseeriat: soolade küllastunud lahused, mis tagavad kindla tasemega relatiivse niiskuse. Teoreetiline ja testis mõõtetud RH% / sool ja küllastunud lahuseks vajalik kontsentratsioon. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037973943-HWM2YECSY5C1N9CDWG0G/Ill+5.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 5 Klaasist proovikehade liimimine (Araldite® 2020) manipulatsioonikambris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037974193-QO400VB7WLW6BWJMV7BZ/Ill+6.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 6 Seade (asümeetriliste õlgadega kangkaal) proovikeha liimühenduse tugevuse (purunemispunkti) määramiseks. Aparaadi ühte otsa kinnitati katsekeha; etalonkehaks (m) on riisiga täidetav konteiner. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667037974587-Y9BIPIDZGOXWMWN09S06/Ill+7.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE - ill 7 Proovikeha asetus masinas (detail). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654252470580-LV6S8J6G72HHD5AG4EUW/Tabel+5+V%C3%84IKE.jpg Renovatum Anno 2015 - RELATIIVSE NIISKUSE MÕJU ARALDITE® 2020 JA HXTAL™ NYL-1-GA LIIMITUD KLAASIDE LIIMÜHENDUSE TUGEVUSELE https://www.anno.renovatum.ee/ee/renovatum-anno-2015/romantika-kuubis-suvorovi-tnava-naised-nituse-lugu monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241712760-N1VM26BZRZXBYC7DCLO9/ill_1.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 1 Näituse suure saali keskel seisid vitriinidele tõstetud mannekeenid, seljas näidiseid rõivakollektsioonist – korsetist kasukani. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242159862-8MEMWKUCTNK8LYS7SFQL/ill_2.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 2 Näituse motiividega ilmestatud poodiumiserv pakkus põnevaid avastusi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242171325-S5ODX9TOEY1V9BB5KLNK/ill_3.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 3 Häda teeb leidlikuks – kasutati ära kõik leida õnnestunud mannekeenid, ka ühe mehe torso. Pluus istus selle seljas kenasti, vaja oli varjata vaid pea. Selleks meisterdati hiina paberlambi lamedast ümbrisest ja kardinatüllist „looriga kübar“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242184348-U8M60Q3T382HG7FF8MNL/ill_4.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 4 Saali seintel paiknesid infotahvlid. Rõivaste korrastamist käsitlevad stendid pakkusid võrdlust vanavanaemade ja tänaste konservaatorite töövõtete ja -vahendite osas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242199571-FWG582EIG0O9ZKK287CJ/ill_5.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 5 Õmblusmamsel oma töötoas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242212403-G6J9EIPUE8IN9J93TAT5/ill_6.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 6 Kanga-aabits. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654242225744-Q9Q3R8TAZDTQQF68J9ZI/ill_7.JPG Renovatum Anno 2015 - ROMANTIKA KUUBIS „SUVOROVI TÄNAVA NAISED“ NÄITUSE LUGU - ill 7 Vana õmblusmasin, pluusi koopia ja aknalauale laotatud tekstiilinäidistest koosnev kanga-aabits. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/ajaloolise-klaasimaali-maalitehnoloogiline-anals-tallinna-oleviste-kirikus-asunud-18-saj-suurgildi-vanema-johan-christopher-von-huseni-vapimaali-1753-konserveerimise-ja-koopia-valmistamise-nitel monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240856533-VGSDOQHBM645BS1CE7XQ/Ill+1.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 1 Johan Christopher von Husen’i vapimaal (1753) Tallinna Oleviste kiriku põhjakülje aknas aastal 2007. Foto Priit Rohtmäe. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240835952-N4ZHMKQC67I622L01HQU/Ill+2.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 2 Oleviste kirik Tallinnas. Foto Peeter Säre https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240874393-H18KD6QMSYVA5SCPJXP6/ill_3.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 3 Walther Carl Siegmund. Oleviste kiriku varemed 1825. Litograafia. 15,6 × 21,3 cm EKM j 283:1328 G 3494, Eesti Kunstimuuseum. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240923824-83H99HWTVPXHERZYE77O/Ill+4.JPG Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 4 Johan Christopher von Husen’i vapimaal (1753) enne aknast eemaldamist. Foto Liisi Junolainen https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240948982-QPA9HQ6NYP97IXLRPZ71/ill+5.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 5 Johan Christopher von Husen’i vapimaal enne konserveerimist. Foto Siim Vaikna. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240968233-JMK6QNJK3HQHSSNYU2CU/ill+6.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 6 Maaling asub nii klaasi esi- kui tagaküljel. Foto Siim Vaikna. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241001941-NKSHSAFYLXD7B0GO6VTF/ill+7.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 7 Inglite ihutoon on maalitud klaasi tagumisele küljele. Sinna on maalitud ka õrna grisaille värviga pinnad rõhutamaks ja ühtlustamaks varje. Foto Siim Vaikna https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241015173-P82DW08K4V4AM33VETWL/ill+8.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 8 Klaasi pinnal on erineva sügavusega kriimustused. Makrovõte. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241029030-BZQTDKU7TOPSWPPL4O3C/ill+9.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 9 Kraklees ja pudenev vaseroheline klaasimaalivärv ingli tiival. Foto Siim Vaikna https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241050858-EK9VWWR3ZD92WBJCIGY7/Ill+10.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 10 Kraklees ja pudenev vaseroheline klaasimaalivärv ingli tiival kinnitati 10% Paraloid B-72 lahusega tolueenis. Makrovõte. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241085796-80X44IN0FWB5R4GN7RNS/Ill+11.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 11 Maalimisel arvestatakse valguse suunda kujutatul, mis annabki maalile tundlikkuse. Foto Siim Vaikna https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241106289-FR67EZ3DCY46IYH32CEX/ill+12.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 12 Valgus-poolvarjud-täisvarjud lõvi sabaotsal. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241122452-Z13UQP3FHFGO8SO6HR5I/ill+13.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 13 Kõige heledama valguse ala modelleerimine klaasimaali värvi väljakraapimise teel. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241134392-ZHKJ8G5NKK3ZE07CEMIQ/ill+14.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 14 Kõige heledama valguse ja peegeldunud valguse kujutamine ingli näol klaasivärvi väljakraapimise teel. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241159505-X3EIQKCNWY2O9AJ42QNH/ill+15.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 15 Hõbekollane on modelleeritud valguse langemise nurka arvestades. Fotod Siim Vaikna. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241197238-5EPWZYO5TQXU3O13W458/ill+16.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 16 Detail. Hõbekollane on modelleeritud valguse langemise nurka arvestades. Foto Siim Vaikna https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241213211-GUM0MX2SWHU5HTYKIGAC/ill+17.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 17 Koopia maalimine valguslaual. Maalitava klaasi tüüp firma Saint Gobain Glass UMV 240. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241229145-E2BX8XXLQ4PKRNP7JTP5/ill+18.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 18 Koopia valmistamine. Hõbekollase modelleerimine mägrakarvadest harjaspintsliga. Foto Liisi Junolainen https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241246961-N5M9PQWH48F70629VG0O/ill+19.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 19 Koopia valmistamine. Sulega joonistatud kontuurid ja tekst maalitava klaasi esiküljel ja hõbekollane klaasi tagaküljel. Foto Liisi Junolainen https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241262374-CDZ20KFFTL3ETDSEBJIE/ill+20.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 20 Koopia valmistamine. Kõige tumedamate varjude ja peegelduva valguse kujutamine. Foto Liisi Junolainen https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241281991-MSGTY88SWY99J8R5PJ3X/ill+21.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 21 Koopia valmistamine. Poolvarjude kujutamine. Kõige valgustatumad alad on modelleeritud värvi väljakraapimise teel. Foto Liisi Junolainen https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241298832-UF5PPXLH3XFCQLTVXLI7/ill+22.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 22 Koopia valmistamine. Pintsliga maalitud inglite ihutoon ja vaserohelised tiivad maalitava klaasi tagaküljel. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241319322-TXJLH6KM299ZNM5KQZAP/ill+23.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 23 Koopia valmistamine. Aukude lõikamine keraamilisse fiiberpaberisse maalipindade kaitseks põletusprotsessis. Foto Eve Koha https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241337707-D1HLCRMH9RWUZY2H6OJB/ill+24.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 24 Varjude ühtlustamiseks grisaille värviga kaetud maalipinnad maalitava klaasi tagaküljel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241360874-1RAT726ZO9MK3S4BWCN4/ill_25.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 25 Johan Christopher von Husen’i vapimaal pärast konserveerimist. Foto Ülo Josing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654241377827-JMA5BASI6THHSG9D5HUX/ill+26.jpg Renovatum Anno 2015 - AJALOOLISE KLAASIMAALI MAALITEHNOLOOGILINE ANALÜÜS TALLINNA OLEVISTE KIRIKUS ASUNUD 18 SAJ SUURGILDI VANEMA JOHAN CHRISTOPHER VON HUSEN’I VAPIMAALI (1753) KONSERVEERIMISE JA KOOPIA VALMISTAMISE NÄITEL - ill 26 Johan Christopher von Husen’i vapimaali koopia. Foto Ülo Josing https://www.anno.renovatum.ee/ee/renovatum-anno-2015/konserveerimisprotsessi-infokoloogiline-vaade monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240369393-JVBYMDYQZWB6TQZMM2UE/ill+1+Info%C3%B6koloogiline.jpg Renovatum Anno 2015 - KONSERVEERIMISPROTSESSI INFOÖKOLOOGILINE VAADE - ill 1 Konservaatorid, objektid ja keskkond moodustavad lahutamatu terviku. Eesti konservaatorite Ühing talgutel Mõniste muuseumis 2015 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240384717-638GQF1RXPYA1Z6H6T1P/ill+2+Info%C3%B6koloogiline.jpg Renovatum Anno 2015 - KONSERVEERIMISPROTSESSI INFOÖKOLOOGILINE VAADE - ill 2 Konservaatorid, objektid ja keskkond moodustavad lahutamatu terviku. Eesti konservaatorite Ühing talgutel Mõniste muuseumis 2015 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654240395344-EYURN6BW8OZ0ZUE0PUBX/ill+3+Info%C3%B6koloogiline.jpg Renovatum Anno 2015 - KONSERVEERIMISPROTSESSI INFOÖKOLOOGILINE VAADE - ill 3 Konservaatorid, objektid ja keskkond moodustavad lahutamatu terviku. Eesti konservaatorite Ühing talgutel Mõniste muuseumis 2015 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/maalikunstiteose-tagaklje-kaitsest monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237350947-P73BB0SZM7QCG7NKS86X/ill+1.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 1 K. Burmani akvarellmaal “Tallinn”. Valguskahjustus: paspartuuga katmata akvarelliosa on pleekunud. Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237381882-XISRX056Q4PIEXE83BTV/ill+2.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 2 Detailfoto. K. Burmani akvarellmaal “Tallinn”. Maali fotografeerimisel nähtavas valguses on akvarelli pleekumispiir teravalt eristuv. Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237414648-ITH8E0QFM5PSEKJPLJ08/ill+3.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 3 Detailfotod. K. Burmani akvarellmaal “Tallinn”. Maali fotografeerimisel UV-valguses on akvarelli pleekumispiir teravalt eristuv. Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237424842-X6A2617UUMIE8ZEBN98K/ill+4.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 4 Tagakülje vormistus. Maal on kaetud õlitatud papiga, mis on kinnitatud alusraami külge. Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237436477-3WJ16B36JF423T8UJ650/ill+5.JPG Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 5 Tagakülje vormistus. Maal on kaetud augustatud masoniit (soome papp) paneeliga. Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237447800-KLG2K9ZWJD4CLZ8G9BXF/ill+6.JPG Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 6 Esikülje vormistus. Maalid on kaetud painutatud pleksiklaasiga. Fotod Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237464726-MA732Y2AKPW4VXK6AW8O/ill+7.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 7 Esikülje vormistus. Maal on kaetud 2 mm aknaklaasiga (K. Malevitš, Must ruut. Tretjakovi Galerii) Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237478542-CUOHP7356Y3EW7NXA6UH/ill+8.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 8 Esikülje vormistus. Maal on kaetud muuseumiklaasiga Optium Acrylic®. Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237492914-NRYQG5XH4OXFF4BG1825/ill+9.JPG Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 9 Maali tagaküljel on meistrimärk (Joos de Momper, Viljalõikus. M2520). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237607440-BB985WVIH9M6VZYK3413/ill+10.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 10 Krunditud ja värvitud maali tagakülg (C. Mahu, Pulmatants aidas. VM488). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238740058-YHLJ5W307SFISJJHNXM9/ill_11.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 11 Maali tagaküljele kleebitud lõuend (Mi216). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654239087861-FHHDVGH5NLC1U9GXMEKH/ill_12.JPG Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 12 Näide esi- ja tagaküljekaitse lahendusest (1999. a Haus galerii oksjonikataloog). Krakovi-Kopenhageni näidis (1990). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237682663-BS4YWOTTCL62UHEPI3D6/ill+13.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 13 Näide esi- ja tagaküljekaitse lahendusest. Krakovi-Kopenhageni näidis (1990). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237709810-CHUH5XRXUXE0H9VNXAD2/ill+14.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 14 Näide esi- ja tagaküljekaitse lahendusest. Krakovi-Kopenhageni näidis (1990). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654237724412-QGVCX7AG9BBZUX5PX5V7/ill+15.JPG Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 15 Maali tagaküljekaitse (Glasgow galerii). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238524645-81T0XSUA11QZNMP8NC09/ill+16.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 16 Maali tagaküljekaitse (Kopenhaageni Kunstimuuseum). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238538562-VY0KCA6LSIW63NMQKVEW/ill+17.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 17 Maali tagaküljekaitse (Kelvingrove Art Gallery and Museum). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238552443-9WRSU1LXZX5M12VSODV9/ill+18.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 18 Maali tagaküljekaitse (Kopenhagen Statens Museum for Kunst). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662555896164-XBKPXK87J7N4TD9X1CV6/ill+19.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 19 Tagaküljekaitse (Hilma af Klinti maal. Stockholmi Moderna Museet). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238588499-FC5C0SI09GX827Q6OR36/ill+20.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 20 Maal iluraamis. (VM553 F. A. v Siversi portree, A. Graff, 18. saj, õli, lõuend). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238612185-T8G4CKLUNSK26YUGYYWG/ill+21.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 21 Maali tagaküljel raamile kinnitatud kaitsepaneel (VM553). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238648504-LO5SZT3995ANHK7BOBPS/ill+22.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 22 Maali tagakülg enne vormistamist (maal 17. saj. Mi184). Foto Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654238671809-ZXMJK7GF40G5T4NGZUVB/ill+23.jpg Renovatum Anno 2015 - MAALIKUNSTITEOSE TAGAKÜLJE KAITSEST - ill 23 Maali tagakülg pärast vormistamist (maal 17. saj. Mi184). Foto Alar Nurkse. https://www.anno.renovatum.ee/ee/renovatum-anno-2015/tag/Sa%CC%88ilitamine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/tag/Digiteerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/tag/Haridus+ja+t%C3%A4iend%C3%B5pe monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/tag/Konserveerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/tag/S%C3%A4ilitamine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2015/tag/Uuringud+ja+materjalid monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20192020 daily 0.75 2024-12-09 https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/suuremtmelise-ksitsi-maalitud-kaardi-konserveerimise-lputa-lugu monthly 0.5 2024-11-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992338910-C9ZW6QF9Y8CI88I3SUP2/1.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 1 Eestimaal Lääne-Virumaal asuvas Palmse mõisas rippus mõisahärra kabineti seinal 15 aastat suuremõõtmeline (380 x 421,2 cm) käsitsi maalitud Palmse mõisamaade kaart. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992338842-XAI4HYJ9BGUISFDUXT60/2.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 2 Kaardi autor on Carl August Jürgens, valmistamise aastad 1859-1864. Kaardi raamjooned ja tekstid on paiguti maalitud musta tušiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992350073-8N1F3UMKIYK3L0CSIM9X/3.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 3 Kaardi kujutised on tintidega käsitsi maalitud ja akvarellidega koloreeritud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992366054-LOBB6PTFHHXBC6HE2MC4/4.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 4 Kujutiste paberile kandmiseks on kasutatud nõeltega märgistamist. Vastu valgust vaadates on kõigi detailide nurkades näha pisikesed perforatsiooniaugud https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992369014-GBM46DLN0ME5Y2407CKE/5.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 5 Kaardi aluspaber koosneb 35-st paberipoognast. Kujutis on maalitud valmis monteeritud tervikule. Kõik paberipoognad kannavad vesimärki J. Whatman 1863. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992386673-S0YU5MBU54Q2PCQE7IWM/6.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 6 Nn Kabinettskarten on valmistatud eraisikule tema valduste esitlemiseks. Seda tüüpi kaardid on kaunistatud ja sisaldavad dekoratiivseid elemente nagu tiitel ja vapp, skaala ja tabelid, tuulteroos, vinjetid ning lisaks koloreeringud, mis kokku annavad kaardile esindusliku välimuse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992403663-N3KICKESASLTIXZOP6SI/7.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 7 Suuremõõtmelist kaarti on eksponeeritud mõisas rippuvas asendis alates 2002. aastast ja kaardi kahjustused on valdavalt tekkinud eksponeerimise ajal. Riputamiseks olid kaardi ülemine ja alumine serv rullitud ümber massiivsete puitliistude. Kaarti ümbritsev, käsitsi servade ümber õmmeldud siidist kant on ulatuslike kadudega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992423330-DE642NTLUJJJREPUOPP8/8.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 8 Keskelt poolitatud kaardi servad on enim kortsunud, kadude ja rebenditega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992430890-PN01UPVUIFBWV2RT4JSM/10.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 10 Üle kogu kaardi esinevad pikisuunas murded ja rebendid. See viitab sellele, et kaarti on varasemalt hoitud kokkurullituna ning seda on ka mitmeid kordi kokku ja lahti rullitud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992457190-QYZWNYVGHRL1R9QPLH7U/11.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 11 Mehaanilise rullimiskahjustuse tagajärjel olid murded sedavõrd kulunud, et need olid muutunud läbivateks pikkadeks rebenditeks. Esines ka materjalikadu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992433888-GKH2KUFFJXGUB76YKGW0/12.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 12 Kaardi ülemine ja alumine serv olid kuni 60 cm ulatuses halvemas seisukorras kui ülejäänud pind. Silmnähtavalt joonelt, mis vastas eksponeerimisel rullis olnud aladele, oli tume taustatekstiil pehastunud ja niisugusena ohustamas ka paberi edasist säilimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992473873-ZZEP972E52QS765RWL2U/13.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 13 Paberis esines voolujooni, üksikuid plekke ja kohatist koltumist. Kõige ülemine parempoolne, tiitlit kandev poogen on teistest märkimisväärselt enam koltunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992475400-SS8XI8ECFGFEA3LX6BFV/14.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 14 Mingil ajal on suuremõõtmeline tervik poolitatud keskelt vertikaalselt kaheks võrdseks osaks, laiustega 210,5 cm ja 210,7 cm. Võib oletada, et kaart poolitati praktilistel kaalutlustel, et seda oleks lihtsam hoiustada ja/või kasutada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992498615-PJOZTHIFGCLRS4J962AS/15.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 15 Kaardi taustaks on õhuke tumepruun puuvillane kangas. Kanga keemiline analüüs näitas materjalis raua- ja vaseühendite sisaldust (peitsained). Ilmselt on nende toime põhjustanud tekstiilikiu lagunemise ning kanga rabeduse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992519666-LL1TBQBA7C9O9QDH3UC1/16.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 16 Tekstiil eraldab juba kergel niisutamisel tumepruuni tooni jääkaineid. Pruunid voolujooned paberis võivad olla tingitud laguneva ja niiskustundliku taustakanga toimest kõrgema õhuniiskuse tingimustes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992536516-FXXTMS6PNLJ60I94BDH0/17.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 17 Taustakangas on palju mehaanilise kulumise jälgi ja rebendeid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992546934-2A0ACCRYA5NOZXU81M0V/18.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 18 Mikroskoobis on kangas näha ulatuslikke kiudude katkemisi ja koestruktuuri hõrenemist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992561550-D0VXC3RGN4DO0SFU73AY/19.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 19 Kahjustunud taustakangas ei toesta enam rippuvas asendis eksponeeritavat kaarti: kaardi pooled on oma raskuse all vajunud ning ebaühtlaselt välja veninud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992594468-3PYTMKWGZQL6205PWKB0/20.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 20 Kaart on oma raskuse all liistude otstes rebenenud ja vahetult liistude all on ulatuslikud paberi ja taustakanga rebendid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992594352-GC3Z1UCOY7HJ4E36ZFJ8/21.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 21 Suuremaid rebendeid on kunagi varem, võibolla mõisaajal, parandatud taustatekstiilga sarnase materjaliga, mille liimimisel on kasutatud arvatavalt kondiliimi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992638586-EQ17WUY7V4BY60A3S7LQ/22.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 22 Liistud ja kinnitus pärinevad 21. sajandist: pealmine liist on külge kruvitud originaali läbistavate puidukruvidega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992639004-JERD01POPHGEVYSILPUY/23.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 23 Originaal on kinnitatud alumise liistu külge ehituses kasutatava klambripüssiga… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992654776-Y8SJSCVPZ97KCIWSH8RR/24.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 24 ... ja kinnitusklambrid on kahjustanud siidist äärekandi koestruktuuri. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992677170-JNNW1AI1AQ51KOWC63NO/25.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 25 Liistude vahele jäänud osas on lillast siidist servakant oluliselt paremini säilinud kui kaardi servades. Tõenäoliselt ei ole algselt kaardi seinariputamisele mõeldud. Seda oletust toetab ka ühesugune siidkantidega vormistus kõigis neljas servas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992693510-64YUYFSR3F3PSCUYMY9J/26.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 26 Olgugi, et kaarti ei konserveeritud täielikult, vajas see oma seisukorrast tulenevalt märkimisväärset materjalikadude täitmist, et tagada terviku säilimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992713030-PRUROVYYE14FIWG0VOOO/27.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 27 Kaart puhastati lahtisest tolmust puhastuskäsnaga, kasutati ka miniotsikuga tolmuimejat. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992715756-OU6B422LI8WGGEHFQQ3T/28.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 28 Kustutuskummiga eemaldati kujutiseta aladelt tugevamalt kinnitunud mustus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992741481-Z68W01BTMIV5SVKBIYMD/29+I.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 29 Putukaekskremendid ja muu tugev pindmine mustus eemaldati ettevaatlikult skalpelli abil ja seejärel õrnalt niisutatud vatitikuga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992763995-TYD3UVZUAF5B7K1HP3A5/30.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 30 Kaardi üla- ja alaserva kõige kahjustunumatelt aladelt eemaldati kergesti rebenev vana taustakangas... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992791043-KBF5I6FJPFXBEOZCV7JD/31.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 31 ...ja paberi tagaküljelt liimijäägid esmalt skalpelliga mehaaniliselt... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992808596-SKPQJAJXDC4JIC4NQQT1/32.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 32 ... ja seejärel poolniiskelt ca 5% MC geeli abil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992824352-9Z42IQACBH9BWRYNVCKJ/33.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 33 Väiksemad rebendid kaardi servades ja siidkandi all parandati 9 g jaapani paberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992857092-B9LTURTIWTNJQ73IMASS/34.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 34 Suuremad rebendid parandati 9 g ja 20 g paberitega, vajadusel mitme kihina ja enamuses kaardi tagaküljelt. Kaod täideti sobiva kaltsupaberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992846793-QP0YCDWHUDRLTC3YUPBF/35.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 35 Alad, millelt vana taustakangas oli eemaldatud, vanadest liimijääkidest puhastatud tagakülg ning sellel tehtud parandused niisutati minimaalselt. Pildil on näha ettevalmistatud Sympatex kompress, millele tõstetakse niisutatav osa kaardist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992919107-AP5HFV40FU5GRYECSTEV/36.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 36 Kaardi taustamiseks kaeti 20 g jaapani paber lahja liimiga (vedel segu nisutärklise kliistrist ja 1,5 %MC liimist) ja tõsteti Holytexi abil eelniisutatud originaali tagaküljele. Seda siluti ja koputati õhukottide eemaldamiseks ning jäeti viltide vahele stabiliseeruma. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992860263-JRKSC1AF8HDXTWQ16M0O/37.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 37 Kaardi ülaosa enne kahjustunud taustakanga eemaldamist ... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992863281-EEHHXWZJVR69LTYYQ66Z/38.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 38 ... ja pärast töödeldud pinna katmist jaapani paberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992913707-ID05DV2LO16HWJAXJJJV/39.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 39 Kaardi transpordiks ja säilitamiseks muuseumi hoidlas valmistati suure diameetriga tugev ja pehme pinnaga toru. Ümber tugevast papist tooriku keerati mitu kihti vahtplasti ja kaeti rull kahe kihi Tyvekiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992954016-51PZ9A9ZT25I8RA28EX7/40.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 40 Siidipaberist vahelehtedega eraldatud kaardipooled ... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992928041-9D8ZQID07ZYNNPWCFCV8/41.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 41 ...keerati rullile... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992973390-O18DBIFN2OQ02NMI84QT/42.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 42 ... ja rull ümbristati hoiustamiseks sobivalt Tyveki kihtidega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662992996685-WBWVTNH6FKL578BZ4TL9/43.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 43 Konserveeritud kaardi digiteerimine Kanuti fotolaboris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662993008093-9D409SLBEHV2C5RAQ3BV/44.JPG Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 44 Konserveeritud kaardi digiteerimine Kanuti fotolaboris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662993014649-V7VSUO6N5HGPBPN08APJ/45.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 45 Kuna originaal oli rippunud seinal kahes osas ja planeeritava koopia mõõtmed on suured, otsustati koopia vormistada kahe eraldi paneelina,... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662993039857-EG2AMLLT0LHRH5F8HBHD/46.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 46 ...mis kinnitati seinal teineteise kõrvale. Digikoopia valmistas ja vormistas metallist raami Artproof OÜ. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662993041063-IUT5HQM1N2EW2KFRB27Q/47.jpg Renovatum Anno 2019/2020 - SUUREMÕÕTMELISE KÄSITSI MAALITUD KAARDI KONSERVEERIMISE LÕPUTA LUGU - ill 46 Vähendatud mõõtudega kaardi digikoopia kabineti seinal – kogu kaardi kujutis on eksponeeritud ja kõigile huvilistele hästi nähtav. https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/piirissaare-vanausuliste-haruldase-ja-luksusliku-liturgiakite-konserveerimine monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723468769-LXRF29IPZV1I16CSBJ5S/18MXZA%7ED.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 1. Piirissaare palvela, mis hävis tulekahjus 2016. aasta 16. mai öösel. Foto: Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723476087-5ARHPNCGZ6G0RDBX1UWS/2O0W2M%7EA.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 2. Põlevast kabelist välja toodud sakraalsed esemed ja kirikuraamatud. Foto: Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723482103-CM8LFCXSS2HPS3OGWDQ9/3RXBDF%7EL.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 3. Kustutusveest läbivettinud tekstiilkattega 500-leheküljeline kultuurimälestis, evangeelium, vajas kiiret kuivatamist vältimaks deformatsioonide ja hallituskahjustuse teket. Fotol köide enne külmkuivatamist. Foto: Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723502156-2EDFF09K0UKPOAV3YUV8/4Y0QBN%7EN.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 4. Köite vettinud ploki ja kaante deformatsioon oli pärast külmkuivatust minimaalne... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723510531-YP6FKAE5W8AAQ1ZBP670/5PO53D%7EY.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 5. …ja köite võis lukkumitega sulgeda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723546744-DK33TVCQAHITNS2NBLNK/6O4UJD%7E2.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 6. Luksuslik tammepuidust kaantega köide on kaetud punase siidisametiga, millel on viis pronksist valatud ehisplaati. Nurkplaatidel on kujutatud nelja evangelisti ja keskplaat kujutab ristilöödud Kristust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723554845-Z6OYZAXRMQROPMPAEXAS/7T4N4O%7EP.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 7. Köide on lukustatud kramplukkumitega. Lukkumi keskel on südamekujuline avaus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723566237-QJBBCBF9TTWDO5UOPVWJ/81CTXX%7EO.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 8. Nahkrihmadele kinnitatud lukkumite haagid on ažuursed ja kaunistatud taondtehnikas ringikujuliste ornamentaalsete kujunditega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723635829-8A26S6K30PSN7K79AEPT/9QNUJC%7E0.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 9. Köite eeslehtedeks on rohekates-mustades toonides käsitsi valmistatud marmorpaber. Foto: evangeelium pärast kuivatamist ja enne köite konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723645619-11HMFW2U6DXLJN0GF3PQ/14KQ4N%7E9.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 10. Sisuplokk koosneb erineva paksusega kaltsupaberist, trükk on teostatud punase ja mustaga trükivärviga. Foto: evangeelium pärast kuivatamist ja enne köite konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723652954-AIWXPSW3ENCRVFR685GW/1S556J%7EB.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 11. Viimasel lehel on sissekirjutus: Kniga Prestolnoe Evangelie. Foto: evangeelium pärast kuivatamist ja enne köite konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723687329-HCAZBGFGNK0F3R773E5Y/1YS69K%7ED.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 12. Sisuplokk oli juba varasemalt liigniiskusest kahjustunud... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723703488-LC8SRVSZOUSHV6P5AH9S/13_.jpg Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 13. ...ja paber kohati hallituse tõttu ulatuslikult pehastunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723706553-0AGROS24TWMG6098QLEL/1L1W9L%7EO.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 14. Köites oli läbivalt väga palju erinevaid vahaplekke. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723724698-TF5PBYE27T29M38WRF59/1V24DN%7E3.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 15. Evangeeliumis on aja jooksul tehtud palju erinevaid paberiparandusi. Osad neist on tehtud originaalilähedase kaltsupaberiga, teised aga õhukese puittselluloos-paberiga, mis on kohati tekitanud uusi rebendeid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723747070-OWVLDXE0F7L9Y4DVGGCD/1WI3XW%7EC.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 16. Mõnes üksikus kohas on ka puuduolev tekst hoolikalt originaali jäljendades uuesti käsitsi kirjutatud https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723756999-IYVG0QU82OTZKELMDIWC/1FJELM%7E8.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 17. Tulenevalt kahjustuste ulatusest otsustati köide täielikult konserveerida. Köiteplokk võeti paarislehtedeks lahti ning kõik lehed konserveeriti. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723792356-6YHSW14LJX0SP5C73MVO/1RT4ZE%7E3.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 18 Probleemiks oli õli eemaldamine paberist. Esmalt testiti pinna töötlust heksaani kompressiga. Heksaaniga töödeldud ala muutus tunduvalt heledamaks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723799384-T950ZCBTV8AZJXKW9N5X/1PCN2F%7E6.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 19. Võrdlus: alumine leht on läbinud heksaaniga töötluse, ülemine mitte. Hoolimata heast tulemusest otsustati heksaaniga töötlemisest loobuda, kuna terviseriskid oleksid olnud liiga suured. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723808129-WB1YJH3LGL00ULWTPH17/2GJTGT%7E9.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 20. Tervisesõbralikumat lahendust otsides tuli idee asetada kõik lehed ühekaupa filterpaberite vahele nõrka pressi. Õli mehaanilise “väljapressimise” meetodit rakendati kõigil lehtedel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723811834-6GRA13WIYPS2PDUKWSZH/2P071Z%7E4.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 21. Pärast kuude pikkust õli eemaldamist jätkus konserveerimise protsess märgtöötlusega. Paarislehtede pesemiseks vannis pakendatati lehed Holytexi „kottidesse“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723820821-QFEELSZ9KAVM9N2R63N5/22LC7F%7E9.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 22. Ulatuslikult pehastunud ja fragmentaarsed lehed konserveeriti valamismeetodil. Tööd juhendas Rahvusraamatukogu konservaator Vilja Ventsel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723828658-H8IPAWJFC0FZQAZ0I0S5/2B8UIL%7EL.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 23. Pehkinud ja kadudega lehtede tugevuse ja formaadi taastamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723838707-5CBS5C61CL15IP9BOOQB/2EAL3R%7EN.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 24. Paarislehtede viimistlemine ja poognatesse jagamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723845101-3HA1IJEDQBZ1ATXESG6V/200KGZ%7EZ.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 25 Parandatud, viimistletud ja poognateks vormistatud paarislehed anti üle köitekonservaatorile. Fotol esimesed poognad 500 lehelisest plokist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723855081-OOWSQJ7P1DR1S77CVGZM/2MFNLT%7ER.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 26. Evangeeliumi kattematerjal oli määrdunud, luitunud, sameti karus kulunud, kohati auklik ja rebenditega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723861770-4XXNAW4XIR80OIYNZ1CD/2CCKOW%7EH.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 27. Kangas oli kaetud vaha-, õli- ja liimiplekkidega. Eriti tihedalt oli väikeste vahaplekkidega kaetud tagakaane alumine osa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723904111-MHTDNCBM4YPCA332V9J3/2EVZ6D%7ED.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 28. Siidsamet otsustati konserveerida ja mitte asendada uuega. Tekstiil puhastati lokaalselt vahaplekkidest ning pesti ja sirutati õrna tõmbega vaakumpesulaual. Rebendid toestati siidiga ja õmmeldi läbi siidniidiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723937300-7B5C9VZAFYQ9HEBCA0XB/2BZBRP%7EC.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 29. Kaante taastatud välisservad ja nurgad. Paremal köite tagakaas, mille servas on süvised nahkrihmade jaoks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723941479-4474F68CLZ81V7JUENAK/3VQYIS%7E7.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 30. Marmoreeritud eeslehed eemaldati kaante sisekülgedelt mehaaniliselt, pesti söefiltreeritud kraaniveega ja liimistati 0,5%-lise želatiinilahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723952162-NQA3EEJPMMKV9UFVPLGX/3NGECX%7E7.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 31. Eeslehed toestati lehe verso poolelt esmalt loorpaberiga ja liimiti seejärel hallikasmusta tooni jaapani paberile Satogami, liimiks kasutati nisutärkliseliimi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723961440-AP8580HV376JYAEJAOD3/3K9CQM%7EV.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 32. Poognad õmmeldi kringelpistes neljale paarisköitmele köiteraamil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723966437-HRF341IXNNWESDO93KGN/3AR687%7EH.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 33. Köiteploki tugevdatud selg jaapani paberist seljatugevdustega ja konserveeritud kaptaalidega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723972661-QPJSE3L29HX4UCR3ZMVK/33PCUF%7E6.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 34. Kuna kaptaalide algne toestustekstiil oli mõlemal erinev, siis toestati kaptaalid vastavalt ka linasele ja puuvillasele kangale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723982817-NENDACZD0GQXNYGD03UN/33KR4J%7EM.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 35. Taastatud kaanenurk, liimitud kaptaali aluskangas ja jaapani paberist tugevdusriba, mis ulatub 2 cm laiuselt kaane välisküljele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723986711-2LU8L80L2NU4OQ7I0EU5/32S29P%7EY.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 36. Plokk ja kaaned on ühendatud köitmenööride, kaptaali tekstiilist „kõrvade” ja jaapani paberist seljatugevdusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662723990645-XJ83KDJM5GM649JU8ARU/3BNUHX%7EE.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 37. Kaptaalide “kõrvad” liimiti kaane välisküljele, köitmenöörid on kaantest läbi pistetud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724000958-YKRC5WWC0RK647N20W0Q/3VYZ35%7EZ.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 38. Tugevdusribad on liimitud kaante sisekülgedele, kalingurist seba on veel liimimata. Tüüblite kinnitamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724007712-4OHL7DST4VC9EE0CCSPH/3PU3ZA%7EO.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 39. Lukkumite vastuste kinnitamine esikaanele vasknaeltega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724038042-B6556GLX53P7GM1C7XWT/4XWSVP%7EZ.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 40. Köide avatuna enne kattetekstiiliga katmist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724066547-XDQZE61DSDDQ5SPTY2I2/4G8UUF%7EH.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 41. Valtsi juures tehti kangasse sisselõige, et oleks võimalik kanga tagasipööratud osa kaane siseservale liimida. Selleks lõigati tekstiili sisse 2 cm pikkused avad, jättes servast 1 cm lahti lõikamata. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724080054-S88HBFJIFEHQEXEL6YU4/4ATRT6%7E5.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 42. Kattetekstiili servad on kaetud liimiga, valge jaapani paberist seljaroots on liimivaba, ainult tekstiili tagasipööratud osa kinnitub seljarootsule. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724092955-F2T94V3BNZJYAK8HPIAF/4EZN14%7EL.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 43. Ehisplaatide kinnitamine kaanele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724098614-1A4KMAA4YMJ6BY6K54MF/4B17RU%7E0.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 44. Ehisplaatide kinnitamine – aukude puurimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724103333-RS6RR4W143FYQNINH1P9/4TZI1I%7E4.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 45. Ehisplaatide kinnitamine – kruviga kinnitamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724118719-G55ZYFENLXNL1QUYU1FN/4PK0ZI%7E4.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 46. Paremal siidiga kaetud 4×4×3mm ruudukujuline kõrgendus, vasakul puittikk augu täiteks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662724142979-BQ8VEYGW9Q93LTPXOBE0/4FOGKC%7EA.JPG Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 47. Sametkangas on kaantele liimitud, järgneb kalingurist seba ja täidiskartongi liimimine ning viimasena marmorpaberist spiili liimimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662987141404-JBLD4BB46DJ2RWSOFIHJ/48_17L021_03_ac_vaiksem_koos.jpg Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 48. Evangeelium pärast konserveerimist (esi -ja tagakülg) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662986959351-69XDFFC2VGYF8J66NYAZ/49_17L021_cp_86F4CD8C-366D-40F3-9996-7A82193D155B.jpeg Renovatum Anno 2019/2020 - PIIRISSAARE VANAUSULISTE HARULDASE JA LUKSUSLIKU LITURGIAKÖITE KONSERVEERIMINE - ill 49. Evangeeliumi on võimalik peale konserveerimist taas uurida ja eksponeerida. Selleks on parim viis asetada köide seda toetavale vahtplastist raamatuhällile. Piirissaare sametköite kirje koostas Larissa Petina Kanutis 10.11.2020. https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/piirissaare-palvela-ikoonid-plengust-restaureerimiseni monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400772045-78WKDMP0AIRXDRKX5GVA/tn_1.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 1 Piirissaare palvela ikonostaas. Foto: Arne Maasik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400772062-INOQOQVP15U8NNF9JTWM/tn_2.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 2 Piirissaare vanausuliste palvela. Foto: Arne Maasik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400772651-EIWCOGSJXOAPYRGCRC0Y/tn_3.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 3 Piirissaare palvela põleng 2016. aasta 16. mai varahommikul. Foto: Lõuna päästekeskus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400773342-CGUZV526T667LA9XOUNB/tn_4.JPG Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 4 Palvela pärast põlengut. Foto: Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400774345-QRG0CYQXBWGB7QDLFZ07/tn_5.JPG Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 5 Kunstimälestised ja muud sakraalsed esemed jäätmejaama abiruumi põrandal. Foto: Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400774670-JNRKX6ES22EU6U6IP4TV/tn_6.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 6 Konserveerimistalgud SA Eesti Vabaõhumuuseumi Setu talu laudas. Foto: Urmo Treisalt https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400775758-U9SUETF2SX0I3SKH2CEQ/tn_7.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 7 Talgud. Foto: Urmo Treisalt https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400776038-76HZGGIL1XA1T68C2WEO/tn_8.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 8 Näide säilinud ikoonist. „Püha Vaimu väljavalamine“, reg. nr 21670 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400777132-4LPWC9QY5VQNZR63W699/tn_9.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 9 "Tihvini Jumalaema", reg. nr 21659. Ikooni on võimalik restaureerida, kuid Jumalaema pale on hävinenud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400777196-N5PQGU1YD1C9AK31Z2ZD/tn_10.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 10 "Ristija Johannese pea maharaiumine", reg. nr 21676. Ikooni ülaosa on tõenäoliselt hävinenud, allosa aga säilinud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400778044-PFP3YXPBXGF7NOXBEWT6/tn_11.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 11 "Issandamuutmine", reg. nr 21672. Ikoon on tõenäoliselt suuremas osas hävinenud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400778447-9YYF8RI8ZL12CI257E53/tn_12.JPG Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 12 „Ülestõusmine Põrguhauda laskumisega“, reg. nr 21667, Mark Grigorjevitš Solntsev. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400779116-T0ZVJFVM64L1FYRTPYJO/tn_13.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 13 Avariitööde II etapi konserveerimistööde aruandest leiab järgmise informatsiooni: „maalingu ülaosa tõenäoliselt hävinenud, allosa aga säilinud“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400779827-S2JPBCSMGB5OA39Y71TU/tn_14.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 14 Kattekihi eemaldamine. Tumenenud kattekiht eemaldati etanooli ja tärpentini lahuse (1:1) kompressidega. Selleks immutati u 4x3 cm suurune filterriide tükk lahusega ja asetati töödeldavale pinnale, millel lasti mõjuda umbes 2 minutit. Kompressi tulemusel muutus maalingut kattev kiht pehmeks/natuke kilejaks omaette kihiks, mille sai väga hõlpsalt mehaaniliselt skalpelliga eemaldada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400780537-1HXFMG9OKQ8GACY8V12S/tn_15.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 15 Krundikaod täideti 10% kalaliimi ja kriidi seguga. Ulatuslikele krundikadudega aladele kanti 5–7 õhukest krundikihti üksteise peale pärast eelmise kihi kuivamist, et vältida kuivamisel tekkida võivad pragusid. Krundi kuivades viimistleti pinda liivapaberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400781129-WDDGWSNGSHVYHW6V3C4F/tn_16.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 16 Tratteggio põhitoonides vertikaaljooned. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400781719-1OG9BP9MGMDIO8TXI8OX/tn_17.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 17 Lasuurselt toneerimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400782785-IHV9ASAP2AA8ZCFGKPMY/tn_18.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 18 Enne ja pärast tratteggio toneeringut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400783423-B9LX8P182SHOXEJAETA5/tn_19.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 19 „Ülestõusmine Põrguhauda laskumisega“ enne ja pärast restaureerimistöid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400784011-XOBGYG5UTECA93UYPGYX/tn_20.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 20 “Smolentski Jumalaema”, reg. nr 21657, G. J. Frolovi koolkond. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400784480-WOH1S5CAZ66BEN7PXR2O/tn_21.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 21 Usklik ei saa leida lohutust ega tuge pühapildist, millel kujutatu on moonutatud või hävinenud. Põlenud näoga Neitsi Maarja ei vii usklikku kõrgemasse hingelisse seisundisse, pigem tekitab see temas õudu. Muinsuskaitseameti kunstimälestiste peainspektor Linda Lainvoo tõi välja ühes pärast põlengut antud intervjuus kujundliku võrdluse. Piirissaare palvela põlengut kajastavates uudislugudes ei näidatud kordagi põlenud ikoone. Võrdluseks tõi Lainvoo, et niisamuti ei näidata avalikkusele fotosid autoavariis hukkunud inimestest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400785396-3GKHBIKTYU3VOX8EHYT2/tn_22.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 22 Materjalid peegeldavad ja neelavad infrapunakiirgust nähtavast valgusest erinevalt, mis võimaldab näha läbi mitmete ainete. Maalide puhul lasevad mustus, paljud laki- ja värvikihid infrapunakiirgust (osaliselt) läbi, krundikihilt peegeldub IR-kiirgus aga tagasi. Ikoonist tehtud infrapuna fotodel on silmade, suu ja nina piirjooned selgelt loetavad. Foto: Andres Uueni https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400785836-OE3Y1VF9IGB5VZHXO0H0/tn_23.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 23 Maalipinnalt söestunud kattekihi eemaldamise käigus tulid näo piirjooned arusaadavalt välja. Värvitoonide gradatsioon on küll kuumuse tõttu kadunud, ent Jumalaema pale on selgelt loetav. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400786310-WV86ZJWWHIF4OJ658XXD/tn_24.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 24 „Kõikide Kurbade Rõõmu Jumalaema“, reg. nr 21664, enne ja pärast restaureerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400786898-POBPPTXD2J3RI58M4531/tn_25.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 25 „Ülestõusmine Põrguhauda laskumisega“, reg. nr 21667, enne ja pärast restaureerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400787403-51OQ5C9NIBWG9U2YHCQO/tn_26.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 26 „Kõikide Kurbade Rõõmu Jumalaema nelja evangelistiga“, reg. nr 21668, enne ja pärast restaureerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400788382-1T9B8EQ3TCCWD1OW5APY/tn_27.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 27 „Nikolai Imetegija kaheteistkümne elustseeni ja nelja pühakuga“, reg. nr 21665, enne ja hetkel veel töös olev ikoon. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400788428-I0IRKY8H66UEKVHCJW9X/tn_28.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 28 „Sissesõit Jeruusalemma“, reg. nr 21656, enne ja pärast restaureerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400789430-6LTJ6S5NCNTKNJJJSMAC/tn_29.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 29 „Kristuse sündimine“, reg. nr 21663, enne ja hetkel veel töös olev ikoon. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400789858-CKAQUTDDXSERWTBJPBGD/tn_30.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 30 „Püha Vaimu väljavalamine“, reg. nr 21670, enne ja pärast restaureerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400790888-2MZKQHH5ATAPHFSNQCWP/tn_31.png Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 31 „Tihvini Jumalaema“, reg. nr 21662, enne ja pärast restaureerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400791184-TK05K4PTTRJEAIBTV69L/tn_32.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 32 „Smolentski Jumalaema“, reg. nr 21657, enne ja pärast restaureerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400792055-0AJ5LWZJDNQ6MQP5INRC/tn_33.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 33 „Prohvet Eelija“, reg. nr 21666, enne ja pärast restaureerimist. Fotod: Malle-Reet Heidelberg https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400792457-EAH565C4CVZTRPHDON67/tn_34.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 34 "Apostlid Peetrus ja Paulus", reg. nr 21680, enne ja pärast restaureerimist. Fotod: Malle-Reet Heidelberg https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655400793002-2N0QWBIHOMPDL0T63DM6/tn_35.jpg Renovatum Anno 2019/2020 - PIIRISSAARE PALVELA IKOONID - PÕLENGUST RESTAUREERIMISENI - ill 35 „Maarja kuulutus", reg. nr 21660, enne ja pärast restaureerimist. Fotod: Carol Katkof ja Malev Toom https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/luust-laeka-konserveerimine monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288534698-0WYFU8WERB89D1WBPQ9C/1.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 1 Laegas, 19.-20. saj. Puit, (elevandi)luu, kuldfoolium. Narva Muuseum, NLM_1:51 Aj 1:51 (konservaator Aire Aksiim, 2018) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288534903-2WOA3S52K59BRP0TSSHC/2.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 2 Laegas, 19.-20. saj. Puit, (elevandi)luu, hõbefoolium. Narva Muuseum, NLM_1_52 Aj 1:52 (konservaator Jolana Laidma, 2018 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288535936-L3ZK09TO25GTXFP7KFEJ/3.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 3 Narva Muuseumi laekaga analoogne karp. 18. saj. Puit, luu. Venemaa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288536542-CV6B9TGLNRRKGYA71XDD/4.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 4 Narva Muuseumi laekaga analoogne karp. 18. saj. Puit, luu. Venemaa Государственный художественный музей г. Ханты-Мансийск http://www.hmao-museums.ru/museum/ghm/gallery/1794/?v=gallery%20-%20ci17101#ci17101 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288540141-ZE24E1DGH1G679UL5KO2/5..jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 5 Artiklis käsitletav kuldfooliumiga laegas enne konserveerimist (karbi tagakülg). Laekal oli puuduvaid ja lahtisi luust detaile, karbi metallist hinged olid katki. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288542342-M6OHOFUZA8OLX9NFFC7A/6.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 6 Laeka kaanel on kaunis luupits, millel esineb väiksemaid materjalikadusid. Üks lahtitulnud luuplaat on säilinud ja vajab tagasiliimimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288547201-ZHLKZYIQVM31J3AZR9SU/7.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 7 Laeka kaanel on kaunis luupits, millel esineb väiksemaid materjalikadusid. Üks lahtitulnud luuplaat on säilinud ja vajab tagasiliimimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288548627-B95R3MFBUP1EM7ZW4H7L/8.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 8 Laeka põhjal on erisugused ja eri aegadest pärinevad muuseumi märgistused. Laeka jalgadeks on lihtsad puidust liistud, mis moodustavad kolmnurgad ja mida toestavad puidust klotsid https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288560996-QSQDIKZKVURPAQ6S0NX9/9.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 9 Karbi kaanelt eraldunud detailid ja luupitsi tükid. Enne luuplaatide kinnitamist puhastati laegas lahtisest tolmust. Pinnapuhastus tehti minimaalselt niisutatud tampoonidega https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288553436-2KBXWIUQKG2M4W44M7O9/10.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 10 Karbi metallist hinged ja lukkum puhastati terasvillaga (0000) ja tugevamad roostetäpid klaaskiudpliiatsiga https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288570190-P12DLYOV0SLZT7R55ICD/11.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 11 Luust detailidele leiti laeka ornamenti järgides sobivad asukohad https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288577231-2UA0G9U8THILD3ZTJF88/12.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 12 Puuduvad luudetailid asendati luust lõigatud uute osadega, Fotol on vanad ja uued detailid märgistatud oma kohtadele – tagasiliimimist ootavad kokku 10 detaili kaanel ja 13 detaili karbi külgedel https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288588530-N2NHGQTPQMVGPJAYUCYE/13.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 13 Uued ja vanad osad kinnitati laekale PVA liimi täpikestega, et vajadusel oleks detailid kergesti eemaldatavad https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288594754-AJDA4RFWIHW6OYQ9LDF9/14.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 14 Liimitud detailidele pandi kuivamisel raskusteks peale haavlikotikesed https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288601664-MU125DCS8BVUOV9HG84J/15.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 15 Liimitud detailide survestamiseks kuivamisel paigaldati klambrid https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288598035-3R8ZVG208MU3HZ52EQYO/16.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 16 Kuivas töökeskkonnas (30%) hakkas laeka puit kokku tõmbama, vana rabe liim andis järele ning kaks lahti tulnud jalga tuli tagasi liimida. Laeka jalg enne karbiga ühendamist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288601135-8JWG4GTA8IR97WWW3YB4/17.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 17 Seest õõnes karbi kaas on kaetud vineerist vahelaega, mille eemaldamisel otsustati tulevastele ametikaaslastele jätta avastamisrõõm… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288617103-JZ8KLAHAH81XGC279G0F/18.JPG Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 18 …väikese kirja näol, milles kirjeldati konserveerimistegevusi, lisati kuupäev, konservaatori ning asutuse nimi. Grafiitpliiatsiga kirjutatud kiri paigaldati kaane põhjale paari kliistritäpikesega paberi nurkadest https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288616559-CZ5WTWBXX79IER5OII1C/19_enne_parast.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 19 Vaade laeka paremale küljele: enne/pärast konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288628157-W69KEUFY8N2TV5MEBBWM/20_enne_parast.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 20 Vaade laeka vasakule küljele: enne/pärast konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288629662-MM7Y0PUJVGB1I6M2IA5K/21_enne_parast.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 21 Vaade laeka tagumisele küljele: enne/pärast konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288659968-YFHOQX6OUUJMVHMSCLTR/22_enne_parast.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 22 Vaade laeka kaanele. Kaanele kinnitati üks irdunud luuplaat, uusi luust detaile ei olnud vajadust lisada https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655288638565-9QSCTGGQQVZDGZ9IRXER/23.jpg Renovatum Anno 2019/2020 - LUUST LAEKA KONSERVEERIMINE - ill 23 Laegas tagaküljelt pärast konserveerimist. Konserveerimisülesandeks oli taastada museaali terviklikkus ja eksponeeritavus nii, et säiliks selle algupära ja visuaalselt kaunis väljanägemine https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/leiud-altja-paarma-talu-saunast-ega-ometi-wiiralti-sagritsa-ja-uutmaa-joonistused monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331606345-9WW9W3RBGPZOVSMDDDL4/1.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 1 Altja kalurikülas asuv Paarma talu elumaja.  Foto: Küllike Kuivaste (11.01.2020)  https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331606684-3CNBSIOK0WIGHBRXX5Z2/2+.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 2 Paarma talu omanik, laeva “Arius” kapten Magnus Romman ehk Paarma Vunts meeskonnaga. Aarne Vaigu erakogu, Käsmu Meremuuseum https://www.kasmu.ee/et/content/arius https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331609655-O2826UYVUMU76DR1RGVN/3.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 3 Laev “Arius” kuulus kuni 1934. aastani kapten Magnus Rommanile. Aarne Vaigu erakogu, Käsmu Meremuuseum https://www.kasmu.ee/et/content/arius https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331609679-P7J5D8TG1I8OYVXKQJQ8/4.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 4 Magnus Romman ehk Paarma Vunts daamidega: vasakult Magnus Rommani tütretütar Ira Hanschmidt, tütar Aino Pentson, Magnus Romman, Magnuse venna Juliuse tütar Emma Romman ja teine tütretütar Eva Pentson. K. Kuivaste erakogu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331612905-WF5HSGY3IEY4UQ2N0PIL/5.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 5 Magnus Romman oli lihtne ja kokkuhoidlik mees, kuid tõi reisidelt kaasa eksootilisi suveniire ja ühel korral isegi ahvi. K. Kuivaste erakogu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331613221-ZEE8SO14T1ZLSALNNUJY/6+.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 6 Paarma talukompleksi kuuluv saun juulis 2018. . Legendi järgi pidid sauna riietusruumi seinal asuma kolme tuntud Eesti kunstniku Richard Sagritsa, Richard Uutma ja Eduard Viiralti joonistused. Foto: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331614345-OXY8JKGLY2HH1XJ01M1N/7.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 7 Richard Sagrits Richard Uutmaal külas. Foto: 1930–1939. RM F 1575:204. Virumaa Muuseumid SA https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331624770-WTZFBYL5J4DYY9JPCR7X/8.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 8 Esimeste tapeedikihtide avamine sauna riietusruumi idaseinal. Foto: Siiri Nõva. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331626656-1W3KLXHFZGELZ8CWG9YH/9.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 9 Detail esimesest viimistluskihtide avamisest. Tapeedi paber rebenes kergesti ning seetõttu avanesid ainult väikesed ebakorrapärased alad Foto: Siiri Nõva. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331643723-3K1KERQJ3GJYI7D1UD31/10_IMG_4097.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 10 Kuna töö osutus keerukaks, kutsuti appi konservaator. Fotol on näha seinalt kuuma auru abil eraldatud neli pealmist tapeedikihti. Vasakult paremale liikudes selgub tapeetide stratigraafia. Roheline tapeet oli kipsplaadil alumine ja tumeroosa suurte lilledega tapeet kõige pealmine. Foto: Kristiina Ribelus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331640430-R3XMFK0GPIRZ2Z6TE4VO/11_IMG_5411.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 11 Põnevad ajaloolised dokumendid: aluspinna tasandamiseks kasutatud käepärane makulatuur, sh saatja ja saaja andmetega ümbrikud. Foto: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331652663-911POR6R7OMKN69VXO5Q/12_IMG_5394.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 12 Konservaator Kristiina Ribelus tapeedikihte avamas. Vasakul on näha valge mustriga tapeet, ajalooliselt esimene kiht, mis tuli välja kipsplaadi alt. Foto: Priit Rand https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331654757-CQ1PKYB84KG57OWJVZA2/13_IMG_5396.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 13 Esimesed joonistused avanesid valge mustriga tapeedi alt. Foto: Priit Rand. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331662664-LS6XYI7AJBKFAKSJGED8/14_IMG_5406.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 14 Seejärel avati joonistatud alasid suuremalt, terve pildi ulatuses. Kihtide avamisel kasutati kuuma auru meetodit. Foto: Priit Rand https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331678460-CGPOO3NHNCV1U3AQP0D1/15_IMG_4107.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 15 Uuringute käigus leiti neli eraldiseisvat joonistust. Fotol kaks joonistust – naise portree ja konn. Foto: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331685342-OEPHEKWS15ZQB4MKVPDB/16_IMG_4106.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 16 Kolmas joonistus – merel seilav purjepaat. Foto: Kristiina Ribelus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331692025-SKG3AHQ8QPM8SLZON3X0/17_IMG_5487.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 17 Neljas joonistus – eksootiline maastik. Foto: Kristiina Ribelus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331711021-QNN5X4VT4THM0Y5Q2M2C/18_IMG_4105.JPG Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 18 Joonistused paiknesid sauna seinal erinevatel kõrgustel, mis viitab joonistaja(te) istuvale või seisvale asendile. Foto: Kristiina Ribelus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331702423-WMKTVMGOTCUGWLTV16YM/19.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 19 Konserveerimistööd Kanutis:Kujutistega papipaanidelt eemaldati valge lilleline tapeet märgtöötluse abil. Kuuma auruga töötlust kasutati lokaalselt, edasi liiguti ca 10 × 20 cm alade kaupa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331714040-GRFK5VZDFSHNS19XUAXF/20.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 20 Aurutatud tapeedikiht märgus koheselt läbi ja selle sai eemaldada kiiresti, enne kui niiskus jõudis imbuda papi pinda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331724680-UYPR82F0ZZU4X7RNK9YK/21.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 21 Auruga puhastatud pingupapp enne täiendavat puhastamist. Pinna lõplikuks puhastamiseks eemaldati papile jäänud tapeedifragmendid metüültselluloosi lahja lahusega vatipulga ja metallist spaatli abil. Samaaegselt fikseeriti lahusega töödeldes papi pinnakihi lahtised kiud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331730640-PVQFWBPGR0N0PCS37663/22.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 22 Kanutis konserveeriti kolm papipaani (I–III, mõõtudega 200 × 70 cm). Paanilt I leiti joonistus “Purjekas”. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331741516-SY2BS4IRUSGMKSJLNI56/23.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 23 Paanilt II leiti lisaks varasematele joonistustele naise portree… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331741226-V1GOE36HIZK171I0M0JO/24_19P008_03_dt2_bc.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 24 …ja konn. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331745278-3R747WX2WR89Y6T6GHNA/25_19P008_03_dt3_cp.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 25 Lisaks veel koer, … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331748570-LDQXD6XHYCCWYJJAQVRQ/26_19P008_03_dt4_cp.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 26 … Kriipsujuku (12 × 17 cm), … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331751966-I012PHIW6H72H9RE9GMZ/27_19P008_03_dt5_cp.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 27 … ja Kriipsujuta (10 × 15 cm). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331756292-QRY6H0H74G3DY0LOQ1P3/28_19P008_04_dt2_cp.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 28 Papipaanilt III leiti tapeedi eemaldamisel üks joonistus – “Liblikas”. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331754684-NA6YGGECQZ4Y4M5ZPGJX/29.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 29 Kõikidest tapeedikihtidest võeti näidised, mis pakendati pikaajaliseks säilitamiseks sobivasse hoiukarpi. Foto: Maris Allik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331762615-XUCO2UL790YJ4B3QR8Q3/30_19P008_dt02_bc.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 30 Fragment rohelisest tapeedist. Kõige alumine tapeedikiht kipsplaadil (kiht IV). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331764741-DM7RCS8AQEGW5LA8J12J/31_19P008_dt03_bc.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 31 Lillelise tapeedi fragment (kiht III, rohelise tapeedi pealt). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331775861-265TJTOJVCSCUYR29OZY/32_19P008_dt04_bc.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 32 Fragment paksust valtsmustriga tapeedist (kiht II) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331777805-PDBLHQESMIQ166WSI5XZ/33_19P008_dt05_bc.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 33 Tumeroosa suurte lilledega tapeet oli kipsplaadil kõige pealmine (kiht I) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331781826-KXKBU1ZDJB6724RZT6QA/34_19P008_dt01_bc.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 34 Fragment tapeedialuse makulatuurina kasutatud kirjaümbrikust, mis pakendati koos näidistega hoiukarpi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331784504-6KRCETJ5LCO8D7L9QT98/35.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 35 Valge tapeedi fragment konserveeriti koos pingupapiga ja säilitatakse koos hilisemate fragmentidega. Foto:Maris Allik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656331789372-415HTAEPF0ZZB5YCHKXT/36.jpg Renovatum Anno 2019/2020 - LEIUD ALTJA PAARMA TALU SAUNAST – EGA OMETI WIIRALTI, SAGRITSA JA UUTMAA JOONISTUSED? - ill 36 Kolm paani pärast konserveerimist https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/jeesus-kristuse-ikooni-konserveerimine-mblikute-kalmistust-kuldse-aardeni monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460088092-EOBLSB5EF1RLAUVZ1S3V/1+-+17C100_av_bc.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 1 Konserveerimisele saabunud ristkülikukujuline puidust ikoonikast ikooniga “Kristus Kõigevalitseja” Luikjärve talust Setomaalt (enne konserveerimist). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460087962-U91VGSG193IMPZD7H7T9/2+-+17C100_dt2_av_cp1.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 2 Kasti sees paiknes 24 × 15 cm ikoon, mis lähemal vaatlusel osutus lohakalt maalilakiga kaetud värviliseks fotoreproduktsiooniks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460105202-R8ANJXM1HE7BLC1PE9KX/3+-+17C100_dt2_bc.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 3 Esiklaasi puudumise tõttu oli ikoonikasti sisu väga räpane ja tahmane. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460113303-373TGSSWTOMNHI2SDH59/4+-+IMG_2537+%28Maria+pilt%29.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 4 Ämblikuvõrgud katsid kõiki nurki ja kastis oli palju prahti. Foto: Maria Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460116310-IO6I84AM451MKWGFU5LR/5+-17C100_dt1_cp1.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 5 Kui ikoon koos kattega kastist välja võeti, avanes konservaatorile nukker pilt. Kasti põhja kattev õhuke fooliumkattega paber oli pehkinud, väga määrdunud ja foolium korrodeerunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460127203-CT5PYZ1S2BN5XK8I277D/6+-+17C100_dt1_dt02_cp1.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 6 Igal pool olid hiiglaslikud tolmurullid ning ülimalt palju surnud putukaid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460136981-84II64QPFECKSU7O0J2P/7+-+IMG_2535+%28Maria+pilt%29.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 7 Surnud ämblikud, kärbsed ja herilased olid imelikul kombel grotesksetesse rullidesse põimunud. Foto: Maria Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460139100-Z23YNW9PILV2DS0VYYMU/8+-+17C100_dt1_cp2.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 8 Ikoon-trükipilt oli väga tahmane. Puhastamisel kasutati triammooniumtsitraadi vesilahust ja etanooli (fotol on pool pildi pinnast puhastatud). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460145203-NJM34M0UBEOPO4YD6EQ6/9+-+IMG_2546+%28Maria+pilt%29.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 9 Niiskusest kahjustunud ja deformeerunud ikooni aluspapp otsustati täielikult eemaldada. Papi pealmised kihid eraldati kuivalt skalpelliga. Papi jäägid ja liim eemaldati metüültselluloosi vesilahuse ja destilleeritud veega niisutatud vatiga. Foto: Maria Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460148036-FIDCAPZMA3517GUC6MAY/10+-17C100_dt3_cp4.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 10 Peale ikooni kleepimist uuele alusele toneeriti paberikahjustused akvarellidega ja pilt kaeti lakiga, mis jättis mõnusa poolmati ilme. Ikoon mõjus nüüd rohkem „päriselt maalituna“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460156681-BNXFR9J4V2OZVNRDKTVI/11+-+17C100_dt3_cp1.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 11 Ikoonikate oli õhukesest kuldseks toonitud fooliumilaadsest plekist, mis oli äärmiselt kortsus ja must. Kate pesti seebi-vesilahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460163375-U091BFSACZWEBQVQLIAO/12+-+IMG_2606+%28Maria+pilt%29.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 12 Seebivanni järel allusid pinnale paakunud tahm ja mustus juba kergemini edaspidisele töötlusele triammooniumtsitraadiga. Puhastuse käigus valmis ootamatult terve hulk huvitavaid kunstiteoseid. Nimelt jätsid puhastatavad osad filterpaberi peale tahmast ja mustusest kontuurid, mis kordasid ikoonikatte ažuurset mustrit. Foto: Maria Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460165687-2Y44OC7NZGNCXXCX0PQ2/13+-+IMG_2544+%28Maria+pilt%29.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 13 Kasti põhja kattev metallpaber oli väga must ja kahjustunud: deformeerunud, rebenenud, korrodeerunud. Esmalt teostati pindmise mustuse kuivpuhastus puhastuskäsnaga. Foto: Maria Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460172632-W3EBT2124AMYO27OWBF5/14+-+17C100_dt2_cp4.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 14 Aluspaberi pesemisele järgnes vaakumlaual koheselt ka paberi üldtaustamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460175861-57Z5OSVQY69EKAP35V3K/15+-+17C100_cp5.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 15 Rebendid ja augud aluspaberi pinnas täideti käsitsi toonitud paberiga. Konserveeritud aluspaber kinnitati kasti põhja ja ikooni ümber. Kasti servadel moodustati paberist nõgusad pinnad, mis annaksid ikooni metallkattele õige kuju. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655460183628-VR13FIV0UXBDK3PWJK35/16+-+17C100_av_ac.jpg Renovatum Anno 2019/2020 - JEESUS KRISTUSE IKOONI KONSERVEERIMINE. ÄMBLIKUTE KALMISTUST KULDSE AARDENI - ill 16 Pärast detailide konserveerimist tuli kokku panna suur 3D-puzzle. Metallkate koosnes kuueteistkümnest lahtisest detailist ja lisaks oli aluspaberi uusi ja vanu osi kokku üheksa. Kastile pandi uus kaaneklaas, mis kaitseb konserveeritud ikooni tolmu ja väliskeskkonna mõjude eest ning annab objektile väärika lõpetatud ilme. https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/jaapani-paberi-kasutamine-erinevate-materjalide-konserveerimisel monthly 0.5 2024-12-09 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422358548-8RSAKH370J2IJNUSESFU/ill_1_08L010_lh_ac.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 1 Egiptuse kassimuumia sarkofaag, fotod 1-14. 2000 aastat vana sarkofaagi karkass on puidust vormitud polükroomne istuva kassi figuur, mis on kinnitatud puitalusele. Foto pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422357499-IN3F5J2SW5RJH7CATKTD/ill_2-08L010_02_cp_crop_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 2 Detail. Kuju on valmistatud kiulisest troopilist päritolu puidust, mis on muutunud väga hapraks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422358842-PX78G0FB7PJ657RF1OX9/ill_3-08L010_av_ac_crop_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 3 Detail. Pinnal on polükroomne ja kullatisega detailiderohke maaling. Krundi kiht on ulatuslikult hävinud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422359452-J0ZM74I71QASZ2P22S5H/ill_4-08L010_02_ac_crop_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 4 Detail. Suuremat osa karkassist hoidis koos kolm kihti liimiga immutatud linast kangas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422362354-DI74YFG6X81U2AUOWBOT/ill_5_08L010_01_bc.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 5 Sarkofaag oli murdunud mitmeks osaks, kujul puudusid käpad, kõrvad, nina ja saba. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422361407-607GRQR9NR4V2I2HMIV3/ill_6_08L010.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 6 Sarkofaagi oli varasemalt erinevatel meetoditel parandatud. Kuju turjal olevat auku oli täidetud sinise kartongiga, mis oli kaetud linase originaalkanga tükiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422367336-0FHH0DO9RJVTFY6JPSXK/ill_7_08L010_dt3_rv_bc.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 7 Puidust detaile oli püütud tisleriliimiga tagasi liimida, kuid paraku on poorne puit liiga õrn, et liimi kuivamisjärgsele pingele vastu pidada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422368500-G65TA8EKUOGOH13TP5VU/ill_8_08L010_02_cp.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 8 Kuju terviku taastamisel lähtuti haprast puitmaterjalist ja oli ilmne, et detaile ei saa tavapäraselt serv-servaga kokku liimida. Praod otsustati siduda jaapani paberist sillakestega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422370245-IJW5B9MMX4D3H5B1MB9K/ill_9_08L010_02_cp.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 9 Risti üle prao lõigati skalpelliga väikesed vaod, mis täideti kliistriste jaapani paberist ribadega e sillakestega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422370842-LPWP8AUT7Y27XHQ8DII2/ill_10_08L010.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 10 Pärast kuivamist jäigaks muutunud jaapani paberist sillakesed, aitavad koos hoida ka üksteisest eemale hoidvaid puidu servi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422373898-RJQ0CYYXBNXP1J3DV4LX/ill_11_08L010_01_cp2.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 11 Kuna kuju detaile ei saanud külg-küljega puidukadude tõttu tervikuks kokku sobitada, valmistati papjeemašeest vorm, millega kompenseeriti puuduvad puidu detailid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422373166-ZKNUX32EG8KZWORBSC3S/ill_12_08L010.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 12 Kassi kuju kinnitati alusele papjeemašee servadesse kleebitud paberiribade abil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422376212-WFXX88MPZ2OZ8PAZV8T6/ill_13_08L010_01_ac.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 13 Esmapilgul lootusetuna tundunud objektist sai stabiilne ja visuaalselt nauditav ese. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422376101-IXTIBHX0IHEXK4241HSZ/ill_14_08L010.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 14 Sarkofaagile valmistati spetsiaalne hoiukarp. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422380526-DTR17XM5DGL0E1LEWQY6/ill_15_16L001_rv_ac.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 15 Krokodilli topis, fotod 15 -30. Krokodilli topise valmistamisel on loomalt nahk eemaldatud ühes tükis. Topis on täidetud höövlilaastudega ning tugev ja jäik soomustega kaetud nahk on pinnalt lakitud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422381665-RWEIHCOGUZ0LZSG244SM/ill_16_19L001_02_ac.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 16 Kõhu all kaelast sabaotsani on pikk lõige, mis on võrgunööriga kokku õmmeldud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422382101-4AE6HKK4LQBE4WI1ETAH/ill_17_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 17 Topis oli kukkumise tagajärjel purunenud. Esijalgade nahapinnale olid tekkinud rebendid ... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422382502-MKHPEYV56DI96K7C3F6S/ill_18_16L001_dt1_bc_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 18 . ...saba ots oli murdunud pooleks ja rippus õmblusnööride küljes... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422382886-4IX7HSRV9022Y9FC6SBA/ill_19_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 19 ... ning murdunud varbaid esines kõikidel jalgadel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422383465-1Z4MJ8JYCCS5XX4IPBEJ/ill_20_19L001_dt18_cp_7_DSC03514_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 20 Murdunud jäseme sisse liimiti toestuseks pambustikk... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422384135-ABSK9OOLQFU936EX68SO/ill_21_19L001_dt19_cp_8_DSC03519_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 21 ... ja PVA liimi abil fikseeriti murdunud jäse taas kokku. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422384491-UW1LSA9XZMAYKMNHV16Z/ill_22_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 22 Murdekohad kaeti õhukese jaapani paberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422384998-1ONIA5UKZLPDB7OYZWL9/ill_23_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 23 Saba toestati puidust pulgaga ja materjali kadu täideti jaapani paberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422385327-ZLCIA1OCK1X127O060RU/ill_24_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 24 Ühenduskoht kaeti õhukese jaapani paberiga ja toneeriti silmale märkamatuks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422385826-2X5MTIYOE0S0SGZHBWG2/ill_25_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 25 Varvaste modelleerimisel liimiti varbale esmalt paksemast jaapani paberist alusriba, mille peale hakati loorpaberist ehitama varba struktuuri. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422386179-97TKCW16O7UFY3GCY7MS/ill_26_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 26 Enne uue paberikihi lisamist, tuli lasta eelmisel kihil ära kuivada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422386681-SRVZ771FZ7RT4WFCCGDD/ill_27_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 27 Objekti külge ehitatud varbad jäid tugevad ja stabiilsed ega vajanud lisa toestust. Modelleerimisel kasutati PVA ja kliistri segu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422387074-0M1OQ619PWL8GNGPAE4R/ill_28_19L001_dt2_ac_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 28 Parandatud pinna toneeringud tehti akrüülvärvidega, mis kuivavad matiks. Kuna ülejäänud objekt on läikiva pinnaga, siis on parandused originaal pinnast eristuvad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422387585-VKSV4DPPLZT3LZFFKVH5/ill_29_19L001.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 29 Topise taldade alla tehti jaapani paberist väiksesed munakesed, millele objekt toetuda saaks. Nii ei lange krokodilli keharaskus varvastele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422390221-05S3LUOHESRO1DSZXHT7/ill_30_19L001_01_ac.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 30 Topis pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422389412-LNDY1HEBINU1AOQ1LWRB/ill_31_17K007_av_bc_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 31 Langusti kitiinkest e kaavik, fotod 31 - 46 Langusti kitiinkest enne konserveerimist. Langust oli kukkumisel kahjustunud - murdunud ja katkised detailid püsisid koos vaid tänu neid läbivale traadile. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422390488-4QG9FENQ6VQ4F41V1SES/ill_32_17K007_bt_cp_P1240280_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 32 Kaavik eemaldati aluselt ja iga murdunud kehaosale leiti algne koht nagu langusti anatoomia seda ette näeb. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422391334-PR5GDWG72Y3A7KJ6EFBV/ill_33_17K007_dt2_cp_P1240246_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 33 Kaavik oli väga tolmune. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422391579-431JC5LTKNLVRC1YIFBZ/ill_34_17K007_dt2_bc_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 34 Langusti võhad ja .... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422392432-L5RSIGX047R8SS8PAEXV/ill_35_17K007_dt1_bc_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 35 ... jäsemed olid murdunud tükkideks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422392703-37NUDQWLLK69JMEKDY1V/ill_36_17K007_bt_cp_P1240280_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 36 Vana liimkontakti eemaldamisel sai viga saba uime serv. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422393412-XXZA0JU40KBFALRBQG0G/ill_37_17K007_dt4_cp_P1240249_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 37 Räsitud saba serv toestati ja puuduv osa täideti õhukese jaapani paberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422393877-ZQXE02XLK2WGM80A08X3/ill_38_17K007_av_ac_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 38 Paberilaki abil sai paik sabaga sama läike, mis teeb paranduse silmale märkamatuks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422394544-6EY25UVWECQC7KPFUS64/ill_39_17K007.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 39 Jäsemete ühendamine: jalgade liigeste sisse tehti jaapani paberist torud, mille abil liimiti jalad kokku. Jäsemed toestati pealt poolt loorpaberiga ja tulemuseks oli tugev, stabiilne ja silmale märkamatu ühendus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422394929-VJPF5STZBIJJ6TS1AGGD/ill_40_17K007.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 40 Sarve murdunud otsa modelleerimine: silma kohal oleva sarve tipp taastati loorpaberi ja nisujahu kliistriga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422395417-IPJI32JH6IPRMOEIRNOU/ill_41_17K007.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 41 Murdude ühendamine: Jalad ja võhad ühendati paberist torukestega ja murdekohad kaeti loorpaberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422395698-CMZJW0Z2OJQVOVUC9OSF/ill_42_17K007.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 42 Parempoolse vurru modelleerimine: õõnsa vurruotsa sisse kinnitati peenike traat, mille ümber ehitati loorpaberist sobiva kujuga vurru osa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422396162-YTL6UPFO58JYA5VCJZVH/ill_43_17K007_bt_dt3_cp_P1240277_ren.JPG Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 43 Valmistati puidust uus alus ja kinnitustraatide fikseerimiseks puuriti alusplaadile iga jäseme alla augud, mis.... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422396826-DLUYIXJXSIDWK71WL1SQ/ill_44_17K007_02_ac_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 44 .... võimaldas õrnad detailid alusele eraldi kinnitada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422397294-0GZIY5TXO5TC5AR65RNN/ill_45_17K007_av_ac_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 45 Omaniku soov oli kaavik korrastada ja valmistada uus sobivamas toonis alusplaat, et eset eksponeerida koduses interjööris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422397833-JIYNYR5OM7TXRA9PW6G0/ill_46_17K007_rv_ac_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 46 Uue aluse tagakülg kaeti rohelise kaleviga ja plaadile kinnitati kaks riputusaasa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663422398133-YZYB4LT9STW5JCIFAOGP/ill_47_17K007_02_ac_ren.jpg Renovatum Anno 2019/2020 - JAAPANI PABERI KASUTAMINE ERINEVATE MATERJALIDE KONSERVEERIMISEL - ill 47 Pärast konserveerimist: Korrastatud langust sai uue aluse, millele lisati uus nimesilt . Mauritaania langust, (ing. k. pink spiny lopster; lad. k. Palinurus mauritanicus Guvel, 1911). https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/kuidas-uurida-tapeeti-23k32-lkjnx monthly 0.5 2022-10-21 https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/chine-coll-elab-oma-elu-ehk-kahe-selles-tehnikas-graafilise-lehe-konserveerimisest-kanutis-mis-ajendas-konservaatorit-vtma-hendust-kunstniku-endaga monthly 0.5 2022-10-27 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300884055-JC30E9A77XBIOE40CD2T/foto+1..jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 1 F. Krügeri litograafia Nicolaus I, Köningl. litograph. institut. zu Berlin enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300886752-N7WKSV035O85DJALJ10A/foto+2.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 2 F. Krügeri litograafia. Chine-collé tehnikas kahekihiline graafiline leht oli omakorda taustatud tekstiilile, mis eemaldati mehaaniliselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300900745-L19216WHKM9VLP92DIGA/foto+3.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 3 Tõenäoliselt ei olnud tekstiiltausta näol tegemist algse vormistusega, kuna paberites esinesid kahte kihti läbivad rebendid – ülal 5 cm ja all 15 cm –, mis olid paberi tagaküljel paigatud robustsete kaltsupaberist paikadega. Samas oli taustatekstiil terve, mis viitab selle hilisemale lisamisele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300900029-D4KAV7MYOT9HDLU4MT2A/foto+4.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 4 Paikamisel kasutatud ja tumepruuniks tõmbunud liim oli rebendi kaudu ka esiküljele tunginud https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300910592-B35C8TX8YSEZR4LJH619/foto+5.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 5 Taustatekstiili kleepimiseks kasutatud kliistrikiht oli hele, kuid paks ja kristalliseerunud. See eemaldati mehaaniliselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300910464-T3T6NHJKYXQI1V2PKK0K/foto+6.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 6 Õhuke litopaber on taustapaberist oluliselt tundlikum ja seepärast oli õhuniiskuse kõikumise tagajärjel pealmises paberis tekkinud palju rebendeid. Ühendus kahe paberikihi vahel oli kadunud enam kui 50% teose pinna ulatuses. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300918048-4IL5GV97U1EEYMXVBQ7R/foto+7.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 7 Kohati olid paberid teineteise küljes kinni. Pinna rebendid olid tekkinud just ühenduseta aladel, kus muutused õhukeses paberis olid kiiremad ja ulatuslikumad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300927167-CXUGHEREX5V0JNR0ZBR1/foto+8.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 8 Graafiline leht niisutati Sympatexil ja pesti vaakumpesulaual, et vältida paberikihtide teineteise küljest eraldumist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300936155-B7P4FXZ386TCJTB62PHE/foto+9.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 9 Märgudes tekkisid kahe paberikihi vahele õhumullid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300946408-5ISI48G7OT3S8D27JR39/foto+10.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 10 Pesemisel eraldus paberist palju kollasust, voolujooned vähenesid ning kujutise ilme paranes märkimisväärselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300957112-YQPPOU5LMYLYYBRM94EN/foto+11.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 11 Kujutises esines rebendite kohal väiksemaid paberikadusid (foto enne märgtöötlust). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300973814-1CQPTYPN45UX7RGHF3Y7/foto+12.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 12 Paberikaod täideti 9 gsm jaapani paberiga ja ilma kujutiseta alad, st retušeerimist mittevajavad kohad, 5 gsm gampi paberiga, et saavutada originaalilähedane toon ning sile ja läikiv pind. Retušeerimisel kasutati Lyra Rembrandt Polycolor musta pliiatsit ja Windsor & Newton musta akvarellvärvi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300978136-BXR2H9MKUA1VB2U7E0FK/foto+13.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 13 F. Krügeri litograafia Nicolaus I, Köningl. litograph. institut. zu Berlin pärast konserveerimist Kanutis, 2017. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300996195-OSDTWAEXESXYB7X7TB6I/foto+14.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 14 2018. aastal alustati veeavariis kahjustada saanud segatehnikas graafilise lehe, Walter Jule „Measurement of Void - A Device to Accelerate Wear“ konserveerimist. Töö enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655300997092-HRM3XQ24NBCTM3LYK2CK/foto+15.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 15 Uuringus selgus, et tegemist on kahekihilise paberiga – liimistuseta kaltsupaberil on Chine-collé gampi paberil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301022561-MQPNBK7CNXWD1P1KCTMH/foto+16.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 16 Veekahjustuse tulemusel oli pealmine paber alumise küljest lahti tulnud, paisunud ja lokkima jäänud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301024424-DYOYEZQGB92EXIBNH86K/foto+17.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 17 Kujutise pinnal olid külgvalguses hästi nähtavad paberitevahelised suuremad õhukotid, mis surve rakendamisel ohustaksid kujutist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301028725-PVRMTZW1PRNE5UMKJMD3/foto+18.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 18 Graafilise lehe tagaküljel olev silt teose pealdisega oli kirjutatud sinise veetundliku tindiga, mis oli niiskuse toimel laiali jooksnud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301058910-AYHOQBE738TZZXVGQHH1/foto+19.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 19 Kõnealuse teose puhul hämmastas ennekõike asjaolu, et kahjustused olid end justkui kujutise sisse ära peitnud: peenemad kortsukesed paiknesid samas piirkonnas, kus kunstnik oli gravüüril kujutanud kortsunud paberit ning esmasel vaatlusel jäi kahjustus lausa märkamatuks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301043291-4HRVWSNWT5G53HC2SW3S/foto+20.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 20 Suuremad veevoolujooned kaltsupaberil olid peaaegu paralleelsed kaltsupaberile trükitud graafilise kujutise looklevate joontega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301068348-PTFIMI9DJEEXC277QUFR/foto+21.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 21 Kogu graafiline leht lokkis niiskuskahjustuse tagajärjel ja paber oli veevoolujoonte kohal eriti tugevalt laines. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301068618-ZJRL2IYZJX4E6WSMEYCP/foto+22.png Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 22 Walter Jule on rahvusvaheliselt tunnustatud kunstnik ja Alberta ülikooli kunstiteaduste professor. Ta on oma paljudes töödes kujutanud hämmastava detailsusega pealtnäha kõige tavalisemaid füüsikalisi nähtusi nagu märja paberi kuivamist erineva kujuga objektide peal, all ja vahel või pinnase pragunemist kuivamisel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301094266-3TKYVVEVCYALR7QJF056/foto+23.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 23 Lehe seisundit hinnates otsustas konservaator kunstnikuga ühendust võtta, mispeale Walter Jule kirjeldaski detailselt oma töös kasutatud tehnikaid. Kirjavahetuses kunstnikule saadetud detailfoto kahjustusest enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301086444-0IRUCEZQ7FQT7PZX941Q/foto+24.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 24 Lehe konserveerimine õnnestus: üldine paberite lokkimine sai edukalt sirutatud ning paberitevaheline liimühendus taastatud. Kirjavahetuses kunstnikule saadetud detailfoto kahjustusest peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301114376-X84RVCT4N3EDG1UKOXE5/foto+25.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 25 Kirjavahetuses kunstnikule saadetud detailfoto kahjustusest enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301121964-GGNWCWW7UI428TG0F7YC/foto+26.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 26 Kirjavahetuses kunstnikule saadetud detailfoto kahjustusest peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301121948-JRE49J9XYZKUJD9GPFIY/foto+27.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 27 Graafilise lehe tagaküljel jäid peale töötlemist kollased voolujooned vähesel määral näha.... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301137612-SHKJWGYYFGOJWVCAX93G/FUG1SE%7EF.JPG Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 28 ....esiküljelt aga õnnestus need hajutada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655301132774-QZISWFHZ3VLMRP0J2K2S/foto+29.jpg Renovatum Anno 2019/2020 - CHINE-COLLÉ ELAB OMA ELU EHK KAHE SELLES TEHNIKAS GRAAFILISE LEHE KONSERVEERIMISEST KANUTIS, MIS AJENDAS KONSERVAATORIT VÕTMA ÜHENDUST KUNSTNIKU ENDAGA - ill 29 Walter Jule segatehnikas graafiline leht „Measurement of Void - A Device to Accelerate Wear“ pärast konserveerimist. https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/konserveeritud-kaardi-digitaalne-printimine-palmse-misakaardi-repro monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424743583-IK4AJB3HMO7Y5U4K0JEZ/ill+1.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 1 Canon Océ Arizona 1200 Näide suuremõõtmelisest digiprinterist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424743445-SKUSLE92Y1DRR7ZR0A5I/ill+2.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 2 Museaali ja reeperi suhteline proportsionaalsus tagab kujutise pindala ulatuses testitud kvaliteedi. Ideaalis peaks reeper olema digiteeritavale võttele ligilähedase suurusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424767745-NR6PGOXBOI30Y6OZFK3S/ill+3.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 3 Digiprindi ebaühtlane läige mõjutab oluliselt kujutise tajutavat ilmet. Valgusnurk toob esile värvainete reljeefsed ja peegelduvad tunnused. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424745470-7C7CKD58UHFSNX46AJ0P/ill+4+.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 4 Palmse kaart aastal 2018 mõisa ekspositsioonis, s.o aasta enne konserveerimist. Kaardi originaal oli juba varasemalt kasutuses olles keskelt rebenenud. Muuseumis oli ta eksponeeritud kahe kõrvuti asetseva tükina. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424753521-R7NVTU1KG0Q9FHOKUX3H/ill+5.JPG Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 5 Konserveeritud kaardi paigutamine digivõteteks Kanuti digistuudiosse. Skaneerimise ajal paigutas ja liigutas kaarti kohati koguni neli inimest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424784530-I66KRTOFZQUNVITS97XA/ill+6.JPG Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 6 Osadeks jaotatult digiteeriti kaart samm sammult, kaarti rullilt kerides. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424790186-JHHXMK7IF1U26SLL335L/ill+7.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 7 Digiteerimisel kasutati seadet Rencay skänner koos Scanback sensoriga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424787985-SQ7GDGXUKWLJWUSK7OXS/ill+8.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 8 Kaardi digiteerimine: valgustite testimine enne digiteerimist… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424791205-I4ROBQ98YZGLHAU90CH0/ill+9+.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 9 …valgusmõõtmine… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424802400-DFY0XWEKAXNFHWB76WOI/ill+10.JPG Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 10 … ja Rencay skanneriga digiteerimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424802754-IJUIL4HTE3NG366G19ER/ill+11.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 11 Repro prinditakse materjaliks valitud akrüül-lateks kattega lõuendile, kasutades faas-tindiprinteri tehnoloogiat. Fotol faasprinteri tööpõhimõte. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424804352-DTCKPCX86MJ0381CZJQW/ill+12.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 12 Prinditud prooviversioonide vaatlus printkojas ArtProof … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424805098-AYBN20MRJ5RZUDKFCI3R/ill+13.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 13 … näidise testimine kontrollitud valguses… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424806196-PMEHASIE9T14I5NY9XE8/ill+14.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 14 … prooviversiooni testimine päevavalguses… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424806979-KCG105U7U0PZAGD680U7/ill+15.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 15 … ja erinevad prooviversioonid digifotokaamera välgu valguses. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424823532-409AS24OPNQA218Z1K0G/ill+16.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 16 Repro prinditi kahele lõuendipaanile, et imiteerida kaardi rebenenud keskosa. Paneelid kinnitati eksponeerimisel seinale teineteise kõrvale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424809732-HJUBEG6C4ALFDLSEDTHH/ill+17.JPG Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 17 Christof Nichterleini Palmse mõisakaardi digikoopia ja stiili kihi näide kaardirakenduses QGIS aastal 2016. Nähtav on eraldi pildistatud kaardi osade ebaühtlane valgustus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424842921-3ZH5BNCWGBRIQMH5UE3B/ill+18.jpg Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 18 Näide, millises mõistlikus ulatuses lubab kaardi digitaalne kasutuskoopia detaile pildil suurendada … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656424827575-0Y47HGWK2O9MCWILYE85/ill+19.JPG Renovatum Anno 2019/2020 - Konserveeritud kaardi digitaalne printimine: Palmse mõisakaardi repro - ill 19 … ja suurenduse väljavõte Palmse mõisa kaardist. https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/kopeertehnikas-arhitektuurijooniste-silitamisest monthly 0.5 2024-12-09 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720295290-P4375CO1NL7J2J74A8WY/1.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 1 Artiklis keskendutakse kopeertehnikatele, mis tulid kasutusele 19. sajandi teisest poolest kuni 20. sajandi esimese pooleni enne kserograafilise tehnika leiutamist ja kasutuselevõttu. Tsüanotüüp EAA.2479.2.128.3. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720315598-FGLEUENQL4E4C0JAMV8L/2.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 2 Näituse „Keila ehitab. Ühe alevi sünnilugu“ avamine Harjumaa Muuseumis. Näitusel eksponeeriti 1920.–1940. aastatest pärit Keila linna majajooniste kollektsiooni. Kollektsiooni kuulub eri tehnikates jooniseid ja koopiaid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720328556-I5JPQ2BVZ254TQC7XJ1T/3.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 3 Näituse „Keila ehitab. Ühe alevi sünnilugu“ avamine Harjumaa Muuseumis. Näitusel eksponeeriti 1920.–1940. aastatest pärit Keila linna majajooniste kollektsiooni. Kollektsiooni kuulub eri tehnikates jooniseid ja koopiaid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720338010-3Z2TAO3Z9KQWOBVQAPY1/4.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 4 joonis kalkal HMK 9156 AR 5436 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720348760-XUC7I5PYJAYJ1S20OV95/5.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 5 joonis riidekalkal HMK 9017 AR 5397ä https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720438472-KMF3ZBB2HR6GV9PBAW5Y/6.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 6 tušijoonis paberil HMK 9039 AR 5419 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720445384-35PCRV9MSINL0G4XK8X8/7.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 7 koopia HMK 969 AR 5449 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720523796-URLD2629LST6IWFZCO11/8.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 8 Diasotüübid näivad esmasel vaatlusel tušijoonistena. See eksitus on mõistetav, sest koopiad võivadki olla väga hea kvaliteediga ning koloreeritud kujutisega. Koloreeritud koopia EAA 2479_2_13-27 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720524543-74XOOI7T2NTTWC1H26FE/9.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 9 Kopeerimistehnikaid uurima asudes leiti mõned väga head ingliskeelsed teosed: E. Kissel, E. Vigneau (2009). Architectural Photoreproductions: A Manual for Identification and Care. New Castle, USA: Oak Knoll Press and the New York Botanical Garden. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720525267-JDEKTB0IKPXPLM03DG71/10.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 10 L. Olcott Price (2010). Line, Shade and Shadow: The Fabrication and Preservation of Architectural Drawings. New Castle, USA: Oak Knoll Press. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720528792-9SDQQINKCYRRK3IAZZ7R/11.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 11 E. Glück, I. Brückle, E.-M. Barkhofen (2012). Paper-Line-Light. The Preservation of Architectural Drawings and Photoreproductions from the Hans Scharoun Archive. Berliin, Saksamaa: Akademie der Künste. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720536352-UU48J2SNBE8JRPFW8HQO/12.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 12 Valguskopeerimistehnikate identifitseerimise õpitoa viis läbi vabakutseline köite- ja paberikonservaator Amandine Camp Prantsusmaalt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720556152-YQCZE74ECY82SEOEKPLF/13.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 13 Koolitusel tutvuti 19.–20. sajandi esimesel poolel enam levinud koopiate liikidega ning uuriti nende iseloomulikke tunnuseid ja tuvastusmetoodikaid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720560892-H1FGCJDJZME3E3Y0Q1FP/14.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 14 Jooniseid uuriti visuaalselt luubi ja mikroskoobi abil. Kokku analüüsiti kaheksat erinevat kopeertehnikat. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720571435-VJ1K8KI3MSBBQA7N3A5C/15.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 15 raudgallus-trükk (Ferrogallic print). EAA_384_1_1194-5 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720584952-SSTVLJG89HBK5IH1TUD9/16.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 16 tsüanotüüp. EAA_2479_2_129 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720598514-T1L2EGA1XVOWAOMJ4Q1A/17.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 17 Vandyke. Arhitektuurimuuseum, Estonia teatri joonised, leht 27. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720612977-TSBV8J0YBOWBYK483WR8/18.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 18 hektograaf. EAA_2100_128_31 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720618433-R267CD4B2BFRYQEYRBIO/19.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 19 diasotüüp. HMK 3081 AR 5461 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720629985-7ARI56JAIRK6ZD2X6KES/20.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 20 fotostaat. EAA_6495_4_1 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720633396-75GO0XFBJU0VS89T3MB3/21.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 21 Koopiate kuivpuhastamine pehmete pintslitega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720637428-6A5636WXN340LUIBBSYA/22.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 22 Arutelu puhastusmeetodite üle. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720641068-LKUCHP4IN5E2N4Z03543/23.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 23 Koolitaja selgitamas, et kõige olulisem on lahtise mustuse eemaldamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720651771-KNFTMKZIE7GW1F90G5VS/24.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 24 Tušijoonisele sarnanev kopeertehnika (tehnika vajab täpsustamist). HMK 9048 AR 5428. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720655449-YB27JULM8HBAA9KUKPQ5/25.jpg Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 25 Tehnikate tuvastamine algab jooniste vaatlemisest ja võrdlemisest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720660570-4NKVJO6LLXVTD3IOASV6/26.JPG Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 26 Töötuba Eesti Trüki- ja Paberimuuseumis Tartus, 2018. Tsüanotüüpia valmistamine. Paberi katmine valgustundliku lahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720664404-24DCRYKOYZ6I72NBJAZK/27.JPG Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 27 Tsüanotüüpide säritamine UV-kiirgusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720669055-E0129CME9BHLH4C8AS5D/28.JPG Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 28 Tsüanotüüpide loputamine vees. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662720675249-LUGZXPENCMC9DX7WP8PH/29.JPG Renovatum Anno 2019/2020 - KOPEERTEHNIKAS ARHITEKTUURIJOONISTE SÄILITAMISEST - ill 29 Tsüanotüüpiate kuivatamine ajalehepakil. https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/tag/Digiteerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/tag/Konserveerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20192020/tag/Uuringud+ja+materjalid monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018 daily 0.75 2024-12-11 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/esemed-ja-aeg-muutus-ning-igavik monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662716321094-BA0MXW3OSTRKUT887VJI/ill_1.JPG Renovatum anno 2017/2018 - ESEMED JA AEG: MUUTUS NING IGAVIK - ill 1 Peale loomist on see savipott teinud läbi keerulise elu, kuni on lõpuks jõudnud arheoloogide lauale. Foto K. Konsa https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662716327346-WR5TLRDJEZDRWR4LWDDK/ill_2.JPG Renovatum anno 2017/2018 - ESEMED JA AEG: MUUTUS NING IGAVIK - ill 2 Kellele iganädalane pesemiskoht ja kellele UNESCO maailma vaimse pärandi nimekirja kuuluv nähtus. Suitsusaun Unikülas. Foto K. Konsa https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662716334189-896JJRRQBP6G6X040K88/ill_3.JPG Renovatum anno 2017/2018 - ESEMED JA AEG: MUUTUS NING IGAVIK - ill 3 Õigeusu Puutli Püha Nikolai kirik on pälvinud nii usklike, kui ka konserveerimis- ja pärandihuviliste suure tähelepanu. Foto K. Konsa https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/kanuti-perepuu monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662716272385-U7QHHFN5O7EGXWBFB8L9/Kanuti+perepuu_2a.jpg Renovatum anno 2017/2018 - KANUTI PEREPUU https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/paberalusel-limaalide-konserveerimine-mtisklusi-ja-praktilisi-lahendusi-ado-vabbe-teoste-nitel monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507965119-5FJ03O22KJW4ITQIG1RE/1_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 1 A. Vabbe “Naine maastiku taustal”,1936. EKM M 4111. Esi-ja tagakülg. Lehtpuutselluloosi kiududest (lisandina lina-ja kanepikiud) 0,09 mm paksune õhuke ja väga habras paber. Ligniin puudub. Kerged värvivaringud ja tugevamate murdejoonte harjadel värvikaod. Foto Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507965214-X9FRXT5OMDQZVJAPA23Z/2_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 2 Makrofoto. Töö on maalitud otse töötlemata paberilehele. A. Vabbe „Naine maastiku taustal” EKM M 4111. Foto Kärt Lend https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507966154-SW59JFAC35QMS0IUGMQS/3_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 3 A.Vabbe “Maastik. Puu “, 1937. EKM M 4113. Esi-ja tagakülg. Okaspuutselluloosist (lisandina lina-ja kanepikiud) 0,16 mm paksune paber. Ligniin puudub. Foto. Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507966565-FN1Q0713SPE3JKF14ORE/4_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 4 Makrofoto. Õlist läbiimbunud tagakülg. A. Vabbe “Maastik. Puu” EKM M 4113. Foto Margit Pajupuu https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507967153-NIVM8HNP0Z3THMVWEM92/5_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 5 Makrofoto. Maali tagakülg. Rebendi serva on kogunenud õlikuhilad, millest võib järeldada et paber on enne maalimist õliga immutatud. A.Vabbe “Maastik. Puu “ 1937. EKM M 4113. Foto Margit Pajupuu https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507967587-B9GZ7SPESK1R8R0R6AQV/6_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 6 A. Vabbe “Maastik” ,1941. EKM M 4806. Esi –ja tagakülg. Räpina paberiveski paber (lina-ja kanepikiud), ligniin puudub; paksusega 0,25 mm. Õlivärvi nakkuvus paberile hea, värvivaringud puuduvad. Teos kaalult väga raske! Foto. Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507968044-7D3ARXEHXJHR95N6Q7VI/7_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 7 A. Vabbe “Köögis”,1945. EKM M 5599. Esi –ja tagakülg. Ligniinisisaldusega paber on kaetud recto- ja verso-poolelt kriidise kattekihiga. Paberi paksus 0,13 mm. Õlivärv on hästi paberile kinnitunud. Foto. Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507968376-93HU185Y5N8AQ07ZN0BJ/8_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 8 A. Vabbe “Soomaastik”,1943. EKM M 5787. Esi-ja tagakülg. Õhuke, habras, nahkjas ja õlist täielikult läbi imbunud paber. Paberi paksus 0,09 mm, ligniin puudub. Õlivärvi nakkuvus paberile hea, kadusid võib täheldada murdejoonte harjadel. Foto Stanislav Stepaško. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507968776-C0V1AWDC2NXVYAUIKL8O/9_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 9 A. Vabbe “Deemon”,1944. EKM M 5788. Esi-ja tagakülg . Ligniinisisaldusega paber on kaetud recto- ja verso-poolelt kriidise kattekihiga. Paberi paksus 0,17 mm. Värvikiht on ühtlane ja sile. Õlivärv on hästi paberile kinnitunud, sest kriit teeb pinna poorsemaks. Paberis on rebendid ja sellest tulenevad värvivaringud. Foto Stanislav Stepaško. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507969996-ZJ89F7HT6B2G03FYS6U8/10_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 10 Detailfoto, pastoosne värvikiht. A. Vabbe “Maastik” EKM M 4806. Foto Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507970713-D7LJJWUYELV22AHUB2K0/11_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 11 Foto läbivalguses. A. Vabbe “Naine maastiku taustal” EKM M 4111. Foto Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507971423-TRC2VM3WTZ25FJRVMADO/12_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 12 Detailfoto, õlist tingitud plekid tagaküljel. Räpina paberiveski vesimärk. A. Vabbe Maastik EKMM 4806. Foto Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507972028-85RS8MU67ASF9LS1WRIA/13_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 13 Makrofoto. Õlitatud tagakülg. A. Vabbe “Soomaastik” EKM M 5787. Foto Kärt Lend https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507972512-H4A3B9GGY2ZBFRI6KH0Y/14_ren.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 14 Detailfoto, deformatsioonides tagakülg. A. Vabbe “Naine maastiku taustal” EKM M 4111. Foto Stanislav Stepaško https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507973688-XM90BZ8KSFRBET1N7H7H/15_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 15 Makrofoto. Värvikihi varingud. A. Vabbe “Naine maastiku taustal” EKM M 4111. Foto Kärt Lend https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507973790-4UZVWGKYXMZZ8LLUGG3X/16_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 16 Makrofoto. Krakelüür värvikihis. A. Vabbe “Maastik” EKM M 4806. Foto Margit Pajupuu https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507974709-UWGOVG7YCA1G3NNXP5UL/17_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 17 Makrofoto. Kriidine kattekiht. A. Vabbe “Köögis” EKM M 5599. Foto Margit Pajupuu https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507974925-CMKEP42CC9Q795DAA7K3/18_ren.JPG Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 18 Makrofoto. Kriidine kattekiht. A. Vabbe “Köögis” EKM M 5599. Foto Margit Pajupuu https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507975313-QA2L2UESKGTNTUG8PP9D/19.png Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 19 Infrapunaspektroskoopia FTIR -ATR spekter. Kõige parem spektrite kokkulangevus oli tselluloosilehele kantud vanandatud külmpressitud linaõli ja maali A. Vabbe “Maastik” pleegitamata paberalusega. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507975646-6KZMR2YAMO3WT9CVXRHD/20.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 20 Mikrofoto. Linakiu lähivaade. A. Vabbe „Maastik” EKM M 4806. Skaneeriv elektronmikroskoop (SEM). Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507975983-6AJ94DRP3IDBLYANOL0X/21.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 21 Mikrofoto. Kiu pinna fibrillatsioon, mis viitab tselluloosikiu lagunemisele. A. Vabbe „Maastik” EKM M 4806. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507976327-STB461DE2KIMVB3DME3C/22.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 22 Mikrofoto. Kahjustunud kiud , kiu piki- ja risti lõhenemine. A. Vabbe „Maastik” EKM M 4806. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507976669-WU9BDKYIVNVZSLIJSJCY/23.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 23 Mikrofoto. Okaspuu kiud. A. Vabbe “Maastik. Puu “ EKM M 4113. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507977070-6RTN5FIVUJI6QSDP0B6Q/24.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 24 Mikrofoto. Paberi murdekohalt on kiud katkenud väga ebaühtlaselt. A. Vabbe “Maastik. Puu “ EKM M 4113. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507977412-TXVCR9K310MB89Z1LGNA/25.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 25 Mikrofoto. Lehtpuule iseloomulikud poorid rakuseinas. A. Vabbe “Naine maastiku taustal” EKM M 411. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507977807-KO6GH2KLJNQSCWNN3300/26.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 26 Mikrofoto. Puidukiu sisemuse fibrillatsioon. A. Vabbe “Naine maastiku taustal” EKM M 411. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507978128-GTWMVQUUITD87WG9JUMM/27.jpg Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 27 Mikrofoto. Puidukiud. Rebitud otstes on kiud katkenud enamvähem ühel joonel (võrdlus ill 24). A. Vabbe “Naine maastiku taustal” EKM M 4111. SEM. Foto Urve Kallavus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663507979004-TCPPOOY2LRB9A1GKVYUF/28.png Renovatum anno 2017/2018 - PABERALUSEL ÕLIMAALIDE KONSERVEERIMINE. MÕTISKLUSI JA PRAKTILISI LAHENDUSI ADO VABBE TEOSTE NÄITEL - ill 28 Reguleeritud madalsurve suruõhu süsteem ja selle ehitamine kunstiteoste taustamisel vajaliku pressi tarbeks. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/haruldane-leid-eestis-19-sajandi-tapeedi-konserveerimise-lugu monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713893204-EYX8G8MAGM5OC550RNNM/1.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 1 Elamu Kiriku tänav 2/4 hooviansambliga pärineb 18.–19.sajandist ja kannab Eesti ehitismälestiste registris numbrit 2998. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713911014-ZOQITX8EEG2M0M6AEKZ8/2.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 2 2015. aasta suvel avastati remonttööde käigus Kiriku tänav 2 hoone II korruse ruumist nr 201 tapetseeritud sein, millel olid haruldaselt suures ulatuses säilinud 19. sajandi pabertapeedid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713932425-CS5Z0QTG892B6JM0XDED/3.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 3 Tapeedi eemaldamisel leiti tootjamärgis ja tapeedi seerianumber 2338. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713946370-YV8GKQIGCDFKV6IYTON3/4.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 4 Tehase märgis on kahjuks halvasti loetav. Sama vabriku toodang on ka Vääna mõisa eeskojas asunud aaderdatud seinapaneeli imiteeriv tapeet, mille tagaküljel on tehase tempel selgesti loetav: “С.П.Б.П. Т. 1880“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713960150-KTCXORMMKKL2VW6OQGZS/5.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 5 Seinaskeemi alumise osa moodustab lambrii ja keskse osa hall, kuldse lillemustriga trükitud tapeet, mida ääristab neljast küljest bordüür. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713974790-TBC1B1YP3L8DJW8KW1JE/6.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 6 Lillekimbud on hallile tapeedipinnale trükitud lehtkullaga ja värvikihile on pimetrükitud peen reljeefne rombimuster. Hall tapeet on kohati kahes kihis: kasutatud on ebastandardsete mõõtmetega tükke, tõenäoliselt ülejääke. Arvatavasti on kulunud piirkondi hiljem siseviimistluse värskendamise eesmärgil sama tapeedi jääkidega üle kleebitud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713985739-QPERB1VLFCRGS2RKQCP3/7.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 7 Pidulikku seinaskeemi toetavaks elemendiks on ruumi nurgas säilinud punakaspruun historitsistlik kahhelahi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662713997426-CSBJYD87095HH2MXHR4U/8.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 8 Tapeet oli algselt kleebitud ruumi paekivist välisseina krohvitud sisepinnale, peale remonti jäi see topeltseina taha ummuksisse ca 10 cm konstruktsiooniprusside paksusesse õhuvahesse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714011467-2CQN4SLPZGIDA4XYLS3H/9.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 9 Tapeediga kaetud kiviseina oli seinakonstruktsiooni jaoks lõhutud 7 uuret, mille ulatuses oli originaaltapeet hävinud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714029902-R8FS224VS5PLFL3A677B/10.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 10 Tapeediga kaetud kiviseina oli seinakonstruktsiooni jaoks lõhutud 7 uuret, mille ulatuses oli originaaltapeet hävinud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714050463-O7ND1AKIKXE6J69JPYJX/11.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 11 Pikaajaline viibimine umbses ja niiskes keskkonnas oli tekitanud paberile ulatuslikud hallituskahjustused. Lambrii samettapeedi aluspaber oli põrandast ca 20 cm kõrguseni hallituse toimel hävinud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714112002-2IALL0CLPN3PXBURXU2P/12.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 12 Halli tapeedi tagakülg pärast seinalt eemaldamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714132077-UL366X6LAVVHSYURUEHX/13.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 13 Flokitud tapeedi tagakülg pärast hävinud paberi jääkide eemaldamist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714141800-67Y4TSSHYC5L44B3EN4W/14.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 14 See osa seinaskeemist, mille jaoks originaalmaterjali ei piisanud, otsustati katta sobivas toonis markeeriva kaasaegse materjaliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714158170-R8GCJVAU3QH9FVC82DBV/15.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 15 Enne tapeetide demonteerimist võeti hallitusekülvid (Hygicult Y&F). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714168689-C08MDK5L6RV4RWEYXKHG/16.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 16 Tapeedilt eemaldati lahtised mustuse ja hallituse kogumid ning tolm. Lahtised fragmendid eemaldati seinalt mehaaniliselt ja kuivalt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714197360-ELTG6AM8VD7P5MKO0Z5R/17.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 17 Suuremad alad kaeti enne demonteerimist profülaktilise kleebisega, niisutati metüültselluloosi geeli abil ja demonteeriti seinalt alt üles rullides. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714207347-BRJTSVH7CCXPNTF8I5H6/18.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 18 Seinalt maha võetud tapeedipaanid toimetati Kanuti konserveerimislaborisse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714224061-YPXM431POBJXE8HEOV0L/19.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 19 Esmane puhastamine toimus ventileeritavas eeltöötluse ruumis, et hallitus ei saastaks tööruume. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714234557-PT8JSZZ4J24AS9LYYSOP/20.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 20 Esmane puhastamine toimus ventileeritavas eeltöötluse ruumis, et hallitus ei saastaks tööruume. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714260453-5N7O6G8D8VQ8B7AIYBIJ/21.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 21 Esmane puhastamine toimus ventileeritavas eeltöötluse ruumis, et hallitus ei saastaks tööruume. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714318593-YMY97YI03T98EL7WJ4B1/22.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 22 Seinalt eemaldatud tapeedifragmentide komplektid eraldati üksikuteks kihtideks ning demonteeriti ka algsete paanide ülekattekohtadelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714352290-WOTIR010PCVSZ3R063CJ/23.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 23 Enne märgtöötlusega alustamist komplekteeriti fragmendid paanideks vastavalt mustri sobivusele ja pigmentide tonaalsusele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714368356-EWT8QEKAHPO9G3IU9GG4/24.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 24 Tapeedifragmentidest tervikpaanide komplekteerimisel saadi kokku kuus paani, mis katsid ligi kaks kolmandikku seinaskeemi kesksest hallist osast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714394300-5WC81PCQ2PACPMZ1ECIS/25.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 25 Halli tapeedi fragmentide kapillaarpesu filterpaberipakil ja profülaktilise kleebise eemaldamine https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714460798-TM7ZM7ZIFLWHW51QF7L0/26.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 26 Halli tapeedi fragmentide kapillaarpesu filterpaberipakil ja profülaktilise kleebise eemaldamine https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714480296-8A339RP4UL2H7ACGS43Q/27.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 27 Halli tapeedi fragmentide kapillaarpesu filterpaberipakil ja profülaktilise kleebise eemaldamine https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714514675-GZ06E4YPA1VI8N7RUA5I/28.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 28 Taustamisel fragmendid niisutati, paigutati ühendused kohakuti ja kliistriga kaetud taustapaber siluti originaali tagaküljele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714526699-M8DGEDJS1J3I2P954ERM/29.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 29 Taustamisel fragmendid niisutati, paigutati ühendused kohakuti ja kliistriga kaetud taustapaber siluti originaali tagaküljele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714540627-DZL1VDHBC3J6J06Y44AH/30.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 30 Taustamisel fragmendid niisutati, paigutati ühendused kohakuti ja kliistriga kaetud taustapaber siluti originaali tagaküljele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714556719-35IGFU48AA18LQ6NLZH9/31.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 31 Paanid sirutati Karibari-meetodil, mis võimaldab taustatud materjali juba samal päeval ning kogu kuivamise ja sirgumise vältel nii jälgida kui ka parandada ja viimistleda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714570659-WKHI3LYHPZYTF6MDTMTK/32.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 32 Paanid sirutati Karibari-meetodil, mis võimaldab taustatud materjali juba samal päeval ning kogu kuivamise ja sirgumise vältel nii jälgida kui ka parandada ja viimistleda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714584447-YTGS6LMQ6F1G7YBOOZ4W/33.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 33 Paanid sirutati Karibari-meetodil, mis võimaldab taustatud materjali juba samal päeval ning kogu kuivamise ja sirgumise vältel nii jälgida kui ka parandada ja viimistleda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714597562-F2OMO0ZQ9TIF31ECSH3I/34.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 34 Paanid sirutati Karibari-meetodil, mis võimaldab taustatud materjali juba samal päeval ning kogu kuivamise ja sirgumise vältel nii jälgida kui ka parandada ja viimistleda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714612099-VG7X7MGBO88EF8IF8RIM/35.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 35 Halli tapeedi toneerimine teostati pärast seinapanekut kohapealsetes valgustingimustes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714640136-FP7EC49C42F8V3SKVTXA/36.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 36 Halli tapeedi toneerimine teostati pärast seinapanekut kohapealsetes valgustingimustes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714648931-S4B7QM3L86S20KBX3LSU/37.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 37 Samettapeedi fragmentide formaat võimaldas pesu vaakumlaual. Pesemist alustati tagumiselt küljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714662714-AO6B1LNPMULORJHE1SFW/38.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 38 Samettapeedi fragmentide formaat võimaldas pesu vaakumlaual. Pesemist alustati tagumiselt küljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714682346-JSXGX5G4HMF76UD1KKYZ/39.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 39 Samettapeedi fragmentide formaat võimaldas pesu vaakumlaual. Pesemist alustati tagumiselt küljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714695940-OGD52Z7FVS40W3ELKK7W/40.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 40 Samettapeedi fragmentide formaat võimaldas pesu vaakumlaual. Pesemist alustati tagumiselt küljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714712167-5Y1P0XH0BHEWT3I5UTMD/41.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 41 Fragmendid kaeti Holytexiga, keerati ümber ja eemaldati profülaktiline kleebis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714733042-X5XGU65UB5TZ862IJHWU/42.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 42 Fragmendid kaeti Holytexiga, keerati ümber ja eemaldati profülaktiline kleebis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714769893-6RGI03E07N0QE8SK5JZK/43.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 43 Fragmendid kaeti Holytexiga, keerati ümber ja eemaldati profülaktiline kleebis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714789597-6Z57U8DENS3V52OW1N45/44.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 44 Peale pesu taustati pehastunud fragmendid 10 g/m² jaapani paberile. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714811085-JZSM8OG7SQPI7QW26GJW/45.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 45 Lambrii ja bordüürid komplekteeriti ning taustati alles siis, kui kõik fragmendid olid ühekaupa vaakumlaual pestud ning hävinud paberiga piirkondades oli paberikiht tagaküljel taastatud. Vajaliku laiuse ning pikkusega sametpaberi ribad komplekteeriti olemasolevatest fragmentidest ning taustati skeemiosade kaupa 40 g/m² jaapani paberile ja sirutati samuti karibari-meetodil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714827397-5NX9MRE5O9ISRHST96US/46.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 46 Lambrii ja bordüürid komplekteeriti ning taustati alles siis, kui kõik fragmendid olid ühekaupa vaakumlaual pestud ning hävinud paberiga piirkondades oli paberikiht tagaküljel taastatud. Vajaliku laiuse ning pikkusega sametpaberi ribad komplekteeriti olemasolevatest fragmentidest ning taustati skeemiosade kaupa 40 g/m² jaapani paberile ja sirutati samuti karibari-meetodil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714870813-T8JANYE1Z1CSHYTLWVUL/47.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 47 Sametpaberi kadude täitmine teostati samuti sirutusalusel. Väiksemaid kadusid paigati villapuruga, mida paigaldati pintsettide või peene pintsliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714881340-RBW0RFHTBO7J1JHA4ECC/48.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 48 Sametpaberi kadude täitmine teostati samuti sirutusalusel. Väiksemaid kadusid paigati villapuruga, mida paigaldati pintsettide või peene pintsliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714903449-653HN0MZ1O9VHXTYX2H2/49.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 49 Sametpaberi kadude täitmine teostati samuti sirutusalusel. Väiksemaid kadusid paigati villapuruga, mida paigaldati pintsettide või peene pintsliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714921310-VKT3DME0DETJ00CMRTKF/50.JPG Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 50 Sametpaberi kadude täitmine teostati samuti sirutusalusel. Väiksemaid kadusid paigati villapuruga, mida paigaldati pintsettide või peene pintsliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714940245-1558X0ZSFW6XEBK54J72/51.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 51 Esmalt kleebiti seina halli tapeedi konserveeritud paanid ja kaasaegsest pabertapeedist markeering. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714963878-6ZMJI8VB7MPX0XMX183F/52.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 52 Järgmisena kleebiti oma kohale halli ala neljast küljest ümbritsev bordüür ning viimasena paigaldati lambrii osa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714978655-F54XYU58QZE7UABKSKD5/53.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 53 Liistud kinnitati seinale liistunaeltega https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662714995146-09B0MTY4OH94FUXZ6JX3/54.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 54 Tapetseeritud sein pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662715023251-GO2SEAHCA9BILP9UYTAY/55.jpg Renovatum anno 2017/2018 - HARULDANE LEID EESTIS: 19. SAJANDI TAPEEDI KONSERVEERIMISE LUGU - ill 55 Tapetseeritud sein pärast konserveerimist. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/katariina-ii-kipsbsti-konserveerimine monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593266994-MU4U1DHW829ZP56TDD4G/ill+1_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 1 Skulptuuri eestvaade enne konserveerimist. Kõige olulisem puuduv osa on vasak külg (õlg). Rinnakul on materjali ja värvikihi kaod. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593266860-VEMWTF7KWRAXGUGM7A06/ill+2_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 2 Skulptuuri külgvaade enne konserveerimist: puudub vasak õlg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593268563-JEMQDOJJVSAN4GBP4K4G/ill+3_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 3 Büsti tagakülg enne konserveerimist: suur puuduv osa vasemal küljel (õlg). Objekti peal, eenduvatel osadel ning pjedestaalil esineb pinnakahjustusi ja värvikadusid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593268116-RC61GKU78DHEY5M1WKFV/ill+4_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 4 Parema külje kõrgematel kohtadel on näha ulatuslikud pinnakahjustused. Skulptuuri tehnoloogiliseks uuringuks võeti proovid mikrolihvideks büsti materjalikaoga servadelt, esiosa keskelt rinnakult, lõualt ja tagaküljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593268930-BJMLNBJ6EG86H3S7LS15/ill+5_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 5 Ristlõikel on näha kolm kihti: 1. vaik, millesse on valatud uuritav proov; 2. oražikaspruun värvikiht, milles on kullaläikelist metallipuudrit; 3. kips https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593269401-PW7POQ0SI6PY9BFQV5NP/ill+6_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 6 Ristlõikel on näha kuus kihti: 1. vaik, millesse on valatud proov; 2. õhuke tume kiht, ilmselt mustus; 3.-4. oražikaspruun värvikiht, milles on kullaläikelist metallipuudrit; 5. läbipaistev krundikiht, milleks võib olla linaõli; 6. kips. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593270133-DKK5FQ375B19T8HX5AAK/ill+7_ren.JPG Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 7 Konserveerimine. Skulptuuri servadesse uuristati puiduspooni kinnitamiseks väikesed pilud. Vasktraat on paigaldatud selleks, et jälgida õiget õlajoont. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593270579-FPKYVPHZHNSA0MXDY0PX/ill+8_ren.JPG Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 8 Konserveerimine. Õla ülesehitust alustati puidust konstruktsiooni paigaldamisega. Raamistiku valmistamisel kasutati spooniribasid ja PVA liimi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593271118-XWWIV7FXOKEDL9LJ5JO1/ill+9_ren.JPG Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 9 Konserveerimine. Raamistiku peale kleebiti jaapani paberist ribad, et siduda tugipulgad omavahel ühtseks põhjaks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593271522-A8JDZ7ZXW5PYYCXFV5DS/ill+10_ren.JPG Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 10 Konserveerimine. Ettevalmistatud konstruktsioonile valati peale kipsi-liimi segu ja sellele kanti viimistluseks õhuke kipsikiht, mida modelleeriti spaatliga ja siluti pintsliga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593272071-8TOLZXH7PLPFT1SUWFZQ/ill+11_ren.JPG Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 11 Konserveerimine. Vaade skulptuuri tagaküljele enne kipsisegu pealevalamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593272472-M97EUPT12YNJJTOOPMD4/ill+12_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 12 Konserveerimine. Vaade skulptuuri tagumisele küljele pärast kipsiseguga täitmist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593273154-ZKOIAWUXLNJ440MWF46Q/ill+13_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 13 Pärast konserveerimist. Vaade Katariina II kipsbüstile modelleeritud õla poolselt küljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593273450-4VU5AS9AAERR8BSIW542/ill+14_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 14 Pärast konserveerimist. Katariina II kipsbüst eestvaates. Modelleeritud õlg järgib skulptuuri õlajoont. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593274158-ASM11U4FVT00IRZJJBVU/ill+15_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 15 Pärast konserveerimist. Vaade skulptuuri tagumisele küljele pärast kipsiseguga täitmist ja viimistlust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593274587-5YQHAW45YQ0SBA7MWQ6H/ill+16_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 16 Pärast konserveerimist. Vaade skulptuuri pjedestaalile. Põhja servale on lisatud musta kunstnahaga kaetud papist rõngas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663593274874-EYLVCF3W7ACV2EKY00I3/ill+17_ren.jpg Renovatum anno 2017/2018 - KATARIINA II KIPSBÜSTI KONSERVEERIMINE - ill 17 Pärast konserveerimist. Skulptuurile õmmeldi Tyvekist ümbriskott, et kaitsta seda lahtise tolmu eest. Ümbrise esiküljele kleebiti foto museaali andmetega. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/kahe-beebitanu-lugu monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578630017-GYIXIML48GZMI0S58KH6/001_EKM07775_M03372_Raud_P_Ema_portree_DSC0007-tnx_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 1 Kaksikute ema Henriette Loviisa Raud (sünd Treublut 1834-1912). Paul Raud “ Ema portree“ (õli, lõuend, 1894), EKM j 7775 M 3372 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578629723-Z8RMHSYX2EIEHTOM5ISC/002_EKM55664_FK00954_Kristjan_Raud1_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 2 Kristjan Raud 22. okt 1865 – 19. mai 1943.https://en.wikipedia.org/wiki/Kristjan_Raud https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578631466-73DG2IQ8NOG8FU32LKYI/003_Paul+Raud_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 3 Paul(us )Raud 23. okt 1865 – 22 nov 1930 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578632020-YFCZUJDX4H3K6LQCPH2S/004_16T035_1-2_1_01_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 4 Satsiga tanu (tanu I), EKM j 41197 KR 460/a. Enamkahjustunud parem külg enne konserveerimist: pealiskanga kude on habras ja kadudega ning osa tekstiilist on säilinud vaid mustusest kokku kleepunud niidipusadena. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578632614-SR5L44SRS2O7BUSIBHPE/005_16T035_1-2_1_04_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 5 Tanu I. Peapealne enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578633311-02673F7R1GIOVSMBHI3L/006_16T035_1-2_1_03_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 6 Tanu I. Kuklaosa enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578633879-9L8QLFEE6NR5UB5EOLNS/007_16T035_1-2_1_dt1_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 7 Tanu I. Detail. Kukladetaili ja peapealse lahti hargnenud ühendusõmblus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578634298-UM4GAEJIMECL1D7OKRDT/008_16T035_1-2_1_05_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 8 Tanu I. Vooder enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578635136-O9HIZUTQXACDIOHW1LZX/009_16T035_1-2_1_dt3_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 9 Tanu I. Detail. Kahjustunud ääresats. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578635814-B8OBLMPZ4C84VLWPNLK4/010_16T035_dt5_cp_A002-20170725_101456musta_paela_ots_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 10 Tanu I. Detail kinnituspaelakesest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578636427-JIZF5XG1VDAU7J0APG36/011_joonis_tanu_I_pael067_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 11 Tanu I. Kinnituspael on moodustatud ääristamata kangast, mis on pikuti kokku volditud. Liili Aasma tööjoonis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578637221-XNOOR3VG2WRUDNIAMCEW/012_16T035_1-2_2_01_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 12 Tanu II. EKM j 41197 KR 460/b. Parem külg enne konserveerimist: kahjustunud ja kohati irdunud iludetailid (ehispits, tutikese riideribad). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578637570-KIUC8WFGV23QUT4Q3FEO/013_LOIGE_I_kribalad_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 13 Tanu II. Mütsikese juures olid kortsunud riideribakesed, mis pärinesid arvatavalt teiselt, irdunud ilututikeselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578638207-3EYDDP47JJN5PXZC6GFV/014_16T035_1-2_2_04_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 14 Tanu II. Esikülg enne konserveerimist.Tanuke on deformeerunud, pits kohati lahti hargnenud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578638908-FT8XSE1OIK3QILDYGUY0/015_16T035_1-2_2_03_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 15 Tanu II. Kuklapool enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578639483-IQR8AA4KFU3TW9F4YMIC/016_LOIGE_II_kuklatutt_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 16 Tanu II. Detail. Kuklal asetsev riideribakestest tutt enne konserveerimist – kortsunud ja oma algse välimuse kaotanud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578640377-XHRKW50CPWTKFZ95IU8J/017_16T035_1-2_2_dt1_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 17 Tanu II. Detail. Tanu peapealne, kus on arvatavalt paiknenud kaunistustutt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578641084-2IWBPAD7R3EMLMWG6XB8/018_16T035_1-2_2_05_bc_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 18 Tanu II. Tanu vooder enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578641612-4894DB4D20WQYC6CSVWA/019_P1240657_kiupreparaadi_tegu_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 19 Mikroskoopia: tanu materjalide ja tekstiilkiudude uuringud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578642181-845HWI2IMO57TMP1SEZU/020_16T035_dt12_cp_A005-20170725_103815_voodri_niiskusrant_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 20 Tanu I. Makrofoto. Niiskuskahjustus voodrikangal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578642652-KSMZMJ5HR62803Y7S12N/021_16T035_dt11_cp_A005-20170725_094700_kukla_pv_trykimuster_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 21 Tanu II. Makrofoto. Kahe kukladetaili trükimustriline kangas, kiudude vahel on näha tolmukübemeid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578643119-3RSFPISEHNUXU2G7RZYF/022_16T035_dt9_cp_A004-20170725_094620_roosaks_varvunud_pits_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 22 Tanu II. Makrofoto. Kaunistuspitsi katkenud niidid, valge materjal on värvunud roosaks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578643497-LIDSUHFEDYERLOMUCJUQ/023_16T035_dt7_cp_A003-20170725_094456_pits_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 23 Tanu II. Makrofoto. Kahjustunud kaunistuspits, siidniit on kohati katkenud ja kaotanud osa kiust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578644361-1ZVQM2JDV6MSRO928WC6/024_16T035_dt13_cp_A006-20170725_094817_koll_siidi_sissekoot_muster_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 24 Tanu II. Makrofoto. Kollasest siidist laubasiilu sinisetooniline koemuster. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578644974-FYCQ4K82UUGJHW7NKPV2/025_16T035_dt14_cp_A007-20170725_094831_koll_siidi_pun_sissekoot_muster_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 25 Tanu II. Makrofoto. Kollasest siidist laubasiilu punane koemuster. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578645652-2IH2CTCHZB9W5IZ67FOA/026_16T035_dt1_cp_A001-20170725_094349_beez_siid_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 26 Tanu II. Makrofoto. Külgmiste siilude beeži siidkanga kude https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578646106-I3NWWZPNEHO521RMSPUH/027_16T035_dt27_cp_Titemyts_I_peale_pesu_sirutam_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 27 Tanu I konserveerimine.Tanu peale märgtöötlust ajutisel puuvillasest riidest sisu ja sünteetilisest kangast (Holytex) pealsega vormil kuivamas-sirgumas. Niite siluti kuivamise ajal bambustiku abil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578646517-4793VU0AZ50U6ELE9LN9/028_16T035_dt25_cp_P1250601_pealse_toestamine_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 28 Tanu I. Pealse toestamisprotsess. Mütsi pealne kaeti õhukese siidkangaga, silutud niidid kinnitati niidi-nõelaga voodrile sidepistetes. Esiservas fikseeriti toestuskangas ka väikeste liimipaela ribakestega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578647072-WOH0A1W0SB0XWJOH1CZK/029_16T035_dt19_cp_IMG_0577_satsi_toestam_altpoolt_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 29 Tanu I. Satsi toestamine siidkangaga altpoolt. Satsi koeniitide kinnitamisel kasutati siidniiti (harutati siidvõrgust) ja pärlnõela. Kinnituspistetena kasutati sidepistet ning kohati traagelpistet ja üleloomispistet. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578647632-58LW0S4D416J4Z71BILD/030_16T035_dt21_cp_IMG_0584_satsi_toestam_pealt_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 30 Tanu I. Tanu pealse ja satsi toestamine õhukese siidkangaga pealtpoolt. Satsi lahtised ja sassis koeniidid kinnitati toestuskanga vahele niidi-nõelaga sidepistet kasutades. Rullkant fikseeriti kahe toestuskanga kihi vahele traagelpistetega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578648085-RJCRR9YJCDCFVVHVE8ZN/031_joonis_satsi_toestam068_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 31 Tanu I. Satsikese toestamine kahe siidkangakihi vahele. Liili Aasma tööjoonis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578648785-VDUGC6SLJ2S1JPGN2FXL/032_16T035_dt10_cp_A004-20170725_103715_pv_mytsi_ornam_siidv6rgu_all_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 32 Tanu I. Makrofoto. Pealiskangas peale toestamist õhukese siidkangaga (crepeline, 100% siid). Niidid ja riidekude on siidvõrgu ja voodri vahele kinnitatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578649349-8J7OIMOVAF3Y10UZY5V8/033_16T035_dt17_cp_020Titemyts_II_pitside_sirutamine_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - Ill 33 Tanu II konserveerimine. Tanu peale niisutamist ajutisel puuvillasest kangast sisu ja sünteetilisest kangast (Holytex) pealsega vormil sirgumas. Kaunistuspits sirgub puhastamise-niisutamise järel filterpaberist rullikestel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578649961-4OGEA048DYRMV7OL4ZR1/034_16T035_dt18_cp_021_pitsi_sirutamine_III_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 34 Tanu II konserveerimine. Pitsi vormimine filterpaberist rullikeste abil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578650293-9TLQULRBKCAN6VHTHX4G/035_16T035_dt28_cp_Tanu_II_paela_konserveerim_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 35 Tanu II. Kinnituspaela toestamine tihedakoelisele õhukesele siidkangale sidepistetega. Selleks eemaldati pael mütsilt, volditi lahti, sirutati niisutamise ja raskuste all kuivatamise teel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578651051-0CNJB7QGJNT63DC2WERB/036_joonis_tanu_II_pael066_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 36 Tanu II. Kinnituspael on moodustatud ääristamata siidkangast, mis on pikuti kokku volditud. Liili Aasma tööjoonis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578651477-U560YEYJ76ZUNYTKLNHB/037_P1240727_peavormi_tegu_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 37 Mõlemale tanule valmistati papjeemašee tehnikas toestusvormid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578652031-VYXPA9DJUPK5EEBXTXB1/038_16T035_1-2_1_av_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 38 Tanu I. Eestvaade peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578652599-R60810DQICQ4OUBQAH7G/039_16T035_1-2_1_lh_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 39 Tanu I. Vaade paremalt küljelt peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578653179-ASE90H0BWFZO9FSJV5OU/040_16T035_1-2_1_rh_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 40 Tanu I.Vaade vasakult küljelt peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578653607-MVBVF801HMUWTWXZRL9M/041_16T035_1-2_1_rv_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 41 Tanu I. Vaade kuklapoolelt peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578654038-10K5LKT0BJKVS8YQ8MUR/042_16T035_1-2_1_pk_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 42 Tanu I.Vormil asetsev ja arhiivipüsivast kartongist karpi pakendatud tanu I on valmis pikaajaliseks turvaliseks hoiustamiseks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578654556-B7QONGDL3UQ8UVFLDPYQ/043_16T035_1-2_2_av_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 43 Tanu II. Eestvaade peale konserveerimist. Pitsid on vormitud ja tugevdatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578655270-RO8HNW1IYFHC74JD8DG8/044_16T035_1-2_2_lh_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 44 Tanu II. Vaade paremalt küljelt peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578655886-IBYM5KHUDHPZ65ZJ2Y5I/045_16T035_1-2_2_rh_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 45 Tanu II. Vaade vasakult küljelt peale konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578656590-EX5D16WQ00HCZ9FHEI42/046_16T035_1-2_2_rv_ac_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 46 Tanu II. Vaade kuklapoolelt peale konserveerimist. Riideribadest tutid on vormitud, irdunud tutt on oma endisele kohale tagasi kinnitatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578656980-NOMWN70DXZWNNCLRX4TX/047_16T035_1-2_2_pk_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 47 Tanu II. Vormile asetatud ja arhiivipüsivast kartongist karpi pakitud tanu II on valmis pikaajaliseks turvaliseks hoiustamiseks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578658143-DO4C3G0XRVI3CKSYEHX4/048_197154_ERM_HM_E_859_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 48 Kihnu poisimüts ERMi kogus 197154_ERM_HM_E_859 (parem külg). Müts on tehtud viiest kiilukujulisest siilust ehk laiast, kaks kuklasiilu on kaelajoont järgivad ja lühemad. Kaunistatud kandi ja kuklatutiga. Poisimütside levinuim värvikombinatsioon on sinine-punane. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578658121-CXVO4C9UIYPNVY9SQ31S/049_IMG_9067+kihnu_mytsitutt_veebfotoPT_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 49 Näide Kihnu poisimütsi riiderattakestest valmistatud tutist. Piret Tiismaa foto. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578658818-8W2AZ4U7QFED4T3QCZ3N/050_kihnu_poisim%C3%BCts_l%C3%B5ige002_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 50 Tüüpiline Kihnu poisimütsi lõige. Liili Aasma joonis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578659338-ORUMXSW2N65PVP0V2KLR/051_197153_ERM_HM_E_861_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 51 Kihnu tüdrukumüts ERMi kogus 197153_ERM_HM_E_861 (parem külg). Müts koosneb kolmest detailist: laubalt kuklale ulatuvast ristkülikukujulisest vahetükist ja kahest kumerast küljetükist. Kaunistatud kandiga. Tüdrukumüts on tihti punane-sinine või siis on punase mõne muu värviga kombineeritud, nagu ka antud mütsi puhul. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578659658-HLPWP5SGCSAAWRLPOIDN/052_Kihnu+t%C3%BCdrukum%C3%BCtsi_l%C3%B5ige003_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 52 Tüüpiline Kihnu tüdrukumütsi lõige. Liili Aasma joonis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578660710-U1V13CTWIB9U27BNS8F7/053_JSM+643+E+1153+%285%29_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 53 Siiludest Muhu titemüts (poisimüts?), parem külg. JSM 643 E1153. Mütsike on Muhule iseloomulikus värvikombinatsioonis – kärtsroosa (muhuroosa) ja erkoranž ning rikkalike kaunistustega: erinevad heegelpitsid, paelad, helmed, piiprellid, litrid, nööbid. Mütsi valmistas Kallaste küla Korju talus Ekaterina Vaga (1881–1964) oma lastele al 1910. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578661375-8IM1SUDHZD8MS7IADKR5/054_JSM+643+E+1153+%283%29_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 54 Siiludest Muhu titemütsi kaunistatud pealagi. JSM 643 E1153. Sageli on ka Muhu mütsikestel pealael tutike, siin veidi teisiti kujundatud lilleke. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578661952-3FYDTTGXMK3MI2PFJHE7/055_IMG_5770_NM_myts2013_veeb_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 55 Nii Põhjalas kui mõnel pool Euroopas levinud tüdrukumütsi tüüp, mis on Kihnu tüdrukumütsiga analoogne. Piret Tiismaa foto Stockholmi Põhjala muuseumi (Nordiska Museet) näituselt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578662072-VIQM7X11GEA41JN1RCQX/056_6fab2dcf4385c4af1c9dca5b786f8b69_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 56 Naine tikkimas, peas päevatanuke. http://www.liveauctioneers.com/item/1635545, aprill 2018. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578662714-TD7RS4R41K3M8VY3NED9/057_nightcaps-1850s_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 57 Valik viktoriaanlikke öötanukesi 1850. aastatest. http://www.katetattersall.com/early-victorian-nightclothes-casual-cosy-attire/, aprill 2018. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578663262-6IG65O56KSQXI67YOBIV/058_IMG_8962_EVM_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 58 20. saj alguse pitsi- ja paelavahune tüllkangast titemüts SA EVMi kogudest. EVM E 229: 20, foto Astra Kütt. Peapealsel roosast paelast kaunistusdetail (arvatavalt puhuks, kui sünnib tüdruk). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578663547-2D14I21XC6NGOA4H07RN/059_IMG_8985_EVM_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 59 Titemütsi EVM E 229: 20 kaunistusdetail. Foto Astra Kütt. Sinist värvi kaunistus tehti arvatavalt puhuks, kui sünnib poeg. Erivärvilised ehisdetailid olid eraldi mütsile kinnitatavad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578663927-TLJ74C3KQHS5LRIRC3DC/060_19.-saj+l%C3%B5pu-20.saj_alguse_tanu_l%C3%B5ige_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 60 Tüüpiline beebitanu lõige 19.-20. sajandi vahetuselt. Liili Aasma joonis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578664389-ASG1RHHNINZ8JZH8IDGF/061_IMG_8952_varbla_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 61 20. saj alguse pitsikeste-satsikeste ja paelakestega kaunistatud tüllkangast titemüts Varblast. Piret Tiismaa erakogu. Foto Astra Kütt. Pitskaunistused on seatud nii, et moodustuksid näiliselt kukla poole kitsenevad siilud. Kuigi antud juhul ei pruugi tegemist olla poisi mütsiga, on sellise kaunistusviisi puhul tegemist traditsioonilise siiludest poisimütsi kaudse kajastusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578664660-V7QB7E5PPBVJUXMIHHCW/062_+P%C3%A4_Mu_E_708-5_murum%C3%BCts_ren.JPG Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 62 Murumüts Pärnu Muuseumi kogust. Pä-Mu E 708-5. Kiilukujulistest siiludest (enamasti 5-6 siilust) meeste suvemüts on arvatavasti siiludest titemütsi esivanem. Algselt vaid meeste kantud mütsist sai 19. saj jooksul poiste müts (vahel kandsid seda ka tüdrukud). Mõnel pool kasutasid mütsi viimaks vaid vanad naised. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578665225-5EFQEU5DVEQYINGAKWVF/063_norra+rahvariietes+_noored%2C+mehel_murum%C3%BCts_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 63 Norra rahvarõivas noored. Noormees kannab siiludest mütsi. https://www.pinterest.com/pin/401031541795770349/, märts 2018. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578666212-9XCIWQ1G97KYFGRYX9V2/064_Soome+murum%C3%BCts_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 64 Soome rahvarõivaste juurde kuuluv murumüts – patalakki, myssyhattu – Ida-Soomest Mäntyharjult. Berndt Godenhjelmi õlimaal 1842. Illustratsioon raamatust: Ildiko Lehtinen, Pirkko Sihvo. Rahwaan puku. Museovirasto, Helsinki 2005, lk 208. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663578666365-EVR9K6EVX8EQ0XKFKKK7/065_kaksikud_OTSI_SUUR_PILT_ren.jpg Renovatum anno 2017/2018 - KAHE BEEBITANU LUGU - ill 65 Kaksikud Klaara ja Linda satsiliste titemütsidega. ERM Fk 170:22 Foto G. Münther 1910. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/kanut-ja-ksitmeistrite-phak-knud monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662711395968-Y1EIY09UPC84LGVSIR03/ill_1.jpg Renovatum anno 2017/2018 - KANUT JA KÄSITÖÖMEISTRITE PÜHAK KNUD - ill 1 Püha Kanuti kujutis Tallinna Kanuti gildi vanima säilinud põhikirja (skraa) esilehel. Pühaku pead ümbritseval aupaistel on kiri sancte Kanuet ora pro me: „Püha Kanut, palveta minu eest!“. Sulejoonistus umbes 1486. aastast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662711402173-RTZ2WVEZFVM3QL64NQGJ/ill_2.jpg Renovatum anno 2017/2018 - KANUT JA KÄSITÖÖMEISTRITE PÜHAK KNUD - ill 2 Tallinna Kanuti gildi vanim säilinud skraa pärineb ajavahemikust 1486–1490, hiliseimad lisandused on 1564. aastast. See on keskalamsaksakeelne ärakiri umbes 1300. aastast pärinevast ürikust, mis pole säilinud. Skraas on piiritletud gildiliikmete tegutsemispõhimõtted ja käitumisnormid ning sõnastatud ühised väärtushinnangud. Köites on 30 pärgamentlehte, millest 13 on tekstita. Kõvakaaneline nahkköide on valmistatud 18. sajandil. Tallinna Linnaarhiiv, f. 190, n. 1, s. 46 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/kanut-30-ehk-leriigilise-konserveerimiskeskuse-kujunemine monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597140132-0396SJKSKG3ZXMZY4O0B/1.JPG Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 1 Kanuti töökodade aknad. Rataskaevu tn 3/Pikk 2, Tallinn Foto: OÜ Elikrom https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597140251-IKEL481VEEWGFQFDF6IC/2.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 2 Vaade trükikoja „Kommunist“ tööruumi https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597141081-R4BIEWXN0WXA7C0NNQGG/3.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 3 Vaade trükikoja „Kommunist“ tööruumi https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597141449-1RIPF8Q0WOAKK4NU6SKI/4.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 4 Trükikoja IV ruumide remont 1987. aasta kevadel (foto Lembit Lõhmus) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597141729-1Q7BM70X4AQC2U94MR1J/5.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 5 Asutuse logo 1986 - 1990 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597142094-JLJLI9UO951AHH3D8POW/6.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 6 Asutuse logo 1990-1991 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597142469-C6UIOV2BGZ8NFZQGK5GR/7.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 7 Asutuse logo 1991-2014 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597848816-3EA7XVVXZ8ETT5OPDYC4/8.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 8 Asutuse logo 2014... https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663597142859-BAC28WEVG0OMNQI3X9GO/8.jpg Renovatum anno 2017/2018 - KANUT 30 EHK ÜLERIIGILISE KONSERVEERIMISKESKUSE KUJUNEMINE - ill 9 Kanuti kollektiiv 01. detsembril 2016 Tagumine rida (vasakult): Viljar Talimaa, Üüve Vahur, Marika Mängel, Helmut Välja, Ingrid Pihelgas, Vilja Sillamaa, Heige Peets, Ruth Paas, Jaanus Heinla. Keskmine rida: Martin Sermat, Raul Pällo, Viljar Vissel, Grete Ots, Kalev Uustalu, Maris Allik, Mari Siiner, Kairi Kruus, Mart Verevmägi, Joel Leis. Esirida (istuvad): Sille Siidirätsep, Cecilley Leesalu, Helen Lennuk, Aire Aksiim, Jolana Laidma, Kristina Aas, Tea Šumanov. Puuduvad Maria Lillepruun ja Anna Ženkevitš. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/eesti-lipilaste-seltsi-luendalusel-seinapannoo-taassnd monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600354187-OE2CBTUX7R52PJBSXKA3/1.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 1 Pannoo Eesti Üliõpilaste Seltsi saali seinal, 1938. Foto: Rahvusarhiiv, EAA.2111.1.15600.6. Fotograaf: Hinto https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600357816-OVWF659QQMBU7CIEMWAM/2.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 2 1940. aasta juunis sai EÜS käsu oma majast välja kolida ja vabastada hoone Nõukogude Liidu okupatsioonivõimudele. Pannood aitas seinalt maha võtta ka kunstnik Aleksander Bergman. Pildil näha olevad vintpüssid kuulusid Tartu Kaitseliidu III üliõpilasseltside malevkonnale ja olid ladustatud EÜSi majja. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600362059-RQGOO4NRMJEJHPOI2NNM/3.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 3 Pannoo säilinud osade ülevaatus Eesti Üliõpilaste Seltsi majas (2014. aasta suvi). Foto: Eesti Üliõpilaste Selts https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600366226-A3KEBPGTXKAHCU3WYNGU/4.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 4 Pannoo säilinud osade ülevaatus Eesti Üliõpilaste Seltsi majas (2014. aasta suvi). Foto: Eesti Üliõpilaste Selts https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600367082-IHMJTNHWXKELNUXI6FUR/5.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 5 Rekonstrueerimisprojekti esialgne 3D kavand (2014. aasta sügis). Joonis: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600372520-6YJQYTFXHT6G8WOK558V/6.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 6 Rekonstrueerimisprojekti esialgne 3D kavand (2014. aasta sügis). Joonis: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600372946-AKHBRFK5IHPUZS6TSAQZ/7.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 7 Pannoo kunagise asukoha mõõdistamine EÜSi maja saalis (2015. aasta suvi). Foto: Eesti Üliõpilaste Selts https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600376512-GZOXBH7GP7OGF9BUPG5C/8.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 8 Pannoo kunagise asukoha mõõdistamine EÜSi maja saalis (2015. aasta suvi). Foto: Eesti Üliõpilaste Selts https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600376058-TNQIRT0FMFOB3MXPFS2T/10.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 9 Terviklikult säilinud maali „Kalevipoja õhtud” konserveerimine Eesti Kunstiakadeemia muinsuskaitse ja konserveerimise osakonnas (2015. aasta). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600380617-J9CF04761G6MNARPUX0V/11.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 10 Terviklikult säilinud maali „Kalevipoja õhtud” konserveerimine Eesti Kunstiakadeemia muinsuskaitse ja konserveerimise osakonnas (2015. aasta). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600377832-TKS7YVB1QTOP7T0F0N12/12.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 11 Terviklikult säilinud maali „Kalevipoja õhtud” konserveerimine Eesti Kunstiakadeemia muinsuskaitse ja konserveerimise osakonnas (2015. aasta). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600379158-CTOWK6TVRDXA3G54OBHB/13.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 12 Restaureeritud maali „Kalevipoja õhtud” tõmbamine alusraamile publiku silme all ja selle esitlus EÜSi majas (2016. aasta suvi). Foto: Eesti Üliõpilaste Selts https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600380284-RAD90GL6YWLO97PCK8DV/14.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 13 Lõuendiprindi aluseks võetud ajalooliste fotode geomeetriline teisendamine vastavalt originaalmaali säilinud fragmentidele, mis osutus rekonstrueerimisprotsessi üheks keerulisemaks ülesandeks (2017. aasta sügis). Joonis: Andres Uueni https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600386977-2S96L08TAG83A35W414P/15.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 14 Lõuendiprindi aluseks võetud ajalooliste fotode geomeetriline teisendamine vastavalt originaalmaali säilinud fragmentidele, mis osutus rekonstrueerimisprotsessi üheks keerulisemaks ülesandeks (2017. aasta sügis). Joonis: Andres Uueni https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600391362-EBM926O092D4TF9D2EW0/16.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 15 Pannoo säilinud fragmentide seisukord enne restaureerimist. Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600411009-QD1WRR9BAJDK7XCQOQ8V/17.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 16 Pannoo säilinud fragmentide seisukord enne restaureerimist. Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600405331-046MY7VUXO7U7M5B865E/18.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 17 Pannoo säilinud fragmentide seisukord enne restaureerimist. Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600410359-IUV5K0C97MAVFPWAN2VS/19.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 18 Hävitatud maalidest säilinud tükkide konserveerimine (2018. aasta jaanuar). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600415359-WMSA4HYLXSO9ILA1BBPV/20.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 19 Hävitatud maalidest säilinud tükkide konserveerimine (2018. aasta jaanuar). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600420726-V7DIAOGU01ZPBCXHNXZH/21.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 20 Hävitatud maalidest säilinud tükkide konserveerimine (2018. aasta jaanuar). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600421282-VOFLOPBHIMIQV1D1RUQK/22.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 21 Hävitatud maalidest säilinud tükkide konserveerimine (2018. aasta jaanuar). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600427845-N04P7Q360JQPL5A09O2K/23.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 22 Maalide „Lipu õnnistamine“ ja „Vabadussõtta minek” säilinud tükkide istutamine fotolõuendile ja terviktöö rekonstrueerimine Eesti Kunstiakadeemias (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600426617-4FTNWTHOCVML6HIUEOBX/24.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 23 Maalide „Lipu õnnistamine“ ja „Vabadussõtta minek” säilinud tükkide istutamine fotolõuendile ja terviktöö rekonstrueerimine Eesti Kunstiakadeemias (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600431086-IE2YKOYCFQ6HMJBM3HFQ/25.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 24 Maalide „Lipu õnnistamine“ ja „Vabadussõtta minek” säilinud tükkide istutamine fotolõuendile ja terviktöö rekonstrueerimine Eesti Kunstiakadeemias (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600434859-I3WOE58IWDZRN0QCEL5J/26.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 25 Maalide „Lipu õnnistamine“ ja „Vabadussõtta minek” säilinud tükkide istutamine fotolõuendile ja terviktöö rekonstrueerimine Eesti Kunstiakadeemias (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600436576-Q0IIED1LU1VCHCRF6NTT/27.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 26 Maalide „Lipu õnnistamine“ ja „Vabadussõtta minek” säilinud tükkide istutamine fotolõuendile ja terviktöö rekonstrueerimine Eesti Kunstiakadeemias (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600439252-J0D6S69HDJATPHCA6SE0/28.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 27 Fotolõuendite ettevalmistus ja pingutamine alusraamile Kumu kunstimuuseumis (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600441920-1BLXVMD9NTC55CVM4AX0/29.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 28 Fotolõuendite ettevalmistus ja pingutamine alusraamile Kumu kunstimuuseumis (2018. aasta märts). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600441784-OSAC0I7J11MT78UDD053/31.jpg Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 29 Rekonstrueeritud pannoo oma algsel asukohal EÜSi saalis (2018. aasta september). Foto: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663600448776-TP8R8CERM9D9Y7OWK48W/32.JPG Renovatum anno 2017/2018 - EESTI ÜLIÕPILASTE SELTSI LÕUENDALUSEL SEINAPANNOO (TAAS)SÜND - ill 30 Pannoo saatust käsitlev raamat „Suur pilt. Eesti Üliõpilaste Seltsi pannoo 1938–2018“ (autorid Indrek Elling, Enn Lillemets, Tiina-Mall Kreem, Hilkka Hiiop). https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/ruge-taasavastatud-kristus monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708336465-FVAQBR9ZODGJPRHX9KZU/1.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 1 Suuremõõtmeline joonistus saabus Kanutisse kokkurullituna, kaetud ohtra pindmise mustusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708351859-MN0U7E1HE4TO1GRCBYRF/2.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 2 Joonistus rulliti lahti ja valmistati ette esmaseks kuivpuhastuseks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708365135-LY36A4OCXR9MNPEWZACJ/3.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 3 Kristusega silmitsi: Mõõtmete tõttu teostati kuivpuhastus järk-järgult, kokkurullimisel kaitsti joonistust mikalendist vahelehtedega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708381767-6TPMLULT998DQSZL1H0C/4.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 4 Joonistuse kuivpuhastus teostati eeltöötlusruumis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708391494-Z6XIPDZXKYCLE5C9OUCJ/5.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 5 Joonistuse pinnal oli palju linnuekskrementi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708419131-JGYDRKSS9WN0T6U5ZFVK/6.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 6 Parandamine teostati Kanuti laboris: kuna joonistuse materjaliks oli poorne vähese liimistusega papp, siis otsustati paberi struktuuri tugevdamiseks joonistus pindmiselt liimistada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708463333-0DPFEVRAQLWPBEI50918/7.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 7 Raskused asetati joonistuse liimistatud ala servadesse, et kuivamise käigus toimuks sirgumine paberikiudude kokkutõmbumisel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708497284-9UL1QE6UVWH5TT8RBAP5/8.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 8 Joonistuse materjalikaod täideti paranduspaberiga mitmes kihis, et saavutada originaaliga võrdne paksus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708512076-LGYX71Q4WTLZKG17GPT7/9.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 9 Rullimisest tekkinud murdejooned toestati tagaküljel paranduspaberi ribadega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708560879-IHU7EXRR0GI5S6KUFUW8/10.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 10 Joonistuse transpordiks Rõugesse pakendati joonistus suure diameetriga pappitorule, kasutades kaitsvaid ja pehmendavaid vahe- ning kattekihte. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708578223-KHDL9733O46HE6F9KE6S/11.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 11 Välitöödeks Rõugesse võeti kaasa kõik konserveerimiseks vajaminev. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708601063-9TNHSX9KS9H9UMLAEYQ6/12.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 12 Joonistuse taustamise ettevalmistamine Rõuge koolimajas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708620643-RKZXGYLFIMX1ICK0PE21/13.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 13 Suureformaadilise joonistuse raamimine teostati Rõuge kirikus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708691632-THXUI0QH0JQ782BYYEVS/14.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 14 Makrolon tahvlite paigaldamine raamitud teose tagaküljele (niiskusisolatsioon). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708741143-JRH8PSZ51CJ2EZQ9LUAQ/15.jpg Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 15 Makrolon tahvlitega kaetud tagakülje konstruktsioon koos riputuskonksude ja –ketiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708755417-JFXF0KC4YS8K2XAT0F6W/16.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 16 Eksponeerimispaiga ettevalmistus Rõuge kirikus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708770065-L4LVD35E2J3WCTIM99OV/17.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 17 Portreejoonistus pärast konserveerimist kiriku seina. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662708799246-E46ET2K9JGPBIUM98OAP/18.JPG Renovatum anno 2017/2018 - RÕUGE TAASAVASTATUD KRISTUS - ill 18 Üldvaade. Portreejoonistus pärast konserveerimist ja raamimist. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/levaade-prgamentdokumentide-digiteerimisest-aastatel-20102017 monthly 0.5 2024-12-02 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707498386-VMDNZ7JT583YGLW3W3N9/ill+1.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 1 Digiteerimissüsteemi Linhof Master Digi Repro System üldvaade. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707514045-C2VLYPRQWROD53KHOKX9/ill+2.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 2 Turvalisuse tagamiseks transporditi pärgamendid digiteerimisele SA EVM KDK Kanutisse kullerfirmaga. Pärgamentide transport ja vastuvõtt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707531643-91ZSBO3NB1JK63620LKX/ill+3.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 3 Pärgamentide aklimatiseerumine peale transporti ja enne hoiustamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707545201-79E760P9LJS8II17E5CV/ill+4..jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 4 Arhivaalide lahtipakkimine ja pärgamendi digivalmiduse kontroll. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707561074-10RI1E6LWADKNSLD0FWV/ill+5.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 5 Pärgamentide digiteerimine seadmel Linhof Master Digi Repro System. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707581616-8AE5P9YYCAC1IXLSEB8M/ill+6.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 6 Näide pärgamendi kahjustuste atlases dokumenteeritud pärgamendi kahjustusest. Bioloogiliste kahjustustega hapraks muutunud pärgament,TLA.230.1.BB-40/ii https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707599304-3LTUNX94W0E12ZWYPEBB/ill+7.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 7 Näide pärgamendi kahjustuste atlases dokumenteeritud pärgamendi kahjustusest. Tugevalt degradeerunud karvanääpsuaukudega pärgament, TLA.230.1.BB-74/iii https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662707612516-Z5MOEDDKUJZ8DUCWPGZV/ill+8.jpg Renovatum anno 2017/2018 - ÜLEVAADE PÄRGAMENTDOKUMENTIDE DIGITEERIMISEST AASTATEL 2010–2017 - ill 8 Näide pärgamendi kahjustuste atlases dokumenteeritud pärgamendi kahjustusest. Veresoontealas degradeerunud pärgament, TLA.230.1-iii.67 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/vrtusphisest-digiteerimisest monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686586663-A58H6S3O4X49LRG43GDI/ill+1.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 1 Pärgamentürik peale konserveerimist ning digiteerimiseks ettevalmistamist. Bernhard von Tiesenhausen'i pärijate kokkulepe 17.sajandist. AM.115.1.179. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686585924-AABTIEOSQ9H0BXTBVZAH/ill+2.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 2 Pärgamentürik enne konserveerimist.Eesti Ajaloomuuseum, Bernhard von Tiesenhausen'i pärijate kokkulepe 17.sajandist. AM.115.1.179. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686587506-GFMI3AZ4C2CHQ6T5ZS3F/ill+3.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 3 Pärgamentide digikujutised keskkonnas http://www.ra.ee/pargamendid https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686589004-TZHLZ43BP6FK3MKF6RMT/ill+4.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 4 Hävimisohus nitrotselluloosist põhimikul negatiiv (HKMFn_941_5115) Hiiumaa muuseumist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686589636-9AARCX98DCGGUW0256NB/ill+5_ren.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 5 Väärtuspõhiselt digiteeritud negatiivi (HKMFn_941_5115) positiivkoopia. Digiteerimise tulemusena avaneb negatiivil olev väärtuslik teave metsavendade eluolust Hiiumaal peale teist maailmasõda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686589984-MFIH63AIO4W2S1BA656R/ill+6.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 6 Näide objekti dokumenteerimisel kasutatavast ühest võimalikust süsteemsest terminivarast, mis aitab kirjeldada valgest kullast museaali olemuslikkust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686590622-JHYQMF4U66AARYGTJCYW/ill+7.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 7 Näide dokumenteerimisel kasutatavast ühest võimalikust süsteemsest terminivarast, mis aitab kirjeldada pärgamendi olemuslikkust https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686591931-7F8OGU4V7LRSKOCPL296/ill+8.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 8 Väärtuspõhiselt digiteeritud klaasnegatiivi positiivkoopia kvaliteet annab võimaluse eristada pildistamisel kujutatut detailselt. Kukulinna mõisa interjöör 20.saj.alguses, AM 8631. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663686592111-MMEXBY2VD1UADV1DBO4X/ill.9.detail1.jpg Renovatum anno 2017/2018 - VÄÄRTUSPÕHISEST DIGITEERIMISEST - ill 9 Kõrge tehniline tase pärgamentide digiteerimisel annab võimaluse digifailide abil materjali omadusi detailselt uurida ja lisaks detailsusele nautida failidel originaalile võimalikult sarnast tonaalsust ja värviedastust, AM.115.2.32. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/prgament-kirjutusmaterjalina monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744390268-7P6UHR2QUA0BYRRTI4HY/IAJRET%7E9.JPG Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 1 Eesti Ajaloomuuseumi kogudes tänaseni säilunud ajaloolised pärgamendid enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744390177-8MGO1DIOJD3FG5ORFQ73/ill+2.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 2 Naha töötlemine venitusraamil keskajal, http://www.dedas.com/parchment/uk/parchment.htmls. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744391477-09UHYTJ6VTQLS6D0PVOP/ill+3.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 3 Naha töötlemine venitusraamil tänapäeval. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744391342-EYGRNXI7RZ0N9TE3WK79/ill+3a.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 3a Naha venitamine tänapäeval. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744392830-FI1OUMLRWIWRCBTUOKW5/ITUASW%7EK.JPG Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 4 Taaskasutatud pärgamendileht, palimpsest, Tallinna Linnaarhiivi 13-14.sajandi ladinakeelses missakorraldusjuhises, TLA.Cm 4. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744394663-Z6WWLYPTLS1QQHM3K7PW/ill+5.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 5 Detailfoto taaskasutatud pärgamendilehest, TLA.Cm 4. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744394488-GR2AQ7MD0X1KDS97JYPX/ill+6.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 6 Detail 15.sajandil Itaalias köitena vormistatud käsikirjast (Walters Art Gallery MS. W.414). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744397242-DHP0TCWCOIX0DRK6I5ZD/ill+7A.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 7 Pärgamendile vormistatud Tiesenhausenite põlvnemistabel, AM.135.4.166. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744396824-CNCWRW5OGLWWMF4CYJSS/IQP338%7E8.JPG Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 8 Tallinna Magistraadi ürik, 1509.a. TLA.230.1-i.918/a. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744399144-EHNDJU4IRB5V3KI3THQR/ill+9.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 9 Freysingi riigikrahv ja Vana Preisingi vabahärra Johann Maximilian Franz Xaver`i ülemkokk Jacob Peltie väljastatud kokakunsti sellitunnistus Joseph Süss‘ile, 1770, AM.115.2.32. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744403910-1FY855SCOZWTQYDP9HEV/ill+10.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 10 Tallinna Mustpeade Vennaskonna dokument, 1478, TLA.87.1.91. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663744406026-359OT9PA99TMZBKPQE85/ill+11.jpg Renovatum anno 2017/2018 - PÄRGAMENT KIRJUTUSMATERJALINA - ill 11 Tallinna aukodaniku diplom vabahärra Alexander von der Pahlenile, 1870, TLA.230.12.4/a. https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/tnapevaste-vitraaide-kahjustused-eestis monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1662644826718-ISHC29AGGKK7BS9ZNN71/eve_koha_1.jpg Renovatum anno 2017/2018 - Tänapäevaste vitraažide kahjustused Eestis https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/category/konserveerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/tag/Digiteerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/tag/Haridus+ja+ta%CC%88iendo%CC%83pe monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/tag/Konserveerimine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/tag/S%C3%A4ilitamine monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-20172018/tag/Uuringud+ja+materjalid monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2015 daily 0.75 2025-08-21 https://www.anno.renovatum.ee/en/renovatum-anno-2015/story-of-uue-suislepa-manor-and-memoirs-about-it-in-watercolour monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237697589-7HGJFJ435NDARKKKER0E/Illustr1-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 1 Watercolour depicting the Green salon by Anna von Krüdener. 1887. The Viljandi Museum 9893:1K Conserved in 2015 by Tea Shumanov (Kanut). Photo – Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237696877-333DTUZ5OE87T9JCBGQF/Illustr2.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 2 The Green salon of Uue-Suislepa Manor was decorated by the paintings – Girl with a Rooster and Boy with a Goose by Jacob Cerritsz Cuyp (1594-1652), about 1650. Girl with a Rooster – EKM VM 108 (EKM M 438); Boy with a Goose – EKM VM 109 (EKM M 438) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237698262-PRJWHX44J9AZ4KMG8Y0T/Illustr3-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 3 In 1940 the Estonian Art Museum purchased the paintings from Gustav Kangro, an antiquarian in Tartu. He had bought them either in 1936 or 1937. H. Vernomasing conserved both paintings in 1999. (EKM). Photo – V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237698974-IIY5MOW90IJ86YATKFVX/Illustr4-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 4 The painting Supper in Emmaus (Lambert Jacobsz’s studio (?) about 1630. EKM Mi179) can be seen hanging on the wall of the Green salon in Anna von Krüdener’s watercolour. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237699441-TD4SGMFYUFTOR0CKWM4N/Illustr5-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 5 Supper in Emmaus EKM Mi179 displayed at the Mikkel Museum. Legend – 1997 donated by Johannes Mikkel, comes from Uue-Suislepa Manor, conserved in 2007-2010 by Maris Klaas. (EKM). Photo – V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237700617-AASJGBXJKHNPWX5BVGJD/Illustr6-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 6 Watercolour by Anna von Krüdener depicting the dining room of Uue-Suislepa Manor. VM 9893:2. Conserved in 2015 by Tea Shumanov (Kanut). Photo – Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237701544-5DEH030AWH5IZCD2YLJW/Illustr7-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 7 Comparison of the painting depicting the dining room in the watercolour by Anna von Krüdener and the painting under national protection now in Sagadi Manor (Pheasants oil by J. Fr. Seupel). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237702286-QKI41GNXKHSPZKP5ZJMH/Illustr8-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 8 Pheasants, oil painting, Reg. no 2571. Author Johann Friedrich Seupel, made in Petersburg, 1785. Size: 112 x 142 cm. Signature : Seupel pinx. Photo – the National Heritage Board. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237703211-LVGU2TU2FZ8R0PTHSWPI/Illustr9-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 9 Comparison of the painting depicting the dining room in the watercolour by Anna von Krüdener to the painting at present in Sagadi manor (Oil painting Fighting by J. Fr. Seupel). Photo – Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237703948-WNMVU5T7SYNMTIQME91B/Illustr10-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 10 Oil painting Fighting Reg no 2570. Author Johann Friedrich Seupel. Petersburg, 1786. Size: 112 x 142 cm. Signature in the left-hand lower corner: Seupel pinx, 1786. Conserved in 2004 by Malle-Reet Heidelberg (FIE). Photo – the National Heritage Board. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237708745-G4RYTITKQGGRFFZXLQFE/Illustr11.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 11 Above: Plan of the manor and description of the rooms, a supplement to the diary of von Krüdeners. The plan was drawn by memory of Verena von Krüdener (Lüers) in 1984. The photo from private collection. Below: Plan of inventory of the Uue-Suislepa manorial estate, 14 December 1983. ERA. T-76.1.15586 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237708114-12ASFPENJA3GTCYXXXU8/Illustr12-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 12 Moritz von Krüdener in his den. Photo – private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237709911-O2PN7STX7Q479OWS94ST/Illustr13-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 13 The Blue salon. The painting Boy with a Goose and the sculpture Amor Seated by Etienne Maurice Falconet were originally in the Green salon located on the other side of the hall. Photo – a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237711169-X9SLUVV1AK3NUI6Y3NSK/Illustr14-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 14 View of the hall (with imperial portraits on the walls) from the Blue salon. The hall was also known as music room. The console tables and mirrors were earlier in the dining room. Photo from a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237711810-DE11KXUQMIZ72RVD2M47/Illustr15.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 15 Barbara von Krüdener (1898-1916, Moscow) playing the piano in the hall, about 1910. Photo – private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237714355-48ISYMMAJPJSVQM82AVR/Illustr16-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 16 Constance von Krüdener in the hall, the sculpture Rape of the Sabine Women by Giambologna is seen in the background and the painting Supper in Emmaus through the opened door. Photo from a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237715656-NT6ZB0PL789UHKW2RIEN/Illustr17-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 17 The hall with a view of the Blue salon. Photo – private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237716998-A2KN21W241JW9WBPIJGK/Illustr18-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 18 Dining room in about 1910. A fragment of the familiar painting can be seen above the door. A grandfather clock and a sideboard with mounted figurines are also seen. Photo from a – private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237718246-SPCOQE42S26778QT6SZ8/Illustr19-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 19 Dining room in about 1910. A fragment of the familiar painting can be seen above the door. A grandfather clock and a sideboard with mounted figurines are also seen. Photo from a – private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237719505-TWJTUVWZ3QZ8WO6SLNVS/Illustr20-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 20 Children’s playroom about 1910. Photo – private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237720144-OKJ2DTN3O908AP5CIRUC/Illustr21.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 21 Ida von Krüdener in her grandmother’s room on the upper (first) storey. Photo – a private collection https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237720801-FUB4CAG967YNUG5S268I/Illustr22.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 22 The hall. Christmas in 1915. Photo – a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237721344-XFH7LA341M3AE4L8L7ON/Illustr23.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 23 Easter and egg rolling, possibly in 1916. Photo – a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237722264-6D04GU44HCE2L18QG1JZ/Illustr24.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 24 Elisabeth, Anna and Elli von Krüdeners in grandmother’s room on the upper floor. Photo – a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237722893-KQYNK4KG9WXI8ARSVO5B/Illustr25.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 25 Anna von Krüdener serving tea in the park. Photo – a private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237723234-9T68NCQG978NUCPBJHN1/Illustr26.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 26 Furniture from the hall of Suislepa manor in the 1930s. The paintings, chairs and the chandelier as well as the candlesticks are in a new place but are still reminders of of Uue-Suislepa manor. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237723960-C7QH1VE0E0RZY61DXD37/Illustr27-tn.JPG Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 27 The hall of Sagadi manor in 2014, photographed just before the Heritage Board’s convention of interiors by V. Vissel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237724609-ZF077FAIA9UU1TZBMBC1/Illustr28-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 28 Uue-Suislepa manor. A coloured postcard from the author’s collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237725192-J7P1NLUXEP3CT7IUSIG1/Illustr29.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 29 Above the watercolour before conservation, below after conservation. On the right – a sketch of Medusa’s head drawn on the back of the watercolour. Photo – Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237726853-381BFD184SV6A97NPV2M/Illustr30.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 30 Above in the centre the watercolour before conservation and below after it. The holes in the paper (on the left and right above) were under-set with special repair paper and filled with a mixture from an adhesive and cellulose powder on the surface of the watercolour, then toned with watercolours (below, on the left). Photo – Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237727739-4UMG818W7KT4YOFILA9M/Illustr31-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 31 Conservator Tea Shumanov retouching the losses in the watercolours. Photo – V. Vissel https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237728095-QGZEZ8UG22SNK3SODSDM/Illustr32.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 32 Art pieces and furnishings in the dining room have been in their original location for a long time. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237729253-FQMJJ6P27N9XA26YHT64/Illustr33-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 33 The paintings and sculptural figures that can be seen in the watercolour have been either shifted from their places or moved to different rooms. The sculptural group Rape of the Sabine Women by Giambologna on the right was taken into the hall and the figure Amor seated by Etienne Maurice Falconet on the left into the Blue salon. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237729635-GK7RKY6YL9TCX8SCTXFX/Illustr34-tn.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 34 The portraits in the hall have been painted after well known masters’ work. The portrait of Catherine II was painted after F. Rokotov, the portraits of Emperor Paul I and Empress Maria Fyodorovna after A. Roslin; Alexander Pavlovich as a child and possibly Konstantin Pavlovich as a child after the paintings by D. Levitski. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1663237731561-ZP7E8E59751BDLZW3PR8/Illustr35.jpg Renovatum anno 2015 EN - STORY OF UUE-SUISLEPA MANOR AND MEMOIRS ABOUT IT IN WATERCOLOUR - ill 35 The portraits of Emperor Paul I and Empress Maria Fyodorovna were painted after A. Roslin’s work. https://www.anno.renovatum.ee/en/renovatum-anno-2015/experiences-in-furniture-art-gained-overseas monthly 0.5 2022-11-01 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749083962-8JUKQC6Y8SSB1G4BA4NY/ill_1.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 1 Skokloster on a January morning in 2013. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749095488-XELHXD95U2CL6X692F6X/ill_2.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 2 Carl Malmstens „Stadshus stol „ (1916). This replica was made by a fine cabinetmaker 2012 in CMFS. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749103012-9AWY0JDT09EVQNGJHNI0/ill_3.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 3 Cutting a floral figure on a marquetry donkey. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749110421-CQXC5MCPL894EHBV2R3D/4.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 4 A replica of a rococo commode corner. Original by Christian Linning (master in Stockholm in 1744–1779). Pine, rosewood, amarant, jacaranda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749114757-CAKPSIGFVX8UFRIUPDDD/5.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 5 Drop-front secrétaire à abattant. Possibly the work of Stockolm’s masters, about 1840. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749120913-D4UD3TO2NHP2QS1VZM00/6.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 6 On the right: re-adhering the premiére partie marquetry . Photo – a courtesy of The Wallace Collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749125528-WJHODPL2YHVTK5HOWESG/7.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 7 The high quality of bronze maker and ciceleur’s skill is indicated by rich details like the veins on the leaves and refinement of form. Photo : a courtesy of The Wallace Collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749132392-7BNCYWIBOTVXXYZMARMI/ill_8.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 8 Chelating agent EDTA solution in paper poultice for removing rust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749150130-GYPOF2UXIAY3RHS6IRBP/ill_9.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 9 Fungus Chlorociboria aeruginascens stained wood. Photo: Prof Hans Michaelsen (Potsdam University). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665749161792-DRJL9NSO2SR1IO2J50OJ/ill_10.jpg Renovatum anno 2015 EN - EXPERIENCES IN FURNITURE ART GAINED OVERSEAS - ill 10 ‘Infinity Stool’, sketch (L. Vaher 2012). https://www.anno.renovatum.ee/en/renovatum-anno-2015/introduction-to-basic-terminology-of-digitalisation monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748022614-IUTWYC616NJ49UGQ8CQ1/Illustratsioon_01.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 1 Raster and vector image. The edges of the ring, enlarged 15 times, are jagged, the vector always retains the shape of an ideal ring. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748098637-NN4KXZ6ZJMXEX1OHWW3P/Illustratsioon_02.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 2 Screen shot. Pixels and the text with jagged edges are visible when enlarged. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748430239-3TCYAC65OOU1HDKX1UKE/Illustratsioon_03.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 3 Resolution. High resolution scanning makes small details visible. The size of the original 25 x 31 cm, scanned 800 dpi (9400 x 7615 px). Gelatin silver glass plate negative. The hall of Kukulinna manor, 1910. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748440691-BDO9328AGWLE945G4BMU/Illustratsioon_04.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 4 Resolution. 72 pixels per inch or the resolution of the image is 72 dpi (dot per inch). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748454815-AQZ4OL6OMZHA161YBYEI/Illustratsioon_05.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 5 Resolution. 36 lines per inch (36 lpi), the corresponding 72 dpi below. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748783313-G1N1H5RNQJMYTT43TSV8/Illustratsioon_06.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 6 Comparison of resolutions. Scanned resolutions of negatives (grey) and photos (white) made in the Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748834910-7XB1VIT4JYFTGIWIC20W/Illustratsioon_07+%282%29.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 7 Comparison of resolutions. Details scanned with different resolutions can be seen in the middle; they have been enlarged to equal the size of the biggest fragment (the upper one 1200 dpi). Their real sizes are on the right. The graph shows how the 16-bit TIFF file data volume increases depending on the resolution. Gelatin silver photo on paper. August Rebane with his wife and mother-in-law (?) Photographed by August Rebane about 1923, private collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748658094-65QII8ZRFTASTSRKDPPF/Illustratsioon_08+%282%29.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 8 Colour bit depth. The image on the left in two colours - black and white, the middle image in 8-bit grey scale, the coloured image three 8-bit colour channels or with 24 bit. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665748880578-VLY1PT68QBEZPR2N1CHC/Illustratsioon_09.jpg Renovatum anno 2015 EN - INTRODUCTION TO BASIC TERMINOLOGY OF DIGITALISATION - ill 9 RGB colour model. Three basic colours - red, green and blue - provide all the other hues, all the colours together give the white. https://www.anno.renovatum.ee/en/renovatum-anno-2015/digital-imaging-of-museum-collections monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747894578-XTOE2X02HBY36808FLHB/ill_1a.jpg Renovatum anno 2015 EN - DIGITAL IMAGING OF MUSEUM COLLECTIONS - ill 1 Management scheme for preservation imaging at the KANUT https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747898925-CBZW56VSTBA7P2SOWSQ6/Ill_2_.jpg Renovatum anno 2015 EN - DIGITAL IMAGING OF MUSEUM COLLECTIONS - ill 2 Monitor calibration and colour profiling using photo-spectrometer i1-PRO https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747902237-85OG37D33ZQ85WDKHV6C/ill_3.jpg Renovatum anno 2015 EN - DIGITAL IMAGING OF MUSEUM COLLECTIONS - ill 3 Spectrophotometer CL-500A https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747909344-XK6T2SDTLYRAC5UD2UXC/ill_4_.jpg Renovatum anno 2015 EN - DIGITAL IMAGING OF MUSEUM COLLECTIONS - ill 4 Reproduction quality in various conditions (colour-temperature, CRI) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747913329-N71B2GE4PCMWAOIPCS15/ill_5_.jpg Renovatum anno 2015 EN - DIGITAL IMAGING OF MUSEUM COLLECTIONS - ill 5 Spectral distribution of different light sources. D50 is the recommended spectral distribution by the standards ISO 3664:2009, ISO 12646:2015 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747919198-WWVVZ9ZFDASKR3AKB889/Ill_6_.jpg Renovatum anno 2015 EN - DIGITAL IMAGING OF MUSEUM COLLECTIONS - ill 6 Meta-data processing sequence. https://www.anno.renovatum.ee/en/renovatum-anno-2015/composer-eduard-tubins-model-aeroplanes monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747256000-PVM130P1BDXFRBUZ9VCY/ill_1.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 1 Model plane 1 before conservation. 103,5 × 171,5 × 16,0 cm https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747268722-PEHXEXKBPIMRL4V45B91/ill_2.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 2 Model plane 2 before conservation. On the wing of the plane is a label with the name and address of the owner – EINO TUBIN. Ulricehamnstv. 44. Johanneshov. Te. 483733. 100 × 172 × 17,5 cm https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747273685-UG27EBGSW2WEECX34IK5/ill_3.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 3 Model plane 1. The silk on the wooden structure was torn and had holes in it. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747281189-W6QZMY3K0H4DGJS3IN9L/ill_4.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 4 Model plane 1. A detail of the disintegrating covering material (impregnated silk). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747308936-X9HGMA5CCKUFNBFT3H20/ill_5.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 5 Model plane 1. The tears and holes had been patched with tape and plastic. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747313251-VON7Y25E29FBLC8084MZ/ill_6.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 6 Model plane 2. The broken structure of a wing had made a tear in the covering silk. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747324406-VPZ84PGIFTWSVEB6X6NJ/ill_7.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 7 Model plane 2. There was an extending tear in the material covering the nose of the aeroplane. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747330265-VY3ZO23WIDOIOVV5V3J0/ill_8.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 8 Model plane 1.The torn silk covering was removed from the structure. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747336892-3XW78NCURQBDY73GW6HC/ill_9.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 9 Model plane 1. The edges of the holes were carefully cleaned from the traces of silk and glue, so that the replacements could be fixed properly on the wooden edges. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747342409-807E0HJX6U8M5H4B7UY3/ill_10.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 10 Model plane 2. An earlier repair seen on a break of the wing. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747345911-PNK1R1PO0LLZ2LMSQT3M/ill_11.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 11 The broken wing was set in its initial position and supported with wooden quoins. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747354192-1R84X6BGMHL4307X1U0X/ill_12.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 12 Joining the thin materials was a precision-demanding job and in order to get a better result ‘four hands’ were needed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747363691-026QS2UGBJDZJLS3KRUO/ill_13.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 13 The new covering material was cut out into necessary pieces according to patterns. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747369877-7SXBS844UVFSRZL38PZN/ill_14.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 14 The pieces were glued onto the wooden structure with wheat-meal paste and both, the edges of the material and these of the structure were smeared with glue. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747376096-DDI3G3N1JOQXXUISWH6R/ill_15.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 15 The glued surfaces were carefully smoothed down. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747378139-VFCK4A2FT0PPYO76EMSX/ill_16.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 16 Model plane 1 after conservation https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747381179-Y6PEDCJXRZU401533BY9/ill_17.jpg Renovatum anno 2015 EN - COMPOSER EDUARD TUBIN’S MODEL AEROPLANES - ill 17 Model plane 2 after conservation https://www.anno.renovatum.ee/en/renovatum-anno-2015/hand-papermaking-for-the-reconstruction-project-of-the-mirow-castle-wallpapers monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747084237-49J1TNWT9LDJQSJS4E6M/1.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 1 The laid surface mould with a copper bronze mesh and a deckle to ensure size for the forming sheet. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747090786-L5Z4N7CKIV1JPM0LBRY8/2.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 2 The pulp has been lifted from the vat and draining on the mould, fenced with a deckle. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747097617-J4FJYHW2BG7GRIW6E42F/3.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 3 The sheet is formed as soon as water drains through the mesh and the deckle can be lifted off the mould. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747103522-LCRAANVH9ES7XGFCNGDY/4.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 4 When water stops dripping through the mesh, the newly formed sheet is laid upon the felt. In the picture a pile of fresh sheets and felts is seen on the left, laying front of the press. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747110217-09EGFMH89W3W4OB4934R/5.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 5 Fresh sheet laid upon the felt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747123678-HXCKJYUZHGAQ2SXVN0ZI/6.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 6 The laid lines of the mesh are well seen in a newly formed sheet. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665747158802-H821BCIJRG278QEUGU1E/7ok.jpg Renovatum anno 2015 EN - HAND PAPERMAKING FOR THE RECONSTRUCTION PROJECT OF THE MIROW CASTLE WALLPAPERS - ill 7 Hydraulic press and laying of the last sheet. On the back side of the mould wooden ribs can be seen. https://www.anno.renovatum.ee/en/renovatum-anno-2015/conservation-and-preparation-for-digitisation-of-two-ferrotypes monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665745734494-Y0IJU9PI4935OU6439QZ/Lehtaru+ill.+1.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 1 Frontal view of the ferrotype that stuck to the mounting paper. EAA 1414-2-243 p 22 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665745738361-KLXD8DR8LJI4GI75AMFQ/Lehtaru+ill.+2.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 2 Reverse view of the ferrotype. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665745921522-4QHTWOEVIMRGHG5ACSW9/Lehtaru+ill.+3.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 3 Removing the mounting paper with a cotton stick and destilled water. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665745943385-TRB0VNZ96O7XAE9Z8Q53/Lehtaru+ill.+4.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 4 The date 1872 appeared on the mounting paper stuck to the photo. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665745947152-1ZM4A3I0S3TR43G29398/Lehtaru+ill.+5.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 5 Removing the mounting paper from the surface of the photo. Paper fibres can be detected in close view. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665745958924-XLST16YD6MCDA6ITY8WG/Lehtaru+ill.+6.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 6 Ferrotype after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746079137-B7S82O1DSZIA1U7WIEEK/Lehtaru+ill.+7.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 7 Storage enclosure https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746083327-WNT3NQC8NKA2B4BVI9V1/Lehtaru+ill.+8.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 8 Portrait of Artur Fahl in frontal view before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746101228-JX7W1OOZSOBC8OIUH3NX/Lehtaru+ill.+9.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 9 Reverse view of the corroded ferrotype. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746107481-ER5VFHHDWOY6EQYTZZMJ/Lehtaru+ill.+10.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 10 Implements used for removing loose specks of rust from the back of the photo. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746113241-UK3MRCKMPGF4ID4P4NSU/Lehtaru+ill.+11.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 11 Frontal view of the photo after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746117918-R6Z681CK0KNZJ77N80Z2/Lehtaru+ill.+12.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 12 Frontal back view of the photo after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665746123878-LBIO6NYOVJDR081VOQH1/Lehtaru+ill.+13.jpg Renovatum anno 2015 EN - CONSERVATION AND PREPARATION FOR DIGITISATION OF TWO FERROTYPES - ill 13 Storage enclosure. https://www.anno.renovatum.ee/en/renovatum-anno-2015/an-interesting-find-in-a-chest-of-the-mahtra-peasantry-museum monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742048997-PNQFI20JF6FOPY6E9H1Y/ill_1.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 1 The chest before being conserved.The lock had corroded and nobody knew what the chest contained. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742057891-E795UB0C83FLR5LDJD2C/ill_2.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 2 Before conservation. Beneath the dust and mould fragments of wallpaper and a map, six small drawings and two prints could be detected. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742066616-HMFGIS1OP0PJRLXEV4YG/ill_3.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 3 Before conservation. A fragment of wallpaper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742078417-GMY0PF6JFC5V6KUNIFAJ/ill_4.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 4 Before conservation. A map of Old Livonia. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742085963-GWJX7EMVCJPZY3EILLL6/ill_5.JPG Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 5 The surfaces were cleaned with ethanol solution. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742094899-MHTDFNGDWS5XIJ3SJ8M8/ill_6.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 6 This is the reverse side of the wallpaper with splotches of glue and dirt, insect- and moisture-damage, tears and material losses. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742104829-0V7SWNG13DAJ1HV9IMO9/ill_7.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 7 Paper objects were removed from the lid of the chest dampening the contact surfaces with ethanol. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742106731-74QLFERJFC6K6CVXU8D2/ill_8.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 8 Part of the engraving in the left side of the upper edge was missing, pieces of the loss were found in a mouse’s nest on the bottom of the chest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742112706-COFL82DE1XNT9YCGB9IF/ill_9.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 9 Pieces of the map and the wallpaper sorted out from the mouse’s nest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742121802-PCUOGQFDEJR6IRLPQL2Q/ill_10.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 10 Before conservation.The wallpaper was made of handmade sheets (41x 56 cm) and printed in block-print technique. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742229685-IU9D830CWOI2FHTWQMOU/ill_11.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 11 The wallpaper might match a Biedermeier interior, as it imitates the period’s silk or cotton fabrics in design. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742237498-I55Q8LUTR9KGU6FGGAI0/ill_12.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 12 The front side of the wallpaper was washed in a water-tub, whereas the black water-sensitive paint had been fixed with 1 %-gelatine liquor before washing. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742245535-V64Y0LZQ5YIM2TN8TX1X/ill_13.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 13 The tears in the reverse were repaired with Japanese paper and the holes were filled with pulp. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742253330-OOP2LRS4SLWPT2GG2URB/ill_14.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 14 Losses in the edges were filled with toned repair paper. The joining of the sheets was fixed with paste. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742259803-KX0YIZ3RF32TZ0FTIZF8/ill_15.JPG Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 15 The paper of the map was yellowed and fragile, there were splotches of mould and distinct water lines. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742268392-IQ7KBBUM60DLNLO9COLO/ill_16.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 16 The map was dry-cleaned with a soot-sponge. The water-sensitive colours were fixed with 1 %-gelatine liquor. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742274972-IT2MGLR8HJF6SQXHGPMG/ill_17.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 17 The reverse side was cleansed of mould and residue glue. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742281126-OMJFO3IKSHASGKHLT1DZ/ill_18.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 18 The map was washed on the vacuum board.Washing and special treatments were accomplished on many hands in order to avoid the longer-time dampening of the paper in the process. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742282266-KL83WRB8MKP4KIYF4FKX/ill_19.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 19 The leached out surface dirt was removed locally with gelatinous methylcellulose (MC) solution. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742291135-UXJCXMVUI9RXAZT3J66T/ill_20.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 20 The map after being conserved. The paper was glued with 0.5% gelatinous solution and the repairs were done on the light-table. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742297372-UQBGEO2TG9P05B2NQE90/ill_21.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 21 The reverse side of the map seen after conservation. The Japanese paper strips were glued on in various directions and in several layers to avoid stress in different conditions of temperature and moisture. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742304916-RB998JSYMUWRXC9ZZHUP/ill_22.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 22 Expecting to retain the original looks of the chest, print copies were made of the original objects. The originals are kept in the museum fund. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665742310944-ZHFOLUBJ2PJACYWEL29X/ill_23.jpg Renovatum anno 2015 EN - AN INTERESTING FIND IN A CHEST OF THE MAHTRA PEASANTRY MUSEUM - ill 23 The chest after conservation. https://www.anno.renovatum.ee/en/renovatum-anno-2015/the-reconstruction-story-of-two-wallpapers-in-mirow-palace monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741857433-4S4QB11RFPMLX7L8YFAC/Ill_1+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 1 Mirow Palace in the Mecklenburg-Vorpommern state, Germany. Behind the mainbuilding you could see the Cavaliers’ House belonging to the palace ensemble. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741862232-TYIHFB24FDTJMDLIQ2EJ/Ill_2+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 2 Fragments of the mid-18th-century flock wallpaper, found during the research on historical wallfinishes in 1996. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741869410-YSIKJZ0DO2KPDV9TW78X/Ill_3+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 3 Kristiina Ribelus satining the background of the red flock wallpaper. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741884019-B0C7W1HOQX7RWI9DUHXO/Ill_4+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 4 Strips of the flock wallpaper. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741889402-2L35DC5JW7NXEYVPB6U7/Ill_5+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 5 View of the room with the grey wallpaper from Jürgen Brandt’s book Alt-Mecklenburgische Schlösser und Herrensitze (1925). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741894872-7J2K13B9RQKV91HXYZ5X/Ill_6+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 6 Printing block with three linocut pattern strips before printing the grey wallpaper. Photo Kadri Toom https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741900897-VCJYPMAA6NAQMI4F6DXT/Ill_7+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 7 Kristiina Ribelus and Kadri Toom printing the wallpaper. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741906639-5IWJB6N27UGZCJY4NBLL/Ill_8+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 8 Reconstruction of the grey wallpaper with historical fragments. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741912516-T0KBR53X09BM9F2LOR6X/Ill_9+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 9 The ancestors’ gallery in Mirow Palace with the reconstructed wallpaper. Photo Kadri Kallaste https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741918500-BFK30M4TGDUVGB20IJO8/Ill_10+Mirrow.JPG Renovatum anno 2015 EN - THE RECONSTRUCTION STORY OF TWO WALLPAPERS IN MIROW PALACE - ill 10 The former bedroom of Duchess Elisabeth Albertine zu Mecklenburg-Sterlitz with its reconstructed wall covering. Photo Kadri Toom https://www.anno.renovatum.ee/en/renovatum-anno-2015/story-of-the-pulpit-in-the-haljala-st-maurices-church monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741127416-4LA0DHJP2MWDOCGBD3GR/Ill_1.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 1 The photo in the collection of the Estonian History Museum shows the interior of the Haljala Church before its refurbishing in the 1880s. The pulpit is still in its initial place. AM 8534 F5645 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741140320-LY0IK3RY5H336T4DMWL9/Ill_2_14PCo001_02_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 2 The present location of the pulpit in the church. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741145083-7Q5D9I0HFVY4THQX1KDD/ill_3.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 3 The last colour solution of the pulpit is the oak-wood imitating grain. The text on the canopy dates it to 1888. Translation of the text: In 1888, 10 August painter Juhan Auge is working (in the church?). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741155155-3BJQSO1O1I1FBPLZ7FBB/Ill_4_14PCo001_dt1_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 4 The whole church had been covered with a dense layer of soot due to the fire in 1998. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741163521-XJQNPWODWXMJ5D5POTAB/Ill_5_14PCo001_dt3_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 5 The floor and the groundsel of the pulpit had become rotten and the wooden structure needed repairs. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741164533-SZAPDDD8Z5LSM9G70Z6O/Ill_6.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 6 Conservator Viljar Talimaa removing the angel from the canopy. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741165340-P5T4XR3IPI60W8O7FXPE/Ill_7.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 7 Dialogue between the descended archangel and Margit Nirgi, the pastor of the congregation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741173244-1ZY6CADB8AP88SR4PSWA/Ill_8_14PCo001_dt08_av_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 8 Details of the pulpit’s canopy before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741181443-Z2XBUCZ3MR5MDZSF4UGY/Ill_9_14PCo001_dt04_dt_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 9 Earlier many-coloured layers of paint became visible under the peeling grain. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741187693-OGCN1D2LSD8WJDFKTBQP/Ill_10.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 10 A detail (a shell) of a panel from the canopy. Layers of paint: grain – grey – red – white priming. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741192621-M5SES0QD3HX2C8ZKI6ZR/Ill_11.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 11 Loose detail, partly cleaned. The proof has been taken from the shell. Layers of paint: grain – grey – red – white priming. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741197108-AKSXCA84UNBWQWH0QAXG/Ill_12.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 12 Partly cleaned detail. The paint proof was taken from the hand of the putto. Layers of paint: brown grain – grey – pink – white priming. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741205891-F4CSOKVZNWKSEL1J93MF/Ill_13.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 13 Partly cleaned coat of arms. The coat of arms on the canopy of the pulpit was originally many-coloured. Paint proof from the ornamental wing of the crest. Layers of paint: grain – grey – retouching layer (glue or lacquer? Or even surface dirt?) – pink (red) – white priming. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741207881-RVPY72J3VBPKQQGDY6SL/Ill_14.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 14 Paint proof was taken from the right-side facet, beneath the text on the black slat. Layers of paint – black paint – grain – grey – gilt – priming. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741493862-A92IO5PV2Q0F6X6SERWN/Ill_15_14PCo001_dt_cp.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 15 Cleaning probes of the details. Underneath the soot brown grain layer appears. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741497977-FOQ7UXMIFU5HP1ID3F03/Ill_16_14PCo001_dt01_av_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 16 Sooty surface of Archangel Michael. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741537185-FRMK6XFD053KQVMVIT3G/Ill_17_14PCo001_dt7_av_cp.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 17 Partial surface cleansing of the figure. Underneath the soot wood grain appears. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741543156-G95H69RCUXE4M6MYO2FH/Ill_18_14PCo001_dt2_dt02_ac.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 18 The figure after conservation was replaced on the canopy. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741555605-Q92RS0SNIQ2GEXTRCV3H/Ill_19_14PCo001_dt2_dt04_cp.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 19 Cleaning the back of the canopy details. The pinkish flesh-colour of the putto appeared from under the soot layer. The last paint solution – the grain has been finished only on the front part of the pulpit’s details. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741563843-GVZB2ENFTEFUSAE76FPT/Ill_20_14PCo001_dt2_dt05_cp.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 20 The surface of the coat of arms on the canopy has been partly cleaned of the soot. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741573766-N5PDNOB4KI0B62EGGDKV/Ill_21_14PCo001_dt2_02_ac.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 21 The canopy of the pulpit after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741582174-0SAUOSMFD3OF1QRFMX6E/Ill_22_14PCo001_dt1_dt07_ac.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 22 The groundsel of the pulpit’s floor was anchored into the wall with a new forged quoin. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741589922-EPM3AG1CYR8NX564K6RE/Ill_23_14PCo001_dt2_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 23 The pulpit construction before cleansing it from soot. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741599016-16RTG10EQTDQO29VLXPK/Ill_24_14PCo001_dt1_01_ac.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 24 The pulpit construction after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741604774-M2XC9YW727FBBL7D0G1X/Ill_25_14PCo001_01_bc.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 25 The whole pulpit before the conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665741610843-V4Q0637XL0KX5G9MIERI/Ill_26_14PCo001_01_ac.jpg Renovatum anno 2015 EN - STORY OF THE PULPIT IN THE HALJALA ST MAURICE’S CHURCH - ill 26 The pulpit of the Haljala Church after conservation in September 2015. https://www.anno.renovatum.ee/en/renovatum-anno-2015/spacious-binding-structure-conserving-books-for-blind-people monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740504084-14X6U3D6KRCX9HG4UFCD/ill_1.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 1 The book before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740510056-ZJHH5XCE2LFK6M53KRD1/ill_2.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 2 The bookblock was wired on three strips, the spine was made up of gauze and very thin pink paper. The covers were of thin blue card board. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740517267-84D2AHQWR89HEJB4XE2Z/ill_3.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 3 Folding the binding. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740736320-VOYSVBDNYPH2OQJ6XX2Q/ill_4.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 4 Every sheet was sewn to a pleat of the fold separately. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740749583-7QHU139A0AHTGMF50GFX/ill_5.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 5 The folds were sewn together with a chain stitch. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740756100-5V5AFAC5WJQP8JPEHWW8/ill_6.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 6 The folder allows the block to be opened to maximum. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740764922-CJ5SZTKRP0VBB2HIU48Y/ill_7.JPG Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 7 The ear of the cover cardboard and the glue-free double textile spine calico were sewn to the folder. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740835780-EX2L8L1HMJTS8WEO3NS9/ill_8.JPG Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 8 The first twin-eared cover, the part folded back in the left and right parts. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740840526-6BVOUXPBQMG6BNQES6PU/ill_9.JPG Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 9 The second cardboard cover with the top and bottom fold-back has been inserted in the openings of the cover. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740846740-4VGI1SXPPF6CIBCEH1BK/ill_10.jpg Renovatum anno 2015 EN - SPACIOUS BINDING STRUCTURE – CONSERVING BOOKS FOR BLIND PEOPLE - ill 10 The book after conservation. https://www.anno.renovatum.ee/en/renovatum-anno-2015/miniatures-a-small-painting-and-a-great-challenge monthly 0.5 2022-10-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740380954-AB09K4I35QZPU1DCQLJ0/Ill_1.jpg Renovatum anno 2015 EN - MINIATURES – A SMALL PAINTING AND A GREAT CHALLENGE - ill 1 Miniature portrait (6.2 x 5.2 cm) of Empress Jelizaveta Petrovna in full dress (VM VM4384 K). Bone, gouache. On the left (before conservation) - a serious damage of painted surface occurred in the lower left-hand corner, smaller losses of paint were all over the surface. The piece was without frame. On the right (after conservation) - the losses of paint were toned with water-colours and the piece was framed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740383981-ZXOFJQQX5CKO5GVVHU3G/Ill_2.jpg Renovatum anno 2015 EN - MINIATURES – A SMALL PAINTING AND A GREAT CHALLENGE - ill 2 Empress Jelizaveta Petrovna (1709–1762) in full dress. The miniature after conservation (on the right). The piece was painted after Jean Louis Tocqué's state portrait, painted in 1758 (on the left). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740389592-VFZSNTGX9J3BO8WF0DEH/Ill_3.jpg Renovatum anno 2015 EN - MINIATURES – A SMALL PAINTING AND A GREAT CHALLENGE - ill 3 Sara Magdalena Paetzen's portrait 5.0 × 4.5 cm (VM VM 4386 K). Bone, gouache. On the left (before conservation) - the left edge of the bone plate of the miniature was ca 0.3 cm broken and had been supported with paper. The surface of the painting was dirty and losses of paint occurred. On the right - the miniature after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740393194-D69RWYGI5UN916MDCYLT/Ill_4.jpg Renovatum anno 2015 EN - MINIATURES – A SMALL PAINTING AND A GREAT CHALLENGE - ill 4 The original shape and design of the frame of Sara Magdalena Paetzen's portrait were used as a model for making frames of the other miniatures. The miniature before (on the left) and after conservation (on the right). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740442527-QHPPKL6O08PWJTNPTU0B/Ill_5.jpg Renovatum anno 2015 EN - MINIATURES – A SMALL PAINTING AND A GREAT CHALLENGE - ill 5 Sophie Paetsen's portrait before conservation. On the left - the bone plate was ca 0.5 cm broken. On the right - the break was supported with paper that was not removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665740447899-ODMARMN4QYLM7QO5X3G0/Ill_6.jpg Renovatum anno 2015 EN - MINIATURES – A SMALL PAINTING AND A GREAT CHALLENGE - ill 6 Sophie Paetsen's miniature painting (8 × 6 cm) after conservation (VM VM 4385 K). Bone, gouache. https://www.anno.renovatum.ee/en/renovatum-anno-2015/conservation-of-the-memorial-wreath-of-the-harju-risti-monument-to-the-war-for-independence monthly 0.5 2022-10-27 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870936889-EMW1QNY117Z9PQMNWMVG/ill+1.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 1 The reinforced tin tub found in the attic of the Risti church contained a rusty memorial wreath. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870935166-HRGONW1XWVRM2DG8B79E/ill+2.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 2 The ring of the wreath had a ribbon inscribed “To the fallen heroes of Risti from the Ministry of War”. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870942355-Q3HDHO9IGOZDQUIOM91O/ill+3.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 3 The Harju-Risti monument to the War for Independence together with its memorial wreath. ERM Fk 2813:56. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870953061-FF7AASWQQECW9XFJPD5F/ill+4.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 4 The wreath before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870957664-23F3ESZSZ2QTZVZOE9J2/ill+5.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 5 Rust on the backs of the leaves. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870966722-CXPDCU4M46BKMYGNAR45/ill+6.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 6 Rust under the paint of flower details. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870974055-I23IR3459SCGUIUTH6GI/ill+7.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 7 Covering paint that was cracked and loose. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870984493-LW24FLXG7O7EZV8MZANW/ill+8.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 8 The damaged structure of the cotton weft of the ribbon. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870987240-N9LOZBP5LFM1ZKMU0JTD/ill+9.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 9 The silk of the ribbon was fragmentary and the blue colour had preserved only inside the folds. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666870999299-OP4BJ8QRZ0NRJY4SY7CP/ill+10.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 10 The reverse side of the wreath. The corroded surfaces were cleansed mechanically with a mini-drill. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871002607-CPRW1AQ3QECGSMZSSMXR/ill+11.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 11 Rust-free surfaces were processed with acetone and covered with varnish. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871014837-8LP2PIC1XV297F4ZS647/ill+12.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 12 The loose parts of covering paint on the flowers were mechanically removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871018268-Z3GZPT5OXLQ0W83UR2E9/ill+13.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 13 The paint losses on the flowers were toned to unify the visual whole. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871028298-YTZWO0G1RZHU47EWYSJT/ill+14.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 14 The white fabric of the ribbon bore a (blue) silk stripe. Damaged details. Macro photo. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871030986-ZPTKQ31VW5HTDFVB0GPX/ill+15.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 15 The ribbon was cleansed with the so-called static brush. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871042366-J0G7ENDN3F14E832LYC1/ill+16.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 16 As the silk was fragile all the procedures were carried out with the text on top. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871045951-ZTBZ6DPSUBS4Y9YBSX04/ill+17.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 17 The cleansed and stretched ribbon was placed onto the vacuum-table and glued with BEVA film on Hollytex fabric. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871057206-G5SIB0CO8XHM0UCHS2F3/ill+18.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 18 Thermal processing was carried out on a heated plate. The ribbon was kept on the plate in a light press for about three hours. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871061278-A2C7ZVLSO8ZZFYFWRWD8/ill+19.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 19 Backing the white fabric restored the ribbon as a whole. The conservation of the silk needed additional treatment. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871070964-ZHA49EXOV4125MV1Y4Z8/ill+20.JPG Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 20 The netting used for covering the silk was glued on Teflon fabric. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871074003-RJXR65RREUQ48K2KUQD4/ill+21.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 21 The glue should not cover the meshes of the netting or lay unevenly on it. Macro photo. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871083595-VJ52W338K7LZSWZLZY1E/ill+22.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 22 Glued netting. The glue covers only the threads of it. Macro photo. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871089404-IUZ8FLFSJV0PUI8BGP48/ill+23.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 23 Glued netting on the ribbon of the wreath. Macro photo. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871097056-MFMU39I4GIIMEG88FSZA/ill+24.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 24 Thermal processing with a heated spatula. The whole surface of the ribbon was covered with netting to warrant its free hanging when displayed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871099406-LIA4OTVKSKY04G4JMQLO/ill+25.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 25 The wreath after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871112664-W9VRI10SRRZ04TV25YJP/ill+26.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 26 The conserved wreath was returned to the Risti church in June 2014 when 90 years had passed from the unveiling of the monument to the War for Independence. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871114894-D0MNP24V4JPFF985V5U0/ill+27.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 27 Setting up the wreath on the wall of the vestibule of the Risti church. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666871122835-WTKYF0OTO789A612H6NJ/ill+28.jpg Renovatum anno 2015 EN - CONSERVATION OF THE MEMORIAL WREATH OF THE HARJU-RISTI MONUMENT TO THE WAR FOR INDEPENDENCE - ill 28 The wreath in its protective tub was fixed on the wall together with the original wooden cross.The tub was covered with glass. The wreath is visible to everyone who enters the church. https://www.anno.renovatum.ee/en/renovatum-anno-2015/conservation-of-eveline-adelheid-von-maydells-scissor-cuts-in-the-national-archives-in-2013-2014 monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738576307-BBXDTNJ6O7TOEZGUEZKL/ill+1_ok.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 1 Eveline Adelheid von Maydell, a Baltic-German artist. ERA. 1298.1.473.10 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738587715-A1E0YT4GE6X2UQCQOP8M/ill+2.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 2 Conservator’s implements. Photo Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738595415-HJVXP9WIQHH5UEB8RCDC/ill+3.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 3 Conservator’s implements. Photo Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738614763-RT5MJQDU2I7WCQ3TZUQ1/ill+4.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 4 A detail of a scissor-cut. Photo Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738618991-XL3XICF923RDJ61HREYU/ill+5.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 5 Earlier method of storing scissor-cuts. Photo Einike Lepik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738626520-Y97ALD0E7LL0JU5AF8FU/ill+6.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 6 A contemporary way for storing scissor-cuts . Photo Einike Lepik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738646579-CV7AGKUP4TOMMFB8NTXJ/ill+7.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 7 A contemporary way for storing scissor-cuts . Photo Einike Lepik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738662386-J4NITBQ1Q19HD9GY452F/ill+8_m+EISOBI.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 8 A contemporary way for storing scissor-cuts . Photo Einike Lepik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738670956-56KSQK49E6Q8QKGJ2SZJ/ill+9.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 9 Front side of a scissor-cut. ERA. 1298.1.42.6 Photo Maarja Meigas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738677773-4J2YMUKDH56URIOK4DM9/ill+10.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 10 Back side of a scissor-cut, its initial drawing included. Photo Maarja Meigas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738682689-RPCAJIKHYT0YHAF1SJB0/ill+11.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 11 A scissor-cut before conservation. ERA.1298.1.25.5 Photo Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738886889-PUQYLY8LR4Z4WZKB21F4/ill+12.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 12 ,,,and after conservation. Photo Kärt Pauklin https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738893005-GERVEHKCCAS26FAFL9KO/ill+13.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 13 A scissor-cut. ERA.1298.1.23.33 Photo Maarja Meigas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738899428-ZYGESJC9C6GTE08QNQCM/ill+14.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 14 View of the National Archives’ gallery. Designer of the exhibition Angelika Schneider. Photo Hedvig Rajari https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665739061737-HC5HDQAJKF621X4RT1T7/ill+15.jpg Renovatum anno 2015 EN - CONSERVATION OF EVELINE ADELHEID VON MAYDELL’S SCISSOR-CUTS IN THE NATIONAL ARCHIVES IN 2013-2014 - ill 15 View of an exhibition hall in the Kadriorg Art Museum. Designer of the exhibition Angelika Schneider. Photo Aleksandra Murre https://www.anno.renovatum.ee/en/renovatum-anno-2015/investigation-of-varnishes-with-different-analytical-methods monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738235893-7IZJPIY3LS8WIUPIB2EQ/Ill_1_Laki_artikkel.jpg Renovatum anno 2015 EN - INVESTIGATION OF VARNISHES WITH DIFFERENT ANALYTICAL METHODS - ill 1 Most important triterpenoid compounds of dammar resin .(7-10) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738402426-D60IGJH2ZOWY4F1OVOC6/Ill_2_Laki_artikkel.jpg Renovatum anno 2015 EN - INVESTIGATION OF VARNISHES WITH DIFFERENT ANALYTICAL METHODS - ill 2 Comparison of ATR-FT-IR spectra of beeswax, linseed oil and dammar resin. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738515977-9LU886NRSY0ZMUTFO6UE/Ill_3_Laki_artikkel.jpg Renovatum anno 2015 EN - INVESTIGATION OF VARNISHES WITH DIFFERENT ANALYTICAL METHODS - ill 3 Comparison of ATR-FT-IR spectra of dammar and mastic resin. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665738524145-15C7ULOXWWJRTVEJ5R7R/Ill_4_Laki_artikkel.jpg Renovatum anno 2015 EN - INVESTIGATION OF VARNISHES WITH DIFFERENT ANALYTICAL METHODS - ill 4 Comparison of MALDI-FT-ICR mass spectra of dammar and shellac resin. https://www.anno.renovatum.ee/en/renovatum-anno-2015/infrared-spectroscopy-in-textiles-investigations monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665735419953-HIFPVNKNGKH3OCK47EJF/Ill_1_Tekstiilide_artikkel.jpg Renovatum anno 2015 EN - INFRARED SPECTROSCOPY IN TEXTILES INVESTIGATIONS - ill 1 Picture of linen fibre in an optical microscope. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665737950700-Q6WPH0Z8CGH8I82HD1VW/Ill_2_Tekstiilide_artikkel.jpg Renovatum anno 2015 EN - INFRARED SPECTROSCOPY IN TEXTILES INVESTIGATIONS - ill 2 IR-mapping result of polyester-cotton sample to describe homogeneity. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665737972116-BZJONNSF0DXC5ZU0EAEY/Ill+3.+infrapunaspektroskoopia.jpg Renovatum anno 2015 EN - INFRARED SPECTROSCOPY IN TEXTILES INVESTIGATIONS - ill 3 ATR-FT-IR spectra of most important textile fibres. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665737986217-PXYMPV6N4EM5L8JA152H/Ill_4_Tekstiilide_artikkel.jpg Renovatum anno 2015 EN - INFRARED SPECTROSCOPY IN TEXTILES INVESTIGATIONS - ill 4 PCA graph of textile samples using two principal components (PC1, PC2) PE - polyester, AC - acetate, LI - linen, CO - cotton, VI - viscose, PAC - poly-acrylic, LY - lyocell (Tenzel®), WO - lamb-wool, SI - silk, PA - polyamide, EL – elastane https://www.anno.renovatum.ee/en/renovatum-anno-2015/peeping-at-the-dawn-of-estonian-photography-mapping-estonian-daguerreotypes monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032648857-AFBJN640CNVRUF26SCI9/Ill+1.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 1 Unknown woman with a child, about 1850s. Photographer unknown. European-style paper-framed daguerreotype (170 x 135 x 7 mm). Tartu Town Museum, TM F 479. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032673769-KVDF8O1KY40XHKF9KVZK/Ill+2.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 2 Formation of the reverse side of a daguerreotype. Tartu Town Museum, TM F 47. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032664624-O7GPL8J3XMPLJO3V8JQ4/Ill+3.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 3 Portrait of an unknown maiden. Photographer unknown. A daguerreotype (95x 80 x 10 mm) in an Anglo-American style decorative box. Private collection (Kurmo Konsa) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032676002-GC88Y950G1MGGCWQLV2Z/Ill+4.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 4 Formation of the reverse side of a daguerreotype. Private collection (Kurmo Konsa). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032677222-QODTQLN849XAUXDYW3ML/Ill+5.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 5 Tallinn merchant J. Martinsen’s sale advertisement of a daguerreotype camera. Revalsche wöchenlichte Nachrichten, 32, 5 August 1840, p 876. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032683083-M2INJ8KHVVQO9E41KAY1/Ill+6.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 6 Daguerreotypist Carl Neupert’s daguerreotype in dark green velvet frame and decorative box. National Archive, EAA f 1862, n 2, s 472, f 3. Photo Benno Aavasalu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032705147-7UO5GSLXQ2FJ2CVDQZFU/Ill+7.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 7 Carl Johann von Seidlitz’s children about 1844, from the left Marie, Georg Karl Maria and Karl Johann Maria. Photographer unknown. Daguerreotype 133 x 110 mm) in Petersburg-style paper frame. Literary Museum, EKLAA-37:1254 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032705434-GZ1OVBPQ4SC9UCTUJ6UH/Ill+8.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 8 The oldest daguerreotype made in Estonia, Alexander Hoeppner, about 1850, Tallinn, C.Borchardt(?). Detail of a paper-framed daguerreotype (185 x 154 mm). Järvamaa Local History Museum, PM F 22. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032728394-6T7SPJ2MQP78IBBT9VF7/Ill+9.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 9 Fr. R. Kreutzwald’s wife Marie, daughter Adelheid and son Aleksis, about 1853. Robert Borchardt, paper-framed daguerreotype (111 x 95 x 6 mm). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032721819-V8MY7WNBO8PIHS3AD3CV/Ill+10.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 10 A staged drinking spree, about the 1840-1850s. Photographer unknown. Paper-framed stereo-daguerreotype (83 x 170 x 5 mm). Photo collection of Tartu University library, F 169, S 5 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032750457-LGQBELCFLN9P7QZYEJXI/Ill+11.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 11 Portrait of an unknown woman, about the 1850s. Photographer unknown. In the left-hand upper corner of the daguerreotype the imprint with a hallmark and the contents of silver can be seen and the rings bear gilded retouch. Järvamaa Local History Museum, PM F 23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032750262-RVLZ88ZS7R8QN66BBQHY/Ill+12.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 12 Daguerreotype (107 x 81 mm) without its original formation, oxidised, soiled and covered with fingerprints. Photo collection of the Tallinn City Museum’s Photo Museum, TLM F 9701. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032763827-DIJQJQKP1HR38Y9HB1M2/Ill+13.JPG Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 13 The image looks like a negative when seen from a certain angle. A detail of a coloured daguerreotype. Private collection (Igor Kontsov). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032754098-K7D1VAL83XMXN32KGK95/Ill+14.JPG Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 14 Hembo Pagi (PLC Archaeovision) digitising daguerreotypes of the Estonian History Museum with RTI method. Photo – Kadi Sikka, 1 June 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667032759795-V2WS7JUZQ59QR5YQ70FA/Ill+15.jpg Renovatum anno 2015 EN - PEEPING AT THE DAWN OF ESTONIAN PHOTOGRAPHY. MAPPING ESTONIAN DAGUERREOTYPES - ill 15 RTI photography allows in side-view and adding several filters to distinguish information, concerned with the production, completion and condition of the daguerreotype, i.e. the horizontal polish lines on the silver layer, scratches etc. Differently from an ordinary photograph (above), all these are clearly visible on the RTI photo (below). A special software filter (specular enhancement) has been used to give a better visual. Järvamaa Local History Museum, PM F 22. https://www.anno.renovatum.ee/en/renovatum-anno-2015/the-analysis-of-historic-glass-painting-technology-based-on-the-conservation-of-the-coat-of-arms-of-the-great-guilds-alderman-johan-christopher-husen-1753-in-tallinn-st-olafs-church monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729347854-3LUJF4F8BDCHQ3JDTQAP/Ill+1.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH - ill 1 Johan Christopher von Husen's coat of arms painting (1753) located in the northern window of Tallinn St Olaf’s Church, 2007. Photo Priit Rohtmäe https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729356697-40W7A0KHPFN9PKH37B3Q/Ill+2.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH - ill 2 St Olaf’s Church in Tallinn. Photo Peeter Säre https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729386016-UKABX99EGR95XRAKEZJC/ill_3_.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH - ill 3 Walther Carl Siegmund. Ruins of St Olaf’s Church in 1825. Lithography. 15.6 × 21.3 cm EKM j 283: 1328 G, 3494, Estonian Art Museum. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729366073-SONWLTZW3YDVX6Z8TW0I/Ill+4.JPG Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH - ill 4 Johan Christopher von Husen's coat of arms painting (1753) before the removal from the window. Photo Liisi Junolainen. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729475242-J43CZA222D8HVE1CNSYJ/ill+5.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729501974-D85Y59PTXJ4OCOJB8LHW/ill+6.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729515445-5FE4NDOZHBD0XKLWDY7R/ill+7.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729670877-9AOQSNR4JYUWYLOEZXM7/ill+8.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729682210-5NMU8O5XMFYKMG2WOFNW/ill+9.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729703565-J5TR6TQ54L7SWO083J1Z/Ill+10.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729761455-MCTZ056HAHJE6MLT5ASK/Ill+11.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729785163-LI97EVC9ULHLWX3UD0G1/ill+12.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729798983-YSJ4SVGN3LO9WAOE1KZV/ill+13.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729815557-09CF1JVBF93ZKR8GDK9N/ill+14.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729827281-8TDYROJCUV7G150DSNMK/ill+15.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729835782-OMWBAJUUR3XA8QTWM8XY/ill+16.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729846236-XFGAET0ID3J4CS8G1QU9/ill+17.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665729851826-OMXG2FZA008X3NI48PWY/ill+18.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730163278-OU8DLJ04BEJWWF91GSCW/ill+19.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730169038-GQYP7A78LEYMM1BSCJ4S/ill+20.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730175092-9FZ3SQRUA4Y5F2VQUKD4/ill+21.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730180314-TCKJ5H5MZSCLTKVE1V70/ill+22.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730185558-GS0XKQGTW9GY49C7OZGZ/ill+23.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730190170-HGTTSC6DEB0DN3141IES/ill+24.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730192898-DZZGFGHLD9VKSTJF8OLQ/ill_25.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665730197708-4W6V1F9QZFJ24F4GSU5I/ill+26.jpg Renovatum anno 2015 EN - THE ANALYSIS OF HISTORIC GLASS PAINTING TECHNOLOGY BASED ON THE CONSERVATION OF THE COAT OF ARMS OF THE GREAT GUILD'S ALDERMAN JOHAN CHRISTOPHER HUSEN (1753) IN TALLINN ST OLAF'S CHURCH https://www.anno.renovatum.ee/en/renovatum-anno-2015/about-protection-of-a-paintings-reverse-side monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668782349-54PROA2VP7XFVB6Z8WN8/ill+1.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 1 Tallinn – watercolour by K. Burman. Damage – the part of the watercolour with no passe-partout has faded. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668792836-SASJ6B62NMU0PEXCI5HN/ill+2.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 2 Detail photo. Watercolour Tallinn by K. Burman. Photographing in visible light shows the line of fading clearly. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668807990-4U1Z2W7ZFGQ1ETUGV0J3/ill+3.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 3 Detail photo. Watercolour Tallinn by K. Burman. Photographing in the UV light shows the line of fading clearly. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668837493-5Q9PGRMAUR855RD949MU/ill+4.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 4 Forming of the reverse side. The painting has been covered with oiled cardboard that has been fastened to the base frame. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668881267-FC0V1MJ2HNYJSM6OQJPE/ill+5.JPG Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 5 Forming of the reverse side. The painting has been covered with perforated masonite (the so-called Finnish cardboard) panel. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668888406-896TP1TQJYIFRCSME0BM/ill+6.JPG Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 6 Forming of the front side. The paintings have been covered with bent Plexiglas. Photos – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668944143-4WKCP5IL916YVEH55MG2/ill+7.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 7 Forming of the front side. The painting has been covered with 2-mm window glass. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668948422-VYNN199P8MYHXO9STDZK/ill+8.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 8 Forming of the front side. The painting has been covered with museum glass Optium Acrylic®. Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668949933-1PGKK1Y8RKQAFH441GJU/ill+9.JPG Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 9 Master’s sign on the reverse side of the painting (Joos de Momper, Harvest. M2520). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668962241-1ZQSQ7WNFMSMF76B7HJG/ill+10.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 10 Primed and painted reverse side of the painting (C. Mahu, Wedding-dance in a store. VM488). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668977886-PZ8QL3ULXXLVTBRHH3KG/ill_11.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 11 Canvas glued to the reverse side of a painting (Mi 216). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668986132-SU4V60GK6BKSW8Q5QSE3/ill_12.JPG Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 12 Examples of solutions for the front and reverse sides. The Krakow-Copenhagen example (1990). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668998673-GQFAOMS3W89ZV6Y4PCGR/ill+13.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 13 Examples of solutions for the front and reverse sides. The Krakow-Copenhagen example (1990). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669046249-OJFUN028CGLEWTZZTPYO/ill+14.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 14 Examples of solutions for the front and reverse sides. The Krakow-Copenhagen example (1990). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669297393-VQXF4BR0ECE4B1Q5S7EF/ill+15.JPG Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 15 Protection of the reverse side of a painting (Glasgow Art Gallery). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669372516-AXZES9AZAXX4OMR3OBK8/ill+16.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 16 Protection of the reverse side of a painting (Copenhagen Statens Museum for Kunst). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669378052-34N6Y0PNFU8RPAI6T6EN/ill+17.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 17 Protection of the reverse side of a painting (Kelvingrove Art Gallery and Museum) Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669424552-BSOVNAQ90AUEV2IRU13R/ill+18.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 18 Protection of the reverse side of a painting (Kopenhagen Statens Museum for Kunst). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669431880-1DH07JTTOP437JTJRHQU/ill+19.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 19 Protection of the reverse side of a painting by Hilma af Klint (Stockholm Moderna Museet). Photo Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669437099-SH6FWW8MQ4J6KQGDF29J/ill+20.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 20 Painting in a decorative frame (VM553. A. Graff, 18th c.). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669448310-DJ8HLD8S89JLOYAVYP4Z/ill+21.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 21 Protective panel fastened onto the reverse side frame (VM553). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669456331-Z2O1O0ZU6YZ2HHMJFT9Z/ill+22.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 22 Reverse side of a painting before forming (painting 17th.c. Mi184). Photo – Alar Nurkse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665669463565-4L4BZ202C97ME9F9CGTW/ill+23.jpg Renovatum anno 2015 EN - ABOUT PROTECTION OF A PAINTING’S REVERSE SIDE - ill 23 Reverse side of a painting after forming. (painting 17th.c. Mi184). Photo – Alar Nurkse. https://www.anno.renovatum.ee/en/renovatum-anno-2015/various-technical-methods-for-studying-the-cultural-heritage-based-on-the-high-altar-of-st-nicholas-church monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667957992-OX4UEC26EH4CFXFAV4XD/ill1_rode_lybeck_a_uueni_korras.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 1 Photographing the altar of St Luke in St Ann’s Church, Lübeck. Photo H. Pagi, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667986560-ANX56VDOC012OS84J85A/ill2_rode_skannerimine_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 2 Archaeovision R&D team tested 3D scanning of the wooden sculpture in Tallinn St Nicholas’ Church. Photo V. Plink, 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667987896-JVKUQRCAKC3XAQ3Q8G3L/ill3_rode_spekter_a_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 3 Multispectral photography obtains information first of all by the UV-A, visible light and near infrared wavelengths but also on X-ray and Terahertz radiation frequency. Figure A. Uueni, 2015 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667990550-W9BRM2MMRK83D9C96OCG/ill4_rode_VIS_NIR_a_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 4 Detail of the Lübeck altar – the image in high resolution on the left, the near infrared image on the right. H. Rode’s workshop-period base drawings are visible. St Luke’s altar, St Annen-Museum, Lübeck, Hermen Rode, 1484 (?). Photo H. Pagi, A. Uueni, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668064215-27MYC08TJ5XDHUOV5TUQ/ill5_rode_uv_a_uueni.JPG Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 5 Detail of the high altar in Tallinn St Nicholas’ Church – the UV-A image. Later repairs are visible. Niguliste Museum. Photo H. Pagi, A. Uueni, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668065663-ZADBQ8NJPGHOKF9VSMM7/ill6_rode_vis_uv_ir_a_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 6 Detail depicting St Nicholas, the high altar of St Nicholas’ Church. Photo H. Pagi, A. Uueni, Archaeovision R&D, 2015. Video: https://www.youtube.com/watch?v=OlPMQjhLLOA, V.Plink. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668175153-MT7WLOLUR6CP4VN81R9V/ill7a_rode_RTI_a_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 7a The light bounces from the surface of the object so that the falling and reflecting rays (marked in yellow) form equal angles with the normal (marked in red). As the camera is in a fixed position and the direction of light onto every object is known, the RTI software allows calculations ab surface’s normal for every pixel on the object. Source – Cultural Heritage Imaging, http://culturalheritageimaging.org/Technologies/RTI/, 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668182125-1ULAANMKLNCFJ4QGM9IL/ill7b_rode_RTI_a_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 7b Figure shows the reflection information captured in the RTI. Source – Cultural Heritage Imaging, http://culturalheritageimaging.org/Technologies/RTI/, 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668187043-OVURSIOK443Q8O69878C/ill8_rode_RTI_a_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 8 Detail of the sculpture of St Gertrude in the high altar of St Nicholas’ Church in Tallinn – the RTI image is easily observed on the web as well. Surface cleaning is noticeable. Niguliste Museum. Photo H. Pagi, A. Uueni, Archaeovision R&D, 2014. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665668193491-WCH5I5GG3CTJS934MOPM/ill9_rode_web_uueni.jpg Renovatum anno 2015 EN - VARIOUS TECHNICAL METHODS FOR STUDYING THE CULTURAL HERITAGE BASED ON THE HIGH ALTAR OF ST NICHOLAS’ CHURCH - ill 9 Webpage screenshot. Web based application about scientific research methods are presented in international exhibition “Lübeck 1500. Metropolis of Art in the Baltic Region”, focusing on Hanseatic art, culture and identity. H. Pagi, A. Uueni, Archaeovision R&D, 2014-15. https://www.anno.renovatum.ee/en/renovatum-anno-2015/the-yellow-of-maasilinn-is-it-the-curse-of-wasa-or-a-redox-reaction monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667341737-H12WGUZ5S3011V8RJX5B/1.jpg Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 1 Construction of the conservation building in August 1987. Photo: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667360883-Y76X8GVR976B7VZ25EGD/2.jpg Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 2 The conservation building on Illiklaid islet. Photo: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667401723-P6NMW65T93MWB3HE9NRZ/3.JPG Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 3 Placing the wreck on the exposition stand. Seaplane harbour, 2011. (Photo: Vello Mäss) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667462976-FUW12W9AI4C2D1X1UZ4K/4.JPG Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 4 Placing the wreck on the exposition stand. Seaplane harbour, 2011. Photo: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667476266-R81ZYWWBPTMAAO76FV81/5.jpg Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 5 The Maasi ship in the exposition of the Seaplane harbour. Photo: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667483851-SUA0ZY8NJ0P1K2YL4TZL/6.jpg Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 6 The Maasi ship in the exposition of the Seaplane harbour. Photo: Vello Mäss https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667504034-5MKCF8OQ08L2MLIV43SV/7.jpg Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 7 Indications of the crystallization of salts and yellow sulphur blotches around the corroded iron details. Detail of the planking of the ship. A treenail that has preserved its original measurements and shape can be observed. Planking of the wreck is still “watertight“. Photo: Vello Mäss. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665667508131-MMNK9836XOQX83CZY3W0/8.jpg Renovatum anno 2015 EN - THE ‘YELLOW’ OF MAASILINN – IS IT THE ‘CURSE’ OF WASA OR A REDOX REACTION? - ill 8 Wrecking of a vessel. Chemical and biochemical processes in different environments and phases of wrecking. Drawing: Reet Maldre https://www.anno.renovatum.ee/en/renovatum-anno-2015/influences-of-the-relative-humidity-on-the-strength-of-glass-bonds-executed-with-araldite2020-and-hxtalnyl-1 monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036774539-NHEULXE0BQALAA1N3K4J/Ill+1.png Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 1 Hydrogen bonding marked with arrows. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036774540-5U4PE629FAGPWKZ7OT0O/Ill+2.png Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 2 Wetting of the surface. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036775238-3CDX4CJLWFMXO8TXBI5V/ill+3.jpg Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 3 The glove-box where the experiments were carried out. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036775388-I0053GHRLMV942ZA8EF7/ill+4.jpg Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 4 Overview of the performed experiments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036775970-LX293WD2A1SDPTDCU0BN/Ill+5.jpg Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 5 Application of the adhesive (Araldite® 2020) inside the glove-box. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036776207-B6DMACVCO2GQJ9ET8ERT/Ill+6.jpg Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 6 The layout of the breaking point testing machine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1667036776661-ZZSTBKISXGF04N5MMVMZ/Ill+7.jpg Renovatum anno 2015 EN - INFLUENCES OF THE RELATIVE HUMIDITY ON THE STRENGTH OF GLASS BONDS EXECUTED WITH ARALDITE®2020 AND HXTAL™NYL-1 - ill 7 A magnification of the breaking point testing machine. https://www.anno.renovatum.ee/en/renovatum-anno-2015/threefold-romance-the-story-of-the-exhibition-women-from-suvorov-street monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650315485-VUNY0KF61AOQWUY8DL4W/ill_1.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 1 Mannequins wearing examples of the garment collection – from corsets to fur-coats – are standing on the showcases in the centre of the big hall. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650376405-KR7C5BEVM1NC3AK3NZ5A/ill_2.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 2 The side of the platform carrying motifs of the display offers exciting discoveries. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650392614-7RW30AJKCG6XHNWIAEAZ/ill_3.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 3 A crying need makes one resourceful – all the available mannequins, a male torso included, were taken into use. The blouse fitted all right, but the head had to be disguised. Thus a Chinese lantern’s flat cover and curtain tulle were used to make a „veiled“ bonnet. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650409738-C91LT4ZWEM9M4LRNOXDV/ill_4.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 4 Information-boards were on the walls of the hall. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650425413-PNB13B7LDMRR1XGYBN0J/ill_5.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 5 Seamstress in her working-room. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650439775-MAOLGTT4LRRZCBP5FVE5/ill_6.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 6 A closer view of the fabric-ABC-book. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650455135-GR53OQOYR36KMHO8H2TK/ill_7.JPG Renovatum anno 2015 EN - THREEFOLD ROMANCE. THE STORY OF THE EXHIBITION WOMEN FROM SUVOROV STREET - ill 7 An old sewing machine, a replica of a blouse and the fabric-ABC-book consisting of various examples on the windowsill. https://www.anno.renovatum.ee/en/renovatum-anno-2015/information-ecological-perspective-on-the-conservation-process monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650176508-KBTTL80ZZS8FLOGHF9BM/ill+1+Info%C3%B6koloogiline.jpg Renovatum anno 2015 EN - INFORMATION ECOLOGICAL PERSPECTIVE ON THE CONSERVATION PROCESS - ill 1 Conservators, objects and environment belong together. The Society of Estonian Conservators on the working-bee at the Mõniste museum in 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650189033-SG76Z4OCCHOINYGPBFYS/ill+2+Info%C3%B6koloogiline.jpg Renovatum anno 2015 EN - INFORMATION ECOLOGICAL PERSPECTIVE ON THE CONSERVATION PROCESS - ill 2 Conservators, objects and environment belong together. The Society of Estonian Conservators on the working-bee at the Mõniste museum in 2015. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665650200980-92DJFEN48V1H1NA5NQW2/ill+3+Info%C3%B6koloogiline.jpg Renovatum anno 2015 EN - INFORMATION ECOLOGICAL PERSPECTIVE ON THE CONSERVATION PROCESS - ill 3 Conservators, objects and environment belong together. The Society of Estonian Conservators on the working-bee at the Mõniste museum in 2015. https://www.anno.renovatum.ee/en/renovatum-anno-2015/tag/Digitisation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2015/tag/Preservation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2015/tag/Education monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2015/tag/Conservation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2015/tag/Research monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20192020 daily 0.75 2025-08-21 https://www.anno.renovatum.ee/en/renovatum-anno-20192020/conservation-of-a-bone-casket monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655365997225-IJG22MUAZ5BMBOK4732P/1.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 1 Casket, 19th-20th century. Wood, ivory, gold foil. Narva Museum, NLM_1:51 Aj 1:51 (Conservator Aire Aksiim, 2018) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655365997521-3U0XOB1AYHWYQDLDHZJU/2.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 2 Casket, 19th-20th century. Wood, ivory, silver foil. Narva Museum, NLM_1:52 Aj 1:52 (Conservator Jolana Laidma, 2018) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655365998550-D0MP1HGVC3UICFIQSCWA/3.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 3 Analogous casket to that of the Narva Museum’s one. 18th century. Wood, bone. Russia https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366000226-WQQCP45G4DLD12U3TXQV/4.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 4 Analogous casket to that of the Narva Museum’s one. 18th century. Wood, bone. Russia Государственный художественный музей г. Ханты-Мансийск http://www.hmao-museums.ru/museum/ghm/gallery/1794/?v=gallery%20-%20ci17101#ci17101 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366004938-ZHE0PQB4JSFCHUDSJHT0/5..jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 5 The casket (in the article) with gold foil before conservation. The back of the casket. Some details were loose and some missing, the metal hinges were broken https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366007892-J6RARSRYSXV76HY481YS/6.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 6 The lid had become loose, some detached details, the key and a paper bag with pieces of bone lace were inside https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366014493-P2DRC2XJND9JVMAWF7NJ/7.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 7 The lid was decorated with beautiful bone lace that had some losses in it. One of the detached bone plates had preserved and needed re-gluing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366016734-6WJ6VJV7V0S5V7HCHAGH/8.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 8 Various markings made at different times on the bottom of the casket. The legs of the casket were plain wooden slats forming a triangle that was supported by small wooden blocks https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366034191-JIOW6A0JM64L0RUC2PE4/9.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 9 Detached details and pieces of bone lace from the lid of the casket. Before fixing them, the casket was cleansed of loose dust. The surface cleansing was done with minimally dampened tampons https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366023335-EO4ORSL6WCM56F5CYNLE/10.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 10 The metal lock and hinges were cleaned with steel wool (0000), the more resistant rust spots with a glass-fibre pencil https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366047062-QSINJYIBHYLVX46OSU91/11.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 11 Bone details were replaced where they belonged according to the existing pattern https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366058159-FWHBU0YQF0MATRHXVVA0/12.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 12 Missing details were replaced with new ones cut out of bone. The photo shows the old and the new details at their proper places – 10 details from the lid and 13 details from the sides of the casket before re-gluing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366071222-2DLLQP32KIXKTI6HTJE4/13.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 13 The old and new details were fixed on the casket with dots of PVA glue that would allow them to be easily removed when necessary https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366082890-6RSXQV2JQFH0ME3WE6KI/14.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 14 Small bags of pellets were placed as weights on the drying re-glued details https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366090237-ORIF97WWXFZIV2O1817X/15.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 15 To press the re-glued details clamps were used https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366089676-RB19GJT1WWYZHAQG48WZ/16.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 16 The wood of the casket began to shrink in the dry environment (30%), the old brittle glue slackened and the two legs that had become loose had to be re-glued. A leg before replacing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366090962-YMELZD2VJZ86QUEHE8XL/17.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 17 The hollow lid had a plywood interlay that was removed and it was decided to give the future conservators a surprise … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366112430-IUKBIT2YWG623DGBQ3NP/18.JPG Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 18 … in the shape of a note that described the conservation process, giving the date, the names of the conservator and the establishment https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366109637-TNAQSE6PQAJ6V5K6YGAR/19_enne_parast.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 19 The right side of the casket https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366127868-RZ6ZRNFLH54XQC7QXQBN/20_enne_parast.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 20 The left side of the casket https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366129969-11R8Q5V2BAH53BI01I1X/21_enne_parast.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 21 The back of the casket https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366167285-S5YL6OAS6PABQX2HIXL8/22_enne_parast.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 22 The lid of the casket. One detached bone plate was re-fixed on the lid, new ones were not considered necessary https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655366139216-0XVU099TC02XLGRZU5EV/23.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF A BONE CASKET - ill 23 The back of the casket after conservation.The target of conservation was to restore the entity of the museum piece, granting that it would be possible to exhibit it again as an original and beautiful object https://www.anno.renovatum.ee/en/renovatum-anno-20192020/finds-in-the-paarma-farm-sauna-in-altja-could-they-really-be-drawings-by-wiiralt-sagrits-and-uutmaa monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337021501-1VSZN2JHORM9TYUHPMNR/1.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 1 Dwelling of the Paarma farm in the village of Altja. Photo: Küllike Kuivaste (11.01.2020) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337021903-7ZU8S7XXEJDF5E3GDNDI/2+.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 2 Magnus Romman alias Paarma Whiskers, master of the Paarma farm and captain of the Arius together with his crew. Private collection of Aarne Vaik, Käsmu Maritime Museum. https://www.kasmu.ee/et/content/arius https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337023663-BGW83DPK8RGXCTF2PAXP/3.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 3 The boat Arius belonged to captain Magnus Romman up to 1934. Private collection of Aarne Vaik, Käsmu Maritime Museum. https://www.kasmu.ee/et/content/arius https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337024487-WX5HK5ZKU573HD7P58I5/4.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 4 Magnus Romman alias Paarma Whiskers with ladies: from the left Ira Hanschmidt, granddaughter of M.R., his daughter Aino Pentsop, Magnus Romman, his niece Emma Romman and the second grand-daughter Eva Pentsop. K.Kuivaste’s private collection https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337025824-XFLBMAWOL4UG6NCOVVIT/5.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 5 Magnus Romman was an austere and frugal man. He brought home several exotic souvenirs, even a monkey once. K.Kuivaste’s private collection https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337027244-01Q7PJ7EIUJD53F59NFA/6+.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 6 The sauna of the Paarma farm in July 2018. Photo: Kristiina Ribelus. According to a local legend drawings of three well-known Estonian painters Richard Sagrits, Richard Uutmaa and Eduard Viiralt were on the wall of the sauna. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337028044-IX6VC524U5SVWL14EUPZ/7.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 7 Richard Sagrits visiting Richard Uutmaa. Photo: 1930-1939. RM F 1575:204.Virumaa Muuseumid SA https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337038342-3F019J0K3ZBFWHNDCWVR/8.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 8 Opening of the first wallpaper layers on the eastern wall of the sauna chamber. Photo: Siiri Nõva https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337039808-LZ91N4NFTVO3KJ916P9D/9.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 9 Detail of the opening. The wallpaper ripped easily and that is why only small irregular spots opened. Photo: Siiri Nõva https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337056950-O596DWMGW90YLZ1IEA64/10_IMG_4097.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 10 As the assignment was quite complicated, a conservator was called for. The four upper wallpaper layers separated from the wall with the help of hot vapour can be seen in the photo. Moving from left to right the layering of the wallpaper becomes clear. The green wallpaper was the bottom one and the pink flower-patterned wallpaper was the topmost one. Photo: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337051982-F4VHQ100GV4Q0MC8N2YD/11_IMG_5411.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 11 Exciting historical material: envelopes with addresses of senders and receivers had been used as spoilage. Photo: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337063915-K4SC6R34DEY8H9D6ZAVI/12_IMG_5394.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 12 Conservator Kristiina Ribelus opening wallpaper layers. On the left white-patterned wallpaper, the historically first layer that was underneath the plasterboard. Photo: Priit Rand https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337066648-DUBVYVC5OSD2KPHT2RCZ/13_IMG_5396.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 13 The first drawings were discovered under the white-patterned wallpaper. Photo: Priit Rand https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337073172-JNNGK5M6ANE1Z7HQFUPV/14_IMG_5406.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 14 After that larger areas were opened to get the entire picture. Hot-vapour method was used. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337089232-RIL0JJWZXKB45YLLBGYK/15_IMG_4107.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 15 Four separate drawings were discovered. The photo shows two of them – portrait of a woman and a frog. Photo: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337096110-D6MJ42RZT60OJH492UPA/16_IMG_4106.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 16 The third drawing – a sailing boat out at the sea. Photo: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337102216-TV3PLECCTT5QCD8S7168/17_IMG_5487.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 17 The fourth drawing – an exotic landscape. Photo: Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337120611-S4MQ99VH1CNMT6KC5A98/18_IMG_4105.JPG Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 18 The drawings were at different heights on the wall, suggesting that the drawing men had been either sitting or standing. Kristiina Ribelus https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337112109-V57W4PSHSOVKBG6HOF9T/19.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 19 Conservation in the Kanut: the white-flowered wallpaper was removed from the cardboard strips with wetting. Hot vapour processing was locally applied, moving forward by ca 10x20cm zones. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337123352-O4C2DS9VGM4ISWA0PAKU/20.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 20 Vaporised cardboard surface dampened at once and it was possible to remove it quickly before moisture seeped into the surface of the cardboard. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337133694-CFPH1JYOEKTK4QKIJURT/21.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 21 Vapour-cleaned cardboard before additional cleaning. For final cleaning up wallpaper fragments still on cardboard were removed with cotton-swabs dampened in a weak methyl-cellulose solution and a metal spatula. Simultaneously loose fibres on the cardboard surface were fixed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337139143-NMNEJ70EQV8DRCDWH0EH/22.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 22 Three cardboard strips (I-III, 200x70cm in size) were conserved in the Kanut. The drawing ‘A sailing boat’ was discovered on strip I https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337149621-L3L1XYN3KZUN64QQR3WT/23.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 23 Portrait of a woman was on strip II … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337149262-ZZ4SWYYW0GUU622GIHD0/24_19P008_03_dt2_bc.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 24 … likewise the picture of a frog. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337153333-K6QEI044IAQ84M15L0ZL/25_19P008_03_dt3_cp.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 25 There was a dog as well, … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337156516-PW4R8PX0FZJZI3V6MOX0/26_19P008_03_dt4_cp.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 26 … and a matchstick man (12x17cm)… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337159708-W6N566HE8QWYC30G64LS/27_19P008_03_dt5_cp.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 27 … and a matchstick girl (10x15cm) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337163852-1UYXYDWQTZJJ45O6V4MA/28_19P008_04_dt2_cp.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 28 A butterfly was found on strip III https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337163786-LITM073T4PHC7U37D07G/29.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 29 Examples were obtained from all the wallpaper layers. These were packed in a storage-box suitable for a long-time keeping. Photo: Maris Allik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337172170-WV27O8S300G8CO8OSF5Z/30_19P008_dt02_bc.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 30 Fragment of the green wallpaper. The lowest layer (IV) on the plasterboard https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337172332-PLXOJEL39LIU4HFEC0LV/31_19P008_dt03_bc.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 31 Fragment of the flower-patterned wallpaper layer (III) from above the green one https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337183604-7W92APOTRFLWWNUWI6NU/32_19P008_dt04_bc.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 32 Fragment of the thick surface-printed wallpaper layer (II) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337185181-QB1MU4MHSLVGI65V2ZUZ/33_19P008_dt05_bc.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 33 The darker pink wallpaper patterned with big blossoms was the upper-most layer (I) on the plasterboard. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337189182-UM81AI4DACA0V29KEBT6/34_19P008_dt01_bc.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 34 Fragment of the envelope used as spoilage beneath wallpaper layers. It was packed in the storage-box together with wallpaper examples. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337191590-8OB7D2SG7Z6JAFKSSZME/35.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 35 Fragment of the white wallpaper was conserved together with cardboard and will be stored with later fragments. Photo: Maris Allik https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656337196193-KSX4NH9WLOUIKN4MD8FI/36.jpg Renovatum anno 2019/2020 EN - FINDS IN THE PAARMA FARM SAUNA IN ALTJA – COULD THEY REALLY BE DRAWINGS BY WIIRALT, SAGRITS AND UUTMAA? - ill 36 Conserved cardboard strips. A piece of wallpaper was retained in the upper part of every cardboard strip to give an effect of a joining element and a trace of history. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/digital-print-of-a-conserved-map-repro-of-the-palmse-estate-map monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427822665-TVMB84QWRQGFSN6EXHP0/ill+1.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 1 Canon Océ Arizona 1200. An example of a large digital printer. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427822571-6WJ3EMF1XV4J50AKJIUZ/ill+2.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 2 The relative proportionality of a museum piece and test target ensures the quality in the scale of the image’s surface. In the ideal, the test target sheet should be approximately in the same scale with the digitized take. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427841418-4MAXJFWJBENJNCSL223C/ill+3.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 3 Uneven shine of the digital print influences the perception of the image considerably. The angle of light impacting the image reveals the relief and reflective characters of inks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427824221-0XD2O4IAZ2IRO4TKHHMI/ill+4+.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 4 The Palmse Manor Estate map displayed in the manor in 2018, i.e. about a year before its conservation. The original map had been torn in the middle already earlier. The museum displayed it in two separate pieces. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427830017-CXJUIIRMW8GR3RV0C123/ill+5.JPG Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 5 Placing the conserved map in the studio of Kanut for digital shots. During scanning four people were setting the map up, moving it. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427853435-BAJGEHRU5LR1TRGTD3MC/ill+6.JPG Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 6 The map was digitized part by part, carefully rolling it out from its tube. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427858159-Z8JAYJ217L2G0GF4ES07/ill+7.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 7 The Rencay scanner and Scanback sensor were used for digitising. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427856274-KU7FVCDXA2SJU2HGHYF6/ill+8.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 8 Digitising process: testing the lights before digitizing… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427859030-CMK67PEGOEE03KCYHE8I/ill+9+.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 9 … gauging the light… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427867754-VDXVQIYGHMOJTGR3FYJX/ill+10.JPG Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 10 … and digitizing with the Rencay scanner. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427867577-SWUO1T015C7AGSMVYHYO/ill+11.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 11 The repro is printed on canvas with acrylic-latex coating, applying the phase control inkjet printer. The photo shows the working principle of the phase control inkjet printer. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427869520-2CWFLLFFE94FQUC3GG4N/ill+12.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 12 Observing the test-copies in the print-shop (ArtProof)… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427869812-MBLFN3EUHFRY05O7A91I/ill+13.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 13 … checking the examples in tested light… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427871234-K0PBCC71G0QP22MLZFG2/ill+14.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 14 … testing the sampler/trial consignment in daylight… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427871561-Q0HP3JN429YRTRQ3HEVA/ill+15.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 15 … various samplers/trial consignments in the digital camera’s flashlight. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427886296-2BM38TS3ZEWP212I1ZAJ/ill+16.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 16 The repro was printed on two canvas strips to imitate the torn middle section of the map. When displayed the strips were places next to each other. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427873518-RTW0AQPA1A7BKUO5VVCW/ill+17.JPG Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 17 The digital copy of Christof Nichterlein’s Palmse estate map and an example of a map layer in QGIS made in 2016. The uneven lighting on the parts of the map that were separately photographed is clearly visible. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427899496-0MAYOZ0GM2L49HFBGUNR/ill+18.jpg Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 18 A user-friendly copy of the map; enlargement indicates the available detail level of the map. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1656427889283-Y8AP5FLATF9I8DAYEAUC/ill+19.JPG Renovatum anno 2019/2020 EN - DIGITAL PRINT OF A CONSERVED MAP: REPRO OF THE PALMSE ESTATE MAP - ill 19 An excerpt of an enlargement of the Palmse estate map. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/conservation-of-an-icon-depicting-jesus-christ-from-a-graveyard-of-spiders-to-a-golden-treasure monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905563435-3VLS2B4WPJPYY4O5R25Y/1+-+17C100_av_bc.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 1 Oblong wooden icon-box with the icon Christ the Almighty from Luikjärve farm in Setomaa (before conservation). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905563167-82DWRA4Y74X2QY4UEEC7/2+-+17C100_dt2_av_cp1.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 2 The icon inside the box, 24 x15cm in size that, at closer inspection, occurred to be a coloured photo reproduction, carelessly coated with varnish. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905578209-K3TUIQZMABY3IGCOHSCM/3+-+17C100_dt2_bc.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 3 As the frontal glass was missing the contents of the box was extremely dirty and sooty. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905589827-Z10PM8ODC5KCE760H8M9/4+-+IMG_2537+%28Maria+pilt%29.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 4 Cobwebs hid all the corners from view and the box was littered. Photo: Maria Lillepruun. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905591107-CQLCPTY84OHOLO0GU3U0/5+-17C100_dt1_cp1.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 5 When the icon together with its cover was taken out of the box the conservators felt discouraged. They saw that the thin foil-covered paper on the bottom of the box was decayed and really dirty, the foil corroded. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905602546-8NKJTQL1F9U5JA2POO8U/6+-+17C100_dt1_dt02_cp1.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 6 Immense wads of dust and heaps of dead insects seemed to be everywhere. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905611911-R0VPP83SC8P0IBNPUAR7/7+-+IMG_2535+%28Maria+pilt%29.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 7 Dead spiders, flies and wasps formed curiously shaped rolls. Photo: Maria Lillepruun. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905614536-U9EG15EMD6IZ602V6Z8I/8+-+17C100_dt1_cp2.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 8 The icon itself, i.e. the print was sooty. For cleansing tri-ammonium-citrate aqueous solution and ethanol were used.(The photo shows that half of the surface has been cleansed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905620617-14TKS6RCAG1FYSMXWRB1/9+-+IMG_2546+%28Maria+pilt%29.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 9 It was decided to remove the deformed base cardboard that had moisture damage. The upper layers of the cardboard were removed dry with a scalpel. The residue and glue were detached with cotton wool dampened in the aqueous solution of methylated cellulose and distilled water Photo: Maria Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905623888-A273ONIWSUMPHH3UMYCX/10+-17C100_dt3_cp4.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 10 After gluing the icon on a new base the damages in the paper were toned with watercolour and the picture was coated with varnish that gave it a pleasant matt shade. The icon seemed too be much more ‘really painted’. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905632812-0IJK74RT902CXGDKKAEE/11+-+17C100_dt3_cp1.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 11 The icon cover had been made of thin gilded foil-like tin plate that was crinkled and dirty. It was washed in suds. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905638959-2P2T9GKYD3SE7SBLK1R9/12+-+IMG_2606+%28Maria+pilt%29.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 12 After washing the hardened soot and dirt yielded better to the further processing with tri-ammonium-citrate. The process presented us unexpectedly with exciting pieces of art. Namely, the parts being cleansed left contours of soot and dirt on the filter paper. These contours followed the pattern of the cover. Photo: Maria Lillepruun. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905641471-491SH6RQKI7EBU6T0OQC/13+-+IMG_2544+%28Maria+pilt%29.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 13 The metal paper on the bottom of the box was dirty and deformed, torn and corroded. First it was processed with a dry sponge. Photo: Maria Lillepruun. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905648228-PJ7Q4A832D1LZC77VCPZ/14+-+17C100_dt2_cp4.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 14 Backing the paper on the vacuum table immediately followed the washing. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905651233-TP9ZS0MA46VOHYTEKBU5/15+-+17C100_cp5.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 15 Tears and holes in the base paper were filled with hand-tinted paper. The conserved paper was fixed around the bottom of the box and the icon. On the edges of the box concave surfaces appeared that helped to shape the metal cover properly. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655905658666-3MSMZGHXYKWW0X1NK314/16+-+17C100_av_ac.jpg Renovatum anno 2019/2020 EN - CONSERVATION OF AN ICON DEPICTING JESUS CHRIST. FROM A GRAVEYARD OF SPIDERS TO A GOLDEN TREASURE - ill 16 When all the details had been conserved, a big 3D puzzle was to be assembled. The metal cover consisted of sixteen loose details and the base paper of nine old and new pieces. The box got a new glass cover that would protect the conserved icon from dust and environmental influences. The whole looks dignified and completed now. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/icons-of-the-piirissaare-old-believers-prayer-house-from-fire-to-restoration monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890420881-J7HY2ZYMUC3CEK66VRNI/tn_1.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 1 Iconostasis of the Piirissaare house of worship. Photo – Arne Maasik. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890421025-MP6FQOOG1PZJJYE6O35B/tn_2.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 2 Piirissaare house of worship. Photo – Arne Maasik. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890421502-4HDUDJV6YOSJB0JIVIUL/tn_3.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 3 Piirissaare house of worship on fire on the early morning of 16 May 2016. Photo – Southern rescue centre. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890422306-M84ASQ6T0K1IP7HZ6MB9/tn_4.JPG Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 4 The house of worship after the fire. Photo – Kadri Tael. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890422860-CGKZHI2AYQM8QAV0RAN7/tn_5.JPG Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 5 Relics of art and other ritual objects on the floor of the local waste disposal station. Photo – Kadri Tael. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890423429-QIKQS90JHZFZW4TC8E7U/tn_6.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 6 Conservation gathering in the byre of the Setu farm at the SA Estonian Open Air Museum. Photo – Urmo Treisalt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890423975-T8K4EL8G0HZSEYQPMFCN/tn_7.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 7 Gathering. Photo – Urmo Treisalt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890424961-0U21GS9OPQNSO5LS52TB/tn_8.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 8 An example of a preserved icon Effusion of the Holy Spirit, no of reg.21670. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890425518-D1OJ1PFMW95EJ61OIXPM/tn_9.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 9 Our Lady of Tihvin, no of reg.21659. It is possible to restore the icon but the countenance of Our Lady has perished. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890426358-1T9F71H86XHTOKVBYTZ0/tn_10.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 10 Beheading of John the Baptist, no of reg.21676. The upper part of the icon has obviously perished, the lower one preserved https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890426947-XCOFT3S7XF5YA8P119S3/tn_11.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 11 Transfiguration of Christ, no of reg,21672. The bigger part of the icon has obviously perished. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890427519-7CB12QWFZSTSTZ0NUZBF/tn_12.JPG Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 12 Resurrection with descent to Hell, no of reg.21667, Mark Grigoryevich Solntsev. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890428307-MO067T1JQFDMRPPMCDQ1/tn_13.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 13 The following information is gained from the emergency work report, ‘the upper part obviously gone, the lower one preserved. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890429300-WGWVFHOLJC7J4ZLOK2SR/tn_14.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 14 Removal of the coating. The darkened coating was removed with compresses soaked in the 1:1 solution of ethanol and turpentine. A 4 x 3cm-piece of filter fabric was immersed in the solution and placed on the processed surface for about two minutes. It made the coating layer soft and a little like a membrane that was quite easy to be removed with a scalpel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890430313-U2Z5S0CW7U7A78ZP7I36/tn_15.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 15 Losses in the grounding were filled with a mixture of 10% fish-glue. When the losses were extensive, 5-10 thin layers of grounding were smeared each upon another when the previous layer had dried. This was necessary to avoid cracking that could be caused by drying. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890431096-OM5850VXSG2AWDILDY9R/tn_16.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 16 Vertical lines of trateggio in primary colours. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890431890-CF3XFWG5GKDDQANFTJAD/tn_17.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 17 Azure toning. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890432819-2SWTPR0E7S0ALHL9OH2Q/tn_18.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 18 Before and after trateggio toning. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890433603-TNN53HL4Z1LL9KGPMK6V/tn_19.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 19 Resurrection with descent to Hell before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890434358-RT05KUVDCK3VRNHLCA3H/tn_20.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 20 Our Lady of Smolensk, no of reg.21657, school of G. J. Frolov. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890435064-AXA8RJXWEP5VZJTE8BE6/tn_21.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 21 A believer is unable to find solace in an icon the image of which has been deformed or destroyed. The Virgin Mary with a burnt face could not take believers into a higher spiritual state, such a Virgin may cause horror. The inspector general of artmonuments, Linda Lainvoo presented a figurative comparison in one of her after-the-fire interviews, saying, ‘The burnt icons of Piirissaare are not shown to the public, just like photos of traffic accidents are not publicly shown. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890435989-RKZAWI9Q9MFGPNYS3076/tn_22.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 22 Materials reflect and absorb infrared light differently from ordinary light and this makes it possible to penetrate through several of them. In case of paintings dirt, many layers of varnish and paint let infrared (partly) through but the layer of grounding reflects IR-emission back. The infrared photos of the icon clearly reveal the contours of eyes, nose and mouth. Photo – Andres Uueni. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890436807-22ZUKWWA0K91VU9J6IQO/tn_23.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 23 When the charred layer was being removed from the painting, the contours became clearly visible. The gradation in colours has disappeared due to the heat, but the countenance of Our Lady is perfectly readable https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890437446-GCPXL1FX0KERCJSW6SFR/tn_24.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 24 Mother of God, Comfort and Joy of all the Sorrowful, no of reg.21664, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890438211-PZEIVZOJBVVB2QTM0P9X/tn_25.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 25 Resurrection with Descent into Hell, no of reg.21667, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890438949-XO2XPCPEHAUTZCVDVHB8/tn_26.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 26 Mother of God, Comfort and Joy of all the Sorrowful with the four Evangelists, no of reg.21668, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890439602-EELULUBWJ2LWXF6P21C8/tn_27.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 27 Twelve scenes of Nicholas the Miracle-Worker’s life with four saints, no of reg.21665, before and at the time of restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890440260-AC7VPZ1YAHH5UQW4YNIQ/tn_28.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 28 Entry into Jerusalem, no of reg. 21656, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890441015-100SM0JD5KRU7VG65CT6/tn_29.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 29 Nativity, no of reg.21663, before and at the time of restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890441626-TBEBGCIME3OX8W9ZNKDO/tn_30.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 30 Effusion of the Holy Spirit, no of reg. 21670, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890442761-AJMECGC57P0N0HJH2YVQ/tn_31.png Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 31 Our Lady of Tihvin, no of reg. 21662, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890443359-Q63RXZAA4SQ2QCWKEULI/tn_32.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 32 Our Lady of Smolensk, no of reg. 21657, before and after restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890443953-5IP3EAA480Z3532XRU5T/tn_33.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 33 Prophet Eliah, no of reg. 21666, before and after restoration. Photos – Malle-Reet Heidelberg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890444498-NRBOBCZNB5RKFD5B6R8G/tn_34.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 34 Apostles Peter and Paul, no of reg. 21680, before and after restoration. Photos – Malle-Reet Heidelberg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655890445099-F0E9N9Z7XM63WH55QOJJ/tn_35.jpg Renovatum anno 2019/2020 EN - ICONS OF THE PIIRISSAARE OLD BELIEVERS’ PRAYER HOUSE – FROM FIRE TO RESTORATION - ill 35 Annunciation of Virgin Mary, no of reg. 21660, before and after restoration. Photos – Carol Katkof and Malev Toom. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/chine-coll-goes-on-with-its-life-or-about-the-conservation-of-two-prints-in-this-technique-at-the-kanut-and-the-conservators-contacts-with-the-artist monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816767782-359JOQ68HSGPQKH9TIKM/foto+1..jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 1 F. Krüger’s lithograph Nicolaus I, Köningl. litograph.institut, zu Berlin before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816770617-NEF9EV4SIF2WO7H2OL5T/foto+2.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 2 F. Krüger’s lithograph. The Chine-collé double-layered print had a textile backing that was mechanically removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816784520-3YQFC42U1C479YHJNN74/foto+3.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 3 The textile backing was evidently not original as the tears (5cm up and 15cm down) in the paper that penetrated two layers had been mended on the reverse side with robust rag-paper patches. The backing textile was whole, referring to some later-day repairs. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816784301-8DJ2AKUMGUU32Z1DL2EF/foto+4.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 4 The glue that had been used at mending had turned brown and imbued the front through a tear. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816793690-DAYPXPM3LACA63S1R3IJ/foto+5.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 5 The layer of paste that had been used on the backing textile was light but thick and crystallised. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816794830-T3042TN92FZ1X55M2IJ7/foto+6.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 6 Thin lithograph paper is considerably more delicate than the backing paper and this had caused a few tears on the upper layer due to changes in the air humidity. Over 50% of the surface contacts between the two layers had disappeared. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816799058-FU9ZOSQFM1QYDEPET455/foto+7.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 7 The sheets had retained some contact here and there, the tears had appeared just in the contact areas, where the changes in thin paper were faster and more extensive. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816813506-RT4YA45LSRSS95WYWUGE/foto+8.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 8 The print was moisturised on Sympatex and washed on the vacuum-table to avoid separation of the paper layers. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816817030-53VU8AGQUZBEPI8HDCLP/foto+9.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 9 Air-bubbles appeared between the layers of moist paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816833413-MPLXWP4J89I1VR2B3JVK/foto+10.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 10 Lots of yellowing came off the paper, flood-lines diminished and the visage of the image improved considerably due to washing. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816839169-Z13TJA14ZWJH75YJCHIW/foto+11.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 11 Small losses in paper occurred in the image (photo before wetting). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816861967-CDABKSDC2KN3NI7R25T7/foto+12.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 12 Paper losses were filled with 9 gsm Japanese paper and the area outside the image that did nor need retouching was filled with 5 gsm gampi paper for achieving the hue as close as possible to the original and a smooth glossy surface. Patching was retouched with Lyra Rembrandt Polycolor black pencil and Windsor & Newton black watercolour. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816864183-69FJZMFMNL7P64QA1HEE/foto+13.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 13 F. Krüger’s lithograph Nicolaus I, Köningl. litograph.institut, zu Berlin after conservation in Kanut, 2017. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816883720-JDM0MSQ8A72W47CY8AK4/foto+14.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 14 Conservation of Walter Jule’s print in mixed technique Measurement of Void – A Device to Accelerate Wear that had been damaged in a water-accident started in 2018. The work before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816884574-48APHE69JG3C6XVQOVTE/foto+15.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 15 Observation showed that double-layered paper had been used – the not-glued rag-paper has the Chine-collé on gampi paper on top. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816911234-WW8CI0LIOCG3FUW28QIA/foto+16.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 16 Due to water damage the upper thin layer had come off the rugpaper, had expanded and was cockling. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816913387-IUENWEHNGZ1FOKI4WZI8/foto+17.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 17 The upper layer having expanded and cockled had separated from the lower one due to the water damage. Bigger air bubbles were visible with side lighting in between the paper-layers. In press they might have endangered the image. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816917895-J9OKIAT06H43K87G7KBY/foto+18.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 18 The name label on the reverse side of the print had been written in blue ink that had dispersed due to moisture. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816949658-2UFSVPRTH61BJRBI0MYL/foto+19.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 19 This was an amazing case due to the fact that the damage seemed to have hidden itself within the image – the finer cockles were in the same region, where the artist had depicted puckered paper on his print. The hiding was so good that the puckers were not even noticed at the first glance. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816933156-WU38DTGQU88F79V8CMUB/foto+20.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 20 The bigger flood-lines on rag-paper were almost parallel to the wavy lines of the image. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816960102-APPRYEJNRZ8PU875OY0G/foto+21.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 21 Due to water-damage the whole etching was puckering, especially above the flood-lines. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816960194-TLVUSI8S0II5RBPNA87A/foto+22.png Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 22 Walter Jule is an internationally acknowledged artist and professor of art at the University of Alberta. In his numerous works he has depicted in amazing detail the most common physical phenomena – drying of damp paper on, under and between various objects and crackling of surface when drying. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816985205-BDLG7C6BE6SCO80CTYWW/foto+23.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 23 Having estimated the print’s condition, the conservator decided to contact the artist. Walter Jule replayed, explained his techniques. The detailed photo about the damage sent to the artist before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655816982413-S5CL5IADM16NX04I2HH7/foto+24.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 24 The conservation of the print was successful. The general cockling was straightened and glue-contact in between the sheets restored. The detailed photo about the damage sent to the artist after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655817012252-5GQZXBL45C8VFOHOFJIC/foto+25.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 25 The detailed photo about the damage before conservation sent to the artist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655817015453-L4FZA7AS2CN28UVTXIGI/foto+26.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 26 The detailed photo about the damage after conservation sent to the artist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655817017880-1DOAPNZON05FASSN0WR8/foto+27.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 27 Yellow flood-lines on the reverse side of the print remained slightly visible even after processing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655817033842-JNZ89IB09HXA2GV193WV/FUG1SE%7EF.JPG Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 28 … but on the front side it was possible to disperse them. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1655817029996-7IYBIA67ETMVEBG0OKY1/foto+29.jpg Renovatum anno 2019/2020 EN - CHINE-COLLÉ GOES ON WITH ITS LIFE OR – ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR’S CONTACTS WITH THE ARTIST - ill 29 Walter Jule’s print in mixed technique Measurement of Void – A Device to Accelerate Wear. The work after conservation. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/japanese-paper-used-for-various-materials-in-conservation monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530649520-ZA7FJUF5AATQR6L3RHVB/ill_1_08L010_lh_ac.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 1 Egyptian sarcophagus of a cat’s mummy The 2000-year-old sarcophagus was made of wood and depicts a sitting polychrome cat, fastened on a wooden base. Photo made after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530648811-EM8607EUEBJXWPCMH5EG/IBYBYE%7EB.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 2 Detail. The figure was made of fibrous tropical wood that has become really fragile. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530649735-KDGV9X733S411SBRQDPX/IQ2BZB%7EY.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 3 Detail. The surface has been decorated with a gilded and polychrome painting, rich in detail. The layer of the grounding has extensively perished. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530650334-OUQFUEJO42IYH618ISSF/I4SREB%7E6.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 4 Detail. Most of the framework was kept together by three layers of linen fabric immersed in glue. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530652329-D3J9AV1AACUDFY0NQE36/ill_5_08L010_01_bc.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 5 The sarcophagus had broken into several pieces and the figure had no more paws, ears, nose or tail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530651597-VCGWSEYVA6EW72JVXXAY/ill_6_08L010.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 6 The sarcophagus had suffered several repairs in the past. The hole on the scruff of the figure had been filled with blue cardboard and covered with a piece of the original linen fabric. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530655632-7DKOO0HDQ9Q9JD95PE87/IA5Q9D%7EL.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 7 Somebody had tried to fix the wooden details with cabinet-maker’s glue but the porous wood was too fragile to bear the stress caused by the drying process of glue. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530656541-XUVVYKQFS36YFPVHFKIX/ill_8_08L010_02_cp.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 8 While restoring the figure the fragility of wood had to be taken into consideration and thus the end-to-end joining was out of the question. It was decided to tie the cracks with ‘bridges’ made of Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530657742-LV42VYPP3YVDBNE89L11/ill_9_08L010_02_cp.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 9 Straight across a crack, small grooves were cut with a scalpel. These grooves were filled with strips (‘bridges’) of Japanese paper that had been coated with starch-paste. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530658147-MSRMIKUYKLDU4IA5YWPK/ill_10_08L010.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 10 Having dried up the hardened ‘bridges’ would help to keep the edges of wood together. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530660439-JYGU7KX357SD5W30NK1B/I3XTHS%7ET.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 11 As it was impossible to join the details of the figure edge-to-edge, a papier-mãché shape was prepared to compensate for the missing details in wood. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530659701-SDOO4G016AJ9E05WAG62/ill_12_08L010.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 12 The figure of the cat was fastened on the base with the help of paper strips glued to the edges of the papier-mãché shape. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530662047-GFSUYZUNP5ROXDB3ERMV/IUZB69%7EQ.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 13 The object that had initially seemed quite hopeless for conservation had become a stabile and visually pleasant piece. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530661868-37BQWLUE13NLHM27PKDT/ill_14_08L010.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 14 A special case for keeping the sarcophagus was also made. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530665062-BF4W7Q1HGNWQ52RI91K7/I7WZEC%7ES.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 15 Stuffed crocodile. When the reptile was stuffed, its skin was removed in one piece. Wood-shavings had been used for stuffing and the tough scaled skin had been lacquered. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530665909-VGQ01SX0F1U5YVQ83I72/IPXDO0%7E4.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 16 A long cut from the neck up to the tip of the tail has been sewn together with leech-rope (top-rope). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530666217-IN6RUPZ467WCK2JC6WT8/ill_17_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 17 A fall or two had broken the stuffed crocodile. The skin of the front legs had tears in it… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530666848-51LKYCOKJ2ROJWCREP97/IPDOTY%7EB.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 18 … and its tail-end had broken into two and was hanging on the rope… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530667113-SA28T3IS0VRST4QEPI38/ill_19_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 19 … and all the legs showed broken toes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530667653-MZ6YTTOXN8P58UP0AWTM/IOMF62%7EN.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 20 Bamboo pins were glued inside all the broken limbs for support… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530667895-W663L35KUAW0G8POUNOY/IF36SA%7E3.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 21 … and the broken limb was made whole with the help of PVA glue. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530668544-RKP4A83VKLTK3GFOQ5SE/ill_22_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 22 The cracks were covered with thin Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530668770-6LJAGVXW67LY0GTFHFDO/ill_23_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 23 The tail was supported with a wooden cog and the material losses were filled with Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530669237-EXA1YPPRD16ZL37JTMWF/ill_24_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 24 The joint was covered with thin Japanese paper and toned to be invisible. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530670033-888JILEUO5QXD51INEUD/ill_25_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 25 Modelling the toes included a thicker strip of Japanese paper for the base and then the structure of the toe was made layer by layer of veil paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530670927-ELO2N4KI365MSR8ZSMD3/ill_26_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 26 Before a new layer was added, the previous one had to be quite dry. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530671024-KYD4TRF0QRJQWU5TL2CF/ill_27_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 27 The toes turned out to be strong and stabile and did not need additional support. A mixture of PVA glue and wheat-starch paste was used for modelling the toes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530671877-20FCVOLUJFE2J2K959NT/IFLXBF%7EN.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 28 Toning of the repaired surface was carried out with acrylic paints that turn matt when drying. As the whole object is glossy the repairs stand out on the original surface. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530672021-1IZAHU5PIELIPCOB3X5K/ill_29_19L001.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 29 Small Japanese paper balls were made to insert beneath the soles, to avoid the weight of the crocodile being supported by the new toes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530674182-8Q2R8RVMB2TEAH1U5C04/IX8NW3%7E1.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 30 The stuffed crocodile after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530673333-3W4GI9UQ5STPC9DX03US/IH7N06%7EO.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 31 Chitin carapace of the pink spiny lobster The carapace before conservation. The object had been damaged when falling down – the broke and torn details were present only thanks to the wire that penetrated them. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530674354-KLUVON4N7KGO09QVBN9W/IUDM32%7E2.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 32 The lobster was dismounted from the base and every broken piece was put where it should be, in the accordance with a crustacean’s anatomy. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530674930-T8A1GRU6C0NDGDNEVGEZ/IOENM9%7EZ.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 33 The object was extremely dusty. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530675179-YKWU9HO4ZBSY46EOA5GZ/IGU1IO%7EA.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 34 The lobster’s antennae… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530675837-8O2JQYXAUJQUHGTQGU8N/IUZ6YW%7EI.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 35 …and limbs had broken into pieces. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530676000-SRR93BS0E3DMO5NCQIV7/IO0LTB%7EI.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 36 When old glue was removed the edge of the tail fin was torn. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530676770-GG6S4HW3DHSIN1D5APP6/IXPMXK%7EQ.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 37 The edge of the torn tail was supported and the loss was filled with Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530677027-5LE0QQNA01U589EQ8TN7/IG90US%7E6.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 38 The patch was toned similarly to the tail and so the repair cannot be seen. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530677496-AJ7XVC501CAUM02ZT4KD/ill_39_17K007.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 39 Japanese paper tubes were inserted into the legs and these helped to set the legs together. They were supported on the top with veil paper and the result was satisfactory – a strong, stabile and in-noticeable joint. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530677911-3I0FP0H7MYZWAZAXJROK/ill_40_17K007.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 40 The broken end of the horn /tentacle above the eye was restored with veil paper and wheat-starch paste. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530678326-M8V5YX7X1ZY1GVEB937X/ill_41_17K007.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 41 Legs and tentacles were joined with the help of small paper tubes and the cracks were covered with veil paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530678671-MTROE0PVZKCYG6IGL9UV/ill_42_17K007.jpg Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 42 Modelling the right-side whisker – thin wire was inserted into the hollow end of the whisker and a new whisker was built round it of veil paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530679134-OK3IIHS2OEFSU1GJHA82/IF6P8O%7EQ.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 43 A new base was made of wood. Holes were bored into the slab to be under every limb… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530679399-BSFQPFW011I99T9M1GV8/I8R8X1%7E8.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 44 …that made it possible to fix the fragile details onto the slab. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530680131-OKTDJMCY3HO8SP6UX2J1/IC0B3I%7E6.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 45 The owner wished the object to be spruced up and get a new better-coloured board for the base, so that the object could be displayed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530680350-LZB0EAOY6VE1NJ701XDF/IMNJ8J%7EW.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 46 The reverse side of the new base was covered with green broadcloth and provided with two hanging loops. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666530680855-36RXLX2SIMFKTI61L13O/IPH7P6%7EX.JPG Renovatum anno 2019/2020 EN - JAPANESE PAPER USED FOR VARIOUS MATERIALS IN CONSERVATION - ill 47 After the conservation: The spruced up lobster got a new base with a name tag that reads – Pink spiny lobster, Latin: Palinurus mauritanicus Guvel, 1911. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/conserving-the-treasure-binding-of-the-old-believers-gospel-from-the-island-of-piirissaar monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527611378-X4WN6NNS7HSFR080IEB2/1__ren.jpg Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 1 Piirissaare Chapel that burnt down in the night of 16 May, 2016. © Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527613599-95SN5Y3I65DVEFUCC74S/2O0W2M%7EA.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 2 Sacral objects and liturgical books rescued from the burning chapel. © Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527615979-9V46H5CP1NPPXNZ4OHKV/3RXBDF%7EL.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 3 A cultural heritage object, a textile covered 500-page Gospel, soaked with extinguishing water was to be dried quickly to prevent deformation and mold damage. The photo shows the binding before lyophilization. © Kadri Tael https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527626398-U0YXCG7IFV33A05FA0G3/4Y0QBN%7EN.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 4 Deformation of the covers and the block of the binding was minimal after lyophilization … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527628038-KIMJ190K8KL4HECQX877/5PO53D%7EY.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 5 … and therefore it was possible to close the hasps. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527628473-DDAEVKU4O33R8YLZZE67/6N4HOI%7E5.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 6 The oak boards of the treasure binding have been covered with red silk velvet and decorated with five bronze plaques. The corner plaques depict four evangelists and the central one crucified Christ. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527637864-HRR1NDO6L1ULOKXV14Q4/7T4N4O%7EP.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 7 The binding has been locked with clasps. In the center of the hasp is a heart-shaped opening. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527637330-70MDFF45CPA166OQUO50/81CTXX%7EO.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 8 The hooks of the hasps on leather straps are perforated and decorated with nearly round hammered ornaments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527649350-5IORH4ZX1Z9BA6SXRFO6/9QNUJC%7E0.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 9 The endpapers of the binding are of greenish-black hand-made marbled paper. The Gospel after drying and before the conservation started. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527651946-FZU0HVOQDLJJN7FNP5R3/14KQ4N%7E9.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 10 The block has been made of rag paper of variegating thickness. The text is printed in red and black ink. The Gospel after drying before conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527663103-YPPQB8QT439O3VQ69ZTI/1S556J%7EB.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 11 The last page bears the inscription: Kniga Prestolnoe Evangelie. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527665361-A9DPSOQZU23WIGV07FH0/1YS69K%7ED.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 12 The text block had already been damaged by excessive moisture beforehand… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527690670-D1Q0HPEYD4P5PGFBJOJK/13_.jpg Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 13 … and its paper was damaged due to mold. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527676392-X5PP7GZXHO5UXKZAJKQ0/1HDQ0E%7EW.PNG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 14 Various wax stains occurred throughout the book. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527684968-UBTD590XOLWV219ZDHHK/1EF8KX%7ED.PNG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 15 Many different paper repairs had been made in the past. Some of them were made with rag paper, rather similar to the original material. Others, unfortunately, with thin wood-cellulose paper that had caused some new tears. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527689000-XZHTUA24MDVQBJEMT3T0/1S0DYN%7E3.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 16 In some places the lost text had been carefully rewritten by hand, following the original. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527702858-8S04QC3SN2XY512WUXZK/1FJELM%7E8.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 17 It was decided to conserve the binding entirely, as the damages were extensive indeed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527733562-TTK00LNQLJ6JUI6VCRTK/18_.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 18 Removing oil from the paper was a problem. The area processed with hexane became considerably lighter. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527732580-0JCCAPQ0Z3C0E8FZPAVD/19_.jpg Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 19 Comparison: the lower leaf has been processed with hexane, the upper one has not. Despite the good result it was still decided to drop hexane processing due to considerable health hazards. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527763790-8UNW7AKFKDV5P7ONOZOU/2WHC8K%7E4.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 20 Searching for a more health-friendly solution we decided to place all leaves one by one between filter sheets into a low force press. This method was applied to extract oil from all the sheets. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527738774-5WGCGTV8U6PEC2CWNKIM/2UC0OF%7E5.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 21 Extracting oil stains took months. Then conservation continued with wet processing/washing. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527753983-FIFVPIEE9D00F1A3RZ8S/22LC7F%7E9.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 22 Leaf casting method was used to conserve the damaged and fragmented leaves. This process was supervised by Vilja Ventsel, conservator at the National Library of Estonia. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527768578-V81S6KGSID5KI0252EL4/2B8UIL%7EL.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 23 Restoring the shape of a leaf with losses and damaged by mold. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527780426-6H6DV5UHTEX5E4D9QUR8/2EAL3R%7EN.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 24 Finishing touches on the folios, while arranging them into sections. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527772077-BBVDHE0U6JD8VUO9E6WL/2LEMZH%7EC.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 25 Repaired and finished folios, now in sections, were handed over to the book conservator. The first sections of the 500-page block. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527791084-1MD6TTQ9CCQ3EBMVZZA2/2MFNLT%7ER.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 26 The covering fabric of the Gospel boards was soiled and faded, the pile of the velvet worn with some holes and rips. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527793399-CWWSOSEA3SEO4X8HTTYB/2CCKOW%7EH.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 27 Spots of grease, wax and glue were all over the fabric. Small spots of wax were especially numerous on the lower part of the back cover. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527793750-E74T4S7F5I81CHL8QLEY/29UQPJ%7EF.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 28 It was decided to conserve the silk velvet fabric instead replacing it with new material. The fabric was locally cleaned of wax spots and washed on a suction table with low vacuum pressure. The tears and rips were backed with silk cloth. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527849442-CXNJMR7I8BJKFKLB5FJA/2BZBRP%7EC.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 29 Restored outer edges and corners of the boards. On the right is the back board with grooves for leather straps. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527811587-PDOPZH857AN44BX8ZSIC/37J0W2%7E1.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 30 Marbled endpapers were dismantled mechanically, washed with charcoal-filtered tap water and sized with 0.5% gelatin solution. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527816072-Y2CNXCCCPPEIXHQH3P9Z/30U5PL%7EW.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 31 The verso sides of endleaves were first lined with tissue paper first and then pasted with wheat starch paste on greyish-black Japanese paper Satogami. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527836744-AAE70DNPUIR4E0CSMLAP/3K9CQM%7EV.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 32 Sheets were sewn on the binding-frame in pretzel-stitch on four double cords. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527848247-LUCC5DR41YNUY371KZQ8/3AR687%7EH.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 33 The strengthened back of the block with Japanese paper and conserved headbands. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527849825-TTSMJ5A5G0PZLKAOE9Y3/31IMWT%7ET.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 34 As the initial backing textile of both headbands was different, they were lined with linen and cotton fabrics. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527866781-GXO8CGI2LFE8SN15H64S/33KR4J%7EM.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 35 Restored corner of the board, a pasted headband and Japanese paper reinforcement reaching 2cm upon the outer side of the cover. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527856783-I3BLI4UY2SQNWVNCTQ8R/32S29P%7EY.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 36 The block and the boards have been fastened with cords, textile ‘ears’ of the headbands and a Japanese paper spine reinforcement. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527866375-DWHRKAWLFO3TNJ5727QR/3BNUHX%7EE.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 37 Headbands ‘ears’ pasted onto the outer sides of the covers, while cords have already been pulled through the boards. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527884594-XS3YU0GKNMR85N8YDL03/3VYZ35%7EZ.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 38 Strengthening strips have been pasted onto the inner sides of the boards, but the calico book binding cloth joint is not yet adhered. Fixing the dowels. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527883360-W2O4FS8Y3K6XZY1MKY86/3HXL6L%7ET.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 39 Catching plates are being attached on the front board with copper nails. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527902606-0R363LQ7LUNHC295RXQ3/4XWSVP%7EZ.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 40 The open book before covering the boards with fabric. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527903906-SBGHOVJRZTGR57HLVADR/4G8UUF%7EH.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 41 2cm slits were cut into the fabric for pasting the turned-back part of the fabric onto the inner side of the cover. 1 cm on the very border of the fabric was left uncut. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527919667-RZ4GLM39QAK28YZFDD4W/4ATRT6%7E5.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 42 The turned-back part of the covering fabric has been pasted with wheat starch paste, while the white Japanese paper spine piece is not yet pasted. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527928285-6B6ERI8YN8FQVWBO5M54/4EZN14%7EL.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 43 Attaching decorative plaques onto the cover. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527937216-HGRG88I0RHFIQYVK5LKD/47GNN6%7EX.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 44 Attaching decorative plaques – drilling holes. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527947955-FPBB1XBOVIZ3K2BRPO5K/4PZBL2%7E5.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 45 Attaching decorative plaques – fixing a screw. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527958923-D9FI3FD6FJ82U3T15Y97/4PK0ZI%7E4.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 46 4x4x3mm square silk-covered height on the right, wooden sliver for filling the hole on the left. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527961050-582MCF3LHCAU63SFQ7VW/4FOGKC%7EA.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 47 The velvet fabric has been pasted onto the boards, the calico book binding cloth joint and filling cardboard follow will follow and lastly the marbled paper pastedown is fixed in place. © Tulvi Turo https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666527969373-LJMCLGNCZAAUYVGYRR3U/4XHLRG%7E8.JPG Renovatum anno 2019/2020 EN - CONSERVING THE TREASURE BINDING OF THE OLD BELIEVERS GOSPEL FROM THE ISLAND OF PIIRISSAAR - ill 48 The Gospel after conservation. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/an-incomplete-story-about-the-conservation-of-the-hand-painted-map-of-the-palmse-manor monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347615722-VWGA6WR6D3ECMY64NY6D/1.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 1 The large (380x421.2cm) hand-painted map that had been hanging for fifteen years on the wall of the Palmse squire’s study. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347615760-DRFIJRV790EHUZGDMZVV/2.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 2 The author of the map was Carl August Jürgens who made it in 1859-1864. The framing lines and the legend have, at some places, been painted in black Indian ink. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347619785-XME054SCF0ULVHYP0RAP/3.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 3 The images, made by hand are in ink and coloured in watercolours. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347624157-SCFFWA21P2JSBYFFNXJJ/4.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 4 The base of the map consists of 35 sheets of paper. The image has been painted on mounted entity. All the sheets carry a watermark J.Whatman 1863. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347625846-4CKK2X63LB37UV4ETXEX/5.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 5 When the images were marked on paper, pins were evidently used, as the tiny perforation holes in the corners of all details prove. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347630804-C7O9HYTTNEA6JV976HY9/6.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 6 The so-called Kabinettskarten are made for private owners to represent their estate and properties. Maps of this type are decorated and often present elements like titles, coats-of-arms, compass-roses, vignettes, tables and scales. These elements together with colouring make these maps imposing and presentable. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347637690-2BXOU5DNRRRUJ9XKMDN8/7.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 7 The large map had been exhibited hanging in the manor since 2002 and most of the damage had occurred during that time. For hanging it up the upper and lower end both had been rolled around massive wooden slats. The hand-sewn silk edging surrounding the map showed extensive losses. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347641635-8OR69DS2VGG1VQH8AKGF/8.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 8 The map had been halved in the middle and the edges were creased, had losses and rips in them. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347640525-MZ2HEYKYEE6127CEA3JB/9.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 9 A percussion hole in the lower part of the map had missing fragments and new rips around it that must have appeared in the period of display. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347650024-NWK31HVX4QLAUJ3X6CQA/10.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 10 Linear fissures and tears are visible all over the map hinting at frequent rolling it up and out again and when not on display, keeping it in a rolled up position. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347652633-1OBFW1F3UB45PGN6VTHP/11.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 11 For about 60cm stretch the upper and lower borders were in worse condition than the rest of the area. From the rolling up line onwards the dark lining textile had decayed and so it was threatening the preservation of the paper, too. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347652243-3EHKAMPOOSQBQ8DLC3OR/12.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 12 Owing to damage from mechanical rolling the breaking lines were quite worn out and turned into long tears. Losses of material occurred as well. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347664326-F6S38DOJKMQ2M5K4DHWN/13.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 13 The paper showed tide-lines, some spots and yellowing. The uppermost right-hand sheet had yellowed more than the other ones. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347658897-G7ZSXK90R45VHB0G42JY/14.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 14 The large entity had been halved vertically into two equal parts, 210.5cm and 210.7cm wide. The halving was obviously a practical solution how to make storing and perhaps even displaying it easier. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347667408-N0V78EZH2JWX2XD5PRSN/15.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 15 The map was lined with thin dark brown cotton fabric. Chemical analysis showed compounds of iron and copper (staining stuff) in the fabric. This was evidently the reason for decomposition of textile fibres and the general fragility of the fabric. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347680445-AQDDW7LOG464A8XJ9KGI/16.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 16 Already at light moistening the fabric yielded dark brown residue. Brown tide-lines on the paper may come from the influence of the decaying and moisture-sensitive lining in a more humid atmosphere. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347681693-CTKU1YTWR708LT8DEA7V/17.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 17 The lining had a lot of traces from mechanical wear and tears/rips. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347689783-4X8KPYHK8MXRPEYTZIDJ/18.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 18 Fibre-rips and thinning of the weft became visible under the microscope. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347690907-HR73OYBF045M2Q34OMYT/19.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 19 The damaged lining cannot support the hanging map any longer – the halves have sunk under their own weight and stretched unevenly. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347704227-IL4J1F81PHCFJFAK4JXK/20.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 20 Some bigger tears have even been mended, it might have been at manor-times already. For repairs fabric resembling the original lining and possibly bone-glue had been used. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347702884-LFUFNIS419COM3D2V60N/21.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 21 The map has ripped at the slat-ends and underneath the slats extensive paper and lining losses occurred. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347716902-OBWY5RP04WKMOL7OTY5Z/22.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 22 The slats and fixing come from the 21st century – the top slat has been screwed on with wooden dowels that penetrate the original map. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347718805-BQ3A6YK56Y9I5CYNJO8U/23.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 23 The original has been fixed to the lower slat with a stapler… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347721819-4N7VGXS4R26PXCDCUF0F/24.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 24 … the staples have damaged the weft of the silk edging. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347732342-PLJJUHEPB17QEXQKWBIA/25.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 25 In between the slats the silk edging has preserved much better than on the borders. Obviously it was not planned to hang the map on the wall at first. The similar edging in all the four edges seems to support this opinion. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347735782-V8WUC9WKOVHNB2NL8MRH/26.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 26 Even when the map was not totally conserved, it still needed filling of many losses, otherwise it would not preserve. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347744956-5G7RSFC1XHQCAV2MAKV3/27.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 27 The map was cleaned of loose dust, a mini-tipped vacuum-cleaner was used. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347745361-RSQINCVFX96TSNRK3ZRL/28.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 28 Erasers helped to remove more attached dirt from the image-free areas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347754393-LNBUJ2S9PENCU8TUKM2M/29.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 29 Insect excrements and the rest of surface dirt were carefully removed with a scalpel and after that with lightly moistened cotton-buds. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347761124-VMYKVO6NITTFM5FZ3UEI/30.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 30 The old fragile lining was removed from the most-damaged places in the upper and lower border of the map. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347772200-6EMSZY212C5U4RHQ8MMD/31.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 31 The residue of glue/paste was mechanically removed with a scalpel… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347776339-KJGQ87GPSL22VLD69GJX/32.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 32 … and then lightly dampened with ca 5% MC gel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347783969-W13JS6IE0XP37YHFUUUK/33.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 33 The smaller rips in the borders of the map and under the silk edging were repaired with 9g Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347794041-S5SFU57E63RM4XZMF1AR/34.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 34 Bigger tears were repaired with 9gsm and 20gsm paper, if necessary with several layers and mostly on the reverse side. The losses were filled with matching rag-paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347793749-LSA9425UMD1YQO6K56IH/35.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 35 The places where the old lining had been removed, the reverse side cleaned from the residue of glue/paste and all the mended spots were minimally moistened. The photo shows a prepared Sympatex compress onto which the part of the map to be moistened will be lifted. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347817332-M3JOTOAWO3EO0O296JY8/36.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 36 For lining the japanese paper was pasted with a weak mixture of wheat starch paste and 1.5% MC glue and lifted onto the reverse side of the map that had been pre-moistened on Sympatex. It was smoothed and tapped to remove the airbags and then left in between felts to stabilise. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347794907-US2DI0KO3KNZF9F0TEYV/37.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 37 The upper part of the map before the lining was removed … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347795731-IKOTKU5FJ8BIZK7FQ0QT/38.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 38 … and after the processed surface was covered with Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347814137-4RGRZLEE3OBEZG2L258M/39.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 39 A solid, large-diameter, soft-surfaced tube was made for transporting the map into the museum. Several layers of foam-plastic were rolled around the hard cardboard tube that then was clad with two layers of Tyvek. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347827141-0DFVQ1QVUJPDLJA4D2X2/40.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 40 The two halves of the map separated with tissue… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347821620-FOFT606GTZA7SJ1XFN9G/41.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 41 … were rolled on the tube … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347837874-2M213NQBJDWWX3AU3HP0/42.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 42 … and enveloped for storing with layers of Tyvek. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347842757-DGVAJUW8F17FX205CRG4/43.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 43 Digitising the conserved map in the photo-laboratory of the Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347850262-VXL4JZVY2JO4Z8M6H1U6/44.JPG Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 44 Digitising the conserved map in the photo-laboratory of the Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347850404-9DK5JM28QNS4AZRW3AT9/45.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 45 As the original had been hanging on the wall in two parts and the measurements of the planned copy are big, it was decided to make the copy in two panels. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347869178-LAER0Z0VLQT3LNSWYIRN/46.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 46 These panels were mounted on the wall next to each other. The digitised copy was made and placed on the metal framing by Artproof OÜ. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666347868567-G2F4C3UANIBOQHDHM6Z7/47.jpg Renovatum anno 2019/2020 EN - AN INCOMPLETE STORY ABOUT THE CONSERVATION OF THE HAND-PAINTED MAP OF THE PALMSE MANOR - ill 47 The digitised copy in decreased size on the wall of the study – the whole depiction has been displayed and well visible for everybody interested. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/preservation-of-architectural-drawings-in-photocopy-technique monthly 0.5 2022-10-23 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524633320-NF517E54BNE0BHCG4SQU/1.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 1 The article focuses on reproduction techniques that were introduced in the second half of the 19th century and were in use until the xerographic technique was invented and applied. Cyanotype EAA.2479.2.128.3. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524622079-2OLA2ZXE2KUJTS1YMZ9T/2.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 2 The opening of the exhibition – Keila is building. The birth of a township – at the Harju County Museum. The collection of Keila house-plans built in the 1920s up to the 1940s. The collection has been made up of drawings and copies in various techniques https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524623193-F63FG03FBZ1RF7157M91/3.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 3 The opening of the exhibition – Keila is building. The birth of a township – at the Harju County Museum. The collection of Keila house-plans built in the 1920s up to the 1940s. The collection has been made up of drawings and copies in various techniques. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524632856-XZ9JLRXBC89GAHU7DV7T/4.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 4 Drawing on tracing paper HMK 9156 AR 5436. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524642378-TWGLFDF8IKDT7W7BI5YM/5.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 5 Drawing on textile tracing paper HMK 9017 AR 5397ä. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524641172-U3XZF3SRZQEMC1Q5H0U8/6.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 6 Drawing on paper in Indian/China ink HMK 9039 AR 5419. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524650044-FO1I1EJIS42DGGOD570N/7.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 7 Copy HMK 969 AR 5449. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524652483-WPJMAMSD2Y5IUNQA6S5J/8.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 8 Diazotypes seem to be drawings in Indian ink at first glance. The misconception is understandable, as copies can be of quite high quality and with coloured images. Coloured reproduction EAA 2479_2_13-27. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524652458-KJUP0P2NGD0QT4H755XW/9.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 9 When studying the reproduction techniques a few very good English books were found – E. Kissel, E. Vigneau (2009).Architectural Photoreproductions: A Manual for Identification and Care. New Castle, USA:□Oak Knoll Press and the New York Botanical Garden. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524653056-IKLNQP4IQ0RF3U58P1G0/10.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 10 L. Olcott Price (2010) Line, Shade and Shadow: The Fabrication and Preservation of Architectural Drawings, New Castle, USA: Oak Knoll Press. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524653245-4JZA4PYANYS10NVVZL1T/11.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 11 E. Glück, I. Brückle, E.-M. Barkhofen (2012). Paper-Line-Light.The Preservation of Architectural Drawings and Photoreproductions from the Hans Scharoun Archive. Berlin. Germany: Akademie der Künste. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524657499-MBDIDYZWRTG67LWGITZW/12.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 12 Amandine Camp, a free-lance binding- and paper conservator from France was responsible for supervising the workshop on identification of photocopying techniques. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524657494-DPU54HTU8K4T2VK7O5WB/13.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 13 The workshop focused on the kinds of copies more often used in the second half of the 19th and the first half of the 20th century. The main characteristic features of these reproductions and their identification methods were carefully studied. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524662827-X38LI5FHBIX4TVN9IKI7/14.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 14 The drawings were inspected visually with a magnifying glass and microscope. All in all, eight different techniques were analysed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524668598-MJYCM6YDCVQMZIAOH5YT/15.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 15 … ferrogallic print. EAA_384_1_1194-5 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524678647-TXYUS8CRY5ZV6519XVPR/16.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 16 … cyanotype. EAA_ 2479_2_129. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524684873-E96QM06E8B8UPVRY3OVF/17.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 17 … Vandyke. Museum of Architecture, drawings of the Theatre Estonia, sheet 27. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524694723-P7WQRQ6XTF8O9BX9GY4T/18.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 18 … hectograph. EAA_2100_128_31 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524693164-Z4DD94O4OWPE10D4ZPFN/19.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 19 … diazotype. HMK 3081 AR 5461 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524704718-Y30L63KTS2TV5O56K8EJ/20.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 20 … Photostat. EAA_6495_4_1 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524700135-KS0RY9XDA9I0HD43XC22/21.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 21 Dry-cleaning of copies with soft brushes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524705727-E5J61MO9TU50V39XQ5FA/22.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 22 Discussion on cleaning methods. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524708871-JG0L6LD0GOL5EFPH26I6/23.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 23 Supervisor explaining how important it is to remove loose dirt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524716002-FSRFDDSR4LNJB2VFA4N0/24.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 24 A copying technique quite similar to an Indian ink drawing (the technique needs further identification) HMK 9048 AR 5428. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524714561-BRZ2AM4XL18U6NZ0NQ2K/25.jpg Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 25 Identification starts with observation and comparison. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524720185-HDTRJXYXCNTRQU1WQ6JJ/26.JPG Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 26 Workshop at the Estonian Printing and Paper Museum in Tartu, 2018. Making a cyanotype. Coating the paper with a sensitive-to-light solution. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524720933-IOWSJBGUW9YJYZZ0V3MF/27.JPG Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 27 Exposing cyanotypes with UV-radiation https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524725221-9LJ9SZM5HXOWZ9V1O47G/28.JPG Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 28 Rinsing cyanotypes in water. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666524726909-VFFZ2HP4LF2TXH5PQ44W/29.JPG Renovatum anno 2019/2020 EN - PRESERVATION OF ARCHITECTURAL DRAWINGS IN PHOTOCOPY TECHNIQUE - ill 29 Drying cyanotypes on a heap of newspapers. https://www.anno.renovatum.ee/en/renovatum-anno-20192020/tag/Digitisation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20192020/tag/Conservation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20192020/tag/Research monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018 daily 0.75 2025-08-21 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/story-about-two-baby-caps monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665755044788-EZ2KDOOKTR4XE7C9GWBU/0F4R1D%7EY.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665755048777-U7Z2UHOF59W841OWFW6Z/0528EN%7EM.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665755054401-CQX4XN7ECLCPXZDEJBP9/0TSI59%7EX.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665755061081-09WNZAA0JFSO3J4XTCTK/0JXED5%7E8.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665755078209-E5Y0BKG9C0773DGM4CB5/0T21ZY%7EC.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665755087919-HJ8WVDXTD6ZVCOO2L4MK/0L28ES%7EK.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993233412-X63P706QV94E4IN2525A/0Q1N0X%7EX.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993240126-K6CD97HTN060KA2IZ84D/0AJVB4%7EC.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993248492-5IZ8JNUSXTIEJ185ZHBY/0GD05H%7EX.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993296643-HVNXL0G70AU9E65D9PQB/0PRYS1%7EM.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993302422-CX8QN93GXPPPAJ1INJ6F/01L1CU%7EF.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993306224-SGB99C7NZKS5I9OTJSEE/03GYNX%7ES.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993313392-NO5X258L8LDBTA2XPM69/0NNHOH%7EL.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993317940-EN977UNKFYSLO71VILO7/03U5NL%7EH.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993322320-3DEDSRCBVX60F5T5KMZA/0OEBHR%7EB.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993330417-2J6ADFD39EYEA31L7PYP/0Q9VUD%7E8.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993335357-FHS69SM7IC1S3K6EVV0F/0KI3GK%7EB.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993339360-6TIB56XLZBSOBT396Y2P/0NB97N%7EY.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993345058-ZYF856HD50EANBWH1J66/059R36%7EE.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993348306-3K3L5TQ96WCVGPQCRIZB/00MCJL%7E8.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993351615-8FFGJRM9CLUX8Y2JWI3X/0KM3NW%7EY.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993357197-7D45IHIA98Y57QPXGPDT/0IF0KN%7E0.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993361129-5CWAFNP3QQ153ZMP1PYS/02GGQX%7EW.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993365665-SMVDHGRIGW71JRMGJEP8/0VP5ZT%7E3.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993370606-ZH7BP9MA3O24VSTZAIJ3/0QTRVV%7E4.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993374171-FBJ1Y7R5LXP833NSWL03/08AK20%7ES.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993377565-CMQQLCONIEJPHY3TIKM9/0X72YP%7E2.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993382308-MU3JPVGLB1ABI88TKJW3/03Y9GD%7EY.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993387280-HZUF6O5VQFL0Z6DLYXRE/0BMLCD%7E2.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993399439-J2R8V2D0F8UA5M3MV6M1/0GRP72%7EE.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993448858-8FS2MZJ2VPAV9AWELZ6Z/00NVQ9%7EX.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993454115-Z4U54GGA6U02X2RCDXIC/0THGIY%7ET.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993460367-LUE9K7WD6Y5AM8SB3936/0PCYCW%7EO.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993467246-UDYI7Y4U5IHMR70OGW9N/0UU1FE%7EM.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993472818-KDWHLW3DDQQEKC0QIYVI/07YLMK%7EH.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993476990-UYZQH87X0R2TWZ740BX9/0IF4M4%7EU.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993488818-JDYLWFZDT7IUH0G5FFBD/0XR4MD%7ER.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993492865-J2W8B7456388EBJEGDWJ/0Z1AOK%7EM.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993503019-B3JBZQT5RYC1PMJ328LN/0H9IWO%7EQ.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993510111-VTAR39SQPNGGSE4L40U8/0TCH39%7E4.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993517338-TOM6GB99JQPYQHNPIFVO/0OE1RM%7ET.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993523318-2TMFHWEH7RZU905OFK60/0K4O1D%7EU.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993575615-Z762PWTNBCTK59A6BLXG/0EJU2X%7E7.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993580124-1B2Y4U4W5OU9HGJ6KJ07/00I1FL%7E1.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993584665-RA4RMF3OID2PH6962Q8N/05OWOU%7E4.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993590788-8YTRGRO4QEBVDG1703OX/0P73C9%7E3.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993598947-YVV0E7P6IOQJ6FEBNCVI/0XHNQR%7EE.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993608164-5V10QVNJVXJVLLHCFATR/0VF2AF%7E3.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993613800-XIFKINJV864VFULRCTYO/06B6VI%7EZ.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993617250-UEMV2ZRY6CH9MI5Z0GLI/06MJ24%7EO.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993624005-XDMZMSA8RPXCUJRPC6ZA/0929BB%7E9.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993630742-367DVD96XQNIHTX5R4B8/01Y6H4%7E7.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993635224-BMQ7O0LIECY6RF02FCRK/0DP9VX%7EA.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993639713-8ATJOAVB9DG3XQ250HVN/0MBCYM%7E9.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993645105-6ZQANNDLAWILFHQL37A8/0EOK0T%7ES.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993649412-QU0YQJC5GORY62011WGT/09QHPL%7EF.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993654881-5OV4O526H2HO985Q3HNB/0G7IXX%7E5.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993661661-WT1Q4YBT80DVGWBLGC42/0W2FQQ%7EZ.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993665727-GKPSEQ146WDH5P88UH4P/0BWPCE%7E5.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993669409-V2PT4G8PT1ZWVDBQP4K9/070IE6%7EI.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993677707-FW03GENJYD1FYUFEW3TR/0QL0FO%7E6.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993694251-MBMB8GF4DSTHUIJ7RDSL/0PWSLF%7ER.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993690295-8W8C2E5LI9S1OHV1T3PB/0DKFFR%7E2.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993706434-8WF4CEJR7QDTLVUQ31T9/07S1JU%7EL.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993711541-8K0IA0B4TYGCS9KM912C/0N4YXF%7EY.JPG Renovatum anno 2017/2018 EN - STORY ABOUT TWO BABY-CAPS https://www.anno.renovatum.ee/en/renovatum-anno-20172018/the-detriments-of-the-contemporary-stained-glass-from-estonia monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751279405-88ARIGNH3CKCI763H40G/eve_koha_1.jpg Renovatum anno 2017/2018 EN - THE DETRIMENTS OF THE CONTEMPORARY STAINED GLASS FROM ESTONIA https://www.anno.renovatum.ee/en/renovatum-anno-20172018/parchment-in-the-history-of-writing-supplies monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751661923-2C7DSQFBA5HSM65GQ43S/IXBD44%7E7.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 1 Historical parchments that have preserved in the collections of the Estonian History Museum before their conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751662909-V89IA8P68BCVQIP21Z6T/I6XAKA%7EL.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 2 Processing leather on a special stretching-frame in the Middle Ages, http://www.dedas.com/parchment/uk/parchment.htmls. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751665380-IX9ETN1HPKLUYVJRTOSQ/IXBD44%7E5.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 3 Processing leather on a stretching-frame today. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751676611-LD2RA6K6PMYFKZZKL6WY/I77A63%7E2.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 3a Stretching leather today. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751696507-X5OI0XXLD12VBAR8I30K/IXBD44%7E2.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 4 Palimpsest, a reused sheet of parchment from the Latin directives of mass arrangement in the 13-14th- century, TLA.Cm 4. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751699130-KEG46T1L0QXRZQDJM4G0/IXBD44%7E3.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 5 Detailed photo of a reused parchment sheet, TLA.Cm 4. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751700073-M2GU3W7Q2QWVW9I8W7Q9/IXBD44%7E0.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 6 Detail from a manuscript bound in Italy in the 15th century (Walters Art Gallery MS.W.414). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751706987-15ZAF9JXLRZJPK1PEACL/I63BR7%7EM.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 7 Genealogy table of the Tiesenhausens on parchment, AM.135.4.166. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751717425-LVK508TEJMP54OX4B7S0/IXBD44%7EE.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 8 Document of the Tallinn Magistrature from 1509, TLA.230.1-i.918/a. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751731538-GBCC2CQ4OPKUO0JCX9M6/IXBD44%7EF.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 9 Cookery journeyman’s certificate issued to Joseph Süss in 1770 by Jacob Peltie, the chef of Freysing Count and Old Preising Baron Johann Maximilian Franz Xaver, AM.115.2.32. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751737232-T25CLLJ69IKI2QTQV35P/I7R9DD%7EX.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 10 Document of the Tallinn Fraternity of Black Heads, 1478, TLA.87.1.91. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751742017-EYHK37GDQ45LNXH42C2E/I7R9DD%7EW.JPG Renovatum anno 2017/2018 EN - PARCHMENT IN THE HISTORY OF WRITING SUPPLIES - ill 11 Diploma issued to the newly-elected honorary citizen of Tallinn, Baron Alexander von der Pahlen, 1870, TLA.230.12.4/a. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/survey-of-digitisation-of-parchment-documents-in-2010-2017 monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751994032-MOUHAWWGGYJC1YLUHQ5W/IXBD44%7E7.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 1 General view of the digitisation system Linhof Master Digi Repro System. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665751996855-C1RR17GW8EI1V5ZUY115/IXBD44%7E4.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 2 A courier company transported the parchments for digitisation at the SA EVM KDK Kanut to guarantee security. Transport and reception of the parchments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752000363-DXJC9JLMUBA7PM3WAEBM/IXBD44%7E5.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 3 Acclimatisation of the parchments after their transport just before they were deposited. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752002286-POERLBNQ10RSVDX15HCI/I6DBCZ%7EC.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 4 Unpacking the archive documents and checking their preparedness for digitisation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752005498-FDVZPOFM3G0895CXQJZ5/IXBD44%7E3.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 5 Digitisation of parchments on the device Linhof Master Digi Repro System. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752014050-Z09LBNZH7E0YJNXOKHYU/IXBD44%7E0.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 6 An example of damages on parchment, documented in the atlas of parchment damages. Biologically damaged parchment that has become brittle, TLA.230.1.BB-40/ii. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752015286-PNUA5F6NSIL5UW6RO4O9/IXBD44%7E1.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 7 An example of damages on parchment, documented in the atlas of parchment damages. Parchment that has considerably degraded follicle shafts, TLA.230.1.BB-74/iii. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752016402-FOTG9CEY6E338BBA8KZT/IXBD44%7EE.JPG Renovatum anno 2017/2018 EN - SURVEY OF DIGITISATION OF PARCHMENT DOCUMENTS IN 2010-2017 - ill 8 An example of damages on parchment, documented in the atlas of parchment damages. Parchment degraded in the area of blood vessels, TLA.230.1-iii. 67. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/value-based-digitisation monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752092689-1ES7MOKJYLE5P62K98I9/IXBD44%7E7.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 1 Parchment document after conservation and preparation for digitisation. The document is the agreement between the heirs of Bernhard von Tiesenhausen from the 17th century. AM.115.1.179. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752098331-7LO2GJAOBJE0LG96LVUJ/IXBD44%7E4.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 2 Parchment document before conservation. From the Estonian History Museum’s collection. The agreement between the heirs of Bernhard von Tiesenhausen from the 17th century. AM.115.1.179. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752101669-6TB2QPSW4CRCUX5542VK/IXBD44%7E5.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 3 Digitised images of parchments in the http://www.ra.ee/pargamendid. Digitised parchment documents can be found at the name of the memory institution (Ajaloo Muuseum, Ajalooarhiiv, Tallinna Linnaarhiiv), finding data of the document, the data or title of the document. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752106489-Q6DRM7JS9NWP9D1OH6HW/IXBD44%7E2.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 4 Negative on nitro-cellulose (HKMFn_941_5115) in danger of perishing from the Hiiumaa Local Museum’s collection. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752109959-XCQDS61KKSZ26R54XNDP/I97688%7E1.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 5 Positive copy of the value-based digitised negative (HKMFn_941_5115). Due to the digitisation the valuable information on the negative about the Hiiumaa ‘forest brothers’ mode of living after the Second World War has become revealed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752112775-WK4RYCG9J6AQ9Z0IBTKT/IXBD44%7E0.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 6 An example of one possible terminology ware systems applied at the documentation of an object. Here it helps to characterise the essence of the white gold museum piece. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752115698-79MHGGXRHAAQX8AF9DJR/IXBD44%7E1.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 7 An example of one possible terminology ware systems applied at the characterisation of the essence of parchment. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752120035-HQVEQJWRD1HV8RYFJZLM/IXBD44%7EE.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 8 The quality of the positive copy of a value-based digitised glass negative gives an opportunity to differentiate in detail what was photographed. The interior of Kukulinna Manor in the early 20th century. AM. 8631. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752134645-X46086SX28MT2CU0N1TU/I0KP42%7EL.JPG Renovatum anno 2017/2018 EN - VALUE-BASED DIGITISATION - ill 9 The high technical level of parchment digitisation offers an opportunity to examine materials and their properties in detail. In addition to details it also enables us to enjoy the tonality and transference of colours so close to the original. AM.115.2.32. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/unique-find-and-conservation-story-of-a-19th-century-wallpaper-in-estonia monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752707432-P7XY4D8SJP2J2WXZ7A3L/1.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 1 The dwelling at 2/4, Kiriku Street dates from the 18-19th centuries and is recorded as no 2998 in the register of Estonian Architectural Monuments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752712079-BXR5CPRS7BXHNCX56GBP/2.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 2 Within the reconstruction work at 2, Kiriku Street in the summer of 2015 a wallpapered wall was discovered in room no 201 on the first floor of the building. Surprisingly large patches of 19th-century wallpaper had survived on this wall. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752723378-H0W5XY4282CO1YFB1BH0/3.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 3 When the wallpaper was removed from the wall the producer’s sign and the serial number – 2338 – were discovered. The producer’s sign is, unfortunately, almost illegible. The wallpaper imitating a grained wall panel that was found in the entrance hall of Vääna Manor was made at the same factory and on that the sign is clearly legible – ‘C.Π.Ƃ.Π. T. 1880’. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752850429-PH31D2AY17JLN468PY2B/4.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 4 When the wallpaper was removed from the wall the producer’s sign and the serial number – 2338 – were discovered. The producer’s sign is, unfortunately, almost illegible. The wallpaper imitating a grained wall panel that was found in the entrance hall of Vääna Manor was made at the same factory and on that the sign is clearly legible – ‘C.Π.Ƃ.Π. T. 1880’. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752854872-Y1OK5E9QHB46WDOEKPNF/5.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 5 The lower part of the wall-scheme represents a deep red flocked lambree and in the center there is a grey distempered wallpaper with printed golden floral pattern, bordered on each four sides by red flocked braiding. After conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752858896-T5MWTLAM67P7QIOY0K0S/6.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 6 The bouquets on the grey surface have been printed in leaf gold and the surface of the paint has a fine relief diamond pattern. The grey wallpaper is double at some places, as the used pieces are non-standard, obviously off-cuts or remnants. Evidently the faded or worn patches of the wallpaper have later been refreshed with remnants of the same paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752863985-8KBO13I7CV0TAS4VGT9Q/7.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 7 A contemporary (late-19th century) reddish-brown stove in one corner of the room emphasises the festive scheme of the wall. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752870279-3G4XENRK62HVQPNWQ8BQ/8.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 8 Initially the wallpaper had been glued on the inner surface of the limestone outer wall but after the reconstructions of the parlour the wallpaper was left in an airless 10cm-wide space provided by the construction balks of the double wall. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665752877729-8RKUAM77XZPLHRBVUXT7/9.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 9 The papered stone wall had been penetrated by 7 grooves for the wall-construction and in the course of that the original wallpaper had been destroyed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753222233-HG7CPQ7BPLF4GIDCINNO/10.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 10 The papered stone wall had been penetrated by 7 grooves for the wall-construction and in the course of that the original wallpaper had been destroyed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753244202-1DVHTX13DIQCRE9NPSRL/11.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 11 Due to being so long in a damp and airless environment the wallpaper had extensive mould damage. The flocked wallpaper of the lower panel had perished through mould from bottom up to 20cm high. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753317810-4BP69RWIH77ZM3J6VKU8/12.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 12 The back of the grey wallpaper after being removed from the wall. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753327498-4JNCEYISQR0CQMPEK28D/13.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 13 The back of the flocked wallpaper after the remnants of the decayed paper had been removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753330695-1GGRHH8ZNMHWD2KCC1ZM/14.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 14 It was decided to cover the missing areas of the wall scheme with contemporary marking material in matching hues. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753334151-OV3IKG6UQCYUQT8YY83K/15.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 15 Before the wallpaper was removed mould seeding culture was taken (Hygicult Y&F). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753336787-404XKY282EZB0TSG77RC/16.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 16 Loose particles of dirt, mould and dust were removed from the wallpaper. The loose fragments were removed mechanically from the wall and kept dry. Bigger areas were covered with a prophylactic facing material before disassembling, dampened with methyl cellulose gel and then removed from the wall by rolling the paper upwards. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753338322-5N7XA6H33RAGX15MUDHZ/17.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 17 Loose particles of dirt, mould and dust were removed from the wallpaper. The loose fragments were removed mechanically from the wall and kept dry. Bigger areas were covered with a prophylactic facing material before disassembling, dampened with methyl cellulose gel and then removed from the wall by rolling the paper upwards. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753346148-5WO1SOF3L5THO16JTZOY/18.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 18 The dismounted fragments of wallpaper were transported to the conservation lab of the Conservation centre Kanut. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753347579-CD6B58S559T4JPF8X98G/19.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 19 Initial cleansing was carried out in the well-ventilated pre-procession room, thus preventing the mould polluting workrooms. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753353855-3YX0O6YBKLK9GB9V3V1E/20.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 20 Initial cleansing was carried out in the well-ventilated pre-procession room, thus preventing the mould polluting workrooms. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753368570-Q9MBXK8HNAXQKO4C6818/21.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 21 Initial cleansing was carried out in the well-ventilated pre-procession room, thus preventing the mould polluting workrooms. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753378245-S6UNR7PSN9JHE9MGJPIH/22.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 22 The fragments removed from the wall were separated into single layers and disassembled at the places, where they overlapped. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753385015-XED59R395O71V2ARAL8J/23.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 23 Before beginning the wet procedures the fragments were combined into tiles according to the pattern and the tonality of the pigments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753387705-X94BWNC0RIZ5EXAG728Z/24.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 24 As a result of combining the fragments six full tiles were made to cover two thirds of the central grey part of the wall scheme. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753394056-6VR0DXS3TKM6D7IKFPKF/25.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 25 Capillary washing of the grey wallpaper on a pack of filter paper and removal of the prophylactic facing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753400728-IU2FDMKL8BM75KRKQXFM/26.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 26 Capillary washing of the grey wallpaper on a pack of filter paper and removal of the prophylactic facing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753406504-9NHMZ2RWEUL0AZ3W1D6Y/27.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 27 Capillary washing of the grey wallpaper on a pack of filter paper and removal of the prophylactic facing https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753412260-8ZPAH21GOZMLR2X4LU5U/28.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 28 During the lining process the fragments were dampened, their joining points were connected and the lining paper covered with paste was placed on the reverse side of the original. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753441730-CL9LA7OMN0693Z5A962S/29.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 29 During the lining process the fragments were dampened, their joining points were connected and the lining paper covered with paste was placed on the reverse side of the original. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753447230-DKJRP5OER401ZAWIMPFX/30.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 30 During the lining process the fragments were dampened, their joining points were connected and the lining paper covered with paste was placed on the reverse side of the original. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753469777-3WJ95X7X8P1KQH9OMREQ/31.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 31 The tiles were flattened using the Karibari method that allows us to observe the lined material all the time as well as to fill in the losses and add finishing touches on it. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753480260-95NM280QVIMIJ3T85VTY/32.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 32 The tiles were flattened using the Karibari method that allows us to observe the lined material all the time as well as to fill in the losses and add finishing touches on it. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753486281-KIRQUOQM75O0W5MOEOIQ/33.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 33 The tiles were flattened using the Karibari method that allows us to observe the lined material all the time as well as to fill in the losses and add finishing touches on it. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753491982-J22JOYZ427MI3SPYJPXZ/34.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 34 The tiles were flattened using the Karibari method that allows us to observe the lined material all the time as well as to fill in the losses and add finishing touches on it. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753500579-X7XSEMYQ9SAHADJ7JLXH/35.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 35 Toning the grey wallpaper was done after it had been placed on the wall, so the local light conditions could be taken into account. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753507649-M7NT21DJN2MRL44V9WXH/36.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 36 Toning the grey wallpaper was done after it had been placed on the wall, so the local light conditions could be taken into account. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753510417-FNKY6EINSO9QLX5CJACC/37.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 37 The format of the flocking wallpaper allowed us to wash it on the vacuum table. Washing was started on the back side. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753517078-C181XQZYZBV2DBRV9FA5/38.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 38 The format of the flocking wallpaper allowed us to wash it on the vacuum table. Washing was started on the back side. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753519800-VX3A98NSRH6XVRGHVD40/39.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 39 The format of the flocking wallpaper allowed us to wash it on the vacuum table. Washing was started on the back side. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753538850-L775OWBAXV56KHB0UAVP/40.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 40 The format of the flocking wallpaper allowed us to wash it on the vacuum table. Washing was started on the back side. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753545045-S8K1FHAKAJP7KUWQCQUT/41.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 41 The fragment was covered with Holytex, turned around and the prophylactic facing was removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753553268-D4678AZAW4WRVDRYIFBO/42.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 42 The fragment was covered with Holytex, turned around and the prophylactic facing was removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753560192-RBYF2TOX6ER813O9RLIF/43.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 43 The fragment was covered with Holytex, turned around and the prophylactic facing was removed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753562554-6G5D8QU69UAFD3R1Y6PH/44.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 44 After washing decayed fragments were lined with 10g/cm2 Japanese paper. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753566959-V0TFX2R7HNGNW777X9YA/45.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 45 The lambree and braids were completed and lined only after all the fragments had been washed on the vacuum table one by one and the decayed patches had been restored on the back side. The strips of flocking wallpaper in proper length and width were completed from the existing fragments and lined in parts on 40g/cm2 Japanese paper and flattened also by the Karibari method https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753624892-S6JGM920Y1NVVJU8TCPI/46.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 46 The lambree and braids were completed and lined only after all the fragments had been washed on the vacuum table one by one and the decayed patches had been restored on the back side. The strips of flocking wallpaper in proper length and width were completed from the existing fragments and lined in parts on 40g/cm2 Japanese paper and flattened also by the Karibari method https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753641986-PNER67B98NZEB0RKMC6I/47.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 47 The losses in the flocking were filled on the flatteningboard, too. Smaller losses were filled with wool specks that were placed with the help of tweezers or a very fine brush. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753645298-G6FTS55G3JNR2HRTE2WV/48.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 48 The losses in the flocking were filled on the flatteningboard, too. Smaller losses were filled with wool specks that were placed with the help of tweezers or a very fine brush. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753652829-0GABUGNENPDIECUYFFPN/49.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 49 The losses in the flocking were filled on the flatteningboard, too. Smaller losses were filled with wool specks that were placed with the help of tweezers or a very fine brush. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753655158-GDMNN1PVKAEWRES7735W/50.JPG Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 50 The losses in the flocking were filled on the flatteningboard, too. Smaller losses were filled with wool specks that were placed with the help of tweezers or a very fine brush. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753664933-AX2YVGNH609X71XBQ05T/51.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 51 First of all the conserved tiles of grey wallpaper and the marking area of the modern paper were set on place. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753674709-O90KUUMIL4A9Y889KW25/52.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 52 Next the braids were glued to surround the grey area and the lambree was set on its place last. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753684727-N0QRTEWINJ06CPC106YJ/53.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 53 The slats were fixed with slat-nails. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753692592-FB2SYCSN1F5RGNJ2SIJ2/54.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 54 The papered wall after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665753701686-HDSLLCOLRI46ZTWH7205/55.jpg Renovatum anno 2017/2018 EN - UNIQUE FIND AND CONSERVATION STORY OF A 19TH CENTURY WALLPAPER IN ESTONIA - ill 55 The papered wall after conservation. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/bust-of-catherine-ii-conservation-and-reconstruction-of-a-modern-icon monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754249687-D1LW8UCTZLKX9BJRU2F3/ill+1.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754253550-ZHI1FV17HSZJ20YHBY95/ill+2.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754261103-LEM867O527SL4CQNCVTW/ill+3.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754266603-U29LI5HUXX4MBLZ7Z95T/ill+4.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754345501-9YE9HEYGZM4OKXUCKQ8U/ill++5.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754351103-3806OHVOONSLOIDKN94Q/ill+6.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754354398-CL451HQWI2SHZ8HUJ83V/ill+7.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754358671-AUITK695GUW3CIMSP7CE/ill+8.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754377431-7YXPIH90HFE079RH3D71/ill+9.JPG Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754583098-RLHK4MH376CM68EJI7KW/ill+10.JPG Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754590002-5CY3G7HOVA2EKSRXUPLN/ill+11.JPG Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754595534-N1TU9N96YSWBRRQENC8B/ill+12.JPG Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754604966-5AJ6BYY11IDS3XC9E4EK/ill+13.JPG Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754613032-LQ77U7A5R3KYVIE3KVJ9/ill+14.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754617341-2ZHE9QC9UGEX3Y58QAK8/ill+15.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754626019-B1NBSYRKKMJH9LWF4B01/ill+16.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754630939-9GYBTV17H18TTBCCSHCA/ill+17.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754637020-U42L62RS4216Y5R1TEW7/ill+18.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665754658828-5XFU1I0NDN1PJID2TU6D/ill+19.jpg Renovatum anno 2017/2018 EN - BUST OF CATHERINE II, CONSERVATION AND RECONSTRUCTION OF A MODERN ICON https://www.anno.renovatum.ee/en/renovatum-anno-20172018/rebirth-of-the-canvas-based-mural-of-the-estonian-student-society monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993922928-TJZZV0FAPM9FY1LWBA03/1.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill Mural on the wall of the Estonian Student Society’s hall, 1938. Photo: Estonian National Archive EAA.2111.1.15600.6. Photographer – Hinto https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993932054-665LGQSUAZAF7O7BQKKY/2.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 2 Estonian Student Society was ordered to vacuate their building and give it up to the occupational forces of the Soviet Union in June 1940. The author of the mural, Aleksander Bergman helped to take the triptych down. The rifles visible in the photo belonged to the 3rd subdivision of the students’ societies in the Tartu Defence League (Kaitseliit) and were stored in the EÜS building https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993942854-YOJY8V2TJXFNH8D81QQ3/3.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 3 Inspection of the mural’s preserved parts in the EÜS hall in the summer of 2014. Photo: the Estonian Student Society https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993949964-DIN6G0BDXI0OYBJT3RNL/4.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 4 Inspection of the mural’s preserved parts in the EÜS hall in the summer of 2014. Photo: the Estonian Student Society https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665993954052-PW2ZES4FCAYG0Y0ZII4X/5.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 5 Initial 3D scheme of the reconstruction project (autumn of 2014). Drawing: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994019138-GZU0KDYD3MZLQF97BYQD/6.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 6 Initial 3D scheme of the reconstruction project (autumn of 2014). Drawing: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994026842-IXSBK97NVWYDMMCE2K0S/7.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 7 Measuring the place in the EÜS hall where the mural had been (summer of 2015). Photo: the Estonian Student Society. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994047659-OOUDKGC87MZNWM8YEKTF/8.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 8 Measuring the place in the EÜS hall where the mural had been (summer of 2015). Photo: the Estonian Student Society. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994078761-OTPSMMNMDP81ZWDAQ5IZ/10.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 9 Conservation of the wholly survived triptych part Kalevipoeg Evenings in the Heritage Protection and Conservation Department of the Estonian Academy of Art (in 2015). Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994085869-OX42GP79LMQ5NQ3SM1B9/11.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 10 Conservation of the wholly survived triptych part Kalevipoeg Evenings in the Heritage Protection and Conservation Department of the Estonian Academy of Art (in 2015). Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994088758-M39ANRL1RE82EP4ZRC52/12.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 11 Setting the restored painting Kalevipoeg Evenings on the supporting frame, witnessed by the public and its presentation in the EÜS hall (summer 2016). Photo: the Estonian Student Society https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994093105-6LQMCJ4JH1XF3YMUUCS6/13.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 12 Setting the restored painting Kalevipoeg Evenings on the supporting frame, witnessed by the public and its presentation in the EÜS hall (summer 2016). Photo: the Estonian Student Society. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994099174-O4W9KYUTBE7EB5MHCAZ0/14.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 13 One of the most complicated parts of the reconstruction process was the geometrical transforming of the historical photos, taken for the basis of the canvas-print, according to the preserved fragments of the original mural (autumn 2017). Drawing: Andres Uueni https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994106342-XU6VKQI8F7A9PRY16H1Z/15.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 14 One of the most complicated parts of the reconstruction process was the geometrical transforming of the historical photos, taken for the basis of the canvas-print, according to the preserved fragments of the original mural (autumn 2017). Drawing: Andres Uueni https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994113352-7V1D45D4YLCEYZRVI8E4/16.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 15 Condition of the preserved fragments of the mural before restoration. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994128807-7J7ANW9KZURKUDJRKDRS/17.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 16 Condition of the preserved fragments of the mural before restoration. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994135651-67Q0SLGNKPFWQKF8TBAV/18.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 17 Condition of the preserved fragments of the mural before restoration. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994137574-6Z2DLU9N7AEZ34QPF15P/19.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 18 Conservation of the fragments from the destroyed parts of the mural (January 2018). Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994140309-I9ALIXJ2QZYKC7WJHGZ3/20.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 19 Conservation of the fragments from the destroyed parts of the mural (January 2018). Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994146706-UJLC9LQX2RUQSBEHHRS7/21.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 20 Conservation of the fragments from the destroyed parts of the mural (January 2018). Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994149384-IE4GUVJRC6R2HOW1H4VZ/22.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 21 Conservation of the fragments from the destroyed parts of the mural (January 2018). Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994154469-Q02FMPDEY408OD38KRLL/23.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 22 Planting the preserved fragments of the paintings Blessing of the Flag and Going to the War of Independence on the photo-canvas and the reconstruction of the whole mural at the Estonian Academy of Art in March 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994160155-DKTHR9LBJ17MOQI9ZDAU/24.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 23 Planting the preserved fragments of the paintings Blessing of the Flag and Going to the War of Independence on the photo-canvas and the reconstruction of the whole mural at the Estonian Academy of Art in March 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994166080-03T7FWOFW8FKXR18J812/25.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 24 Planting the preserved fragments of the paintings Blessing of the Flag and Going to the War of Independence on the photo-canvas and the reconstruction of the whole mural at the Estonian Academy of Art in March 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994174327-9COHVAY7XF6QW5IBYXX4/26.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 25 Planting the preserved fragments of the paintings Blessing of the Flag and Going to the War of Independence on the photo-canvas and the reconstruction of the whole mural at the Estonian Academy of Art in March 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994187904-FU282HJFQGHVHSPDBQUW/27.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 26 Planting the preserved fragments of the paintings Blessing of the Flag and Going to the War of Independence on the photo-canvas and the reconstruction of the whole mural at the Estonian Academy of Art in March 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994192966-BNE7O4Z0Z71MEFMA32ZI/28.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 27 Preparation of photo-canvases and stretching them on base-frame at the Kumu Art Museum from March to August 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994200048-LTB2EQK2NPUDWEZTHD9Q/29.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 28 Preparation of photo-canvases and stretching them on base-frame at the Kumu Art Museum from March to August 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994202952-R9DWWQ7N8BNX5GOA3WHV/31.jpg Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 29 Reconstructed mural at its initial place in the EÜS hall in September 2018. Photo: Villu Plink https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994214322-KCRNQX7EZF7LAW7ILB6V/32.JPG Renovatum anno 2017/2018 EN - (RE)BIRTH OF THE CANVAS-BASED MURAL OF THE ESTONIAN STUDENT SOCIETY - ill 30 The book Suur Pilt… (The Big Picture. The Estonian Student Society’s Mural 1938-2018) that deals with the story of the mural. (Authors – Indrek Elling, Enn Lillemets, Tiina-Mall Kreem, Hilkka Hiiop) https://www.anno.renovatum.ee/en/renovatum-anno-20172018/rediscovered-jesus-of-ruge monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994478629-J2DALGZXE56IFES3877T/1.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994483136-5OMTT12C552OTPJXFVFG/2.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994486492-ULD4P6TUN726M9J6Q5IK/3.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994491856-IG084YWNF31IKOYOHXR7/4.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994497013-U4UKGLYNICRI3ETN9ELD/5.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994503026-D9XUS4C9ZJOMEBJHCJ8K/6.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994508957-4YPZ0I2PUH1TZEIWVFF4/7.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994515578-LIYVMYQEPUVHW4WDTS3Z/8.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994521603-1UDWAFEN24KS2G1FZS2D/9.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994552225-7K7UD2JH88R2AA5K8JDG/10.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994586861-KNSHS7D3WLVGDQWB3KCJ/11.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994594591-1AIWZJX6ZVZZCMYJ2T1W/12.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994603111-OELLVU7PYXOGOORRFXLW/13.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994610776-MS6K0R6NWIEE6RYRIGTR/14.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994619221-FGIPW5X8QAUNE466LBUB/15.jpg Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994624859-OGHKPJGWCR17NV61X1N0/16.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994631802-ZKZ96IT1YTT6DUT4NTEO/17.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994634783-OVHT10ICZ65B0UM5O0KB/18.JPG Renovatum anno 2017/2018 EN - REDISCOVERED JESUS OF RÕUGE https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-oil-paintings-on-paper-from-ideas-to-practical-solutions-on-the-example-of-paintings-by-estonian-artist-ado-vabbe monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994907008-1K9FBQYUW4PBUW30JO27/1_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994912092-9KTUWT13DI15L9HSUIEI/2_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994917020-UQJK23P8R7OOPBH2F2ZA/3_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994923087-4KJGT0UOGEH4F1QN3WNB/4_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994958187-UJBXS0MN2CWJ4729BORI/5_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994963453-4COE9PNLDIG03C0ACP29/6_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994969711-MYDIX63K2B5QH9V54QYK/7_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994975749-217ZHD0VUYYVXKG1HLMC/8_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994988018-HD6OULTE5JMXOPPUZVY5/9_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665994999996-UM5672YYTVE0P93M3XDG/10_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995074415-X64X7MIVT51ZUD04NP2Z/11_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995032914-TKBHWA4XWJPACKP5BQ0R/12_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995095921-3ADI8QML337O0XC9CMZA/13_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995102095-K4TO5PBRA2ME39HK6EVS/14_ren.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995127111-6ZGZQUU017GZ03AYPP1X/15_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995143986-JC7SW5R1CROUBI8HHBTN/16_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995150374-8OCWKWVXJEHYON2C75VI/17_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995155431-EM6EYUT8TAXUK96LUXPS/18_ren.JPG Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995209594-O2OL9PG8ZKRQPIXPBB4L/19.png Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995214956-BAR82KXNY2YY9LTZFKJI/20.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995220224-MJWHSV2ZLD1NHYIT2YPP/21.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995226378-YI3K31XK6X07EXLDJXJ8/22.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995252996-YA0YYT439N0DMB2G7CZ0/23.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995266470-NFAP06ZMWOKZK21L9DAT/24.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995272162-5KLJ7C7T8CMV0WSMI04D/25.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995276364-M00L5G6WRAR0FGYZLJ03/26.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995280650-UKYPOU0I6FI0APHLY9OQ/27.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995287343-C3BTCMKD22W5VMRBT7VO/28.png Renovatum anno 2017/2018 EN - CONSERVATION OF OIL PAINTINGS ON PAPER. FROM IDEAS TO PRACTICAL SOLUTIONS ON THE EXAMPLE OF PAINTINGS BY ESTONIAN ARTIST ADO VABBE https://www.anno.renovatum.ee/en/renovatum-anno-20172018/1-december-2016-kanut-30-development-of-the-national-conservation-centre monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995572781-C23TY5YRWPIZXWDVW9EK/I0KP42%7ED.JPG Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995573942-AYQYRTX5TLMCP53M188M/I0KP42%7EE.JPG Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995579504-B1RKBSD9J12769E9CGOL/I0KP42%7EF.JPG Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665995693313-BX6TAI488FN89BNKX62Q/I0KP42%7E8.JPG Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997514403-1JPPVRJGC0KJ3SVUA1FZ/ill.5.jpg Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997678867-IDI8TW5E89Q4PQLNK7LH/ill.6.jpg Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997689538-97GO0FI1Q93NRUTYNAN8/ill.6a.jpg Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997698155-OR7BAUPJFL6Z4ZRIXA2W/ill.7.jpg Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997706658-ONTW3ZGHCYH0LUMMHY71/ill.8.jpg Renovatum anno 2017/2018 EN - 1 DECEMBER 2016 – KANUT 30 – DEVELOPMENT OF THE NATIONAL CONSERVATION CENTRE https://www.anno.renovatum.ee/en/renovatum-anno-20172018/kanut-and-st-canute-cnut-the-patron-saint-of-master-craftsmen monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997962799-N72680N79J24XHMSBQQN/ill_1.jpg Renovatum anno 2017/2018 EN - KANUT AND ST CANUTE (CNUT), THE PATRON SAINT OF MASTER CRAFTSMEN https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997967304-WD7WQ8BKT8HIB6KAQ6UI/ill_2.jpg Renovatum anno 2017/2018 EN - KANUT AND ST CANUTE (CNUT), THE PATRON SAINT OF MASTER CRAFTSMEN https://www.anno.renovatum.ee/en/renovatum-anno-20172018/objects-and-time-changes-and-eternity monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997825846-NZ5WC32MZUAB4SJB4JSG/ill_1.JPG Renovatum anno 2017/2018 EN - OBJECTS AND TIME: CHANGES AND ETERNITY https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997835961-LBSXYXFMKAQBDLPS3TSN/ill_2.JPG Renovatum anno 2017/2018 EN - OBJECTS AND TIME: CHANGES AND ETERNITY https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1665997846572-VXD0EW4RPO8FFAL6LG4C/ill_3.JPG Renovatum anno 2017/2018 EN - OBJECTS AND TIME: CHANGES AND ETERNITY https://www.anno.renovatum.ee/en/renovatum-anno-20172018/the-family-tree-of-the-kanut-centre monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1664271738213-T7MAZIQEZ16IFVLVQPB6/Kanuti+perepuu_2.jpg Renovatum anno 2017/2018 EN - THE FAMILY TREE OF THE KANUT CENTRE https://www.anno.renovatum.ee/en/renovatum-anno-20172018/preparation-of-analogue-film-for-digitization monthly 0.5 2022-10-17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/16ef71af-b07d-412d-814d-91e42a3cf345/kadi_sikka.jpg Renovatum anno 2017/2018 EN - PREPARATION OF ANALOGUE FILM FOR DIGITIZATION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/examples-of-the-use-of-uv-electromagnetic-radiation-to-study-selected-paintings-at-the-art-museum-of-estonia monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/ad4adc34-41b1-428a-9eb0-d90285bf9587/eesti_a_nurkse.jpg Renovatum anno 2017/2018 EN - EXAMPLES OF THE USE OF UV-ELECTROMAGNETIC RADIATION TO STUDY SELECTED PAINTINGS AT THE ART MUSEUM OF ESTONIA - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/autopsy-of-contemporary-art-on-conservators-table monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/00e41570-804b-41b0-a590-ddbafd3a359d/1_eesti_aire_aksiim.jpg Renovatum anno 2017/2018 EN - AUTOPSY OF CONTEMPORARY ART ON CONSERVATOR’S TABLE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-19th-century-botanical-teaching-aids-at-the-university-of-tartu monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/2da41a22-244e-4e12-bf7d-7221a534839a/3eesti_anne_arus.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF 19TH CENTURY BOTANICAL TEACHING AIDS AT THE UNIVERSITY OF TARTU - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/salvaging-and-conservation-of-fire-damaged-prayer-books-of-piirissaare-old-believers-congregation monthly 0.5 2022-09-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/7ac7a721-d673-438c-8cd7-c7efbcb42f79/piirissaare_0.jpg Renovatum anno 2017/2018 EN - SALVAGING AND CONSERVATION OF FIRE-DAMAGED PRAYER BOOKS OF PIIRISSAARE OLD BELIEVERS CONGREGATION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/when-plaster-needs-a-plaster-cast-recovering-of-broken-plaster-limbs monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/98890ceb-6042-45b1-9f94-2789e8715530/5eesti_jolana_laidma.jpg Renovatum anno 2017/2018 EN - WHEN PLASTER NEEDS A PLASTER CAST. RECOVERING OF BROKEN PLASTER LIMBS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/client-museum-versus-private-contract monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/837fa457-0ad7-4284-ba11-255756983f55/6eesti_helen_lennuk.jpg Renovatum anno 2017/2018 EN - CLIENT: MUSEUM VERSUS PRIVATE CONTRACT - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-the-painting-estonian-declaration-of-independence-in-viljandi-on-february-24-1918 monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1889cda4-e6d7-4ebf-a572-ffefbcd68e9f/7eesti_marika_mangel.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF THE PAINTING ESTONIAN DECLARATION OF INDEPENDENCE IN VILJANDI ON FEBRUARY 24 1918 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/adhesive-based-support-as-an-alternative-method-for-fragile-textiles-meant-to-be-displayed-hanging monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/9d803bdd-5b10-4241-b9c2-f4a8d4f40da2/10eesti_heige_peets.jpg Renovatum anno 2017/2018 EN - ADHESIVE BASED SUPPORT AS AN ALTERNATIVE METHOD FOR FRAGILE TEXTILES MEANT TO BE DISPLAYED HANGING - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-travelchest monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/240b1f2d-36fa-49db-b507-64670b760bc4/11eesti_silli_peedosk+%281%29.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF TRAVELCHEST - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/polychrome-epitaph-coat-of-arms-of-the-von-mohrenschildt-family monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/600160e4-68b7-41f3-afb9-71332cd63fdb/12eesti_ingrid_pihelgas_vapp.jpg Renovatum anno 2017/2018 EN - POLYCHROME EPITAPH COAT OF ARMS OF THE VON MOHRENSCHILDT FAMILY - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/layers-of-heritage-on-shelves-all-visible-for-a-visitor-case-study-of-estonian-national-museums-faculty-in-heimtali monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8391c186-4a0f-42e0-bf32-0abeded9421a/14eesti_anna_liisa.jpg Renovatum anno 2017/2018 EN - LAYERS OF HERITAGE ON SHELVES, ALL VISIBLE FOR A VISITOR. CASE STUDY OF ESTONIAN NATIONAL MUSEUM’S FACULTY IN HEIMTALI - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/digitising-glass-negatives-at-the-sa-evm-conservation-and-digitisation-centre-kanut-in-2005-2016 monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/68fbbc54-318d-4d08-9cae-437ea6068dd2/15eesti_mari_siiner.jpg Renovatum anno 2017/2018 EN - DIGITISING GLASS NEGATIVES AT THE SA EVM CONSERVATION AND DIGITISATION CENTRE KANUT IN 2005-2016 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/how-to-maintain-the-transient-the-art-of-collaboration-and-the-secrets-of-photocopies monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/defcc52a-d310-4503-8a16-f97275b5fd28/17eesti_tea_shumanov.jpg Renovatum anno 2017/2018 EN - HOW TO MAINTAIN THE TRANSIENT: THE ART OF COLLABORATION AND THE SECRETS OF PHOTOCOPIES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-a-baroque-style-cupboard monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8f73bc6b-9682-4e60-9c2f-eac24a8ec0c5/18eesti_viljar_talimaa.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF A BAROQUE-STYLE CUPBOARD - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/how-to-make-thick-limp-binding-covers-using-temporal-cardboard-mould-on-example-of-16th-century-manuscript-from-kullamaa-west-estonia monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/abc38f50-169b-47c7-b31d-456b58c0a6cd/20eesti_tulvi_turo.jpg Renovatum anno 2017/2018 EN - HOW TO MAKE THICK LIMP-BINDING COVERS USING TEMPORAL CARDBOARD MOULD: ON EXAMPLE OF 16TH-CENTURY MANUSCRIPT FROM KULLAMAA (WEST ESTONIA) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-the-painting-meeting-on-21061940-by-a-jegorov-120-x-103-cm monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/c3eee14d-2a12-4da7-b103-2db62665cf20/21eesti_yyve.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF THE PAINTING MEETING ON 21.06.1940 (BY A. JEGOROV, 120 X 103 CM) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-an-empire-style-table monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/3dd244d8-d15a-448a-b162-580efed31d7d/22eesti_mart_verevmagi.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF AN EMPIRE-STYLE TABLE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/roman-iron-age-hoard-from-virumaa monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/4a3a82eb-3b6b-49ac-939a-4220ee94c343/23eesti_aive_viljus.jpg Renovatum anno 2017/2018 EN - ROMAN IRON AGE HOARD FROM VIRUMAA - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/riga-castle-the-restoration-puzzle-resolved monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/7ffc08d2-a43a-4530-bf5e-78209204c169/24lati_castle.jpg Renovatum anno 2017/2018 EN - RIGA CASTLE: THE RESTORATION PUZZLE RESOLVED - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-medieval-armours-from-cesis-castle monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/bf52bd24-8bbe-488a-bee1-24e6d7d788b3/26_leedu_lithuania_medieval_armour_from.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF MEDIEVAL ARMOURS FROM CESIS CASTLE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/crosses-and-wayside-shrines-in-museums-research-and-restoration monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/39e4babc-7b10-4f79-9134-ab67bbd8c693/27_leedu_crosses_and_waiside.jpg Renovatum anno 2017/2018 EN - CROSSES AND WAYSIDE SHRINES IN MUSEUMS. RESEARCH AND RESTORATION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/scientific-research-and-restoration-of-painting-immaculate-conception-of-virgin-mary monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/fdd5a681-fcd1-40ba-a677-81eea61249b9/28_leedu_scientific_research_and.jpg Renovatum anno 2017/2018 EN - SCIENTIFIC RESEARCH AND RESTORATION OF PAINTING "IMMACULATE CONCEPTION OF VIRGIN MARY” - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/imat-application-in-art-conservation monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/25162d50-42f5-4b5f-a351-5cf1df5454bf/29_leedu_imat_application_in_art.jpg Renovatum anno 2017/2018 EN - IMAT APPLICATION IN ART CONSERVATION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/louis-xvi-style-table monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/542acb9f-f4eb-4916-850c-15a704a78b8b/30_leedu_louis_xvi_style_table.jpg Renovatum anno 2017/2018 EN - LOUIS XVI – STYLE TABLE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/the-restoration-of-the-19th-century-antepedium monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/038f3ffe-a73b-43e0-a21f-42cfc8051ac9/31_leedu_the_restoration.jpg Renovatum anno 2017/2018 EN - THE RESTORATION OF THE 19TH CENTURY ANTEPEDIUM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/restoration-of-kazimiera-zimblyte-1933-1999-artworks-made-in-collage-technique monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/df6f257b-58dc-40f5-b24b-2b72a458db18/32_leedu_restoration_of_kazimiera.jpg Renovatum anno 2017/2018 EN - RESTORATION OF KAZIMIERA ZIMBLYTE (1933-1999) ARTWORKS, MADE IN COLLAGE TECHNIQUE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/old-sideboard-shone-in-its-beauty monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8aee9034-08ee-40f9-90cc-5f219e686593/34_leedu_old_sideboard_shone.jpg Renovatum anno 2017/2018 EN - OLD SIDEBOARD SHONE IN ITS BEAUTY - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/restored-four-evangelists-sculptures-from-vilnius-st-johns-church monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/d426637c-32d9-46db-81ba-76cbac1dbede/33_leedu_restored_four_evangelists.jpg Renovatum anno 2017/2018 EN - RESTORED FOUR EVANGELISTS SCULPTURES FROM VILNIUS ST. JOHN’S CHURCH - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/searches-and-solutions-in-restoring-surfaces monthly 0.5 2022-09-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/ebc5efe2-6400-4b3b-94fc-43d3ca309dea/35_leedu_searches_and_solutions_in_restoring_surfaces.jpg Renovatum anno 2017/2018 EN - SEARCHES AND SOLUTIONS IN RESTORING SURFACES - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/challenges-while-preserving-processional-altar monthly 0.5 2022-09-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6244bfaa-c054-4605-a13e-fd56c6a9f2bf/36_leedu_challenges.jpg Renovatum anno 2017/2018 EN - CHALLENGES WHILE PRESERVING PROCESSIONAL ALTAR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/restoration-of-chinese-wood-engravings-from-lithuanian-art-museum monthly 0.5 2022-09-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/cc4c13f0-31d2-473a-ba63-659bdd347217/37_leedu_restoration_of_chinese.jpg Renovatum anno 2017/2018 EN - RESTORATION OF CHINESE WOOD ENGRAVINGS FROM LITHUANIAN ART MUSEUM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/searching-for-true-different-restoration-and-reconstruction-methods-of-two-female-caps monthly 0.5 2022-09-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/f9657d26-0c17-4857-844b-c095fedfa045/38_leedu_2_arheoloogia.jpg Renovatum anno 2017/2018 EN - SEARCHING FOR TRUE: DIFFERENT RESTORATION AND RECONSTRUCTION METHODS OF TWO FEMALE CAPS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/residues-on-archaeological-finds-investigation-and-interpretation monthly 0.5 2022-09-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/047d937d-af23-42d8-8491-11ca73404a51/39_leedu_2_arheoloogia.jpg Renovatum anno 2017/2018 EN - RESIDUES ON ARCHAEOLOGICAL FINDS: INVESTIGATION AND INTERPRETATION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/preservation-and-restoration-of-painted-clay-plaster-in-bjrgan-prestgrd-2015-2016 monthly 0.5 2022-06-17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b40a4669-5789-444c-be73-a71842ecc0a8/40_norra_goda_plakatas.jpg Renovatum anno 2017/2018 EN - PRESERVATION AND RESTORATION OF PAINTED CLAY PLASTER IN BJØRGAN PRESTGÅRD (2015 - 2016) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/the-11th-triennial-meeting-for-conservators-of-the-baltic-states-tartu-estonia-2017-changing-contexts-from-environment-to-ideas monthly 0.5 2022-06-17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b31b6899-9d29-4255-bf22-b8d9fe43100a/logo_2_0.jpg Renovatum anno 2017/2018 EN - THE 11TH TRIENNIAL MEETING FOR CONSERVATORS OF THE BALTIC STATES, TARTU, ESTONIA 2017 CHANGING CONTEXTS: FROM ENVIRONMENT TO IDEAS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/exposed-concrete-restoration-and-reconstruction-of-the-latvian-nacional-museum-of-art-in-the-new-building-annexe monthly 0.5 2022-06-17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/99ab8b1c-8b85-42b3-9eac-c227ae89621e/gundega.jpg Renovatum anno 2017/2018 EN - EXPOSED CONCRETE RESTORATION AND RECONSTRUCTION OF THE LATVIAN NACIONAL MUSEUM OF ART IN THE NEW BUILDING ANNEXE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/vna-manor-historical-wallpapers monthly 0.5 2022-06-17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6c2c0679-fbba-4332-9021-02bc29886401/19eesti_heli_tuksam.jpg Renovatum anno 2017/2018 EN - VÄÄNA MANOR HISTORICAL WALLPAPERS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/x-ray-studies-of-selected-artefacts-from-the-collection-of-the-art-museum-of-estonia monthly 0.5 2022-09-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/c7765da9-bf9e-43cd-a35f-70dd5cb86f6a/9eesti_alar_nurkse_x_radiography.jpg Renovatum anno 2017/2018 EN - X-RAY STUDIES OF SELECTED ARTEFACTS FROM THE COLLECTION OF THE ART MUSEUM OF ESTONIA - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/conservation-of-the-icon-saint-alexander-nevsky-from-the-previously-abandoned-orthodox-church-of-alexander-nevsky-chapel-pudinavas-village-latvia monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/9c643fd2-a71a-4e41-8866-77b8632a4f76/25lati_ieva_icon.jpg Renovatum anno 2017/2018 EN - CONSERVATION OF THE ICON "SAINT ALEXANDER NEVSKY" FROM THE PREVIOUSLY ABANDONED ORTHODOX CHURCH OF ALEXANDER NEVSKY CHAPEL (PUDINAVAS VILLAGE, LATVIA) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/the-preparing-of-urvaste-cemetery-plans-for-digitization monthly 0.5 2022-06-16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/94885684-a84c-4a12-920d-081f152ed40a/poster_k.pihkva.jpg Renovatum anno 2017/2018 EN - THE PREPARING OF URVASTE CEMETERY PLANS FOR DIGITIZATION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/hetkel-veel-puudub-artikkel-selle-teema-kohta-d85lp-c4x85 monthly 0.5 2022-06-16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b72dcbc6-95b2-4f22-9369-59f055d82606/nele_ambos.jpg Renovatum anno 2017/2018 EN - EXHIBITION: “THE HIDDEN SIDE OF THE COLLECTION OF TARTMUS” - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/hetkel-veel-puudub-artikkel-selle-teema-kohta-d85lp monthly 0.5 2022-10-17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/09f460da-b9dc-42bd-bea2-63c1ae8a051c/study+of+hydrogel1.jpg Renovatum anno 2017/2018 EN - STUDY OF HYDROGEL MATERIALS FOR PAPER CLEANING PROCESS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/en/renovatum-anno-20172018/category/Triennal monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/tag/Digitisation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/tag/Preservation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/tag/Education monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/tag/Conservation monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/tag/Research monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-20172018/tag/Triennal monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024 daily 0.75 2024-12-12 https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/tundmatu-koostisega-19601970-aastate-livrvid-konservaatori-tlaual monthly 0.5 2024-12-05 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393054575-O1Q01G2WFLOLUOZJ00H9/1_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 1 August Pulsti (1889-1977) maal „Tori põrgu“ tema 1970. aastatel valminud Tori (Pärnumaa) kandi mütoloogial põhinevast sarjast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393057725-7IOP47W9BF1DG16T2L26/2_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 2 Detail maalist „Tori põrgu“, millel on näha palju värvikihis kokku tõmbunud ja pinnale tõusnud õlitombukesi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393064471-H033DCT7N9YVMAR9VHVK/3_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 3 Maal „Siiraku Tõnn tamme sees“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393072199-7ODSMD1I63F46L5PPI8M/4_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 4 Detail maalist „Rahaauk põleb“ – pildil on näha värvi aeglasel kuivamisel ja õli eraldumisel tekkinud voolamisjälgi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393077759-B9XCXQNF5WJM7LRZ3KE4/5_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 5 Detail maalist „Kurat Kuradi männikus“ – külgvalguses tehtud fotol on kahjustused eriti selgelt nähtavad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393080129-M0D6KSQH08BJQCG5XEU6/6_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 6 Mõned näited nõukogudeaegsetest, kunsti tarbeks tsinkpurkidesse villitud õlivärvidest, mida müüdi laiatarbekaubana keemiakauplustes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733393084054-5UP2TEMV3BASSHYECPV3/7_.jpg Renovatum anno 2022/2024 - Tundmatu koostisega 1960.–1970. aastate õlivärvid konservaatori töölaual - ill 7 Lisaks fotodel esitatud värvidele olid levinud veel valge, ooker ja mõned sinised ning rohelised toonid. Tootja andmed on purgi sildil nähtavad. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/bernt-notke-ja-pawel-blome-kaks-tallinna-pha-vaimu-kiriku-altariretaabli-meistrit-konservaatori-tlaual monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308051003-I7VS0DAN5EVOX3MYP51C/1.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 1 Tallinna Püha Vaimu kiriku peaaltari hiliskeskaegne retaabel on silmapaistev, rahvusvahelise tähtsusega teos, mis valmis 1483. aastal Lübecki nimeka meistri Bernt Notke töökojas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308051420-ZE04130F0EBF5KAAISDP/2.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 2 Püha Peetruse skulptuur hoiab käes raamatut, millesse on kantud altari ülemaalimise aastaarvud 1625 ja 1815. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308053145-2J07UWXP8QG6IUTFP1PZ/3.jpg Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 3 Värvikihtide ristlõigete uurimine kinnitas enamikul skulptuuridel ja arhitektuursetel osadel kolme värvikihi olemasolu – originaalkiht (1) ning kaks ülemaalingukihti (2, 3). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308054229-XPYKRY1UU5YHVARDIOSR/4.jpg Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 4 Instrumentaalanalüüsidega tuvastati kolm erinevat sinist pigmenti: originaalkihis (1_1483) asuriit, teises kihis (2_1625) smalt ning kolmandas kihis (3_1815) Preisi sinine, mis vastab nende pigmentide ajaloolisele kasutusele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308072928-7JGGZ99FHR7TUZMYSV0F/5.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 5 Tallinna Püha Vaimu kiriku arhiivis säilinud dokument, tänu millele teame 1625. aastal ülemaalingu teostanud autori nime: Pawell Blome. Tallinna Linnaarhiiv, TLA.230.1.Bl 20, lp. 35. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308063029-0JQE2CYT1SHO093OJ0DX/6.jpg Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 6 Üks Pawel Blome tellimustöö oli aga eriti silmapaistev, mis lubab oletada, et Blomet peeti väga austatud meistriks. 1627. aastal paluti tal Tallinna raekoja peafassaadile maalida täispikkuses portreed kuuest Rootsi kuningast. Kahjuks puuduvad nende monumentaalsete seinamaalide teostamise kohta edasised tõendid. Tallinna Linnaarhiiv, TLA.230.1.Ba 53, l. 60p. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308088854-JQ7TVFVIDCC4K8FHV62T/7.jpg Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 7 Vaade Niguliste kiriku kantslile enne II maailmasõda. Kantsel valmis tõenäoliselt puunikerdaja ja kuldaja Jürgen Blome ja maalija Pawel Blome koostöös 1624. aasta paiku. Kantsel hävis 1944. aastal. Foto: TÜ Raamatukogu, Kunstiajalooline fotokogu, F 192,B-94-591. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308087521-B4P1F3EDGM8Y3NLN23ZR/8.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 8 Altariretaabli restaureerimisega alustati juba 1964. aastal, kuid Vene konservaatorite töö katkes ootamatult 1986. aastal, mistõttu jäid kolm skulptuuri ja mõned rentaabli osad restaureerimata. Fotol on märgitud skulptuurid, mille restaureerimiseni Vene konservaatorid ei jõudnud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308099484-066K8G9VLUYH69DZY8A7/9.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 9 Varasemate restaureerimistööde käigus, mille eesmärk oli originaalkihi avamine, pole skulptuuri puhastatud ega ka hilisemaid värvikihte eemaldatud. Skulptuur oli tugevalt määrdunud ning erinevates piirkondades asuvad puhastusproovid, profülaktilised kleebised ja sondaažid lõhkusid niigi ebaühtlast tervikut. Näiteks oli Neitsi Maarja paremal näopoolel piklik värvieemaldusproov, millelt oli võimalik selgelt eristada kolme värvikihti: 15. sajandi originaalkiht, 17. sajandi temperakiht ning 19. sajandi õlivärvikiht. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308112998-USSTDPQH12EA6QA326H3/10.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 10 Konserveerimiskava koostades seati üheks eesmärgiks 1625. aasta temperavärvidega teostatud ülemaalingu dokumenteerimine; ülemaalingud eemaldati kiht-kihilt. Võrreldes originaaliga on uue maalikihi peale kandmisega kadunud detailsus, ent 17. sajandi ülemaaling siiski järgib teatud määral originaali, mida ei saa enam öelda 19. sajandi robustselt teostatud ülemaalingu kohta. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308110300-DWFU1J8MPTXF9Q7ZOG95/11.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 11 Neitsi Maarja enne ja pärast konserveerimistöid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308133813-T3PI5SBP791MBPYLCLO8/12.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 12 Filippus asub altarikapi keskosas vaataja poole küljega, mistõttu on nähtav ainult skulptuuri vasak näopool. Algne värvikiht otsustati avada ainult vaatajale nähtavalt küljelt; varjatud küljelt eemaldati vaid pool 19. sajandi kihist – seega on Filippuse näol näha kõigi kolme värvikihi stratigraafia. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308127651-HJZY3J5TVQAE8728FZJ3/13.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 13 Filippus enne ja pärast konserveerimistöid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733308133596-Q7Q4WP7XB2AOXQLRD8NI/14.png Renovatum anno 2022/2024 - Bernt Notke ja Pawel Blome – kaks Tallinna Püha Vaimu kiriku altariretaabli meistrit konservaatori töölaual - ill 14 Kuvatõmmis apostel Filippuse figuuri fotogrammeetrilisest 3D-mudelist. 19. sajandi kiht on osaliselt eemaldatud ja nähtaval on Pawel Blome 17. sajandi kiht (figuuri vasak pool). Fotode ja 3D-mudeli autor on Andres Uueni. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/muljed-siinai-me-pha-katariina-kloostri-raamatukogust monthly 0.5 2025-01-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303120546-RPTZ6B06KG5H7IVG1K5L/1_%C3%BCldvaade+kloostrist.png Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 1 Üldvaade Püha Katariina kloostrile. Alates 2002. aastast on klooster UNESCO kaitse all kui kolme maailmareligiooni – kristlust, islamit ja judaismi – ühendav püha koht. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303116787-18VH1IUVPV2VG1J4VMRN/2_kloostri+m%C3%BC%C3%BCri+%C3%A4%C3%A4res.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 2 Kohtumine kloostri müüride ees. Püha Katariina klooster asub Egiptuses Siinai poolsaarel, Vana Testamendi järgi Püha Hoorebi (Moosese) mäe jalamil, kus Vana Testamendi järgi olevat Jumal andnud Moosesele kümme käsulauda. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303122131-7S0BP8K4CWX3ALMCRFL9/3_+sissep%C3%A4%C3%A4s+raamatukokku.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 3 Sissepääs raamatukokku. Raamatukogusse on vaba pääs vaid kloostri munkadel. Pärandi uurijatele ja spetsialistidele on sissepääs ainult eelnevate kokkulepetega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303127382-22VQDGTH71WH5VOVMKNP/4_raamatukogu+uurimissaal.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 4 Püha Katariina kloostri raamatukogus asub iidsete koodeksite ja käsikirjade kogu, mis on Vatikani raamatukogu järel suuruselt teine maailmas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303129834-7VFIX06U6NCSQWMBNX0Y/5_v%C3%A4ga+vana+k%C3%B6iteraam.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 5 Uurimissaalis loovad mõnusa õhkkonna apsiidi seinamaalingud ja iidne köiteraam. Raam, millele on üles seatud köitmenöörid või nahkpaelad, on oluline köiteploki loomisel – pärgamendist ja paberist poognate kokku köitmisel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303134668-ACZLIA234GUXO6764QQQ/6_Raamatukogu+hoiuruum.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 6 Raamatukogu hoiuruum. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303137183-6X45ZN0TR64KBV30SK8F/7_Isa+Justin.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 7 Raamatukogu haldajaks on Ameerikas sündinud erudiit vaimulik Isa Justin, kes elab alates 1996. aastast kloostris mungana. Tema õlgadel on mitmed olulised tööd nagu koodeksite ja pärgamentrullide kogu uurimine, digiteerimine, projektide kirjutamine ja rahataotluste esitamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303143642-72ITIYQN5QND178PBSSR/8_+k%C3%A4sikirjaline+p%C3%A4rgamentlehtedega+evangeelium.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 8 Külastusel avanes võimalus lähedalt vaadata ja lehitseda üht rariteeti: 1583. aastal kloostrile kingitud pärgamendist lehtedega köites evangeeliumi. Haruldaselt andekate meistrite valmistatud köite seisukord oli suurepärane – ju oli teda suhteliselt vähe kasutatud, kuna tegemist on luksusköitega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303145118-XIGVJQDCDR1LW2II0JV0/9_armeenia+k%C3%B6ite+esikaas.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 9 Köite esikaant katab kaanesuurune hõbeplaat, mis kujutab evangeliste ja pühakuid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303149141-57Y3JNLO1EFYXB14QHMJ/10_+kaptaal.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 10 Köite väga kaunis ja suursugune, erinevatest värvilistest niitidest ja kuldniitidest punutud kaptaal võttis täiesti sõnatuks … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303152288-4OMHEFU9QOWREUMQJ3BI/11+-+ehist%C3%A4ht+ilustusega+ja+mimiatuuri+kattev+punasest+siidist+kate.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 11 … rääkimata evangeeliumi ehistähtede miniatuuridest ja teksti sees olevatest kaunistustest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303155607-GO8TMUED0VI3CMD3IV04/12_codex+sinaiticus.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 12 Codex Sinaiticus – 4. sajandi teise veerandisse dateeritud kreekakeelne, vanim terviklikult Uut Testamenti ja Vana Testamendi fragmente sisaldav käsikiri. Kloostris on sellest tervikteosest säilinud kaksteist lehekülge ja paarkümmend fragmenti. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303160320-8X4UGZQ1F2U4X4E42ZBB/13_raamatute+hoiukarbid.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 13 Köidete hoiukarbid. Püha Katariina kloostri raamatukogu on enda hoole ja uurimise alla võtnud Londoni ülikooli juures baseeruv uurimis- ja teaduskeskus Ligatus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303162445-7B7JX06NHX9NXXQAO3YP/14_k%C3%B6idete+metallist+tulekindel+%C3%BCmbris.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 14 Köite tulekindel metallist ümbris. Ligatuse töötajad digitaliseerivad ja vajadusel konserveerivad raamatukogus säilitatavaid käsikirju. Käsikirjade seisundi hindamistulemused ja köidete fotod kantakse digitaalsesse andmebaasi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303169419-PO8UQ44LFAA9EJL0X5JP/15_Tulvi+ja+Dorel+enne+Moosese+m%C3%A4kke+roniminst.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 15 Tulvi koos reisikaaslasega alustamas matka Moosese mäe tippu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303168742-5YZPGDNUANR0ZY699IUT/16_Siinai+m%C3%A4estikus.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 16 Palverännakute sihiks olev mäetipp on 2285 meetri kõrgune ja teekond sinna algab Püha Katariina kloostri juurest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1733303174736-GULSOYHS2V8OOISPVSTN/17_Siinai+k%C3%B5rbes.jpg Renovatum anno 2022/2024 - Muljed Siinai mäe Püha Katariina kloostri raamatukogust - ill 17 Siinai kõrbes. Suurema osa Siinai poolsaarest moodustab Siinai kõrb, mis lummab oma kaunite liivadüünide ja värviliste kanjonitega. Mitte kaugel kloostrist sai alguse ka meie terve päeva kestnud kõrbematk, teejuhiks kohalik beduiin. Kõrbekuumus ja avarus viisid mõtted eremiitidele – pühendunuile, kes eralduses muust maailmast olid valinud Jumala teenimise. Kõrbele omane väga eriline ruum harmoneerus suurepäraselt kloostris kogetud sügava vaimse rikkuse ja vaikusega. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/saladusi-varjav-raudkirst-prnu-muuseumist monthly 0.5 2024-12-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525199342-UFD9G7U0CQ5PPCP1IWCT/1_P%C3%A4Mu_26681Aj3663-M_01_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 1 Raudkirst Pärnu muuseumi kogust. Kirst oli tõenäoliselt kunagi langenud rüüstamise ohvriks – kaas oli väänatud kõveraks ning kangidega lahti murtud, seetõttu ka hoiustatud korpuse küljest eraldi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525203794-T2MRTO55DJTD8MBOWQRJ/2_P%C3%A4Mu_26681Aj3663-M_dt01_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 2 Kaane alumisel küljel oli keerukas turvalukk, millel puudus aga tavapärane lukusüsteemi kattev plaat, mille peal võis olla ka meistri või töökoja nimi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525212583-IBXG80D3AUHOF3ESU9JX/3_P%C3%A4Mu_26681Aj3663-M_av_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 3 Kirstu esikülg, millel on aasad, kuhu oli võimalik kinnitada lisaturbeks ripplukud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525229950-FRAWCGFRITYSOHYDB2VQ/4_P%C3%A4Mu_26681Aj3663-M_dt03_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 4 Esiküljel on suur dekoratiivne lukuava. See on aga pelgalt butafooria , mis mõeldud peibutuseks ja mingit funktsiooni ei kanna. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525231436-6R4JMJY2CNCIMFUVK7QR/5_P%C3%A4Mu_26681Aj3663-M_tp_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 5 Õige lukuava asub keset kirstu kaant, on varjatud katteplaadiga ja selle avamiseks on vaja teada õiget kohta, mida liigutades plaat üles hüppab. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525247140-GLQKYGWYWLZMA8L1U3SN/6_P%C3%A4Mu_26681Aj3663-M_dt02_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 6 Raudkirstu seest leiti jäljed, mis viitavad seal algselt paiknenud väiksemale lukustatud laekale – ilmselt väärisesemetele. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525241793-EN0UMCHSODQU9CU9342Y/7_P%C3%A4Mu_26681Aj3663-M_rh_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 7 Tugeva korrosioonikihiga kaetud raudkirstu vasak külg sepistatud raudkäepidemega https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525266066-I2W9Q12SO03E9YFV5HYY/8_P%C3%A4Mu_26681Aj3663-M_bt_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 8 Tugevasti roostes raudkirstu põhi https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525260846-EHIKK8AA0362LRERQ6IF/9_P%C3%A4Mu_26681Aj3663-M_02_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 9 Enne kirstu konserveerimist ühendati kaas taastatud fiksaatorite abil tagasi eseme külge. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525272580-0TGEMXLJ137MWNL7GNTL/10_P%C3%A4Mu_26681Aj3663-M_lh_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 10 Kirstu mustuse ja rooste alune pind paistis endas peitvat midagi põnevat – ilmsiks tuli kirev polükroomne maaling. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525281264-2IVAO47L24U0TIK00V27/11_P%C3%A4Mu_26681Aj3663-M_rh_cp_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 11 Puhastusproov kirstu paremal küljel- maalitud osa on paremini säilinud kirstu ülemises osas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525287721-Z75A0JOIQ1CVYO2HV97J/12_P%C3%A4Mu_26681Aj3663-M_rh_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 12 Raudkirstu parem külg pärast lillmaalingute väljapuhastamist ja kaitsekihiga katmist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525310763-9MMGIMYRPEVICH3GZW3K/13_P%C3%A4Mu_26681Aj3663-M_dt01_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 13 Detail. Erinevat tüüpi puistelilled raudkirstul. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525304061-4ULQ1X2VFQF506OA8EIR/14_P%C3%A4Mu_26681Aj3663-M_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 14 Raudkirstu esikülg üle puistatud õrnade lilledega. ( foto pärast konserveerimist) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525327331-ZNPGPDCMT245B82DQOHO/15_P%C3%A4Mu_26681Aj3663-M_tp_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 15 Raudkirstu kaas taastatud lukusüsteemiga https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525335802-2USA3U3WNOWI3LYBBQ3K/16_P%C3%A4Mu_26681Aj3663-M_04_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 16 Vaade lukumehhanismile altpoolt https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525346272-4HO0KGLDGXT2LZLVH0Q4/17_P%C3%A4Mu_26681Aj3663-M_dt06_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 17 Detail. Lukusüsteem https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525365295-W0UUJMDC08FP1V1B22RV/18_P%C3%A4Mu_26681Aj3663-M_dt08_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 18 Detail. Lukusüsteem https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525366473-60JGUB8B35J9549N5HEQ/19_P%C3%A4Mu_26681Aj3663-M_dt09_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 19 Detail. Lukusüsteem https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525393428-A7SQDPEDK5NYIOWY7TPQ/20_P%C3%A4Mu_26681Aj3663-M_dt02_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 20 Lukuaugu kate suletud ja lahtises asendis https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525397359-VHGBJBOZMUW3YL348BOU/21_P%C3%A4Mu_26681Aj3663-M_dt03_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 21 Lukuauk täiesti avatuna https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525407477-GFF6SQM6DMOS7J85U7OF/22_P%C3%A4Mu_26681Aj3663-M_rv_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 22 Raudkirstu tagakülg pärast konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1732525409622-OVXMA57H0Z3RYZSV39AA/23_P%C3%A4Mu_26681Aj3663-M_01_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 - Saladusi varjav raudkirst Pärnu Muuseumist - ill 23 Vaade raudkirstule pärast konserveerimist. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/unikaalne-kirikutekstiil-ikooni-trooniv-kristus-rikkaliku-brokaattikandiga-ikoonikate monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237252495-JF28OUJP33NF3P12AB8B/1_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 1 Tallinna Kaasani kirik on vanim säilinud puidust sakraalhoone Tallinnas, vene õigeusukirik 18 sajandist. Foto: Pjotr Mahhonin, 25. mai 2016 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237252673-7RGOGRS6X37SKLXB5MSM/2_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 2 Kirik pühitseti 1721 aastal ning 2021 aastal tähistas kirik oma 300. aastapäeva. Viimase kümne aasta jooksul on hoonet restaureeritud ja konserveeritud hulgaliselt unikaalseid sakraalkunsti objekte. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237255530-RAAHJ26HTJHH64LTSP5U/3_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 3 Ikoon „Trooniv Kristus“ ümbriskastis enne konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237255222-MQ4OZ6UN1QQ3S5B8WECF/4_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 4 Ikoonil „Trooniv Kristus“ on kujutatud piiskopi ametirüüs Kristust, kes istub suursugusel aujärjel, kroon peas. Ikoon enne ja pärast konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237256310-POHSXZIKIVPFGGNYRDFZ/5_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 5 Ikooni kattev tekstiilist kate on suuremõõtmeline brokaattikand, mille aplikatsioontehnikas muster järgib ikooni maalingut. Kate enne ikoonilt eemaldamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237256982-XGV2XJJBCABUKOHHF855/6_.png Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 6 Ikooni kate oli väga halvas seisukorras. Kate enne ikoonilt eemaldamist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237264864-FZ6INIQCH8RMAP47TIE4/7_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 7 Kate oli ikooni servadest kinnitatud pronksist dekoratiivnaeltega ja Kristuse nägu ümbritseval alal fikseeritud 8 raudnaelaga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237265382-JOU5FEAADVMCPEJS5NX2/8_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 8 Kate eemaldati ikoonilt ja seda sai hakata lähemalt uurima. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237277331-NKM9XY4IY3E2GDMQJQUJ/9_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 9 Brokaattikandi alusmaterjaliks (vooder) on linane lõuend ja tikandi aluskangaks satäänkoes naturaalne hele siid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237274518-Y55RG3Q0A3E2C3R8EF8Y/10_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 10 Tikand on taustatud tagaküljelt paberiga ja… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237283321-4ZVCLWSNI8XXXMK5Y6TQ/11_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 11 … tikandi õmblusniidid on pahemal poolel kaetud tiheda kliistrikihiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237286399-6STH4TGAEW32M8P1RRMB/12_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 12 Aplikatsioontikandi detailid on tikitud läbi kõigi alustekstiili kihtide. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237292668-0UJQ269VXODYDBZLF623/13_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 13 Tikandita siid on aga voodrile kinnitamata ja lahtine kangas oli rebenenud tükkideks ning osaliselt irdunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237296684-8IVIDCFJXILXMZAB3AYX/14_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 14 Tikandis on kasutatud kolme erikoelist sametit- ühtlase karusega tumepruun ja kaks heledamat pruuni mustrisse lõigatud karusega sametikangast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237300887-RBFY8PRELWWW1QAGXAHX/15_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 15 Rüü keskosa on valmistatud kullaläikelisest brokaatkangast. Fotol brokaatkanga ja velveti ühendus tikandi mustris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237298249-3PX7G4QEIRQQOZA24F8W/16_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 16 Tikandis on kasutatud fooliumit, erinevaid lint-, traat- ja tekstiilist südamikuga metallniite… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237299717-S5GQSRYXDRPWRQH6J1A4/17_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 16 …litreid ja … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237301307-BKXEJIF8YCO54PXIU1D2/18_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 18 …erineva kuju ja värvusega tahutud ja lihvitud peegelklaasist helmeid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237310334-WRPQN4ADTSQPHI4B6AFU/19_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 19 Tikandis on kasutatud erinevaid klaashelmeste… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237302887-IFG0KL82BCIZSR64F6HM/20_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 20 ja litrite kinnitusviise… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237304399-TB57DD3OF0MOMHP5I4MH/21_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 21 …ning erinevatest materjalidest kujundite omavahelisi ühendamisviise. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237312981-DT5OX0BI9VGE87GN6YSY/22_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 22 Täpsemad andmed tekstiilkatte võimaliku valmistaja kohta puuduvad, kuid ühelt kujundilt leitud märgistus „A.Г.“ võiks olla üks pidepunkt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237319030-110SZEUDK0LLH7LXV4XL/23_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 23 Kate oli tolmunud ja tahmunud ning tikandi puhastamine vajas iga materjali olemusele sobilikku lähenemist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237314786-94AXBNVSSZZZJ7OWSCMU/24_.png Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 24 Puhastamine viidi läbi mikroskoobi ja luuplambi abil. Puhastusprotsesside toimet kontrolliti aeg-ajalt mikroskoobiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237324496-0H1QHWC1XOE05NNTB7WG/25_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 25 Tikandi kardniidid ning foolium olid kaetud tiheda paakunud tahmakihiga, mis jättis mulje tugevalt korrodeerunud metallipinnast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237327161-XFO9DUO0S0O6YSDNDWMT/26_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 26 Tahm oli tunginud ka lahtiste siidiosade alla ja vooder oli kaetud tiheda tolmu, tahma ja laguneva tekstiili kiududega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237335538-UHWXNAJBX9VH04RD2RYB/27_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 27 Tikandi osad puhastati esmalt mehhaaniliselt antistaatilise pintsliga, tolmuimeja miniotsikute (lisaks kaitsevõrk) ja tahmakäsnaga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237338398-SYPL7852GHK2IIQ36CJM/28_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 28 Velvetkangaste korral korjati tahma osakesed pinnalt mehaaniliselt kuiva või kergelt niiske vatitikuga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237345831-J6MVCKW9SU58205BR7WW/29_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 29 Tikandi tahmunud ja korrodeerunud metall-detailid puhastati poolniiskelt kombineerides EDTA ja triammooniumtsitraadi töölahuseid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237342270-LNI5OI7KM41VYAYK0H4R/30_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 30 Brokaat-niplispitsist aupaiste Kristuse pea ümber. Fotol osaliselt puhastatud metallniidid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237351951-P1W0S00I0FYJFGHM6K0B/31_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 31 Lahtised siidi fragmendid kaeti liimistatud võrkkangaga… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237352142-GXRDK598JQVBXP4CSTN2/32_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 32 … ja lisatugevuse andmiseks fikseeriti voodrile kahepoolse liimikanga ribadega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237358977-CW8AN3O2LWISGZQYIT72/33_.JPG Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 33 Tööd teostati vaakumlaual, mis võimaldas katte hoida ühtlase pinge all ning vältis töötluse käigus tekkida võivaid volte ja venimisi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237357281-19ZXO495DSZF8NNVXG4M/34_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 34 Konserveeritud tekstiilkate asetati fotografeerimiseks ajutiselt ikoonile „Trooniv Kristus“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237358834-ODD4TCVLC4LGDFEJWM57/35_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 35 Tekstiilkate otsustati eksponeerida kirikus eraldiseisva objektina. Konserveeritud kate kinnitati kangaga kaetud vineerist alusele. Fotol konserveerimisjärgus tikand. Detail ülaosast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237368101-2NIENTRYPT79465J30LB/36_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 36 Katte alt avatuks jäävatest ikooni maalipindadest (nägu, käe-ja jalalabad) trükiti originaalmaali digifotodest koopiakujutised, mis asetati katteavade alla. Fotol konserveeritud tikand, detail ülaosast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1705237363580-USI3KXP233DDG5BM3ILJ/37_.jpg Renovatum anno 2022/2024 - Unikaalne kirikutekstiil: ikooni „Trooniv Kristus“ rikkaliku brokaattikandiga ikoonikate - ill 37 Eksponeerimiseks kirikus valmistati ikoonikattele UV klaasiga ümbriskast. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/tornikujuline-ese-ehk-hiina-puslepall monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327938609-ELXLIJMU4JZZ69SNA6FH/1_.jpg Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 1 51 cm kõrgune elevandiluust torn koosneb erinevatest omavahel ühendatud dekoratiivvormidest. Eseme üldvaade enne konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327938381-KMVN1WGFD291WVWMNJRR/2_.jpg Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 2 Lootosõiel on istuv buda kuju; selle all olev ažuurne silinder on kaunistatud 10 rea kuusnurksete tähtedega. Torni keskel on 10,6 cm läbimõõduga 14 august koosnev sfääriline kera. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327939995-JA90N8GMNT95UK2SSQJD/3_.jpg Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 3 Kera pinda kaunistab 12 erinevat figuraalkompositsiooni, millede süžeeks on motiiv „tark, kes annab nõu külaelanikele“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327940217-PTPH5F5KV55CG02WFAYA/4_.jpg Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 4 Kera sees on vähenevas suuruses 15 erinevalt kaunistatud sfäärilist kihti. Ornamentidel on kujutatud lilleõisi, rõngaid, kaheksa - ja kuusnurkseid auke ning täppe. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327941403-WNOM9OSX30NPQG5BB24P/5_.jpg Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 5 Sfäärilise kera alumist osa kaunistab rikkalik figuraalkompositsioon, mille keskmes on istuv tark ja teda ümbritsevad seitse erinevas asetuses figuuri. Detail, pärast pinnapuhastust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327943989-B5RLQYB1ZRUGV3GK16XK/6_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 6 Nikerdatud kompositsioon asub alusrõngal, mis on kaunistatud stiliseeritud õite (viis neljaõielehelist õit) ja väänduvatest lehtedest ning vartest moodustuva tasapinnalise ornamendiga. Detail, enne pinnapuhastust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327942982-T09OJKC0PQUTVHHD1TGN/7_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 7 “Chinese puzzle ball” ehk kuradi töö “Devil’s work” on tüüpiline hiina ümar puslepall, mida leidub erinevate muuseumide kogudes. Fotol ese Briti Muuseumist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327945683-DPYVGN7D3R2412Q04UN4/8_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 8 Fotol Gettysburgi Kolledži Imede Kambri kollektsiooni kuuluv puslepall, mille välimist kihti dekoreerivad draakonid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327946037-UPQ70HIFTUB5QITSUCNP/9_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 9 Fotol Pusle muuseumi (The Puzzle Museum) kollektsiooni kuuluv objekt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327947490-FQQ640XOVZGCRQ3I7HUV/10_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 10 Elevandiluust pallide valmistamise võib põhimõtteliselt jagada 6 etappi. Kõigepealt valitakse sobilik luutükk… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327947902-EJ9EMH9VM8A1K619GCHJ/11_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 11 ...valitud tükile antakse kerakujuline vorm https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327949571-G2X32OWO9IM95ASAKUZK/12_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 12 …sellele märgitakse kohad kuhu puuritakse koonilised augud. Aukude arv sõltub kera suurusest. Augu sügavused ulatuvad keskkohani ja auke puuritakse ühe kaupa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327949736-XVTALMDN0TKS2Q2JDAQ7/13_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 13 …seejärel eraldatakse kihid. Tavaliselt jäetakse pealmine kiht kõige paksem, umbes 5,2-5,3 mm, järgmiste kihtide paksus on umbes 1 mm. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327951601-LEHSPVQNGKFQKKHDYXQ1/14_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 14 …kui kihid on eraldatud, hakatakse neid dekoreerima. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327951855-GBOXGTFFOF32S9SDBF4L/15_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 15 Lõplikult dekoreeritud puslepall https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327953974-VDWNV0L0X39TG0D9UST3/16_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 16 Puslepalli lõikamiseks kasutatavad tööriistad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327954729-3KU1ZZWKWFXDJ936VAUB/17.JPG Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 17 Luust objektide puhul on alati kohane küsida, kas ese on valmistatud ehtsast elevandiluust või vandlist? Joonis: erinevate loomade kihvad ja hambad on oma ehituselt sarnased. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327957444-81WK607A2JFFBRL9QXPS/18.JPG Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 18 Kihvade kasvamise käigus tekivad luu-materjali ebaühtlase paksusega jooned ,mis kulgevad ristlõikel mööda ellipsikujulist joont. Need nn Schregeri jooned on igale loomale individuaalselt iseloomulikud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327957480-TPHSFA6GUNKQPAYVNG8L/19_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 19 Kunstmuuseumi puslepall on valmistatud ehtsast elevandiluust. Fotol on näha selgelt välja joonistuvad elevandiluule omased Schregeri jooned palli aluse põhjal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327959172-YTOV33ISNVY34B7N40Q6/20_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 20 Museaal oli määrdunud, heledast luust detailide pinnad ebaühtlaselt tumenenud. Detailide pindadel esines pragusid ja keermetel väikeseid murdumisi. Fotol pragu budakuju esiküljel… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327959716-45IO75GY46F5PG7SNYRV/21_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 21 …sisemise sfääri pragunenud pind. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327960612-6F5P40IW9PW4RDX73HA5/22_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 22 Varasemad parandused: restaureerimisest pinnale jäänud liimijääk ja kahjustunud luukeerme paranduseks kasutatud punasest puidust detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327961985-P1VLQ103XPGRRIY7K91M/23_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 23 Pinnapuhastuse töölahuste testimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327963260-QT0BVODICTLPKROKLX0X/24_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 24 Pindade puhastamine dest veega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327963542-MGK4RQP5BJAPLDZNPHFM/25_.jpg Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 25 Puslepall pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1703327965701-U2VZ0J0CFKE26BMJ63FK/26_.png Renovatum anno 2022/2024 - Tornikujuline ese ehk Hiina puslepall - ill 26 Museaali säilitamiseks valmistati spetsiaalne hoiukarp, milles on sobivast plastist pehmendus-ja toestuskihid https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/baltiriikide-konservaatorite-restauraatorite-konverentsid-osa-meie-erialasest-tst-ja-ajaloost monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995924159-ZCUHLEAO8UCQBHF82EGH/1.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 1 Eesti konservaatorite tööde ülevaatenäitus. Tallinn, 1970ndate lõpp https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995921885-SHY6R5NI0YR10H817CWS/2.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 2 Baltiriikide Triennaal – I (edaspidi BT), Riia 1987. Näituse avamine https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995926454-EDVZIL9UYCWYC5MERMPM/3.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 2 BT - I, Riia 1987. Kolme Baltiriigi konservaatorite ühisnäituse kataloog (Eesti - 172, Leedu - 77 ja Läti - 136 objekti). Kataloogis on avaldatud iga riigi lühike ajalooline ülevaade konserveerimistegevusest alates 19. sajandist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995927931-R6QRTYRWQ6E02OLQO9L0/4.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 4 BT - VI, Vilnius 2002. Eesti postrite ülespanek. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995928380-44LFRZAGVU02LSVG8CUT/5.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 5 Vilnius, 2002. Leedu konservaatorite näitus Ajaloomuuseumis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995929584-MAIH2WSZ1X5HM0DIFP2Z/6.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 6 Vilnius, 2002. Konverentsi lõpugaala. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995929352-7QL1V5X4Q1ME8VMYDMEX/7.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 7 BT - VIII, 2008, Tallinn. Eesti konservaatorite ühisnäitus „Ennistatud Eesti“. Näitusel esitleti viimastel aastatel konserveeritud museaale ja erakogudest esemeid aastatest 1918 – 1940. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995930275-REWX4C3CKZ50CX3B717K/8.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 8 BT - VIII, 2008, Tallinn. Näitus „Ennistatud Eesti“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995930636-53Y7FY3XHF7ZSJSXQTJJ/9.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 9 BT - VIII, 2008, Tallinn. Näitus „Ennistatud Eesti“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995931113-7REDSV1B9X8OJLIKHRVW/10.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 10 BT - VIII, 2008. Tallinn. Näitus „Ennistatud Eesti“. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995931825-NWK5ZBVQU4OULSIJRL59/11.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 11 BT - X, Riia 2014, meeleolukas Eesti delegatsioon vastuvõtul. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995931968-GKX1C5LSGDE9O8M93IS4/12.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 12 BT - XI, 2017, Tartu. Kõik me panustasime ürituse kordaminekuks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995934680-AFYF7QZZN5WJ4JU54LNK/13.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 13 BT - XI, 2017, Tartu. Plastikute identifitseerimise töötuba ERMis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995936540-W5KERZD27Y29YWN8225U/14.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 14 BT - XII, 2021, Vilnius. Konverents toimus ka kohapeal, kuid suuremale hulgale jõudis üritus koju veebi kaudu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995938783-2SXJUWHRJHOYEXD1Q5DU/15.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 15 BT – XII, 2021. Näomaskid olid muutunud juba igapäevaseks aksessuaariks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995946772-LL4VLKBSEYUJLSAG6L5T/16.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 16 BT - XII, 2021. Külastati põnevaid vaatamisväärsusi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995948252-LNHWYBSEO1MHK0TSN09Q/17.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 17 BT - XIII, Riia, 2023. Triennaal toimus Riia Ülikoolilinnakus. Toimumiskoht oli põneva arhitektuuri ja sisekujundusega hoonekompleks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995949711-KQT0JBEVJVNIUOOVAFZ4/18.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 18 Esimene päev algas ootamatult. Ilmselt oli mõnes laboris midagi „plahvatanud“ ja meid evakueeriti kõrvalhoonesse. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995951381-DJ8BJ3YTD00AHA5UPAKN/19.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 19 Vahel on halval asjal ka hea külg - saime toreda ühisfoto. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995955082-QQPACN6DPA3Z3GBMEO63/20.jpg Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 20 Posterettekannete ruum, kus toimus aktiivne infovahetus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995954600-9B0H1ORWDPQTKJYM7WQX/21.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 21 Triennaali lõpetamine toimus Läti Raudteemuuseumis. Siia sobis imehästi dresiinide võidusõit. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995957930-0JMJUGANF9AZE8YYFDU4/22.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 22 Kohalik ansambel tõmbas peo käima juba esimeste helidega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995957960-VBVH5D17ZZN3I0LOE8DB/23.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 23 Triennaalide üks traditsioonidest: kolme riigi esindajad lõikavad ühiselt lahti triennaalitordi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1702995961688-OK6VL3DX2GVFV784N8C1/24.JPG Renovatum anno 2022/2024 - Baltiriikide konservaatorite-restauraatorite näitus-konverentsid – osa meie erialasest tööst ja ajaloost. - ill 24 Triennaalide teine traditsioon: järgmisele korraldajariigile antakse üle teatepulk - pintsel, millele on graveeritud kõik varasemad konverentsid. Eesti esindajana võtab pintsli vastu EKÜ esinaine Tuuli Trikkant. Kohtumiseni Eestis 2026! https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/seinakaunistuse-biskviitportselanist-buketi-konserveerimine monthly 0.5 2024-12-12 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951583505-ZZ9YRYR3AAAOZYO1GBM0/Ill+1..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 1 Eesti Rahva Muuseumi kultuurilooliste esemete kogusse kuuluv biskviitportselanist seinakaunistus (ERM 101:27). Valmistatud Venemaal. Enne konserveerimist https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951576895-32AJEA9U3N8TN8SO2X97/Ill+2..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 2 Seinakaunistus jõudis ERMi 1962. aastal Aleksander Tassa erakogu üleandmisel muuseumile. Aleksander Tassa oli kuni 1938. aastani muuseumi kultuuriloolise osakonna juhataja. Fotol A. Tassa, 1903. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951581837-PYSSQAMK5JAPBB3M92RL/ill+3..png Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 3 D. I. Vinogradov oli mees, kes töötas välja vene portselanmassi retsepti. Vene portselani looja 300. sünniaastapäevaks välja antud hõbedane 2-rublane mälestusmünt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951588843-NA3WPEYEW1LNQY3ECDZW/Ill+4..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 4 Venemaa Keiserliku Portselanivabriku märk. Siin toodetud esemed olid mõeldud tsaari perekonna ja kõrgaadelkonna jaoks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951595480-J8MY0L6KLHF9DYKGGX1Q/Ill+5..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 5 Analoogne biskviitportselanist seinakaunistus Ermitaaži kogust. Tumepruunile sametile paigutatud bukett ei ole nii peene teostusega kui ERMi kogusse kuuluv objekt. XIX sajandi teine veerand. Autor P. Ivanov (?), Keiserlik Portselanivabrik, Peterburg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951595937-WEIDLU645K8KQ0I33JLG/Ill+6..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 6 ERMi seinakaunistus on Eestimaal ainulaadne. See on valmistatud Peterburi Keiserlikus Portselanivabrikus XIX sajandi keskel või teisel veerandil ning oli algselt mõeldud kaunistama mõne Peterburi palee seinu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951596913-MYJNEGN9U93BI3UQ39HW/Ill+7..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 7 M. Lomonossovi nimelise Peterburi Portselanivabriku muuseumi ekspositsioonis asuva portselankaunistuse (inv. nr MЗ-И 663) valmistas ca 1850. aastal Pjotr Judovitš Ivanov. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951597200-7IN8GQNLV7FBMFMIGHJR/Ill+8..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 8 Detail samast kaunistusest. Biskviitportselanist bukett on kinnitatud helesinisele 70 cm diameetriga portselanist alusele, mida toestab eritellimusel valmistatud laud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951644068-BLI2SCP0NCV11P77WTGF/ill+9.jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 9 ERMi kogus olev veidi alla 60 cm läbimõõduga ovaalses pronksraamis klaaskupliga kaetud seinakaunistus kujutab endast erinevatest naturaalsuuruses õitest ja lehtedest moodustatud kompositsiooni. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951607786-R7US83G8L5T5ZHS3WIGA/Ill+10..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 10 Seinakaunistus peale raami demonteerimist. Ultramariintooni dekoratiivpaberiga kaetud välimisel puitplaadil asetseb sametkangaga kaetud alus, mille põhjale on kinnitatud bukett. Paljud detailid olid purunenud ja algsetest kohtadest irdunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951618647-NFV8YGC2YHF0FML25VJM/Ill+11..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 11 Tervikobjekti aluspõhjaks on neljast lauast kokku liimitud ovaal. Selle tagakülg on kaetud paksema sinise dekoratiivpaberiga. Aluspõhja sisemise külje servas paikneb kolmest osast koosnev papiring, mille peale ulatub ebaühtlaste sälkudena tagakülje kattepaber. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951626311-3EHP4W3LHA3EC07K6JPE/Ill+12..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 12 Metallraami aluseks on puidust ovaal, mis koosneb neljast kokku liimitud segmendist. Puitu katvad erinevad rebenenud paberikihid annavad tunnistust, et objekti on varemalt avatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685953287269-SAB57PAI937SQRZY1B4O/Ill+13.+%281%29.jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 13 Sisemise, sametiga kaetud ovaali tagumisel küljel on nähtavad kunagised paberist kinnitused, mis on eelneva avamise ja restaureerimise käigus lahti rebitud ning mida ei ole korrastatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951635387-JZ51AXNC74TJE0B4UAD0/Ill+14..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 14 Sametiga kaetud aluse tagaküljel on näha plaati uuristatud auk portselanist kompositsiooni kinnitamiseks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951645205-2Z4IY88LKIPQ36AVA6NT/Ill+15..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 15 Aja jooksul on samet UV-kiirguse toimel pleekinud. Küsimusi tekitas esiküljel selgelt eralduv heledam ristkülik, mis on jälg sinna kunagi kleebitud (info?)paberist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951651654-FZ7G9A7F77R1YC86XY60/Ill+16..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 16 Ohtrad liimijäljed sametil. Portselanõite toestuseks on kasutatud ajalehepaberist kuulikesi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951648891-I3B0FXKHP4M4O3Y8ZV0E/Ill+17..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 17 Viis kokku liimitud ajalehepaberi killukest andsid põneva vihje umbes sajandivanusele teadaandele Austria Raudse Krooni ordenimärgi kaotamisest Peterburis, teel Tšernõšovi sillalt Talvepaleeni. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951654415-K3K9Z4M3V9XI41FFNG69/Ill+18..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 18 Austria Raudse Krooni ordenimärk, mis oli kasutuses 1918. aastani. Järelikult võis seinakaunistuse varasem restaureerimine toimuda XX sajandi alguses ehk umbes sada aastat tagasi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951655609-VVJQO0L2RX381S7VIERX/Ill+19..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 19 Varasema restaureerimise ajal kasutatud õhumullidega kriidi-liimi segu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951657761-0EY6X76IXD5LXJ9NB8H1/Ill+20..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 20 Biuret-testi tulemused olid nähtavad ka palja silmaga. Proovid värvusid violetseks (tõestus valgulisest materjalist). Vasakul nn pimekatse – puhas želatiin ja paremal – uuritav materjal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951666125-B06QL52BN8LDCH9PL6P5/Ill+21.jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 21 Buketi vartekogumi kinnitamine kompositsiooni külge jaapani paberist silla abil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951671332-VERX1EZ3HZ4MU732VZT6/Ill+22..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 22 Rebendid kaunistuse tagakülge katva dekoratiivpaberi serval. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951679044-WC4L6R5XLO2J3OTZ0YAQ/Ill+23..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 23 Jaapani paberist alusparandused. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951681712-MAA7Z9L2JKQS17S8GAJU/Ill+24.jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 24 Dekoratiivpaberi parandused toneeritud jaapani paberiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951687764-926DRK3GM42UT6NNMASG/Ill+25..JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 25 Metallist raami puhastus destilleeritud veega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951693198-S05QZCSBI8A2V47C6HKU/Ill+26..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 26 Töö käigus tekkinud metallraami kahjustus – 8 cm pikkune sisselõige. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951699285-6U162J3RGMWCCIMOOC9T/Ill+27..jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 27 Kahjustuse parandus jaapani paberi, kipsi ja PVAga ning pinna toneerimine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951705945-YC4UY8YV425DBRE2QLNE/Ill+28.jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 28 Bukett pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951705921-1MCM89Z0PAI7CN26G4WH/ill+29.JPG Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 29 Seinakaunistuse montaaž. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1685951712337-BAAPOMWLZ6KERP7P3VI7/Ill+30.jpg Renovatum anno 2022/2024 - Seinakaunistuse - biskviitportselanist buketi konserveerimine - ill 30 Seinakaunistus pärast konserveerimist ja montaaži. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/siid-suled-ja-suured-eesmrgid-kadrioru-kunstimuuseumi-mblikomplekti-aja-restaureerimis-ja-konserveerimislugu monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588343660-AMU6RPG8B17UQTBYR29J/tn_1..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 1 Kadrioru mööblikomplekt enne restaureerimist 2019. aasta jaanuaris. Komplektis olevad kaks tugitooli olid varasemalt 1980. aastatel restaureeritud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588343864-04R7YBGK71JRL4CPIJW0/tn_2..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 2 Diivan enne tööde algust 2019. aasta jaanuaris. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588344618-YS7LKK0YICLC6ZO2CMLZ/tn_3..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 3 Nn sinine tugitool enne tööde algust 2019. aasta jaanuaris. Varasema restaureerimise käigus oli tooli polster kaetud rokokoostiilile sobiva mustrikangaga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588345019-HXQ8IHBOGRUCCW48NTEO/tn_4..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 4 Nn valge tugitool enne tööde algust 2019. aasta jaanuaris. Tooli oli varasema restaureerimise käigus rekonstrueeritud sarnaselt sinisele tugitoolile. Selle seljatugi oli kaetud konserveeritud originaalkangaga, ülejäänud toolil markeeris polstri kuju valge puuvillane vahekangas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588345434-VQLN0SMK6AM8OE7SR62U/tn_5..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 5 1986. aasta restaureerimistööde käsikirjalise dokumentatsiooni esileht. Tekst on venekeelne, sest töö esitati konservaatori kutse taotlemiseks. Nõukogude ajal tuli atesteerimise dokumendid koostada vene keeles ning saata Moskvasse komisjonile kinnitamiseks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588345736-ZWL491ELFZ3KNUAFLEHQ/tn_6..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 6 Nn valge tugitooli seisund enne restaureerimist. Foto 1986. aasta dokumentatsioonist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588346117-LYL3U34NJMWRA1PDI22N/tn_7..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 7 Tugitool pärast lahtivõtmist. Foto 1986. aasta dokumentatsioonist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588346659-R7O3IF92A51BXLHLH1AJ/tn_8..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 8 Tugitooli konstruktsioonitööd. Näha on uued puitdetailid – parempoolne tagumine jalg ning pool vasakpoolse tagumise jala otsast. Samuti on heledamad konstruktsiooni ühenduskohad, mida on mingi vahendiga täidetud. Foto 1986. aasta dokumentatsioonist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588347069-2L4PNUMJ440HVSKS0MDM/tn_9..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 9 Komplekti kuuluvat diivanit ei olnud varasemalt konserveeritud ja selle seisukord oli kõige halvem: konstruktsioon oli tappidest lahti, palju oli puidukadusid ning pinnaviimistlus oli lõigete kõrgematel pindadel praktiliselt kadunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588347567-MT8KX3FW5JP6ADI76NR7/tn_10..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 10 Diivani puidukaod olid ulatuslikud ning mitmes kohas katkenud nii liimühenduse kadumise kui mehaaniliste murdude tõttu. Foto: T. Trikkant. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588348163-V7TDYYRNG86Q6GZGDLLZ/tn_11..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 11 Diivani käetoe “kõrva” puuduv puitdetail. Kangaste eemaldamisel tuli välja polstri sees varjul olnud kirillitsas tekst (sisu ei ole tuvastatav). Foto: T. Trikkant. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588348659-0WB711R4GU3MKT1QXVU9/tn_12..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 12 Puuduv puidulõige diivani käetoe “kõrval”. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588349161-0WHQVQ8CFVOZHKJ3APGH/tn_13..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 13 Murd diivani seljatoe kroonil olevas puidulõikes. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588349552-U9OMBUWG1Z6RHWNF3XWB/tn_14..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 14 Polstri avamisel tulid nähtavale erinevad sisukangad, mis ilmselt pärinevad erinevatest perioodidest. Istme ja käetoe “kõrvade” kangad on algupärased, seljatoe sisumaterjal ja -kangas on mingil hetkel asendatud. Käetoe “kõrva” kangal on näha booluse jälgi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588350198-IZDEETE0LV9G4UGTQBG8/tn_15..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 15 Booluse jälgedest käetoe “kõrva” sisukangal saab tuletada tehtud tööde järjekorda – polster pidi olema vahekangani valmis enne viimistluse tegemist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588350661-XC2RQPCU52YHQUFS7ACX/tn_16..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 16 Diivani konstruktsioon oli liimühendusest lahti. Varasemalt oli lisatud okaspuidust tugiklotse, mis olid kinnitatud naelte, kruvide ja liimiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588351235-V448IXY0A4PHFYEXCAUH/tn_17..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 17 Konstruktsiooni liimimisel oli vaja kasutada pitskruve ja koormarihmasid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588351835-UAPQI10HU17Z2ZT8FF4O/tn_18..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 18 Konstruktsiooni tugevdamiseks oli vaja avada ka osaliselt polstrit, mis andis võimaluse kontrollida vedrude seisukorda ning neid vajadusel puhastada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588352255-LSF6F5XPT2K5Y85069UG/tn_19..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 19 Kullatis puidulõigete kõrgematel pindadel oli peaaegu kadunud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588353111-4252QOLHWZCXV7M2G2GM/tn_20..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 20 Pinnad puhastati 5% triammooniumtsitraadi vesilahusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588353382-2QS46CVENU6YR1WLEA9L/tn_21..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 21 Piki puidu kiudu tekkinud kaod tasandati peitliga, et tekitada liimühenduse jaoks sobilik kontaktpind. Fotol diivani seljatoe kroonil olevat naise pead kaunistavate ehissulgede murdunud otsad. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588354214-R8NM808HN7GGHS3M6OVK/tn_22..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 22 Puidukadude kinnitamine pitskruvidega võib lõigete puhul olla küllalt suur väljakutse, sest pitskruve pole kuskile kinnitada. Selleks võib kasutada amortiseerunud vedrudest lõigatud traati. Et viimistlust mitte kahjustada, kasutati pehmendusena kustutuskummi tükke. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588354634-GWD88MWN71A99DI6SZWO/tn_23..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 23 Puidukadude täitmiseks valmistati ette vormilt sobiv puitdetail, mis liimiti kahjustusega kohale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588355582-4ZPELRQH7W69HZBVYW1B/tn_24..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 24 Kohati, kui kadu ei olnud ühetasapinnaline, oli vaja puiduparandusi teha mitmes järgus, alles seejärel sai hakata teostama puidulõikeid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588356186-774JRFEBH3L21VWKX0G7/tn_25..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 25 Uued puitdetailid oli vaja toneerida ja kullata. Esmalt kaeti pinnad gesso ja booluse kihtidega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588356612-Z8SB6G7QTTQX9JAYA84C/tn_26..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 26 Kohtadel, kus kullatis oli kadunud, kaeti pinnad gesso ja booluse kihtidega. Kuna kullaleht on väga õhuke, toob see välja kõik konarused. Seepärast oli parema lõpptulemuse nimel vaja pinnad paremini ette valmistada. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588357091-MN5NZK44ELXVTAJIL4PR/tn_27..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 27 Diivani originaalkangast oli säilinud kõige suurem detail seljatoel (kõrvuti kaks mustrikordust). Kangas oli aga väga halvas seisundis: väga määrdunud, ulatuslike rebenditega ning rippus istme kohal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588357507-T45MSL2Y498KKB21P4UZ/tn_28..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 28 Kui diivani originaalkangas oli maha võetud, ilmnes selle tegelik seisund ja oli näha kui palju on tekstiilis kadusid https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588358261-F3JZLM56YIDRMVW42KQG/tn_29..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 29 Huvitava leiuna tuli diivani käetugede padjandite alt välja veel üks kangas – helesinine kuldne rokokoomustriline tekstiil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588358827-XRXRPCICYMXLZDN58XAZ/tn_30..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 30 Kangad puhastati ning pandi hiljem uue pealiskanga alla tagasi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588359426-09ZD6LNO817YFP5U8ACS/tn_31..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 31 Diivani originaalkangast pesti neutraalse, õrnade siid- ja villaste materjalide jaoks sobiva pesuvahendiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588359624-DEV4TC3NRO3E97P08BDL/tn_32..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 32 Kangas kuivatati tasapindselt: kanga hapruse ja suurte rebendite tõttu kasutati tekstiili sirutamisel liivakotte ja filterpaberit lokaalseks pressiks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588360428-YVGMRJKX6PVJN72Z1IG7/tn_33..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 33 Raskused väldivad kuivamisel tekkida võivaid kangakoe deformatsioone. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588360643-DXD03LL0B83WD01VQXGZ/tn_34..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 34 Diivanikanga hele taustavärv oli piirkonniti värvunud erinevalt. Ühtlasema tulemuse saavutamiseks värvisin taustamisel kasutatud naturaalsiidi erinevat tooni, mis sobituks kadude täitmisel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588361842-WGQT4165MBFHJKCISECM/tn_35..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 35 Kõige suurem materjalikadu taustati rohekas toonis naturaalse siidiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588361996-CBUBY4ZM4QJJ3IS7G4L3/tn_36..JPG Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 36 Tekstiili konserveerimisel kasutati siidniite ja peent kõvernõela. Kõige aeganõudvam oli pahupoolel lahtiste ja sassis brokaatniitide sirutamine ja aaspistes ühekaupa kinnitamine taustakangale. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588362719-ESZST95GK5AYYCBL4URK/tn_37..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 37 Algselt kaaluti taustatud originaalkangas pinnalt katta (nn sandwich meetod). Katsetati erinevaid materjale (siid, võrgud), et selgitada, mis muudab kõige vähem originaali tooni. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588363319-BHWYK4B5PZX1TBKV6JKE/tn_38..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 38 Parima tulemuse andis happevärvidega toonitud nailonvõrk. Fotol vasak pool katmata ja parem pool rohekas toonis võrguga kaetult. Vältimaks polsterdamisel tekkivaid pingeid erinevates kangakihtides otsustati siiski jätta originaalkangas pinnalt katmata. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588363676-AU7WXNI5PB7LHY797ZZM/tn_39..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 39 Arvestades kattetekstiilide osalist säilimist ja muuseumi soovi taastada komplekti terviklikkus tuli leida võimalus puuduoleva originaalkanga asendamiseks. Puuduolev kangas otsustati tellida trükitehnikas. Koopiakanga valmistamiseks digiti diivani kattetekstiil Kanuti fotostuudios. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588364182-PSOEZGX4I3S8ZCY33M83/tn_40..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 40 Algsete värvitoonide võrdluseks kanga esikülje toonidega digiti ka kanga pahupool. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588365048-MLJ7FCF5EUHH1IDK1P04/tn_41..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 41 Sobiva tonaalsusega lahenduseni jõuti Lipuvabriku ja Kanuti vahelises pikas dialoogis. Tonaalsuste häälestamine arvutis käis käsikäes originaaliga võrdlemisega. Üks näide protsessist: vasakul trükiproov, paremal originaalkangas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588365861-45UIOG8A2NEHCW8R6FZS/tn_42..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 42 Veel üks näide trükiproovidest: vasakul originaalkangas, keskel trükinäidis suhteliselt algstaadiumis ja paremal üks viimastest näidistest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588366249-KR9I3364MALLV4BKEETI/tn_43..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 43 Kogu komplektil puudusid sobivad istmepadjad, mis kujundati eeskujuks olevate fotode järgi ning täideti ajastutruult sulgedega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588366621-1X7T7TN0X6KPERMCC1IT/tn_44..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 44 Esemetele õmmeldi peale Tyvekist šahollid (tolmukotid), et neid muuseumi hoidlas paremini kaitsta. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588367325-805T2RIN0TQQ7QHDXFBU/tn_45..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 45 Nn sinine tugitool peale tööde teostamist 2021. aasta augustis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588367604-WNNVRCWJ4I74VDHCJ6P9/tn_46..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 46 Nn valge tugitool peale tööde teostamist 2021. aasta augustis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588368298-3WYV9WF7HXQGM1SAWK7E/tn_47..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 47 Diivan peale tööde teostamist 2021. aasta augustis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588368593-X787GD552UOVAGO8ATAP/tn_48..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 48 Kadrioru mööblikomplekt peale tööde teostamist 2021. aasta augustis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1654588369251-T1SCHD6FMAX4OQR07IU6/tn_49..jpg Renovatum anno 2022/2024 - Siid, suled ja suured eesmärgid. Kadrioru kunstimuuseumi mööblikomplekti aja-, restaureerimis- ja konserveerimislugu. - ill 49 Mööblikomplekti eksponeeriti Kadrioru Kunstimuusemi näitusel „Stiilsed asjad. Mööbel ja tarbekunst Eesti kogudest“. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/suuremtmeliste-paberalusel-trkiste-konserveerimine-georg-lurichit-kujutavate-litograafiatehnikas-plakatite-nitel monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415719776-D1OPXYTRMA81XY4HK7CK/1.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 1 Georg Lurichi artistiplakat enne konserveerimist. Täisportree, litograafia 1905. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415719915-17TQ0W0YSZ6C0NZ7EML1/2.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 2 Georg Lurichi artistiplakat enne konserveerimist. Rinnaportree, litograafia 1904. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415721105-FSNL45GIYTJKKLVHHUB2/3..jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 3 Maadleja Georg Lurich oma hiilgeaegadel. Ta oli üks väljapaistvamaid isiksusi maailma raskejõustiku ajaloos. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652968332468-NW6GZ90SCPNC1DYWUIWL/tn_4.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 4 Viljandi raamatukaupmees, trükkal, kirjastaja ja seltsitegelane Hans Leoke, kellega Lurichit sidus aastatepikkune koostöö ja sõprus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415722180-6C0F6VDP76213V3XJAUX/5.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 5 Hans Leokese raamatukogu tempel G. Lurichi täisportreed kujutaval plakatil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415723382-PQ36P7L0B5FS8L6WSIG3/6.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 6 Adolph Friedländeri trükikoja litograafiapress. Trükikoja kataloogist ilmneb, et Lurich oli sellest trükikojast korduvalt plakateid tellinud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415723940-839GRCJAS3YZNTK0MOC3/7.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 7 Friedländeri litograafiatöökoja kaubamärk ja number Viljandi muuseumi plakatitel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415725162-WO3UT0Y3BFZ1LI2TRU8B/8.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 8 Ebakvaliteetse aluspapi ja robustse monteerimisviisi (liimimine papile) tagajärjel oli mõlema plakati paber hakanud lainetama. Fotol täisportree. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415726766-AP6WXZAS5CXVFYSO6DFE/9.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 9 Ulatuslikud paberikahjustused täisportree ülaosas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415729128-VKHSQ3QSC1QQYI1GBA2S/10.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 10 Paberikaod, rebendid, voldid, lõiked, voolujooned. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415730157-G1AOKIZ5JMEF2A0NWUNW/11.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 11 Varasem parandus ja selle toneering. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415731879-6X87MS255XKRWVEBW8DJ/12.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 12 Plakati paberi kahjustunud struktuur, SEM foto. Foto: Ülle Soosaar. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415732633-V71BJ0EMTKN0KT6KEI7K/13.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 13 Plakati paberi bioloogiline saaste (spoorid, seeneniidistik paberikiudude vahel), SEM foto. Foto: Ülle Soosaar. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415733662-3S0LKDVP5PY3XE3Q5PXT/14.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 14 Plakati paberi rebendid, murdekohad ja servad fikseeriti võimalikult õigesse asendisse ja kaeti esiküljelt pikakiulise mikalendi ribadega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415734798-HWZUP5ZDWL7THTXHMDBO/15.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 15 Plakati eemaldamine aluspapilt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415735568-1YJ34YNUSWG8FQU19RBT/16.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 16 Täisportree alumise poogna pesemine vaakumlaual. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415736488-OFP61WRFE85E59U13DD2/17.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 17 Suuremate kadude täitmiseks valmistati paranduspaberist sobiva kujuga paik. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415737649-LDBZXRA547C5DPGMW7KA/18.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 18 Kujutise näo toneerimine. Toneerimiseks kasutati veekindlaid värvipliiatseid. Foto: Ülle Soosaar. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415738399-XP785L15ZBA53YYB8WLE/19.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 19 Plakati turvaline tõstmine koos sirutusalusega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415739091-S3GK6ZB8AEYNQELTFQFF/20.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 20 Digimiseks ettevalmistatud plakat sirutusalusel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415740014-QTURQM8M8G166C3IV3QW/21.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 21 G. Lurichi plakateid hoiustatakse tasapinnaliselt spetsiaalses säilituskarbis. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651415741022-9O9ZRUFF0NYPYO4ZC208/22.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 22 Suureformaadilisele säilituskarbile leiti muuseumi hoidlas sobiv nurgake (kaldseinaga riiulis). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651560396308-X4IC7H5FUT51PQZMJ6ZO/23.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 23 G. Lurichi rinnaportree enne konserveerimise algust, veebruar 2020. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651560396651-G8P0XTRFIPTQWEJWZF8H/24.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 24 G. Lurichi rinnaportree pärast konserveerimist, veebruar 2021. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651560398604-9MWJ7JVRQHAQK2EYLVJ3/25.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 25 G. Lurichi täisportree enne konserveerimise algust, veebruar 2020. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651560398559-PLP63GMNNBHV27TT7Z12/26.jpg Renovatum anno 2022/2024 - Suuremõõtmeliste paberalusel trükiste konserveerimine Georg Lurichit kujutavate litograafiatehnikas plakatite näitel - ill 26 G. Lurichi täisportree pärast konserveerimist, veebruar 2021. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/peaingel-gabrieli-lugu-kuriste-kiriku-avariiseisus-ikonostaasi-ukse-konserveerimine monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964682628-6GU6KL39HLS7WUNNLFB1/tn_1.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 1 Kuriste Jumalasünnitaja Sündimise kirik Hiiumaal. (www.kirik-hiiumaal.ee) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964682628-JNLOV665NMQV9UH8KROS/tn_2.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 2 Kuriste Jumalasünnitaja Sündimise kiriku sisevaade. Ikonostaas enne diakoniukse eemaldamist. ( www.kirik-hiiumaal.ee) https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964683465-JP3BUCCWQZ8KKD1ZE4SQ/tn_3.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 3 Ikoon transpordikastis, mille põhja kattis laguneva puidu tolm. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964684056-3YBZWC9H1QUXLAGQLZW3/tn_4.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 4 Detail kahjustunud ikooniservast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964684719-EBA7N6P16FJHHJL842JI/tn_5.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 5 Ikooni servades olid puidukadudel suured maalikaod. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964685091-6OKJ4RVN5SAHQ4DGU1HL/tn_6.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 6 Ikooni puit oli muutunud urbseks massiks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964686646-8WV5CGIV8XDFG8M88C4M/tn_7.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 7 Ikooni tagakülg konserveerimise käigus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964687116-0PYY5J51PN5POGFR7AJQ/tn_8.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 8 Ikooni alumise serva freesimine. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964687792-JGGP8VLEXYG3NE42FV9N/tn_9.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 9 Ikooni serv pärast freesimist ja šunteerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964688502-T4HDPFRXT316EJ9N7SWX/tn_10.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 10 Maalipinna pinnapuhastus: tumenenud laki eemaldamine. Detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964689072-SDPFGG8QNLS15E6BQYRC/tn_11.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 11 Maalipinna pinnapuhastus: tumenenud laki eemaldamine. Detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964689772-A3BFX1MOIS3GRWKUFL2Y/tn_12.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 12 Enne puidu töötlemist tuli puhastatud maalipind katta tugeva profülaktilise kleebisega. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964690794-ODPAPDBQHFLWJHJ2RZ0M/tn_13.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 13 Sobivaima kleebise leidmiseks tehti erinevate materjalidega teste. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964691315-ENG8I8LTQJZXUFD7HUP8/tn_14.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 14 Enne puidu tugevdamist puhastati ikooni servad lahtisest mustusest ja puidutolmust. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964691893-5TH4MX45KYBPUZN73U4Z/tn_15.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 15 Sobivaima ikooniservade ülesehitamismassi leidmiseks teostati täitematerjali ja liimi testid. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964692281-HCX03JCPY7R5M1PJB2YI/tn_16.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 16 Tselluloosivill (-kiud) Antrocel® P https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964693120-R65LE3KNJYAX37MY51Q4/tn_17.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 17 Parimaks täitemassiks osutus : valge puiduliim Titebond Original + Antrocel® P + destilleeritud vesi. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964693579-50Z71G2HLVT11BSYLEE7/tn_18.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 18 Sobivaimast täitemassist valmistati kaks mulaaži, millega imiteeriti ikooni servade taastamist. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964694098-48QT3AQZT0M9WVX2TR2J/tn_19.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 19 Servad ehitati üles kiht-kihilt. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964694804-VWWPQTING7AP9BSQGAN4/tn_20.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 20 Ikooni servade taastamiseks oli vaja kõigepealt fikseerida objekti piirjooned ja… https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964695505-SFB381NHKYMZYBE9K91B/tn_21.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 21 … selleks ehitati ikooni külge abiraam. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964696184-C0KADC5EDCOWC5UHIBXQ/tn_22.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 22 Raam järgis ikooni originaalset kuju. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964696911-B11M0MTECKB92P8XK34E/tn_23.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 23 Ikoonile ehitati armatuursõrestik, millest sai oluline raamistik servade taastamiseks. Detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964696892-ZOAZY9PQ2T39IJ05SLPY/tn_24.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 24 Ikooni esikülg armatuurraamiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964697789-H10CA4AEP70AB3ZFUYDF/tn_25.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 25 Armatuurraamistik ikooni esiküljelt. Detailvaade. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964697974-7GBK9BYU4PZVT230CZHZ/tn_26.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 26 Ikooni tagakülg armatuurraamiga. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964699329-4ODOY3DNNJGA7Q2QF9TK/tn_27.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 27 Ikooni säilinud serva ja raami vahele tühimikesse ehitati plastiliinist ajutine toetuspind. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964699655-IO9F62Q8WVQGHQXW7ASC/tn_28.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 28 Servade ülesehitamine toimus ikooni tagaküljelt. Fotol on näha plastiliini ja kilega täidetud tühimikud ikooni servades. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964700946-K17VCRWPC6F3A0FJPMMQ/tn_29.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 29 Ikooni servade kiht-kihilt ülesehitamine. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964701280-BTQHREKBSUQQ7KVZ5FN4/tn_30.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 30 Ebaühtlaste kadudega servade täitmiseks kulus 5–8 kihti massi. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964702718-86TZ8BZU6KR9UWVG9S88/tn_31.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 31 Iga kiht vajas kuivamisaega kolm ööpäeva kuni nädal. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964702473-6YZVEA1D489AJQSTKF48/tn_32.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 32 Kiht-kihilt lisatud servad kinnitusid korralikult puidu külge ja ikooni algne kuju sai taastatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964703953-ZHFV2MMPHARN0LI7GD6W/tn_33.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 33 Ikoon pöörati ümber, eemaldati profülaktiline kleebis, plastiliini ja kilekihid. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964704181-0SRTXCQDEECLDXJQEYTC/tn_34.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 34 Ikooni servast irdunud maalitükid puhastati lahtisest puidutolmust ja õhendati ühtlaseks. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964704952-P50KK7LP4I3Q30D01IPP/tn_35.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 35 Töödeldud maalitükid asetati mosaiigina oma kohtadele tagasi. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964705480-QMX2RSFKP7FDM4QZ8UYB/tn_36.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 36 Maalipinnas olevad tühimikud (augud) vajasid toestamist. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964705983-HCZMU4Q7QUBRR4ZB3JTX/tn_37.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 37 Massiga täidetud auk maalipinnal. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964706673-4J0WT7CP3WRHXM463V4H/tn_38.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 38 Massiga täidetud augud lokaalses pressis stabiliseerumas. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964706998-06ZJPVIVFGQLN5LG9TCG/tn_39.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 39 Ikooni krunditud maalikaod. Puuduvad maaliosad sai taastada varasemate fotode alusel. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964707648-81LV219JW38KPUXVJYTW/tn_40.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 40 Ikonostaasi külguks kirikus 1983. a. Foto: Muinsuskaitseamet https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964708141-3CB5UPDI3RQBZK2N6JKT/tn_41.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 41 Ikonostaasi külguks kirikus 2001. a. Foto: Muinsuskaitseamet https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964708704-SF0XCIYF2HAO81HV2SPB/tn_42.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 42 Maalikadude toneerimine algul akvarellidega ja … Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964709152-LWPZ8FSYUCQOQA9350U2/tn_43.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 43 … seejärel Maimeri® restaureerimisvärvidega. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964709799-MIQYTA8XI35Y9RX80KSZ/tn_44.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 44 Lõpetatud tööd. Ikoon Kanuti maaliosakonnas. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964710053-KRUDV1R95TX52TB006Z7/tn_45.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 45 Ikoon pärast konserveerimist. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964710914-PO9YUWZXETAJ4IJ7CLCU/tn_46.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 46 Ikoonile valmistati spetsiaalne transpordi, hoiustamis- ja eksponeerimisraam. Lisaks täidab see funktsionaalne raam ka ikooni ümbrisraami rolli. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964711405-AYBEAS9K2J29VH6AVIH2/tn_47.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 47 Kaitsmaks maalingut ikooni servadel liimiti liistudele pehmenduseks kalevist ribad. Foto: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964711720-W3X6O7S25EL5XFNO07RW/tn_48.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 48 Ikoon raamis, tagaküljelt. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964713179-63T8INPB44V27OLN1J8H/tn_49.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 49 Ikoon enne konserveerimist, konserveerimise käigus ja pärast konserveerimist. Kollaaž. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1652964713416-2J15YHVJYDE11IO2E5W7/tn_50.jpg Renovatum anno 2022/2024 - Peaingel Gabrieli lugu. Kuriste kiriku avariiseisus ikonostaasi ukse konserveerimine - ill 50 Ikooni tagakülg konserveerimise käigus ja pärast konserveerimist. Kollaaž. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/ikooni-trooniv-kristus-restaureerimine monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844208467-UC10RDJTD2GOBDN1G44R/1-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 1 Ikoon „Trooniv Kristus“ fotod enne ja pärast konserveerimistöid. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844208540-RQQI3FXF2MJK0C4K2XV8/2-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 2 Ulatuslikud krundi- ja värvikihi varingud ning kaod ikooni allosas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844210422-G0ZKK9LDMEH2R5KHX4AB/3-tn.JPG Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 3 Avangud ikoonitahvli servades, millest pudeneb peent puidutolmu. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844211621-C8S01SU8DUX61JLRH14B/4-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 4 Alustahvli kao täitmiseks kasutati lehtpuidust parandustükki. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844212424-QV3PZOCGNFNWBET38UBA/5-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 5 Maalipinna puhastamine mustuse- ja tahmakihist, pool pinnast on puhastatud. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844213144-ULAKLZVFY0E70QEACHT5/6-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 6 Krundikadude täited. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844214142-38OD274NI9SPOP6D9JWW/7-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 7 Detailfoto krundikadude täitest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844215228-U96HZNHTSLE70LVYLX51/8-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 8 Tratteggio toneeringu baas – sinised ja punased vertikaaljooned, mis jäävad hilisemate laseeringute alt välja kumama. Foto: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844215855-NU0M7ZZY9CM4S0AOTCOI/9-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 9 Tratteggio toneeringu laseeringukihtide etapid ikooni allosas. Foto: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844216676-DUHO7EQOP9GYMCY2FWJJ/10-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 10 Tratteggio toneeringu laseeringukihtide etapid ikooni allosas. Foto: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844217561-7QVS8SSL644YKPBGLIQO/11-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 11 Tratteggio toneering ikooni allosas. Foto: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844218439-UCUUYJZ9PMJCDB95NQ9A/12-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 12 Ikooni kattev kast. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844219734-008H1R43HWV5DTR5DTPE/13-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 13 Vaigukipsist valatud uus detail. Foto: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844220316-OL3XMMMU968SKXMZUEEK/14-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 14 Ikoonikast pärast konserveerimistöid https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844222146-QGBKJVG6RO9EQNZND8O2/15-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 15 Algne alusjoonis ja maalimise käigus tehtud muudatus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844223731-EMXIPNZ5N8ZIQNZ1NAZF/16-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 16 Algne alusjoonis ja maalimise käigus tehtud muudatus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844225637-BOZ5ZD40286G41ZYFA8U/17-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 17 Algne alusjoonis ja maalimise käigus tehtud muudatus. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1649844227231-QR9FITPUJIDO20EX83CX/18-tn.jpg Renovatum anno 2022/2024 - Ikooni „Trooniv Kristus“ restaureerimine - ill 18 Algne alusjoonis ja maalimise käigus tehtud muudatus. https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/tag/haridus+ja+t%C3%A4iend%C3%B5pe monthly 0.5 https://www.anno.renovatum.ee/ee/renovatum-anno-2022-2024/tag/Konserveerimine monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024 daily 0.75 2025-08-21 https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/oil-paints-of-unknown-composition-from-the-1960s-and-1970s-on-the-conservators-desk monthly 0.5 2024-12-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507166082-YJN2NJHOKJPM0JAWOFP8/1_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 1 August Pulst's (1889–1977) painting "Tori Hell" from his series based on the mythology of Tori (Pärnu County) which was completed in the 1970s. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507176417-06GMP9UI22PQFHBAKO3P/2_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 2 Detail of the painting "Tori Hell" showing several shrunken oil bumps in the paint layer that have risen to the surface. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507188488-CM8EIIV0BRZWAW0Z2OEQ/3_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 3 The painting "Siiraku Tõnn In The Oak". https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507207349-BE2TACT8WJGNT7I0XKRT/4_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 4 Detail of the painting "Money Hole Burns" – the image shows the flow marks caused by the slow drying of the paint and the release of the oil. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507220110-LSOJU0M8JO93UGZ0W3X2/5_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 5 Detail of the painting "Devil in the Devil's Pine Grove" – the damage is especially clearly visible in a photo taken in side lighting. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507226459-CLB91B18FYIERLFMVVHJ/6_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 6 Examples of Soviet-era oil paints bottled in zinc cans for art, sold as a commodity in chemical stores. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735507233785-DGC1UC21AI90SFF1WZN8/7_.jpg Renovatum anno 2022/2024 EN - Oil paints of unknown composition from the 1960s and 1970s on the conservator's desk - ill 7 In addition to the colors shown in the photos, common hues included white, ochre and a few shades of blue and green. Manufacturer's information is visible on the label of the jar. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/bernt-notke-and-pawel-blome-two-masters-of-the-altar-retable-of-the-church-of-the-holy-spirit-in-tallinn-on-the-conservators-desk monthly 0.5 2025-01-08 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501548592-E3OX3QNEGPINEZD5Z7SR/1.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 1 The late medieval retable of the main altar of the Church of the Holy Spirit in Tallinn is a remarkable work of international importance, completed in 1483 in the workshop of Bernt Notke, the renowned master of Lübeck. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501547650-TTMMFNRJCZ9A046GQ0UM/2.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 2 The sculpture of St. Peter holds in his hand a book showing the years of the repainting of the altar, 1625 and 1815. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501552397-LTXX4GFWZDTGBDTBMZKE/3.jpg Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 3 Examination of cross-sections of paint layers confirmed the existence of three layers of paint on most sculptures and architectural parts – the original layer (1) and two overlaypaint layers (2, 3). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501556906-5W940NL6LNOFSUPW7C60/4.jpg Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 4 Three different blue pigments were detected by instrumental analyses: the original layer (1_1483) contained azurite, the second layer (2_1625) smalt and the third layer (3_1815) Prussian blue, which corresponds to the historical use of these pigments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501658973-M2E5CYR6XPLLIPLWKL29/5.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 5 A document preserved in the archives of the Tallinn Church of the Holy Spirit from where we know the name of the author who carried out the painting in 1625: Pawell Blome. Tallinn City Archives, TLA.230.1.Bl20,lp.35. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501594900-P3J8DQ2X4CFZT9MCFM0O/6.jpg Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 6 One of Pawel Blome's commissions was particularly prominent, suggesting that Blome was considered a highly respected master. In 1627, he was asked to paint full-length portraits of six Swedish Kings on the main facade of the Tallinn Town Hall. Unfortunately, there is no further evidence of the execution of these monumental murals. Tallinn City Archives, TLA.230.1.Ba53,l.60p. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501721766-WI4LK4GTXURIVS3RFWSA/7.jpg Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 7 View of the pulpit of St. Nicholas' Church before World War II. The pulpit was probably completed by the woodcutter and goldsmith Jürgen Blome and the painter Pawel Blome around 1624. The pulpit was destroyed in 1944. Photo: UT Library, Art History Photo Collection, F 192,B-94-591. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501723467-NI3X3E40IDSNS4RBKQ99/8.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 8 The restoration of the altar retable began already in 1964, but the work of Russian conservators was unexpectedly interrupted in 1986, as a result of which three sculptures and some parts of the retable were left unrestored. The photo shows sculptures that the Russian conservators were unable to restore. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501766475-WQ7CXUBZYQ996N21MY52/9.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 9 During earlier restoration works aimed at uncovering the original layer, the sculpture had not been cleaned nor the later paint layers removed. The sculpture was heavily soiled and the cleaning samples, prophylactic facings and tests in different areas further damaged the already uneven whole. For example, on the right side of the face of Virgin Mary there was an elongated paint removal sample, from which three layers of paint could be clearly distinguished: the original layer of paint from the 15th century, the tempera layer from the 17th century and the oil paint layer from the 19th century. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501816862-501G3JXGMX7V4YJOLUQ4/10.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 10 When drawing up the conservation plan, one of the goals was to document the painting carried out with the tempera paints in 1625; the overpainting was removed layer by layer. Compared to the original, detail has disappeared with the application of the new painting layer, but the 17th century overpainting still follows the original to a certain extent, which can no longer be said about the crudely executed overpainting of the 19th century. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735501805324-VDIN4F8K4HD4M1K5WAI0/11.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 11 The Virgin Mary before and after the conservation works. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735502149849-UMA8VVWOMHNS2DHNCMZB/12.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 12 Philip is located in the middle of the altar cabinet, facing the viewer, so only the left facial side of the sculpture is visible. It was decided to reveal the original layer of paint only on the side visible to the viewer; only half of the 19th century layer was removed from the hidden side – so the stratigraphy of all three layers of paint can be seen on Philip's face. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735502111217-Q7T7WIZHL1M44THHTZYH/13.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 13 Philip before and after the conservation works. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735502136338-NMBKAWZHJ4ALTCLVXWUS/14.png Renovatum anno 2022/2024 EN - Bernt Notke and Pawel Blome – two masters of the altar retable of the Church of the Holy Spirit in Tallinn on the conservator's desk - ill 14 Screenshot of the photogrammetric 3D model of the figure of Philip the Apostle. The 19th-century layer has been partially removed and the 17th-century layer by Pawel Blome is visible (left side of the figure). The author of the photos and the 3D model is Andres Uueni. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/impressions-from-the-library-of-st-catherines-monastery-on-mount-sinai monthly 0.5 2025-01-07 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246775737-EQFYHQ4XMX1ZP491RNR4/1_%C3%BCldvaade+kloostrist.png Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 1 General view of St. Catherine's Monastery. Since 2002, the monastery has been protected by UNESCO as a sacred site uniting three world religions – Christianity, Islam and Judaism. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246759921-AC0OO223RVL8PVDSNXI9/2_kloostri+m%C3%BC%C3%BCri+%C3%A4%C3%A4res.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 2 Meeting in front of the monastery walls. St. Catherine's Monastery is located in Egypt on the Sinai Peninsula, at the foot of the Holy Mount Horeb (Moses) according to the Old Testament, where according to the Old Testament, God gave Moses the Ten Commandments. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246777064-QMZ34KQ0CD7B4SIYK2CI/3_+sissep%C3%A4%C3%A4s+raamatukokku.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 3 Entrance to the library. Only monks from the monastery have free access to the library. Heritage researchers and specialists have access only upon prior agreement. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246796024-DZTO2GHWJKAK23JK2OWP/4_raamatukogu+uurimissaal.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 4 The library of St. Catherine's Monastery houses a collection of ancient codexes and manuscripts, the second largest in the world after the Vatican Library. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246799781-GQREW9RJIZXBPAASW2AV/5_v%C3%A4ga+vana+k%C3%B6iteraam.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 5 In the research hall, the murals on the apse and an ancient binding frame create a pleasant atmosphere. A frame with binder cords or leather bands is an important part of creating a binder block – binding parchment and paper sheets together. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246818125-OU24V7N54174RA9E5MYZ/6_Raamatukogu+hoiuruum.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 6 Library storage space. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246822036-TXMFS252ZM19W0EG34ZC/7_Isa+Justin.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 7 The administrator of the library is the American-born erudite clergyman Father Justin, who has been living in the monastery as a monk since 1996. He has a number of important jobs on his shoulders, such as researching the collection of codexes and parchment rolls, digitizing, writing projects and submitting financial applications. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246847830-NESKGQ14U4MOZ85XVU3V/8_+k%C3%A4sikirjaline+p%C3%A4rgamentlehtedega+evangeelium.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 8 The visit provided an opportunity to take a close look and browse one of the rarities: the bound Gospel with parchment sheets, gifted to the monastery in 1583. The condition of the volume bound by exceptionally talented masters was excellent – after all, as a luxury volume it had been used relatively little. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246849240-V3VXR9H0PJ6DVDMSIJKW/9_armeenia+k%C3%B6ite+esikaas.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 9 The front cover of the Gospel is covered with a silver plate the size of the whole cover, depicting evangelists and saints. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246858301-SPHBS1G4QZH3YYR5B3SG/10_+kaptaal.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 10 The beautiful and magnificent tailband of the volume, braided with different coloured and golden threads, left us utterly speechless … https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246874156-L7NAY54BJ9T2FU2M3V9H/11+-+ehist%C3%A4ht+ilustusega+ja+mimiatuuri+kattev+punasest+siidist+kate.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 11 … not to mention the miniatures of the Gospel's initial letters and the embellishments within the text. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246882658-BQCRE78R31XMOB3ONWHC/12_codex+sinaiticus.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 12 Codex Sinaiticus – a Greek manuscript dated to the second quarter of the 4th century, the oldest manuscript containing the whole of the New Testament and fragments of the Old Testament. Twelve pages and a few dozen fragments of this complete work have survived in the monastery. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246900246-DOHTLAFE4UJCQ37RHW6I/13_raamatute+hoiukarbid.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 13 Volume storage boxes. The library of St. Catherine's Monastery has been looked after by the Ligatus research and science centre based at the University of London. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246903647-MD5MUWJ4GY7ZQO0NWOZ6/14_k%C3%B6idete+metallist+tulekindel+%C3%BCmbris.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 14 The fireproof metal case of a volume. Ligatus employees digitize and, if necessary, conserve the manuscripts stored in the library. The condition evaluation results of the manuscripts and the photographs of the volumes are entered into a digital database. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246935457-DDBWLZQQUCW7CHIUGM60/15_Tulvi+ja+Dorel+enne+Moosese+m%C3%A4kke+roniminst.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 15 Tulvi with her travel companion starting on a hike to the top of Mount Moses. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246932244-WRPN9R7OKWGI2NK855UN/16_Siinai+m%C3%A4estikus.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 16 This pilgrimage destination at the top is at an altitude of 2,285 meters and the journey there begins at St. Catherine's Monastery. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735246948528-PG9AE9IR3V4HGL0XQSH6/17_Siinai+k%C3%B5rbes.jpg Renovatum anno 2022/2024 EN - Impressions from the Library of St. Catherine's Monastery on Mount Sinai - ill 17 In the Sinai desert. Most of the Sinai Peninsula is covered by the Sinai Desert which enchants with its beautiful sand dunes and colorful canyons. Not far from the monastery, our day-long desert journey began with a local Bedouin as a guide. Desert heat and spaciousness brought to mind the hermits – devotees who had chosen to serve God in isolation from the rest of the world. The very special space of the desert harmonized perfectly with the deep spiritual richness and silence experienced in the monastery. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/a-secret-hiding-iron-chest-from-prnu-museum monthly 0.5 2024-12-29 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242106465-G62R9UJVY8QSXAUOQWAA/1_P%C3%A4Mu_26681Aj3663-M_01_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 1 An iron chest from the collection of the Pärnu Museum. The chest has probably fallen victim to looting - the lid is twisted and broken open using levers, therefore also stored separately from the main body of the chest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242125592-D3FHCDNXMRIP1UIUI68U/2_P%C3%A4Mu_26681Aj3663-M_dt01_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 2 There was a complex safety lock on the lower side of the lid, missing its covering plate that would have carried the name of the craftsman or the workshop. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242141417-WBDRRQJW1DPSFNBSXZML/3_P%C3%A4Mu_26681Aj3663-M_av_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 3 Lugs on the front of the chest for hanging locks as an additional safety measure. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242210089-ETIJEX70ZZGITU94C1OW/4_P%C3%A4Mu_26681Aj3663-M_dt03_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 4 There is a large decorative lock hole on the front. However, this is just a decoy with no actual function. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242207319-ZKLVMW6N6M6422SWLZUD/5_P%C3%A4Mu_26681Aj3663-M_tp_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 5 The real lock hole is located in the middle of the lid and covered with a plate. To open it, you must know the right spot to move so the plate jumps up. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242271781-NB1VTHIWK6PQEEL9HAVZ/6_P%C3%A4Mu_26681Aj3663-M_dt02_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 6 Traces were found of a smaller, locked box inside the chest. This was probably for holding valuables. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242256962-51CJTQY3NIN4QG9BH4YD/7_P%C3%A4Mu_26681Aj3663-M_rh_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 7 The severely corroded left side of the chest with a forged iron handle. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242330431-UBCIPJTQLE4TU27Q0AB9/8_P%C3%A4Mu_26681Aj3663-M_bt_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 8 The severely corroded bottom of the chest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242315898-V07XM2NHQ38AUNE5HUL9/9_P%C3%A4Mu_26681Aj3663-M_02_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 9 Before conservation, the lid was reattached to the body using renovated fixing devices. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242365990-7XFM91G6T9OTKYZNGFWB/10_P%C3%A4Mu_26681Aj3663-M_lh_bc_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 10 The surface of the chest under dirt and rust looked like it could be hiding something interesting – a colourful polychrome painting was revealed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242406262-YST45HS142WGVBRORA20/11_P%C3%A4Mu_26681Aj3663-M_rh_cp_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 11 A test cleaning on the right side of the chest – the painting has been better preserved on the upper side. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242428633-71GLNMZLUVPQS19ND5EU/12_P%C3%A4Mu_26681Aj3663-M_rh_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 12 The right side of the iron chest after the floral paintings have been fully revealed and covered with a protective layer. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242574895-L1AJ2VO9BW166RQZTHBV/13_P%C3%A4Mu_26681Aj3663-M_dt01_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 13 A fragment. Various types of blossoms in the floral ornament of the iron chest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242500363-Z7QJBM27LZXNQYA2V9HC/14_P%C3%A4Mu_26681Aj3663-M_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 14 The front side of the chest is sprinkled with delicate flowers (pictured after conservation). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242626766-V6WK0SJ47Y04GZECNKPV/15_P%C3%A4Mu_26681Aj3663-M_tp_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 15 The lid of the iron chest with its locking system restored. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242702060-YBZYJPMMJA1008RDF6HJ/16_P%C3%A4Mu_26681Aj3663-M_04_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 16 A view of the locking mechanism from below. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242716616-UBBFMI4NA4HFDLFUPXMQ/17_P%C3%A4Mu_26681Aj3663-M_dt06_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 17 A fragment. Locking system. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242805472-Q8OVFGUJQ0A9L4HHT8MD/18_P%C3%A4Mu_26681Aj3663-M_dt08_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 18 A fragment. Locking system. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242791119-TWLJ6UQ6U0YNED8TXR94/19_P%C3%A4Mu_26681Aj3663-M_dt09_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 19 A fragment. Locking system. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242883541-M4PMOVV461HHCL0ZCJTD/20_P%C3%A4Mu_26681Aj3663-M_dt02_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 20 Lock plate cover closed and open. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242911980-ZF5OD5RR5F34EUKPZ9GG/21_P%C3%A4Mu_26681Aj3663-M_dt03_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 21 Lock hole in a completely open position. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242931276-R4MDI8L7CH3TG60X3PGJ/22_P%C3%A4Mu_26681Aj3663-M_rv_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 22 Backside of the iron chest after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1735242944945-Z1NGZCVCSSG2RYW2J7VJ/23_P%C3%A4Mu_26681Aj3663-M_01_ac_Ko2023Kanut_M.jpg Renovatum anno 2022/2024 EN - A Secret-Hiding Iron Chest From Pärnu Museum - ill 23 A view of the iron chest after conservation. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/silk-feathers-and-great-aims-the-story-about-history-restoration-and-conservation-of-a-furniture-set-from-the-kadriorg-art-museum monthly 0.5 2024-12-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132772032-5GHNP3NXIQR3X5FGU48S/1..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 1 The Kadriorg furniture set before restoration in January 2019. The two armchairs of the set had already been restored earlier in the 1980s. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132774780-206TY6P1CH4V7QSHZSDQ/2..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 2 The sofa before restoration in January 2019. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132782257-424YU65PGEIY4OJISOCF/3..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 3 The so-called blue armchair before restoration in January 2019. The padding of the chair had been covered with a patterned fabric resembling rococo style during some earlier restoration. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132783743-T73506FSYO0F81F24DVJ/4..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 4 The so-called white armchair before restoration in January 2019. The armchair had been restored earlier alike the blue one. The back had been covered with conserved original fabric, on the rest white cotton interlay marked the shape of the padding. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132786615-XNUACBM23WMJL3D0F11Y/5..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 5 The front page of the manuscript document on the restoration in 1986. The text is in Russian as the work was presented for getting professional qualifications. In Soviet times all the documents, certification documents included, had to be in Russian and they were sent to Moscow to be confirmed by a committee. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132793224-7QP504WUT3U7OPB6MLLP/6..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 6 The condition of the white armchair before restoration. The photo from the 1986 documentation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132796618-G32V9VTEMJJ8LJO968C5/7..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 7 The armchair after taking apart. The photo from the 1986 documentation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132802096-N1H3RFCQCI3LAJUM70LR/8..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 8 Construction-work of the armchair. New wooden details – right back leg and half of the left foot. Some lighter joints of the construction, filled with something, are also visible. The photo from the 1986 documentation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132808705-TJWIENAD5H2TTP8WT4R3/9..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 9 As the sofa of the set had not been conserved earlier, its condition was the worst of the three: its construction was loose at the tenons, there were many losses of wood and the surface finishing had disappeared on the higher surfaces of the carving. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132808605-672J4TWEKGXORUNA4QPD/10..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 10 The wood losses were extensive and there were cracks at several places due to breaking and losses in joint gluing. Photo: T.Trikkant. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132814608-3AOGK9TG8INO2SPH4NBC/11..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 11 A missing wooden detail from the ‘ear’ of the armrest of the sofa. When the fabrics were removed a text in Cyrillic turned out (impossible to read). Photo: T.Trikkant. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132815364-OQA2O234LDOM2A3HVT4O/12..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 12 The missing wooden detail on the ‘ear’ of the armrest. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132818951-N6OWA34BV1QS36IQQF55/13..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 13 A break of the crown on the back. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132816817-D34STAMPSN3WDB6C14DA/14..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 14 When the upholstery was opened different inner fabric pieces were seen. They evidently date back to various periods. The seating and the ‘ear’ of one armrest had original fabric on them but the inner material and –fabric have been replaced. The fabric on the ‘ear’ of the armrest bore traces of bole. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132823352-UY9STYUDITDAT71JEU1G/15..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 15 Traces of bole on the inlaid fabric showed the sequence of earlier jobs – the padding had to be completed up to the interlay before finishing was done. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132824240-65DL5016FHBSQ1Y18QF4/16..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 16 The construction of the sofa had become loose at the joints. Earlier some supporting softwood blocks had been added that were fixed with nails, screws and glue. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132824780-V78S50L49CK2JE2UNW1C/17..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 17 For gluing the construction clamps and cargo-bands had to be used. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132825898-T25KC42U2DIUN2Q9POK9/18..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 18 Some padding had to be opened in order to strengthen the construction. This, in its turn, gave an opportunity to examine the condition of the springs and clean them if necessary. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132829293-HJXGGKKFYIGM983QWNBW/19..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 19 Gilding on the higher surfaces of the carving was almost totally lost. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132828316-6NUTU9Q6ANUBUSSWHSE9/20..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 20 The surfaces were cleaned with 5% tri-ammonium citrate aqueous solution. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132830133-NPVZDLBFEH7XX55FKKBJ/21..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 21 The losses along the wood-fibre were levelled with a chisel to make suitable contact surfaces for gluing. The broken ends of feathers decorating the woman’s head on the crown of the sofa. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132834250-7OF56YIQ0T9Y7TNBS5C0/22..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 22 Fixing the wood-losses in carvings with clamps was quite a challenge as there was no place to set the clamps. Wire from deteriorating springs seemed suitable. To avoid marring the finishing I used pieces of eraser. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132833153-XWJ9MBTUSOQOFQUQGJSG/23..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 23 In order to fill wood losses, a suitable wood detail was made and glued at the damaged place. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132837769-YDASVR8L8QKZMPS2GD7C/24..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 24 In case the loss was not one-levelled the repairs had to be made in stages and only after that carving became possible. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132836880-WQBXI3NYY33EXLD1NKFR/25..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 25 The new wooden details had to be toned and gilded. First the surfaces were coated with gesso and bole. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132841442-772QGLTUHIJBMNGK1CHY/26..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 26 Where gilding had disappeared, the surface had to be coated with layers of gesso and bole. As the layer of gilding is really thin it reveals all the uneven bumps and that is why the preparation of surfaces was essential. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132849467-8NI68CGMJ50GFDZ1H5D0/27..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 27 The biggest pieces of the original seating material had preserved on the back of the sofa (pattern repeated twice side by side). The fabric, however, was in a really bad condition – dirty, had big rips and was sagging above the seat. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132853161-TD9GQ3PCUGYYT6I8MKVF/28..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 28 When the original fabric had been removed it became clear how many losses there actually were. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132856106-WCTO38XZSEMOBZSS45BD/29..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 29 It was exciting to find another fabric underneath the padding of armrests. It was light blue with golden rococo pattern. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132856438-PMOZCYDP00CG2QZWTN8G/30..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 30 All the textiles were cleaned and later put back beneath the covering fabric. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132858004-XG5DXQUURY2MADBC3LTO/31..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 31 The original fabric of the sofa was washed in water with gentle detergent suitable for silk and wool. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132858213-WAWED30S8XQ6IMK0105A/32..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 32 The fabric was dried stretched out on a table. As it was fragile and had rather big tears in it, sandbags and filter paper were used for local pressing. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132859787-LBMZQHQ1M89JL7K33SBJ/33..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 33 Weights help to avoid deformations in the weft of the drying fabric. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132860923-RWNM1V56TB4MV0AXBDJL/34..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 34 The light colour of the sofa fabric had got different shading with time. To equalise the hue I dyed the real silk for lining in a different tone to match the fabric when its losses were filled. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132861487-8YW8NV16DJVERWTPCP2R/35..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 35 The biggest fabric loss was lined with greenish real silk. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132862061-H7VHV45JHP3UEMJ99594/36..JPG Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 36 In fabric conservation silk thread and a fine curved needle were used. Stretching and fixing the loose brocade threads one by one on the reverse was time-consuming indeed. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132865492-7XUTAYYMLDPVVI79LEIM/37..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 37 At first I planned to use the so-called sandwich method and experimented with different materials (silk and netting) to find out what changes the colour of the original fabric the least. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132866929-HWKGI9AEWTIKO7XZJ68S/38..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 38 Nylon netting dyed with acidic dyes gave the best result. In the photo the left side is uncovered and the right side covered with greenish netting. However, it was decided to leave the original fabric uncovered on its surface to avoid the stress in different layers. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132870878-FCDMH7B6VUB554N1RYAB/39..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 39 We had to find a way to replace the missing pieces of the original fabric, as some of it had preserved and the museum wished the pieces to be restored as a suite. It was decided to commission the printed fabric at the flag factory. The covering textile of the sofa was digitised at the Kanut photo studio. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132872098-J6TQJ57O66NSMYQ7B0TO/40..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 40 The reverse side of the fabric was also digitised to make comparing the shades on both sides possible. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132872912-AS9HE0VNBQOGC74GAWU9/41..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 41 The suitable hue was found in a long discussion between the factory and the Kanut. Computing and comparison of shades moved on hand in hand. Here is an example of the process – print tryout on the left, original fabric on the right. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132879612-49BK022IS3CHAFUJ1M3Q/42..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 42 One more example of the tryouts: original fabric on the left, initial example of print in the centre and one of the final tryouts on the right. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132878252-TAB9W4EKH1EY8RZXI2QO/43..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 43 The whole set lacked suitable seating upholstery and so the padding was modelled after existing photos and filled with feathers. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132881727-0JKX3J4H3WQIHROLK6YS/44..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 44 For better protection of the set in the storerooms of the museum I sewed dustsheets of Tyvek. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132886528-PNXG9AGMD9A2SRLFMO0L/45..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 45 The so-called blue armchair after restoration and conservation in August 2021. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132888827-ENVND2CV6EIJPOYPU5I8/46..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 46 The so-called white armchair after restoration and conservation in August 2021. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132895178-KYCY8NNR7D2RXODFS7ZQ/47..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 47 The sofa after restoration and conservation in August 2021. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132894216-71L2PAVLARPC9LCSOAED/48..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 48 The Kardiorg suite when the work on it was completed in August 2021. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1660132895610-MJLNBV3UVMZDAYLY18TX/49..jpg Renovatum anno 2022/2024 EN - Silk, feathers and great aims. The story about history, restoration and conservation of a furniture-set from the Kadriorg Art Museum - ill 49 The suite was displayed at the exhibition Stylish Things. Furniture and Decorative Art from the Collections of Estonian Museums at the Kadriorg Art Museum. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/restoration-of-the-icon-christ-enthroned monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983642498-D7QQF0UGANHWCTR2ADEG/1.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 1 Photos of the icon Christ Enthroned (Archbishop Christ) before and after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983797021-0F49WZWYFB6HUDRRYS6W/2.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 2 Extensive shedding and losses in the priming and painting layers on the lower part of the icon. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983797035-Q4LQ00IW99Y6JSUUDNW8/3.JPG Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 3 Holes in the edges of the wooden panel yielding fine wood-dust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983800594-MM14KT9GFGWSSI13OWZW/4.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 4 A piece of wood (of a deciduous tree) was used to repair the loss in the baseboard. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983800235-JZ9YVSGAD7S23U61N31W/5.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 5 Cleansing the surface of the painted layer – half of the area is clean. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983802323-G6MC4TW242SRPS5L7HEO/6.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 6 Filling the losses in priming. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983803227-PJG6Y7BJGDM8K1DGOYLP/7.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 7 Detailed photo of the fillings. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983805016-MBKCOWY1982GJ5H1VK2C/8.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 8 Tratteggio toning base – the blue and red vertical lines, which will stand out from later layers made with watercolors . Photo: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983805828-3RUXXA7SNTLFK0NUIX6O/9.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 9 Stages of Tratteggio toning thin layers of watercolor on top of each other in the lower part of the icon. Photo: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983807082-B8ZWJRNW7YTL3NWI0WRL/10.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 10 Stages of Tratteggio toning thin layers of watercolor on top of each other in the lower part of the icon. Photo: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983808377-T49UPJMNW0YO1FM90IRV/11.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 11 Tratteggio toning in the lower part of the icon. Photo: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983809249-3M4XV60OFU4WEON1S9ET/12.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 12 The icon case. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983812432-4R3SX3DTGXSWHSGIUY1Q/13.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 13 The new detail cast of resin plaster. Photo: K. Aas https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983812342-RXUNFIMA73Z7IAP8NPLM/14.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 14 The icon case after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983817806-8EC4204WDRYLRRF3VRBJ/15.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 15 The initial original drawing and an alteration made during the painting. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983817706-RI77QFP8C9H64CRS2YB7/16.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 16 The initial original drawing and an alteration made during the painting. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983823501-TU3SDB1BK0H7S8G6YM73/17.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 17 The initial original drawing and an alteration made during the painting. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1650983823200-VX9E2GCO2F9MLQ6VWHU1/18.jpg Renovatum anno 2022/2024 EN - Restoration of the Icon Christ Enthroned - ill 18 The initial original drawing and an alteration made during the painting. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/archangel-gabriels-storyconservation-of-the-broken-door-in-the-iconostasis-of-the-kuriste monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099453479-5IP8ABPQWR82LFHY2EA2/1.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 1 Kuriste Church of the Birth of Our Lady in Hiiumaa. www.kirik-hiiumaal.ee https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099453526-L6H7KJU2RCIYLAUSMRCW/2.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 2 Interior of the Church of the Birth of Our Lady. The iconostasis before the diaconal door was removed. www.kirik-hiiumaal.ee https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099458664-6E519MP67Z1WBPCD9CRI/3.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 3 The icon in the box for transporting, the bottom of which was covered with decaying wood dust. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099458122-Q7HM08WUTJH84SYGQPD1/4.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 4 A detail of the damaged border. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099461958-TDIPWSL40P7QXD0LUVHM/5.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 5 Numerous losses of paint on the borders of the icon. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099512590-Z6JYVB3L54D3HHA83D7H/6.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 6 The wood of the icon had turned into a porous mass. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099486023-ASVRNI41330ED8RGMOD8/7.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 7 The back (reverse side) of the icon under conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099493656-OYISBQ0QPFJLLDDN9FAL/8.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 8 Shredding of the lower border. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099502071-4KMOJYBJ6L4UUO4TQME7/9_uus.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 9 Border after shredding and shunting. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099518234-YVK43NFCO6L7PR0VEX49/10.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 10 Surface cleaning of the painting: darkened varnish is being removed. Detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099526305-R4IQ5O5ZB29W6HSTWAK2/11.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 11 Surface cleaning of the painting: darkened varnish is being removed. Detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099526740-G91WZ224FDTEF3E04VDS/12.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 12 Before processing the wood the cleaned surface of the painting had to be covered with a solid prophylactic inset. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099531493-X737EGUA3R4N3MD5YUNX/13.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 13 Several tests with materials were made to find the best for the inset. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099533448-2DJBU17EMLWQ0G9TYQSQ/14.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 14 Before reinforcing the wood the borders of the icon had to be cleansed off loose dust and dirt. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099534520-ACE72I75ST0DJAGSYNLH/15.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 15 Filling material and glues were tested before the selection for suitable filler was made. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099534670-F62MRT4SXPH621UE680C/16.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 16 Cellulose fibre Antrocel® P https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099538413-SP1CKIC4C74E8PUISJF7/17.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 17 White wood-glue Titebond + Antrocel® P + distilled water occurred to be the best filling. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099538839-PUZBUJSV527O1M65JENY/18.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 18 The best filling was used to make two replicas for imitating the reconstruction of the borders. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099539635-4IY0BROHZ632V09DM4SI/19.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 19 The borders were built up later by layer. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099544214-16AOQY327WWPSOTN9CIJ/20.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 20 For reconstruction the borderline of the object had to be fixed first … Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099545864-RABI9NZB80D6RZK27J8W/21.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 21 …and for that an auxiliary frame had to be constructed. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099549691-TBI6ZV0P1QXSPBQLP56F/22.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 22 The frame followed the original shape of the icon. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099563574-S3BV74KVNWD4BF6BHYZK/23_uus.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 23 A framework was made especially for the borders’ reconstruction. Detail. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099575346-GDKYD56OGZ1UNMTIEAVM/24.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 24 The front of the icon in the framework. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099570227-I3PD4LLQPXX12K6M6TAR/25_uus.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 25 Framework viewed from the front. Detail view. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099582484-RGNJHLTCVD1F9YDOXMCB/26_uus.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 26 The back of the icon in the framework. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099580797-MRPXN6MFFIQHHMXY98RP/27.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 27 A temporary support of plasticine was constructed in between the preserved border and the framework. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099585404-AMGP2YZWL2R7VZNPN85O/28.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 28 Building up the borders was accomplished at the back of the icon. The photo shows gaps filled with plasticine and foil in the borders of the icon. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099588378-CUSM6GIUD90DPBWJKDVI/29.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 29 Layer-by-layer building up the borders. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099590240-QE60ZYISXOA7EAGDYY63/30.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 30 5 – 8 layers of mass/pulp were needed for filling the borders with unequal gaps. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099591628-9RX4ESI5I40KTQQ51XMO/31.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 31 Every layer needed three to seven days for drying. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099594015-TYWTYFJG87NK9XAMK6PO/32.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 32 The layer-by-layer set borders adhered properly to wood and the initial shape of the icon had been restored. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099597590-JL1HULIHZFENDQO1FLP9/33.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 33 The icon was turned around, the prophylactic inset, plasticine and foil layers were removed. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099597630-5Z4P060VTLOQEN412S55/34.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 34 Pieces of painting that had detached were cleaned of loose wood-dust and thinned equal. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099599083-OZLDHGSBHJ12JMSOA8N3/35.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 35 Processed pieces of painting were returned to their places. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099600604-FHNRTLU5EFPQMVP9820J/36.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 36 Some holes in the surface of the painting had to be under-propped. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099601709-UPPDOH38641YRIO57EQM/37.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 37 A hole in the surface filled with pulp. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099603895-OZRO0AUP2NM3E3CZSQ2E/38.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 38 Holes filled with pulp stabilising in the press. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099605390-KKCY09OENI2ZBVS9C419/39_uus.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 39 Paint losses primed. The missing details could be restored thanks to earlier photos. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099608046-OENMLU2QI0R33KY2YOZL/40.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 40 The side door of the iconostasis in the church in 1983. Photo: the National Board https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099610011-5JH8MU3L10FN013IRX4N/41.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 41 The side door of the iconostasis in the church in 2001. Photo: the National Board https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099611776-58K3NUIOPGS7VS8PKGTR/42.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 42 Toning the losses in painting, first with watercolours … Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099612484-GNC2PDNLTR8B4VT1LS0A/43.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 43 … and then with Maimeri ® restoration colours. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099614044-QIQUX2NT9XCD7GQYJMQ2/44.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 44 Completed work. The icon in the painting department of the Kanut. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099616889-WXPY5QHA9MO4T0FKKFX7/45.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 45 The icon after conservation. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099616747-QPGAZLI7OX90UN0P4F36/46.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 46 A special frame was made for transporting, storing and displaying the icon. In addition to that the functional frame is serving also as the encasement to the icon. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099617651-FYHRZBO9BA4NY74E1R6F/47.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 47 For protection on the borders of the icon soft cloth strips were glued on the slats. Photo: M. Lillepruun https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099621153-3ICJFQR0NUWOYTAY5P3N/48.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 48 The back of the icon in the frame. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099630242-MWAM7LNNUF476KJ00BBG/49.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 49 The icon before, during and after conservation. Collage. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1666099628485-CTCUE0BYWYPKYI75LA3U/50.jpg Renovatum anno 2022/2024 EN - Archangel Gabriel’s StoryConservation of the broken door in the iconostasis of the Kuriste - ill 50 The reverse side of the icon during and after the conservation. Collage. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/conservation-of-large-scale-printed-works-on-paper-on-the-example-of-posters-in-lithographic-technique-depicting-georg-lurich monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563661939-Q0K8SUUXHY0LWEQZWGPB/1.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 1 The full portrait of Georg Lurich in its initial condition brought for conservation to Kanut in February 2020 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563689101-QMRD0GPXW38J6O0VWNLK/2.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 2 The bust portrait of Georg Lurich in its initial condition brought for conservation to Kanut in February 2020. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563689328-BTFZZ8667W7IAWOGFB1K/3..jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 3 Georg Lurich, one of the most famous professional wrestlers of Estonia, in his best times. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563689722-I55Z6GO3KKJ276137N1D/4.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 4 Viljandi’s bookseller Hans Leoke in 1906. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563690186-W7CEV9JY82NHTFXP9V03/5.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 5 The library stamp of Viljandi’s bookseller Hans Leoke on the full portrait. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563691005-D0BQ9ABYS2PC12ABWPE2/6.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 6 Lithography press of the Adolph Friedländer printing house in Hamburg. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563691426-IJ40WE45D1Q9F4RQUMOU/7.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 7 Trademark and number of the Adolph Friedländer printing house on posters from the Viljandi Museum. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563692665-BKAE36KDPYXL2DIHLO3O/8.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 8 Poster paper is curling due to poor quality backing cardboard and robust mounting method (gluing on cardboard). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563693553-3052F76SELLL78O6ADLI/9.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 9 Extensive paper damages on the top of the full portrait, which may have been due to higher mechanical pressure (the poster was rolled up starting from the top side). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563695656-91EQBVNMTP5RDYLNPW4B/10.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 10 Extensive paper losses, tears, folds, cuts and water tidelines in the face area of the full portrait that severely distorted the image. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563695792-270SLVO2G5EIG24GFVBH/11.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 11 Previous repair and retouching of the full portrait. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563697913-AWA6WQRWL42L315MX2AA/12.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 12 Highly decomposed surface of the poster paper under a scanning electron microscope. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563697630-0X80KRC77CONKY9JYW09/13.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 13 Biological contamination of the poster paper (spores, mycelium in a dormant state) under a scanning electron microscope. Under normal conditions at room temperature, biological contamination was not active, but in a humid environment of methylcellulose, the prolific mold developed on the cotton wool used to clean the paper within a couple of weeks. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563699421-5D03HV803BJERIG59M5W/14.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 14 Poster covered with a prophylactic or protective facing. The purpose of the support was to fix the broken and detached areas or areas with the risk of detachment of the deformed original in their correct location before wet treatment. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563699466-GSTLKWPWN3FZYR732QH1/15.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 15 Separation of the bust portrait from the base cardboard – it was one of the most important stages of conservation work, during which the acidic base cardboard was removed as it was dangerous for the preservation of the poster due to both chemical effects and physically deformable mounting method. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563701384-IS8R713PH5F0YODOSV0S/16.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 16 Washing the lower section of the full portrait on a vacuum washboard. Wet treatment – washing fragile and severely damaged objects in the water environment – allows to remove decomposed products from the paper (this often improves the appearance of the work and makes the paper lighter). https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563701320-SO1R4BUJV0F26MV0V7R3/17.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 17 Formation of a patch from a suitably shaped repair paper. The repair paper must be compatible with the original in structure, weight, density and tone. As a rule, the repair paper could always be a little lighter and brighter than the original. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563703214-9L6AUGLPPOLADXOBVWCD/18.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 18 Retouching pens for the face and head of the image. Corrections of the color tone were left lighter enough than the original surface to distinguish the toned areas. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563702968-UI3MM0BFWINY05VIXRBJ/19.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 19 Handling the poster was a good challenge given its size and sometimes required the cooperation of several conservators. However, the poster fixed on the drying board could be safely moved. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563705406-X8VS00MLBSR65XBVI0M2/20.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 20 Compared to photographing without a drying board, it was much easier to digitize the original that was firmly fixed to the stand and resulted in a high-quality image. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563705655-NHROTT8VO2CAPGBCEFBL/21.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 21 For packing the posters of Lurich, an archive permanent box from corrugated cardboard suitable for long-term storage. Because of the format of the posters, it was also a challenge to make a suitable box. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563707439-AZ7ZOWXPDM5GQ0220THH/22.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 22 Storage box for Lurich posters in the storage room of Viljandi Museum. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563707481-V1ASBGHAPU9GU0G68Z0P/23.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 23 The bust portrait of Lurich before conservation in February 2020. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651563709756-UF3RQ643TCROJO0PRG99/24.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 24 The bust portrait of Lurich after conservation in February 2021. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651566649308-G9GZQIL07X20VQT8ZNNY/25.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 25 The full portrait of Lurich before conservation in February 2020. https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/1651566649656-F0F9W9YYD0OO2JJOWHRL/26.jpg Renovatum anno 2022/2024 EN - Conservation of large-scale printed works on paper on the example of posters in lithographic technique depicting Georg Lurich - ill 26 The full portrait of Lurich after conservation in February 2021. https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/tag/Education monthly 0.5 https://www.anno.renovatum.ee/en/renovatum-anno-2022-2024/tag/Conservation monthly 0.5 https://www.anno.renovatum.ee/ee/avaleht daily 1.0 2025-08-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/853da7c5-4617-49e5-9a2c-40eed514d0ee/Kollaazh.jpg Avaleht - Lorem ipsum ISSN: 1736-9150 Number: 17 https://www.anno.renovatum.ee/ee/sailitamine daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/2a2aa0c4-9758-4059-948d-86f7574ea3d3/roolirattad_uue_taustaga_suurem.jpg Säilitamine - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/4c58a050-e192-49af-a996-4a6166474bdb/lyhter_kyynaldega_1a.jpg Säilitamine - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/151fd5cb-1ade-4f44-a160-6f13e883d900/maasilaeva_vrakk.jpg Säilitamine - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/f75491c0-733d-439c-9103-e9315c6d85dc/_DSC2640.jfif Säilitamine - Make it stand out Number: 17 https://www.anno.renovatum.ee/logo daily 0.75 2021-12-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/c9eb4e11-d429-4ae0-b8bd-60b1d6c14cdb/Renovatum.png Logo - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.anno.renovatum.ee/ee/uuringud-ja-materjalid daily 0.75 2025-07-31 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8f0b6553-62a2-4bd9-9e35-e0b4d13c1e5e/maasilaeva_vrakk.jpg Uuringud ja materjalid - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8d603e1d-6883-4a42-a373-fe43e8df6672/_DSC2640.jfif Uuringud ja materjalid - Make it stand out Number: 17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/42ef3aff-0836-468f-a801-8ff48384c86b/lyhter_kyynaldega_1a.jpg Uuringud ja materjalid - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/d68fe776-c255-46f9-baf0-da48e64659db/roolirattad_uue_taustaga_suurem+%281%29.jpg Uuringud ja materjalid - Make it stand out Number: 16 https://www.anno.renovatum.ee/ee/haridus-ja-taiendope daily 0.75 2024-12-13 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b30cfecf-edce-4b65-b522-6a1f131cce37/roolirattad_uue_taustaga_suurem+%281%29.jpg Haridus ja täiendõpe - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dcf05ae4-260a-40dd-a7de-b1abd7ac614a/maasilaeva_vrakk.jpg Haridus ja täiendõpe - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6622439e-b0c8-4059-b704-a711d95aaf6d/lyhter_kyynaldega_1a.jpg Haridus ja täiendõpe - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/bd1613b4-e638-49ad-a879-b93f04381ea0/_DSC2640.jfif Haridus ja täiendõpe - Make it stand out Number: 17 https://www.anno.renovatum.ee/ee/konserveerimine daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/fe031d59-c9c5-4585-8caa-dec11124067d/maasilaeva_vrakk.jpg Konserveerimine - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/80cd35ec-e27c-4819-86a0-5c57bc6f1d71/lyhter_kyynaldega_1a.jpg Konserveerimine - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dc5180b1-4c47-46b3-9bd9-f181b60eaed1/_DSC2640.jfif Konserveerimine - Make it stand out Number: 17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/f10865a0-be5f-4807-a8a8-7bb018ba7660/roolirattad_uue_taustaga_suurem+%281%29.jpg Konserveerimine - Make it stand out Number: 16 https://www.anno.renovatum.ee/ee/triennaal daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b72babe8-7cdf-471a-8bca-975bf17e4767/lyhter_kyynaldega_1a.jpg Triennaal - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dd3fb9c8-cd69-457f-89c8-61863c4b4f98/roolirattad_uue_taustaga_suurem+%281%29.jpg Triennaal - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6a3c72f8-363d-40ff-97af-f864d24be9a3/maasilaeva_vrakk.jpg Triennaal - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8ae5fb77-359a-483c-8460-124751815fe5/_DSC2640.jfif Triennaal - Make it stand out Number: 17 https://www.anno.renovatum.ee/ee/digiteerimine daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/76e54baa-555b-4240-b933-d13568661f7d/roolirattad_uue_taustaga_suurem+%281%29.jpg Digiteerimine - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6685e75c-a961-46cd-a6c2-759860722f11/maasilaeva_vrakk.jpg Digiteerimine - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/fd7c9799-b7c6-4c2b-8a6e-094565c36d28/lyhter_kyynaldega_1a.jpg Digiteerimine - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/d90fc6a7-9ab8-4e2e-adcf-e903009903b3/_DSC2640.jfif Digiteerimine - Make it stand out Number: 17 https://www.anno.renovatum.ee/ee/otsing daily 0.75 2021-12-11 https://www.anno.renovatum.ee/ee/renovatum-anno-2015-kokkuvote daily 0.75 2021-12-15 https://www.anno.renovatum.ee/en/home daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/103c9d67-bc48-44ab-af6f-f1fa4d94c2ff/_DSC2640.JPG Home - Lorem ipsum ISSN: 1736-9150 Number: 16 https://www.anno.renovatum.ee/en/digitisation daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/701d0dc4-5a71-4073-a93d-53bf48ab2d97/_DSC2640.jfif Digitisation - Make it stand out Number: 17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/76e54baa-555b-4240-b933-d13568661f7d/roolirattad_uue_taustaga_suurem+%281%29.jpg Digitisation - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/fd7c9799-b7c6-4c2b-8a6e-094565c36d28/lyhter_kyynaldega_1a.jpg Digitisation - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6685e75c-a961-46cd-a6c2-759860722f11/maasilaeva_vrakk.jpg Digitisation - Make it stand out Number: 14 https://www.anno.renovatum.ee/en/preservation daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/4c58a050-e192-49af-a996-4a6166474bdb/lyhter_kyynaldega_1a.jpg Preservation - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/2a2aa0c4-9758-4059-948d-86f7574ea3d3/roolirattad_uue_taustaga_suurem.jpg Preservation - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/151fd5cb-1ade-4f44-a160-6f13e883d900/maasilaeva_vrakk.jpg Preservation - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/86723c40-de83-4362-89ae-a82b9ff08bb4/_DSC2640.jfif Preservation - Make it stand out Number: 17 https://www.anno.renovatum.ee/en/education daily 0.75 2024-12-26 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dcf05ae4-260a-40dd-a7de-b1abd7ac614a/maasilaeva_vrakk.jpg Education - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/5fe422e5-fd1a-4b98-b2fe-9b887513d58e/_DSC2640.jfif Education - Make it stand out Number: 17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b30cfecf-edce-4b65-b522-6a1f131cce37/roolirattad_uue_taustaga_suurem+%281%29.jpg Education - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6622439e-b0c8-4059-b704-a711d95aaf6d/lyhter_kyynaldega_1a.jpg Education - Make it stand out Number: 15 https://www.anno.renovatum.ee/en/research daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8f0b6553-62a2-4bd9-9e35-e0b4d13c1e5e/maasilaeva_vrakk.jpg Research - Make it stand out Number: 14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/186baaa0-56e7-4fc6-9c46-4d2c5e2798c8/_DSC2640.jfif Research - Make it stand out Number: 17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/42ef3aff-0836-468f-a801-8ff48384c86b/lyhter_kyynaldega_1a.jpg Research - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/d68fe776-c255-46f9-baf0-da48e64659db/roolirattad_uue_taustaga_suurem+%281%29.jpg Research - Make it stand out Number: 16 https://www.anno.renovatum.ee/en/triennaal daily 0.75 2022-08-14 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b72babe8-7cdf-471a-8bca-975bf17e4767/lyhter_kyynaldega_1a.jpg Triennial - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dd3fb9c8-cd69-457f-89c8-61863c4b4f98/roolirattad_uue_taustaga_suurem+%281%29.jpg Triennial - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/6a3c72f8-363d-40ff-97af-f864d24be9a3/maasilaeva_vrakk.jpg Triennial - Make it stand out Number: 14 https://www.anno.renovatum.ee/en/conservation daily 0.75 2024-11-04 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/f8119378-a1ed-4067-a90f-055d9fdedf52/_DSC2640.jfif Conservation - Make it stand out Number: 17 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/80cd35ec-e27c-4819-86a0-5c57bc6f1d71/lyhter_kyynaldega_1a.jpg Conservation - Make it stand out Number: 15 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/f10865a0-be5f-4807-a8a8-7bb018ba7660/roolirattad_uue_taustaga_suurem+%281%29.jpg Conservation - Make it stand out Number: 16 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/fe031d59-c9c5-4585-8caa-dec11124067d/maasilaeva_vrakk.jpg Conservation - Make it stand out Number: 14 https://www.anno.renovatum.ee/en/search daily 0.75 2021-12-21 https://www.anno.renovatum.ee/ee/2022-2024 daily 0.75 2025-08-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8ae5fb77-359a-483c-8460-124751815fe5/_DSC2640.jfif https://www.anno.renovatum.ee/ee/2019-2020 daily 0.75 2025-08-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dd3fb9c8-cd69-457f-89c8-61863c4b4f98/roolirattad_uue_taustaga_suurem+%281%29.jpg https://www.anno.renovatum.ee/ee/2017-2018 daily 0.75 2025-08-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b72babe8-7cdf-471a-8bca-975bf17e4767/lyhter_kyynaldega_1a.jpg https://www.anno.renovatum.ee/ee/2015 daily 0.75 2025-08-21 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/2fdde8e0-077b-4d5d-8d26-082d23bc53ac/maasilaeva_vrakk.jpg https://www.anno.renovatum.ee/en/2022-2024-en daily 0.75 2025-08-22 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/8ae5fb77-359a-483c-8460-124751815fe5/_DSC2640.jfif https://www.anno.renovatum.ee/en/2019-2020-en daily 0.75 2025-08-22 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/dd3fb9c8-cd69-457f-89c8-61863c4b4f98/roolirattad_uue_taustaga_suurem+%281%29.jpg https://www.anno.renovatum.ee/en/2017-2018-en daily 0.75 2025-08-22 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/b72babe8-7cdf-471a-8bca-975bf17e4767/lyhter_kyynaldega_1a.jpg https://www.anno.renovatum.ee/en/2015-en daily 0.75 2025-08-22 https://images.squarespace-cdn.com/content/v1/61a3b0136ae6595e3f400d0a/2fdde8e0-077b-4d5d-8d26-082d23bc53ac/maasilaeva_vrakk.jpg